Deepens and enriches our understanding of the Jewish literary tradition and the implications of the Shoah. Challenging the notion that Jewish American and Holocaust literature have exhausted their limits, this volume reexamines these closely linked traditions in light of recent postmodern theory. Composed against the tumultuous background of great cultural transition and unprecedented state-sponsored systematic murder, Jewish American and Holocaust literature both address the concerns of postmodern human existence in extremis. In addition to exploring how various mythic and literary themes are deconstructed in the lurid light of Auschwitz, this book provides critical reassessments of Saul Bellow, Bernard Malamud, and Philip Roth, as well as contemporary Jewish American writers who are extending this vibrant tradition into the new millennium. These essays deepen and enrich our understanding of the Jewish literary tradition and the implications of the Shoah.

"In this remarkable, historically significant book, Mordecai Paldiel recounts in vivid detail the many ways in which, at great risk to their own lives, Jews rescued other Jews during the Holocaust. In so doing he puts to rest the widely held belief that all Jews in Nazi-dominated Europe wore blinders and allowed themselves to be led like 'lambs to the slaughter.' Paldiel documents how brave Jewish men and women saved thousands of their fellow Jews through efforts unprecedented in Jewish history. Encyclopedic in scope and organized by country, Saving One's Own tells the stories of hundreds of Jewish activists who created rescue networks, escape routes, safe havens, and partisan fighting groups to save beleaguered Jewish men, women, and children from the Nazis. The rescuers' dramatic stories are often shared in their own words, and Paldiel provides extensive historical background and documentation. The untold story of these Jewish heroes, who displayed inventiveness and courage in outwitting the enemy - and in saving literally thousands of Jews - is finally revealed"--front jacket flap.

Follows Hans Selderson, a German Jew and decorated World War I veteran living in German and working as a textile merchant, and his family as they encounter troubles in the aftermath of the war. Based on the author's life.

The world of ten-year-old Jacob and his younger brother Solly falls apart when they are orphaned and pitched into a Sydney children's home, where other refugee Jewish children are gathering as Hitler rises to power in Europe.

What does it mean to be a Jew? In the twenty essays included here, best-selling author Lucy S. Widowhood examines many aspects of modern Jewish life, concentrating on the central experiences of our era- the search for meaning of one's existence as a Jew;bridging the past and the present; reconciling tradition and the Holocaust. While she describes the evolution of American Judaism and surveys its present condition, the author also shows us the continuities between Old world and New World Judaism as she evokes the modern Jew's struggle between faith and secularism

Traces the efforts of two women scholars who recovered what has become the most vital cache of Hebrew manuscripts ever discovered, in an account that explains what the findings reveal about Mediterranean Judaism.

Praise for Nazi Gold "A compelling book on one of the greatest robberies of all time." --Rabbi Marvin Heir, dean, Simon Wesenthal Center "Nazi Gold [is] a compelling, outraged, carefully researched book. . . Tom Bower, one of the finest investigative journalists in the English-speaking world over the past generation. . .is the ideal chronicler for this story. Over the past 20 years he has built up a track record second to none in documenting crimes and conspiracies that the Nazis and their collaborators were able to cover up or escape from in the decades after 1945. . .Riveting, outstanding." --Martin Sieff, Washington Times "Nazi Gold is an important book that uncovers much new material." --Saul Friendlunder, author of Nazi Germany and the Jews "Compelling reading." --Chicago Jewish Star "[A] sensational expose. . .Impressively revealing." --Dade Jewish Star Some Revelations form Nazi Gold In 1942 thousands of Jewish refugees fleeing a Nazi roundup of Jews in occupied France crossed the border into Switzerland seeking asylum but where forcibly pushed back to the waiting Gestapo by the Swiss police. Virtually all of them were immediately shipped to concentration camps. During the war thousands of Swiss willingly worked undercover for the German secret service and the Nazis. The Swiss accepted for deposit without question gold bullion looted by German from the treasuries of Austria, Czechoslovakia, Poland, Denmark, and Holland'countries they had conquered. The Swedes and the Portuguese, also neutrals, refused to accept the looted gold.

The story begins in the aftermath of a nuclear war that has reduced our world to ashes. Luckily, a few found their way to the stars and into immortality. In the year 3000, nostalgic for the past, they return to Earth in an effort to reconstruct the lives of the people who lived there.

