By the time of his untimely death in 1983, Herman Kahn was recognized by both friends and intellectual adversaries as "one of the world's most creative and best minds." The current growing resurgence of interest in Kahn's ideas and intellectual legacy demonstrates the enduring relevance of his work. Yet, in spite of the constant influence of his arguments, there is a shortage of books summarizing Kahn's essential contributions, and thus his work is not as well known as it should be. The Essential Herman Kahn is an attempt to cope with this predicament and offer the public for the first time.

More than seventy years after D. H. Lawrence made his "savage pilgrimage" to New Mexico, British twenty-something Henry Shukman set off on his own journey there, in search of the spirit of Lawrence, the rugged and enigmatic beauty of the American Southwest, and answers to questions of love and life. His New Mexico quest takes him to dusty roadside gas stations, cheap Mexican restaurants, and ancient Indian pueblos, and he crosses paths with amiable cowboys and lonesome cowgirls, a plane-flying priest, more than one romantically inclined stranger, and a barroom philosopher at every stop. He's not afraid to strip naked to join strange men in an open-air hot tub, nor is he intimidated by salsa dancing at the Red Dog Saloon. As he finds himself in towns called Truth or Consequence, or just driving along the magical New Mexico roads, his journey becomes one of self-discovery - in the end, he finds exactly what he is searching for in the dusty town of Las Vegas, New Mexico.

"Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, as well as through the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. By selectively revisiting canonical pre-1990 films and amply representing films of the new millennium, Movie-Made Jews illuminates an American Jewish film tradition that includes jazz singers, pawnbrokers, and serious men. It also features those who tremble before G-d, who commit crimes and misdemeanors, who declare Hineini, Here I Am, who do whatever works, who leave and then return to Delancey Street and Liberty Heights. In these pages, those who might be identified as "just Jews" reside alongside those who are traditionally-and sometimes untraditionally-observant. Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis of what appears onscreen as well as what happens behind the scenes during production and how audiences respond to what they view, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it's a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews"--

Volume II: A Time for Gathering. Between 1820 and 1880, European Jews arrived in the United States in ever greater numbers. While later Jewish immigrants would criticize their "rush" to assimilation, the Jews of this period created the institutions that continue to shape Jewish life in America. In A Time for Gathering , Hasia Diner describes this "second wave" of Jewish migration.

Magdoff’s analysis is the foundation upon which the work of an entire tradition of Monthly Review authors rests.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"A Hall of Fame writer at the top of his game." -- The Beacon Journal The best sports writing of Hall-of-Fame sportswriter Hal Lebovitz, longtime dean of Cleveland sports journalists. Several generations of sports fans grew up reading Hal Lebovitz on the sports pages. Hal covered just about every major sports event over 60 years, reporting on each with honest, straightforward words and firm opinions--and most likely a scoop on the competition. He wrote about the greats--Jim Brown, Bob Feller, Ted Williams, Woody Hayes ... and the great moments--the Indians' 1948 playoff game, the Browns' 1964 championship season, Rocky Colavito's four consecutive home runs. His writing was featured 17 times in the annual Best Sports Stories and selected for numerous other anthologies. He won countless writing awards and been inducted into 12 halls of fame--including the National Baseball Hall of Fame. Always, Hal has written for the fans. And for as long as anyone can remember, fans have been reading Hal for his particular take on events. His constant, steady presence in the local sports pages for so many decades has made Hal Lebovitz a legitimate icon in Cleveland sports--a guy who, with his typewriter, has been as remarkable and consistent and rare as a .400 hitter.

Based on a variety of classified military records, Lewy provides the first systematic analysis of the course of the Vietnam War, the reasons for the failure of American strategy and tactics, and the causes of the final collapse of South Vietnam.

George Seldes analyzes the political atmosphere of the late 1930's, and exposes the people who exploit the Red Scare for political and monetary gain.

"Piven has embodied the best of American democracy."-- The Nation Frances Fox Piven reminds us why we must understand the labor, civil-rights, and anti-imperialist struggles of the Depression era if we are going to advance the struggles of the present. Frances Fox Piven is the author of many important books.

