Many Americans feel that presidentials have become inordinately expensive, shallow, and vulgar. The seemingly endless contest even appears to discourage the most suitable candidates from seeking the highest office in the land. Frustrated, we long for the good old days of dignified campaigns and worthy candidates. As Troy's fascinating history demonstrates, however, they never existed. This definitive volume examines every presidential campaign from 1840 to the present to explore why candidates campaign as they do, and why Americans complain about it. Troy reveals what our presidential campaigns tell us about American democracy itself.

American cancer specialist Dr. Alex Cousins is on a covert mission to the USSR. His task: to save the life of Soviet Politburo Chief Viktor Moiseyevich Dimitrov. But the tenuous alliance between the two crumbles one night. Alex stumbles upon Dimitrov's sinister plans for a nuclear strike on China. The Russians dispatch Alex on a six-thousand-mile journey aboard the infamous Trans-Siberian Express - thus ensuring he won't get home in time to warn the US of the imminent attack.As the train lumbers east across snow-cloaked mountains, watchful eyes rest on the American doctor. Surrounding him are people beaten and broken by life, each drawn to this emperor of trains in search of a brighter future. But most curious is Anna Petrovna Valentinova, the hauntingly beautiful history professor.The Trans-Siberian Express roars onward through a cavern of hopes and memories. A train attendant yearns for love, a persecuted Jewish couple runs to a new home, and a passionate romance transcending political barriers unfolds under KGB surveillance.

They lie underfoot, embellished and gleaming. They seal off and provide entry to an underground world of conduits, water mains, power lines, and sewers. They appear by the thousands in our cities, but very few people ever look at them or think about them as art. At once completely ordinary and totally unexpected, manhole covers present an infinite variety of design in the commonplace as well as a record of defunct utility companies, forgotten business firms, and obsolete foundries. Manhole Covers documents this singular form of urban industrial art and its place in American culture. Mimi and Robert Melnick first revealed their obsession with street hardware twenty years ago in a remarkable little book called Manhole Covers of Los Angeles (1974). Printed in a small format and a limited edition, it quickly went out of print and is now a scarce collector's item. But that was just an introduction to their larger project, which has come to fruition in this book of 200 photographs and an extended narrative documenting manhole covers throughout the United States and discussing the history of their use, manufacture, and function. A subject that at first seems straightforward and commonplace becomes redolent and poetic in the Melnicks' hands, for their hieroglyphic reading of manhole covers reveals a chapter of urban history that can only be recovered from the logos and markings of these early disks. There are square lids, convex lids, perforated lids. And the older ones wear an astonishingly diverse range of anything-but-blank faces expressed in raised crosses, waffle grids, cut-out diamonds, radial stars, floral patterns, and honeycomb treads. The diversity of design corresponds to an equally diverse typology of form and function, as indicated by their evocative labels: handholes, vents, coalholes, grates, lampholes, storm drains, steam covers, meter lids, traffic buttons.

We can't sit under Mises at his famous Vienna private seminar. We can't go back in time and attend his New York seminar, or follow him to his speaking engagements that he held in the 50s and 60s.But thanks to this second volume in a thrilling series (here is volume one), we do have access to what he said. He is warm, funny, passionate, and learned. This book provides a candid look at the man and his teaching style. It demonstrates his dazzling command over the material, and teaches in a breezier way than his treatises.This volume contains nine lectures delivered over one week, from June 23, to July 3, 1952, at the San Francisco Public Library. Mises was at his prime as a teacher and lecturer. He shares a lifetime of learning on topics that were (and remain) central to American public life.As the title indicates, his main focus is on Marxism. He discusses Marx and his place in the history of ideas, the destruction wrought by his dangerous ideology, the manner in which his followers have covered up his errors, and how the Marxists themselves have worked for so long to save Marxism from itself. He discusses Marxist claims about history and refutes the smear of the industrial revolution.The approach is systematic but casual. So the reader encounters wonderful insights in the form of short asides. For example: "The worst thing that can happen to a socialist is to have his country ruled by socialists who are not his friends."As a lecturer, he is steady and relentless. The reader can nearly "hear" him speaking through the prose. And there are times when Mises reveals a level of rhetorical passion that you would never encounter in print. That's because what is printed here are not pre-prepared lectures in the sense that they were written out. They were transcribed by Bettina Bien Greaves from what he actually said.Thus can we hear this passage:It is not true, as Marx said, that the improvements in technology are available only to the exploiters and that the masses are living in a state much worse than on the eve of the Industrial Revolution. Everything the Marxists say about exploitation is absolutely wrong! Lies! In fact, capitalism made it possible for many persons to survive who wouldn't have otherwise.Some readers of Mises's larger works have said that while his rigor is dazzling, the man himself can seem remote. Whether or not you agree with this observation, Mises comes across in these lectures as brilliant but very warm and charming in an old world sense.This approach is particularly fruitful in the last four of the lectures, which cover topics such as savings, interest, inflation, profit and loss, and the place of foreign investment. The lecture on interest rates, for example, must surely rank as one of the best explanations of this complicated topic. He recounts the history of the attempt to suppress interest rates, from the ancient world to the modern period. He explains why this cannot work because interest is merely the objective sign of a phenomenon that is integral to human action. As he moves on to money, Mises reveals himself to be tougher on the issue of fiduciary media than he was when he wrote his 1912 book The Theory of Money and Credit.In response to a question Mises says: "In the future no additional banknotes should be issued, no additional credit should be entered on a bank subject to check, unless there is 100 percent coverage in money."Also not to be missed is Mises's wry defense of "money cranks": at least they were only more consistent than the advocates of Keynesian and monetarism.Mises was clearly pressed for time, so he had to be at once thorough and move quickly through the material. It's still not "light reading" by the normal standards, but for people who want to see a great mind at work, this has a wonderful element of spontaneity about it that attracts and teaches at the same time.