Humanitarian, philanthropist, and campaigner for Jewish emancipation on a grand scale, Sir Moses Montefiore (1784–1885) was the preeminent Jewish figure of the nineteenth century - and one of the first truly global celebrities. His story, told here in full for the first time, is a remarkable and illuminating tale of diplomacy and adventure. Abigail Green's sweeping biography follows Montefiore through the realms of court and ghetto, tsar and sultan, synagogue and stock exchange. Interweaving the public triumph of Montefiore's foreign missions with the private tragedy of his childless marriage, this book brings the diversity of nineteenth-century Jewry brilliantly to life - from London to Jerusalem, Rome to St. Petersburg, Morocco to Istanbul. Here we see the origins of Zionism and the rise of international Jewish consciousness, the faltering birth of international human rights, and the making of the modern Middle East. With the globalization and mobilization of religious identities now at the top of the political agenda, Montefiore's life story is relevant as never before. Mining materials from eleven countries in nine languages, Green's masterly biography bridges the East-West divide in modern Jewish history, presenting the transformation of Jewish life in Europe, the Middle East, and the New World as part of a single global phenomenon. As it reestablishes Montefiore's status as a major historical player, it also restores a significant chapter to the history of our modern world.

Reaching from biblical times to the present day, Esther Benbassa’s prize-winning exploration of Jewish identity is both epic and comprehensive. She shows how in the Jewish world, the representation and ritualization of suffering have shaped the history of both the people and the religion. Benbassa argues that the nineteenth century gave rise to a Jewish ‘lachrymose’ historiography, and that Jewish history was increasingly seen to be a ‘vale of tears’—a development that has become even more pronounced since the Holocaust. The treatment of the Holocaust in the State of Israel now has the form of a civil religion. In principle within reach of everyone, the ‘duty of memory’ and the uniqueness of the genocide have mitigated for many Jews the loss of other traditions. The Israeli government invokes the memory of the Holocaust to neutralize threats to its interests—ensuring that suffering continues to be a central part of Jewish identity and positioning the State of Israeli as a redemptive force.

Covering topical issues concerning the nature of the Israeli state, this engaging work presents essays that combine a variety of comparative schemes, both internal to Jewish civilization and extending throughout the world, such as: modern Jewish society, politics and culture; historical consciousness in the 20th century; colonialism, anti-colonialism and postcolonial state-building.With its open-ended, comparative approach, Israel in History provides a useful means of correcting the biases found in so much scholarship on Israel, be it sympathetic or hostile. This book will appeal to scholars and students with research interests in many fields, including Israeli Studies, Middle East Studies, and Jewish Studies.

Munich 1919 is a vivid portrayal of the chaos that followed World War I and the collapse of the Munich Council Republic by one of the most perceptive chroniclers of German history. Victor Klemperer provides a moving and thrilling account of what turned out to be a decisive turning point in the fate of a nation, for the revolution of 1918-9 not only produced the first German democracy, it also heralded the horrors to come. With the directness of an educated and independent young man, Klemperer turned his hand to political journalism, writing astute, clever and linguistically brilliant reports in the beleaguered Munich of 1919. He sketched intimate portraits of the people of the hour, including Erich Mühsam, Max Levien and Kurt Eisner, and took the measure of the events around him with a keen eye. These observations are made ever more poignant by the inclusion of passages from his later memoirs. In the midst of increasing persecution under the Nazis he reflected on the fateful year 1919, the growing threat of antisemitism, and the acquaintances he made in the period, some of whom would later abandon him, while others remained loyal. Klemperer's account once again reveals him to be a fearless and deeply humane recorder of German history. Munich 1919 will be essential reading for all those interested in 20th century history, constituting a unique witness to events of the period.

In this first comprehensive history in English of the Jews of Hebron, Jerold S. Auerbach explores one of the oldest and most vilified Jewish communities in the world. Spanning three thousand years, from the biblical narrative of Abraham's purchase of a burial cave for Sarah to the violent present, it offers a controversial analysis of a community located at the crossroads of the Israeli-Palestinian struggle over national boundaries and the internal Israeli struggle over the meaning of Jewish statehood.Hebron Jews sharply challenges conventional Zionist historiography and current media understa

"In this new history, French author Georges Bensoussan retells the story of what life was like for Jews in the Arab world since 1850. During the early years of this time, it was widely believed that Jewish life in Arab lands was peaceful. Jews were protected by law and suffered much less violence, persecution, and inequality. Bensoussan takes on this myth and looks back over the history of Jewish-Arab relations in Arab countries. He finds that there is little truth to the myth and forwards a nuanced history of interrelationship that is not only diverse, but deals with local differences in cultural, religious, and political practice. Bensoussan divides the work into sections that cover 1850 to the end of WWI, from 1919 to the eve of WWII and then from WWII to the establishment of Israel and the Arab Wars. A new afterword brings the history of Jewish and Arab relations into the present day. Bensoussan has determined that the history of Jews in Arab countries is a history of slowly disintegrating relationships, increasing tension, violence, and persecution"--

This book is a study of the city and urban life in Roman Palestine during the Talmudic period, 100-400 B.C. Rather than focus on a specific city, Daniel Sperber synthesizes what is known about city life in Talmudic Palestine to create a paradigmatic hypothetical Palestinian city. Drawing on numerous literary records for his information, he describes the structure and use of many physical aspects of the city, such as its markets, pubs, streets, bathhouses, roads, walls, toilets, and water supply. Rounding out the study is a chapter describing the archeological evidence, written by Sperber's colleague, Professor Joshua Schwartz. With the recent upsurge of interest in urbanization in the Greco-Roman world, The City in Roman Palestine will attract not only scholars of Judaic literature and history, but also classicists and ancient historians.

