Of the many film artists displaced by Hitler, Henry Koster was among the few who successfully adapted to the American studio system. Although Koster directed 45 successful motion pictures in a wide variety of genres, he is best known for Three Smart Girls, Harvey , such musicals as Stars and Stripes Forever , and films with religious backgrounds, including the first CinemaScope film, The Robe . All of these share the interplay of warm human feelings that is a trademark of Koster's motion pictures.

A boy sent by an African god to tend the spirits of the dead struggles to fulfill his duty from within the bonds of slavery in Time's Memory , by National Book Award finalist Julius Lester . Amma is the creator god, the master of life and death, and he is worried. His people have always known how to take care of the spirits of the dead – the nyama – so that they don't become destructive forces among the living. But amid the chaos of the African slave trade and the brutality of American slavery, too many of his people are dying and their souls are being ignored in this new land. Amma sends a young man, Ekundayo, to a plantation in Virginia where he becomes a slave on the eve of the Civil War. Amma hopes that Ekundayo will be able to find a way to bring peace to the nyama before it is too late. But Ekundayo can see only sorrow in this land – sorrow in the ownership of people, in the slaves who have been separated from their children and spouses, in the restless spirits of the dead, and in his own forbidden relationship with his master's daughter. How Ekundayo finds a way to bring peace to both the dead and the living makes this an unforgettable journey into the slave experience and Newbury Honor author Julius Lester's most powerful work to date. Time's Memory is a 2007 Bank Street - Best Children's Book of the Year.

The Best of Besen! Bashing Back: Wayne Besen on GLBT People, Politics & Culture is a compilation of 72 columns from the outspoken GLBT activist and author of Anything But Straight: Unmasking the Scandals and Lies Behind the Ex-Gay Myth. Funny, provocative, and informative, this unique book puts a progressive spin on hot-button topics in the political, cultural, and social arenas, covering everything from AIDS and African-Americans to Zach Stark. Bashing Back presents an A-to-Z look at Besen's worldview on a wide range of topics, including Bill O'Reilly, Brokeback Mountain, Ellen DeGeneres, gay pride parades, marriage rights, Mary Cheney, overhauling the gay movement, religion and politics, sports and homophobia, The Passion of the Christ, the pitiful state of TV news, the Vatican's war on gays, the World Trade Center, and New Orleans. Smart and funny, Besen delivers a knockout punch to the notion that liberalism stands for nothing and progressive means passive. From the author: "The columns I have chosen for this book touch on politics and people, comedy and culture. But most of all, they are a strong defense of the liberal values that have made this nation strong. It is time we proudly stand up for what we believe in. If we don't defend our values, our opponents will define them. . . . Bashing Back is the first punch in a fight to take back our culture and restore progressive values for the good of the nation." An excerpt from "Bill O'Reilly:" Once upon a time I actually enjoyed The O'Reilly Factor. While I almost always disagreed with him, he was at least entertaining. Lately, however, he has morphed into just another Bush mouthpiece. The master of the "No Spin Zone" is suddenly spinning so hard he is in the Twilight Zone, dizzy in his own deception. He even had the audacity on CNBC to suggest that Fox isn't a conservative news outlet. That's beyond spin. If it were closer to Hanukah I'd think O'Reilly was a dreidel. My other problem with his show is that it's unnaturally obsessed with gay issues. More gay people appear on The O'Reilly Factor than on Showtime's Queer as Folk. I know that sounds strange coming from a gay columnist who has twice appeared on his show. But it seems like he's had on every gay person in America to use as his personal political piñata. When even gay activists are tired of watching gay segments, it's time to find a new culture war issue. Bashing Back is an invaluable compilation of Besen's best columns from Planet Out, Gay.com, and the Washington Blade. It's an essential resource for longtime Besen readers and an entertaining introduction for newcomers.

Autobiography of Samuel Gompers, describing his role in the historical development of the AFL labour movement and trade union attitudes in the USA - discusses working conditions of working class immigrants, the role of strikes in resolving early labour disputes, the growth of trade unionism, acceptance of labour standards, socialism, respect for woman workers, etc.; includes brief biographies of other trade union officers of the period. Bibliography, photographs.