The first comprehensive and systematic analysis of American and Soviet security cooperation since World War II, this volume expertly examines the pursuit of arms control, the search for stability, and the balance of power between the two countries. The twenty-one case studies, each commissioned from a highly qualified specialist on the subject in question, probe a wide range of global, regional, and bilateral situations and issues, including both successful and unsuccessful instances of cooperation. Developing a rigorous theoretical framework for analyzing and comparing these diverse cases, the contributors cast new light on the history of superpower relations.

In the nineteenth century, American tourists, scholars, evangelists, writers, and artists flocked to Palestine as part of a "Holy Land mania." Many saw America as a New Israel, a modern nation chosen to do God's work on Earth, and produced a rich variety of inspirational art and literature about their travels in the original promised land, which was then part of Ottoman-controlled Palestine. In American Palestine, Hilton Obenzinger explores two "infidel texts" in this tradition: Herman Melville's Clarel: A Poem and Pilgrimage to the Holy Land (1876) and Mark Twain's The Innocents Abroad: or, The New Pilgrims' Progress (1869). As he shows, these works undermined in very different ways conventional assumptions about America's divine mission.In the darkly philosophical Clarel, Melville found echoes of Palestine's apparent desolation and ruin in his own spiritual doubts and in America's materialism and corruption. Twain's satiric travelogue, by contrast, mocked the romantic naiveté of Americans abroad, noting the incongruity of a "fantastic mob" of "Yanks" in the Holy Land and contrasting their exalted notions of Palestine with its prosaic reality. Obenzinger demonstrates, however, that Melville and Twain nevertheless shared many colonialist and orientalist assumptions of the day, revealed most clearly in their ideas about Arabs, Jews, and Native Americans.Combining keen literary and historical insights and careful attention to the context of other American writings about Palestine, this book throws new light on the construction of American identity in the nineteenth century.

Black Jews in Africa and the Americas tells the fascinating story of how the Ashanti, Tutsi, Igbo, Zulu, Beta Israel, Maasai, and many other African peoples came to think of themselves as descendants of the ancient tribes of Israel. Pursuing medieval and modern European race narratives over a millennium in which not only were Jews cast as black but black Africans were cast as Jews, Tudor Parfitt reveals a complex history of the interaction between religious and racial labels and their political uses. For centuries, colonialists, travelers, and missionaries, in an attempt to explain and understand the strange people they encountered on the colonial frontier, labeled an astonishing array of African tribes, languages, and cultures as Hebrew, Jewish, or Israelite. Africans themselves came to adopt these identities as their own, invoking their shared histories of oppression, imagined blood-lines, and common traditional practices as proof of a racial relationship to Jews. Beginning in the post-slavery era, contacts between black Jews in America and their counterparts in Africa created powerful and ever-growing networks of black Jews who struggled against racism and colonialism. A community whose claims are denied by many, black Jews have developed a strong sense of who they are as a unique people. In Parfitt’s telling, forces of prejudice and the desire for new racial, redemptive identities converge, illuminating Jewish and black history alike in novel and unexplored ways.

This book reaches deep into the past of the city of Los Angeles and carries through to the dramatic events that have recently received global attention--the Rodney King beating and the uprising in South Central L.A. Tracing the evolution of an extraordinary biracial coalition in Los Angeles behind Mayor Tom Bradley, Raphael Sonenshein shows how "crossover" politics and racial violence coexist in urban America. While challenging the prevailing pessimism about biracial coalitions in general, he also compares their relative successes in Los Angeles to their disheartening failures in New York City. What emerges is a probing look at a crucial issue of politics in the United States: can whites and minorities find common ground?

