Remember Charles Bronson stalking the streets of New York blowing holes in muggers in Death Wish ? Remember Glenn Ford standing off the vicious juvenile delinquents in Blackboard Jungle ? Well, it is more than fifty years and two different worlds from 1955 to now. And something the author of these stories knows that you are scared to admit is that reality and fantasy have flip-flopped. They have switched places. The stories that scare you today are the ones about rapists and thugs, psychos who will carve you for a dollar and hypes who will bust your head to get fixed. Glenn Ford's world was yesterday, and Bronson's is today. And in the stalking midnight of this book, one of America's top writers, Harlan Ellison, invades the shadows of both!

The original 50 cent paperback edition of this book now goes for $100 in rare book auctions. Why? Because it contains 25 of the best, hardest-to-find stories of the writer the Washington Post calls "one of the great living American short story writers," the unpredictable Harlan Ellison. "Harlan Ellison is the dark prince of American letters, cutting through our corrupted midnight fog with a switchblade prose. He simply must be read." --Pete Hamill "Ellison writes with sensitivity as well as guts---a rare combination." --Leslie Charteris, creator of THE SAINT

About the Book "The Great Wall of China" ("Beim Bau der Chinesischen Mauer") is a short story written by Franz Kafka in 1917. It was not published until 1931, seven years after his death. Max Brod selected stories and published them in the collection Beim Bau der Chinesischen Mauer. -wikipedia For more eBooks visit www.kartindo.com

"Each of the six stories in Your Duck is My Duck, Eisenberg's first collection since 2006, has the heft and complexity of a novel. With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters--a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand."--

Ann VanderMeer is the Hugo Award-winning editor of Weird Tales and the founder of Buzzcity Press. She currently serves as an acquiring fiction editor for Tor.com, Cheeky Frawg Books, and Weirdfictionreview.com. She has also won a World Fantasy Award and a British Fantasy Award for coediting The Weird: A Compendium of Strange and Dark Stories. She is the coeditor of numerous titles, including The Kosher Guide to Imaginary Animals, Steampunk, Steampunk II: Steampunk Reloaded, and The Steampunk Bible. Jeff VanderMeer is a columnist, a publisher, and the author of several books, including Booklife

'The Fun Parts' is a Lipsyte at his best - an exploration of new voices and vistas from a writer 'Time' magazing has said 'everyone should read'.

In the past hundred years, since the publication of Bram Stoker's infamous book, no literary figure has enjoyed a more horrific resiliency than Count Dracula. In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt—male and female, human and non-human, humorous and heroic—all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories—The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire—which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd, Blood Thirst gives us all something to sink our teeth into.

The author of the famous "Ways of Seeing" and the novel "G" (winner of the 1972 Booker Prize) has now published a collection of short stories, poems and sketches about the life and culture of a French peasant community, its gossip, its memories and its relationship with the land.

A short story and a novella which, together, tell an exquisitely powerful and moving tale of the Holocaust. Both The Shawl and Rosa won first prize in the O. Henry Prize Stories and were chosen for Best American Short Stories.

Five short stories in which a vacation takes a supernatural turn.

Focuses on characterization, plot, dialogue, theme, viewpoint, form, and language in explaining the fundamentals of writing novels and short stories

Armchair Fiction features the best in classic classic science fiction short story collections. "Masters of Science Fiction, Vol. Three" features the works of Robert Sheckley. He was born in New York in 1931 and passed away in 2005. Most of his life was spent concocting brilliant pieces of imaginative mind fodder. What would the perfect woman look like? He pondered what, if anything, would a man be able to eat on a distant planet? Would the end-all to financial worry and violence bring man the utopia he has always searched for? Unlock the answers to these questions and many more with this unmatched collection of Robert Sheckley stories...just waiting to be devoured.

"The stories in this volume were written between July of 1990 and March of 1995-the second half of the fifth decade of my career as a science-fiction writer. I don't think I could have imagined, when I began that career in the early 1950s, that science-fiction publishing would evolve the way it did over the next forty years. Here, then, is the cream of the Silverberg output, 1990-95. I suppose I wrote more short stories in the first six months of 1957 than in that entire six-year period; but so be it. It's a different world today. I look back nostalgically on the small-town atmosphere of the era in which I began my career, and there are times when I'd be glad to 'call back yesterday, bid time return.' As Shakespeare pointed out, though, that can't be done. The one recourse is the one I have chosen, which is to soldier staunchly onward through the years, come what may, writing a story or two here and a book there, while the world changes out of all recognition around me. And so-to leap neatly from the Bard of Avon to F. Scott Fitzgerald-'so we beat on, boats against the current, borne back ceaselessly into the past.'" -Robert Silverberg, from the Introduction