From television talk shows to the criminal justice system, from office politics to world politics—a fascinating historical study of how America's obsession with self-fulfillment permeates all aspects of society From self-esteem talk on Oprah to self-help books like Negaholics and Your Sacred Self, from magazine quizzes that test your "happiness quotient" to headlines blaring the supposed deepest emotions of public figures—we live in an age fixated on emotional well-being. Rich or poor, black or white, male or female, straight or gay, Americans share a belief in the therapeutic gospel. Feelings reveal inner truth; salvation lies in self-esteem. We measure success with a psychological yardstick. As Eva Moskowitz argues, Americans today turn to psychological cures as confidently as they once petitioned the Lord with prayer. How did the land of the free become obsessed with self-fulfillment? Has America gained or lost by placing so much emphasis on personal well-being? Taking a historical approach, Moskowitz explores the country's tendency to find psychological explanations—and excuses—for nearly everything. Beginning with the example of a "Mind Cure" developed by mid-nineteenth-century clockmaker Phineas P. Quimby, Moskowitz explains how Americans' growing fascination with therapy led them to adopt new kinds of reform—including, at the turn of the twentieth century, provisions for psychological services in prisons, courts, hospitals, and schools. Depression-era divorce rates prompted colleges and high schools to offer courses on marital happiness and produced a new marriage-counseling industry. During World War II, Moskowitz shows, the army devoted unprecedented energy to a soldier's "psychological readiness for combat." Moskowitz also explores more recent developments, including Cold War-era psychological assumptions of magazine campaigns that targeted unhappy housewives. She confronts the social protest movements in the 60s and the explosion of 70s self-help fads that continue to the present. In a study that encompasses all aspects of American society—from television talk shows to the criminal justice system, from office politics to world politics—Moskowitz identifies a debilitating "sense of self" that is intimately bound up with the major developments of the twentieth century.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the aftermath of 9/11, President Bush declared that the struggle against terrorism would be nothing less than a war—a war that would require new tools and a new mind-set. As legal sanction was given to covert surveillance and interrogation tactics, internal struggles brewed over programs and policies that threatened to tear at the constitutional fabric of the country. Bush's Law is the alarming account of the White House's efforts to prevent the publication of Eric Lichtblau's exposé on warrantless wiretapping—and an authoritative examination of how the Bush administration employed its “war on terror” to mask the most radical remaking of American justice in generations.

Elmer Gertz has defended famous people--including Henry Miller, Nathan Leopold, and Jack Ruby--and he has become famous in his own right through his struggle for civil liberties and personal rights. Gertz has taken on a lengthy list of cases and causes over the six decades of his legal career. He fought successfully against the censorship of Henry Miller's book Tropic of Cancer , which had been banned in Chicago for obscenity. He got Nathan Leopold released from prison after Leopold had served 34 years for his part in the death of 14-year-old Bobby Franks. An ardent foe of the death penalty, Gertz labored for years as part of a national team of lawyers that was finally able to overturn Jack Ruby's death sentence for the murder of Lee Harvey Oswald. Gertz's cases have helped make libel law in the nation. For this edition, Gertz adds an afterword that covers the 15 years since the book's first publication. Gertz talks of Henry Miller's last days and his travels to the USSR on behalf of the Refuseniks.

"Ellen Schrecker shows how universities shaped the 1960s, and how the 1960s shaped them. Teach-ins and walkouts-in institutions large and small, across both the country and the political spectrum-were only the first actions that came to redefine universities as hotbeds of unrest for some and handmaidens of oppression for others. The tensions among speech, education, and institutional funding came into focus as never before-and the reverberations remain palpable today"--

Capitalism makes possible a new form of domination by purely economic means, argues Ellen Meiksins Wood. So, surely, even the most seasoned White House hawk would prefer to exercise global hegemony in this way, without costly colonial entanglements. Yet, as Wood powerfully demonstrates, the economic empire of capital has also created a new unlimited militarism. By contrasting the new imperialism to historical forms such as the Roman and Spanish empire, and by tracing the development of capitalist imperialism back to the English domination of Ireland and on the British Empire in America and India, Wood shows how today's capitalist empire, a global economy administered by local states, has come tom spawn a new military doctrine of war without end, in purpose or time.

Traces the life of Benjamin, the first Jewish U.S. Senator, and the Confederate Secretary of State, and describes his exile in England

Traces the transformations of themes in women's writings by examining three women author's works.

"Anybody can become a New Yorker--if you live here for six months and at the end of the six months you find that you walk faster, talk faster, and think faster, then you're a New Yorker." And so Ed Koch--the 105th mayor of the city whose fans would argue is actually the center of the universe--defines the essence of his beloved melting pot in the introduction to New York: A State of Mind. "This electricity comes from a population that is so different than the rest of the United States because we have the sons and daughters of every country, of every state in the Union," he describes, his very words reverberating with the footsteps of thousands of hopeful immigrants. From the Metropolitan Museum of Art (where Koch claims to purchase all of his ties) to the Central Park Zoo and the Statue of Liberty, New York City captures the imagination of all who visit. Complete with hundreds of images culled from the area's finest photographers, New York: A State of Mind tells the story of this metropolis on the move. From the book's pages, buildings glimmer, food entices, and urbanity reaches on, all with the momentum of an eclectic and diverse citizenry. In Chinatown and in Little Italy, in Brooklyn and in the Bronx, a world of cultures meets under a looming skyline. As native son Koch eloquently surmises, "Only in New York."