Constitutional thought is currently dominated by heroic tales of the Founding Fathers — who built an Enlightenment machine that can tick-tock its way into the twenty-first century, with a little fine-tuning by the Supreme Court. However, according to Bruce Ackerman, the modern presidency is far more dangerous today than it was when Arthur Schlesinger published the Imperial Presidency in 1973. In this book, he explores how the interaction of changes in the party system, mass communications, the bureaucracy, and the military have made the modern presidency too powerful and a threat to liberal constitutionalism and democracy. Ackerman argues that the principles of constitutional legitimacy have been undermined by both political and legal factors. On the political level, by “government by emergency” and “government by public-opinion poll”; on the legal, by two rising institutions: The Office of Legal Counsel in the Department of Justice and the Office of the Presidential Counsel in the White House. Both institutions came out of the New Deal, but have gained prominence only in the last generation. Lastly, Ackerman kicks off a reform debate that aims to adapt the Founding ideal of checks-and-balances to twenty-first century realities. His aim is not to propose definitive solutions but to provoke a national debate on American democracy in its time of trouble.

What does it mean to be a Jew? In the twenty essays included here, best-selling author Lucy S. Widowhood examines many aspects of modern Jewish life, concentrating on the central experiences of our era- the search for meaning of one's existence as a Jew;bridging the past and the present; reconciling tradition and the Holocaust. While she describes the evolution of American Judaism and surveys its present condition, the author also shows us the continuities between Old world and New World Judaism as she evokes the modern Jew's struggle between faith and secularism

In 1961, Beat writer Seymour Krim set Greenwich Village on its ear with a slim volume of essays that featured an unleashed voice, a brash title, and a foreword by Norman Mailer. James Baldwin called Views of a Nearsighted Cannoneer an "extraordinary volume." Saul Bellow published an excerpt in his journal The Noble Savage, and Mailer saluted Krim’s jazzy prose with its "shifts and shatterings of mood." Despite such praise and critical attention, Krim’s work is excluded from most Beat anthologies and is little known outside literary circles. With Missing a Beat, a collection of eighteen essays by Krim published between 1957 and 1989, Cohen introduces this influential writer to a new generation. In the Village Voice, New York Magazine, New York Times, and elsewhere, Krim pioneered a new style of subjective and personal reporting to write about the postwar American scene from a Jewish angle. Aggressively unacademic, Krim’s journalism displays the "rapid, nervous, breathless tempo" that Irving Howe called a hallmark of Jewish literature. Krim outlived his early literary fame, but he produced an impressive body of work and was a tremendous prose stylist. Missing a Beat resurrects an American original, finding Krim a new literary home among such celebrated writers as Norman Mailer, David Mamet, and Saul Bellow.

"In the mid 21st Century the United States is a sleeping giant, lost in dreams of faded glory. But in one field we still reign supreme: entertainment, which in this future means computer simulations. That's why it is in America that the final computer breakthrough is achieved, the simulation of genius thinking, feeling personalities from history: Elizabeth I, Ghengis Khan, Pizarro, Socrates, Moses and Joan of Arc. You can see them all in action, with and against each other, in a world they never made--but just might remake closer to their silicon hearts' desire."--Pg. [4] of cover.

A major figure in the world of theater as critic, playwright, scholar, teacher, director, actor, and producer, Robert Brustein offers a unique perspective on the American stage and its artists. In this wise, witty, and wide-ranging collection of recent writings, Brustein examines crucial issues relating to theater in the post-9/11 years, analyzing specific plays, emerging and established performers, and theatrical production throughout the world. Brustein relates our theater to our society in a manner that reminds us why the performing arts matter. Millennial Stages records Brustein's thinking on the important issues "roiling the national soul" at the start of the twenty-first century. His opening section explores the connections between theater and society, theater and politics, and theater and religion, and it is followed by reviews of such landmark productions as The Producers and Spamalot , Long Day's Journey into Night and King Lear . In his final section, Brustein reflects on people and places of importance in the world of theater today, including Marlon Brando and Arthur Miller and Australia and South Africa.

In 1872, the Qing Empire sent 120 boys to America in the hope that they would unlock the mysteries of Western innovation. They studied at New England's finest schools, befriended luminaries such as Mark Twain and Ulysses S. Grant, and exchanged ideas with their American peers that would change the course of both nations. But when anti-Chinese fervor forced them back home, the young men faced a new set of obstacles, having to overcome a suspicious imperial court and a culture deeply resistant to change. Filled with colorful characters and vivid historical detail, this book unearths the dramatic stories of these young men who led China at the pivotal moment when it teetered between modernity and tradition.--From publisher description.

A definitive life of the flawed man who succeeded to the American presidency after Lincoln's assassination and who presided, disastrously, over the tumultuous first years of Reconstruction. Historian Hans L. Trefousse gives us "a brilliant, compassionate portrait of a dynamic era of social change and national healing, and of the tragic failure of an American leader" (LIBRARY JOURNAL). Photos.

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CNN's political and media analyst examines the 2000 campaign and all the unexpected results.

The eleven original essays presented here serve to enlarge the canvas upon which American history is to be portrayed so that it will allow—or more deliberately, give more prominence to—those groups at the bottom of colonial society to gain more equitable visibility. The effect is a striking view of the Revolution that provides not only a much-needed perspective on the role of minority groups in an era of social upheaval but also presents a panorama of such complexity and vitality that American history itself becomes more meaningful and more exciting than anything we have heretofore imagined.

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.