"A prince under a curse and a hungry princess meet. Two siblings finally discover what their parents do when they stay up on New Year's Eve. And a boy gets a surprising visit on President's Day. Join in the fun as the teeny weenies get into all kinds of hilarious trouble."--Page 4 of cover.

A dazzling, postmodern debut collection of pulp and surreal fictions: a writer of alternate histories defends his patron's zeppelin against assassins and pirates; a woman transforms into hundreds of gumballs; an emancipated children's collective goes house hunting.

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These science fiction stories here were published just last year and honored in April. The winners are: Connie Willis's "A Letter from the Cleary's" and "Firewatch," John Kessel's novella "Another Orphan" and an excerpt from Michael Bishop's novel No Enemy But Time. Equally impressive is the quality of the nominees that didn't win. Joanna Russ's "Souls" is a medieval setting. Barry Malzberg's "Corridors," actually from the inside. "Swarm," one of the best stories ever about living with aliens, by Bruce Sterling. Also includes stories by Silverberg and William Gibson.

Udvalgte noveller fra de to samlinger: The soft voice of the serpent (1953), og Livingstone's companions (1972)

Once in Europa

Fiction. Asian American Studies. In the stories in Karl Taro Greenfeld's NOWTRENDS, a reporter is sent to Chengdu, China, to interview a young, drug-addled starlet and finds that a fellow journalist with questionable political ties has been imprisoned; a struggling, Japanese artist is asked by government officials to invent a cartoon character that will prove as popular as Disney's Mickey Mouse; and a man carries 2100 milliliters of his own urine as he encounters heckling youths, Meg Whitman, and his father, who may or may not be dead. Greenfeld writes beautifully crafted stories with an authority, humor, and confidence reminiscent of Bret Easton Ellis, Phillip Roth, and Ernest Hemingway. His stories have been chosen for inclusion in Best American Short Stories 2009 and The PEN/O. Henry Prize Stories 2012.

"Admired by Thomas Mann, Hermann Hesse, and particularly Rainer Maria Rilke, Swiss author Regina Ullmann has never appeared before in English: her oracular, strange, singular voice astonishes. The stories in this volume are largely set in the Alpine countryside, and though resonant of nineteenth-century village tales and of authors such as Adalbert Stifter, Ullmann's distinctive, otherworldly voice has inspired comparisons to her contemporary Robert Walser. In her stories, the archaic and the modern collide. In one tale, a young woman on an exhausting country walk recoils at a passing bicyclist, but accepts a ride from a wagon, taking her seat on a trunk with a snake coiled inside. As Ullmann writes, "sometimes the whole world appears to be painted on porcelain, right down to the dangerous cracks." This delicate but brittle beauty, with its ominous undertones, gives Regina Ullmann her unique voice" --

"Older fans will admire [Burstein's] dedication to remembering and honoring the past." -Publisher's Weekly The award-nominated stories in this collection will bring memories of the future flooding back. Two new stories and all-new afterwords enliven the past with a touch of the present and that which is yet to come. You don't need a collection of antique spaceships or a carefully calibrated time machine to share the memories of the final Holocaust survivor. You don't have to jump through the gate between universes in search of a lost friend. All you have to do is open your eyes. You'll remember the future. The future remembers you.

From the bestselling author of the memoir Permanent Midnight and the novel I, Fatty comes a long-awaited collection of short stories. Jerry’s Stahl’s perverse, yet often touching tales, many of which first appeared in publications ranging from Playboy to the Pushcart Prize to Best Erotic Fiction, plumb the depths of eccentric romance, sex-starved adolescence, mid-life crisis, and family dysfunction. From a teenager’s tryst with a recently widowed middle-aged woman on an airplane, to a dissatisfied dentist’s attempt to find freedom on the road with a much younger woman, all the way to an intensely erotic love affair between an ex-junkie and an ex-circus midget with a sexual obsession with vegetables, this collection never fails to arouse and surprise. With a disarmingly immediate prose style, Stahl finds great eroticism, humor, and humanity in the wildest of encounters.

With compassion, wit, humor, and intelligence, these stories explore the gray areas of our lives. Echoes of myth, fairy tale, and fable flavor them, underscoring the eternal nature of both the human condition and storytelling itself.

The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer's girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenaged girl and her best friend test their relationship by breaking into suburban houses. A wife finds a gaping hole in the floor of the home she shares with her husband, a hole that only she can see. Full of longing and strange humor, these subtle, complex stories--about the love between a man and his pet crow, an alcoholic and his AA sponsor, a mute migrant and a newspaper reporter--show how love ties us to each other and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love.

Collects twelve humorous stories featuring the teeny weenies.

Rare Book

A fiercely honest exploration of the risks and rewards of contemporary relationships--and hookups-- Sex with Strangers embraces the dizzying power of attraction across the spectrum of passion and infatuation. In this fearless collection, lust and loneliness drive a diverse cast of queer and straight characters into sometimes precarious entanglements. Recognizing that any partner is unknowable on some level, Michael Lowenthal writes about how intimacy can make strangers of us all. A newly ordained priest struggles with guilt and longing when he runs into his ex-girlfriend. A woman weighs the cost of protecting her daughter from a man they both adore. A teenage busboy has a jolting brush with a famous musician. A young man tries to salvage a long-distance relationship while caring for his mentor, an erotic writer dying of AIDS. In edgy, disquieting stories, Lowenthal traces the paths that attraction and erotic encounters take, baffling and rueful as often as electrifying. This fraught and funny volume forces us to grapple with our own subconscious desires and question how well we can ever really know ourselves.

"First published in French in 1892 and never before translated fully into English, The King in the Golden Mask gathers 21 of Marcel Schwob's cruelest and most erudite tales. Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob's collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob's stories portray clergymen furtively attending medieval sabbaths, Protestant galley slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noblemen wandering Europe at the height of the 1374 plague. These writings are of such hallucinatory detail and linguistic specificity that the reader is left wondering whether they aren't newly unearthed historical documents. To read Schwob is to encounter human history in its most scintillating form as it comes into contact with this unparalleled imagination"--Page 4 of cover.

Delightfully funny animal stories and beautifully detailed paintings certain to captivate children.

Five short stories in which young people gain a sense of self.

Informed by Levi's sly and scientific imagination, the fictions in this collection explore a strangely familiar parallel universe in which scientific advances, gone unchecked, create a dehumanized and amoral world where machines write poetry and replicate anything—including human beings.