There is among many nations a growing awareness that the arts and culture have an important role to play in forming the image that nations hold of themselves and that they convey in the international arena. At the same time, increased pressure on the public purse, new trade environments, and the revolution in communications technology are forcing the reexamination of cultural policy objectives and strategies for achieving those objectives in countries throughout the world. This book, based on the research and expertise of practitioners and scholars in the field of cultural policy, provides a broadly based cross-cultural analysis of policy in two countries with very different cultural traditions. The authors move beyond cultural boundaries to define 'art' and 'culture,' explore the role of cultural policies in a nation's cultural development, and evaluate policy effectiveness and relevance. Case studies of organizations in art, music, dance, and drama, in both the United States and Japan, examine the elements that contribute to effective arts management and policy-making. Arts managers, cultural policy-makers, researchers, practitioners, and educators will find this an excellent resource that provides valuable teaching materials in the field of cultural policy and facilitates cross-cultural learning about arts management.

"After nearly fifty years of disrupting media, gleefully Rabelaisian uberindie filmmaker Lloyd Kaufman (b. 1945) has been maligned, mocked, and-worst of all-ignored throughout the general course of his wildly eclectic and impactful filmography. As the equally huckster-ish and self-denigrating cofounder and president of Troma Entertainment-responsible for the likes of such schlocky "midnight movie" fare as The Toxic Avenger, Sgt. Kabukiman N.Y.P.D., Surf Nazis Must Die, Class of Nuke 'Em High, Tromeo and Juliet, and, most recently, #ShakespearesShitstorm-Kaufman has indisputably left his slimily viscous fingerprints on moviemaking throughout the past half century. Lloyd Kaufman: Interviews gathers together no-holds-barred commentaries, op-eds, Q&As, arguments, and retorts from the prodigious filmmaker. Considering the typical Troma film is known, if at all, for the brand's signature egregious gore, unabashedly scandalous sexual fetishism, sophomoric scatology, and provocative contrarianism, it's easy to understand why Kaufman and his (still metastasizing) oeuvre go without much notice in the mainstream trades or classroom discussions. Like a modern-day P. T. Barnum, if there's one way that Kaufman finds a pragmatic hold on the cultural zeitgeist, it's through his tsunamic deluge of often vivacious, often vulgar, often vicious, and often (most dangerous of all) presciently insightful speaking engagements and interviews provided at an almost manic pace across the globe. Complete with an exclusive interview conducted by volume editor Mathew Klickstein, Lloyd Kaufman: Interviews is an extensive deep-dive omnibus from one of cinema's most indefatigably ardent auteurs who may make us all uproariously laugh but refuses to not be taken deadly seriously"--

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

Samuel Gompers (1850–1924) devoted his life to improving the conditions of American workers through better wages, shorter workdays, and safer workplaces, achieved through common effort, democratic organization, and practical action. His objective was betterment, or, as he often said, "more." His moral vision was grounded in a commitment to social justice and a passion for service. A cigar maker by trade, he became the American Federation of Labor's first president in 1886 and, except for one year, remained its president until his death, guiding it through prosperity and recession, war and peacetime. By the time Gompers died, the AFL was a major force on the national scene and had claimed over four million members. Gompers was a tireless writer and impassioned speaker, and he left behind an immense archive of articles and editorials, addresses and testimony before a variety of audiences, and extensive correspondence with allies and adversaries alike. His correspondents included trade unionists and political leaders, reformers and radicals, captains of industry defending their positions, and workers asking for help or advice. The twelve volumes of The Samuel Gompers Papers, edited by Stuart B. Kaufman, Peter J. Albert, and Grace Palladino, for the first time make Gompers' wide-ranging and complex documentary legacy accessible to scholars, students, historians, and serious readers in the labor movement and among the public at large. This invaluable comprehensive index provides a key to the Gompers volumes. It not only allows quick reference to individual documents but permits scholars to see at a glance the contours and emphases in subject matter and locate the substantive annotations of key individuals and unions, strikes and lockouts, conferences and meetings, and legislation and key concepts in the history of the Gompers era.

This prescient narrative reveals how crumbling Mideast relations dashed the promise of peace and fostered the terrorist movement. Norman Spector — previous Canadian ambassador to Israel — documents how the inability to gain peace in the Mideast has caused death and destruction far outside Israel and the contested Palestinian lands, with the ominous promise of more to come. Based on his firsthand experiences with the major players and events, from the Rabin assassination through 9/11 and the war on Afghanistan, Spector analyzes how the same forces and beliefs that led to the downward spiral in relations between Israelis and Palestinians spawned the bombing of the World Trade Center in Manhattan.

Three talks given by Alfred Kazin, Dan Lacy and Ernest L. Boyer on publishing. v , 32 pages. stiff paper wrappers.. 8vo..