" For Solo Violin is a gracefully written, elegiac memoir of childhood."— The Los Angeles Times "An eloquent tribute to [and] a moving account of those who, despite the cruelty of so many around them, found ways to rejoice and trust in the kindness of a few. One is instantly reminded of Life Is Beautiful ."—André Aciman, author of Out of Egypt In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938–45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943–44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside. For Solo Violin is filled with colorful portraits of Italian aristocrats and peasants, priests and soldiers, teachers and students, informers and partisans. At its heart is Zargani's vivid depiction of his father, a concert violinist forced to give up his career when the Fascists came to power. In this time of persecution, the Zargani family survived through their own resourcefulness and through the efforts of the many Italians who came to their aid, from the young doctor who helped them escape from Turin to the shepherd who supplied them with milk during the last year of the war, when they lived among the partisans in a remote Piedmont valley. Looking back over a distance of fifty years, Zargani rediscovers the enchantment of childhood shining in "fable-like constellations" even amidst the inferno of war. Lullabies and school games, fairy tales and family jokes are interwoven with the events of terror and oppression. Lyrical, humorous, tender, and wise, For Solo Violin is a testament to resilience and hope during the darkest period in human history. "A broad panorama of Italian-Jewish history in [the last] century. Elegant in its style and, however tragic, also rich with understatement, irony, and wit, For Solo Violin counts among the great, enduring works of art."— Focus Magazine , Germany "A tragic, deeply engaging, delicious book—yes delicious, too. (Reading it makes you smile.) It's a miracle…It makes one think of the wit of Kafka!"— L'Espresso , Italy "Zargani depicts a wealth of sad, despairing, but often also incredibly funny episodes…But vibrating along with the humor is always the sense of threat, and behind it opens the abyss of terror."— Neue Zürcher Zeitung , Switzerland

"Howard Jacobson's funny, revealing and tender memoir of his path to becoming a writer. It's my theory that only the unhappy, the uncomfortable, the gauche, the badly put together, aspire to make art. Why would you seek to reshape the world unless you were ill-at-ease in it? And I came out of the womb in every sense the wrong way round. In Mother's Boy, Booker-Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish. Jacobson was forty when his first novel was published. In Mother's Boy he traces the life that brought him there. Born to a working-class family in 1940s Manchester, the great-grandson of Lithuanian and Russian immigrants, Jacobson was raised by his mother, grandmother and aunt Joyce. His father was a regimental tailor, as well as an upholsterer, a market-stall holder, a taxi driver, a balloonist, and a magician. Grappling always with his family's history and his Jewish identity, Jacobson takes us from the growing pains of childhood to studying at Cambridge under F.R. Leavis, and landing in Sydney as a maverick young professor on campus." --

An investigation of Jewish identity politics and Jewish contemporary ideology using both popular culture and scholarly texts. Jewish identity is tied up with some of the most difficult and contentious issues of today. The purpose in this book is to open many of these issues up for discussion. Since Israel defines itself openly as the 'Jewish State', we should ask what the notions of 'Judaism', 'Jewishness', 'Jewish culture' and 'Jewish ideology' stand for. Gilad examines the tribal aspects embedded in Jewish secular discourse, both Zionist and anti Zionist; the 'holocaust religion'; the meaning of 'history' and 'time' within the Jewish political discourse; the anti-Gentile ideologies entangled within different forms of secular Jewish political discourse and even within the Jewish left. He questions what it is that leads Diaspora Jews to identify themselves with Israel and affiliate with its politics. The devastating state of our world affairs raises an immediate demand for a conceptual shift in our intellectual and philosophical attitude towards politics, identity politics and history.

Founded in 1841, The Jewish Chronicle is the oldest continuously published Jewish newspaper in the world. A force for change, a forum for debate and a shaper of Jewish identity, it has played a central part in the development of modern Anglo-Jewry. More than just a mirror of Anglo-Jewish mores, registering waves of immigration and social change, The Jewish Chronicle has been an active player in historical events. Its editors have intervened decisively in communal history and debated with British statesmen. No historian can understand the inner life of British Jews without looking at the social reports, the sports column, the arts and cultural coverage and the advertising that the paper has carried. This book, written by a noted historian of Jewish social affairs, gives an insight into the working of a newspaper, the struggles between editors and directors, and the boardroom politics. It is the story of a publishing adventure that became an institution and helped to shape the destiny of an entire community.

In 1939 Sweden, two Jewish sisters wait for their parents to join them in fleeing the Nazis in Austria, but while eight-year-old Nellie settles in quickly, twelve-year-old Stephie feels stranded at the end of the world, with a foster mother who is as cold and unforgiving as the island on which they live.