Best known as the author of "Psycho", Robert Bloch is world-renowned for his stories of horror, mystery, fantasy, and science fiction. Many of the 25 stories in this first volume of "The Complete Stories of Robert Bloch" have been unavailable for decades. The stories are in his classic style of gripping suspense, science fiction and fantasy. As Bloch writes, "These stories in this collection have a common theme; they deal with monsters. Some of the monsters are human, some are not-- but all of them embody, in one way or another, the fears common to us in our dreams. We call these monsters by many names-- ghosts, vampires, extraterrestrials, changelings. But we recognize them for what they are; manifestations of the secret dreads and desires which lurk beneath the surface of consciousness." "Bloch has become a virtual fixture on the popular culture landscape." --Publishers Weekly "If you're not familiar with Bloch's short fiction, find someone to borrow this from; if you already are familiar, you know that you want to own these volumes." --Locus

Through his distinctive fusion of modernist daring and traditional storytelling, Bernard Malamud became one of postwar America's most important writers, his work an inspiration for and lasting influence on novelists who have come after him, Cynthia Ozick and Philip Roth most notably among them. The second volume of the Library of America's Malamud edition brings together three novels of the 1960s: A New Life (1961), a satiric campus novel set in the Pacific Northwest (based on the author's experiences at Oregon State), in which native New Yorker Seymour Levin finds himself confronted not only with a new landscape but with erotic intrigue, university politics, and an appointment that isn't quite what he had expected it to be. The Fixer (1966) is the gripping saga of a Jew imprisoned in pre-Revolutionary Russia after being falsely accused of the ritual murder of a twelve-year-old boy. The novel-in-stories Pictures of Fidelman: An Exhibition (1969) follows the comic misadventures, sexual and otherwise, of a failed American painter in Italy. In the ten unforgettable stories concluding the collection, Malamud shows himself to be an heir to the tradition of Hawthorne, Chekhov, and Kafka, and at his best--"Idiots First," "The Jewbird," "The German Refugee"--their equal--

Raised in Brooklyn, the son of Jewish immigrants, and coming of age in Depression-era New York, Bernard Malamud (1914-1986) began his career writing stories of unsparing precision and power, plumbing the depths of an impoverished urban world. His early, naturalistic style evolved into an inventive, often surreal idiom that blurs reality and fantasy. His first novel, The Natural (1952), is a dazzling reimagining of the possibilities of sports fiction, and it remains one of the greatest and most beloved novels about baseball ever written. In The Assistant (1957), Malamud created a searing drama of guilt and redemption about a struggling grocer's family and the mysterious drifter who comes to rob, and then to work at, his store, transforming all of their lives in unforeseen ways. Joining these novels are twenty-six short stories, ranging from the early tale "Armistice," set in Brooklyn during the troubling weeks of the German invasion of France in 1940, to one of his deepest and most celebrated stories, "The Magic Barrel," a deep fable about a rabbinical student and the matchmaker who leads him to an utterly unexpected bride--

Twenty-two captivating stories where queer culture and fey folklore meet. The legends of Fairyland tell that one should never taste the food or sip the drink, or else risk being caught there forever. But the tempting morsels in So Fey are irresistible! Lambda Award-nominated editor Steve Berman brings together acclaimed fantasy writers with some of the brightest names in speculative and LGBT fiction to create tales that are moving and magical. These stories of romance and grief, adolescence and identity, struggle and hope will enchant readers who long for a fantastic escape--and a wonderful twist! One sample of this bewitching treat is sure to trap you in its pages! From the pains of loss in Holly Black's "The Coat of Stars" to dealing with issues of identity in Richard Bowes's "The Wand's Boy" to Melissa Scott's look at the dangers of love in "Mister Seeley" So Fey: Queer Fairy Fiction takes you into worlds that are at once amazing and familiar. With tales that tear and tug at the heart but never cease to enchant, this exciting and unique collection will long last in the minds of readers.

Although his name will be forever linked with his novel Psycho, Robert Bloch wrote over two dozen novels and hundreds of short stories, plus scripts for radio, television and the cinema. The Early Fears brings together for the first time all of the stories from his first two collections, both long out-of-print, plus three previously uncollected stories.