A humorous collection of love stories from an award-winning author who has been called "a compassionate and witty satirist" ( Kirkus Reviews ). From Holocaust survivors to Yiddish artists, a petty thief and a Polish shiksa with a passion for Jewish history, what unites the delectable characters in Curt Leviant's witty collection of romantic tales is the universal desire for love and admiration. With settings as various as the Deep South, Boston, New York, Italy, Israel, each story is a wry look at romantic pursuit, each relationship as unique as the lovers themselves. Whether or not love succeeds for Leviant's all-too-human characters, the journey is always filled with humor and heart.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Ada Esther Leverson, the British writer known for her close friendship with Oscar Wilde who called her Sphinx. She was a wit, and a friend of Max Beerbohm; her writing has been compared to Beerbohm's, and the stories of Saki. In the final instalment of the 'Little Ottleys' trilogy, three years have passed since Bruce and Edith's marriage was in danger of collapse. Thanks to Edith's forgiving and patient ways they have put their difficulties behind them, and their lives seem on an even keel despite the advent of the First World War. But change is in the air: Bruce and Edith have a house guest - the intriguing Madame Frabelle charms everyone she meets and seems to show no signs of leaving. And then Edith's old flame, the charismatic and bewitching Aylmer Ross, comes home injured from the front, and Edith's carefully constructed life is thrown into confusion once again.

Thrown Among the Bones -- My Life in Fiction is a candid account of Patricia Schonstein's creative, deeply lived life as a novelist. Annotated with extracts from her writings, this generous memoir welcomes you behind the scenes, into her Workshop and Costumery. She shows how her own life configures with the scaffolding of her fictions; how characters take up roles both archetypal and simple to tackle existential questions; and how urban landscapes and wilderness serve as the neon-spangled theatres of her story telling."--

With SOME UNKNOWN GULF OF NIGHT, Wilum Pugmire continues his aesthetic exploration of the prose-poem and vignette sequence, many of which may be found in his last collection, THE TANGLED MUSE. With this new title from Arcane Wisdom Press we have a book-length sequence of semi-interconnected pieces, all of which are inspired by H. P. Lovecraft's superb sonnet sequence, FUNGI FROM YUGGOTH. Each numbered segment is an imaginative response to that numbered sonnet in Lovecraft's sequence, and Pugmire's Lovecraftian influence is the main force that drives this present work; yet other influences burrow from his fevered brain - Oscar Wilde, Edgar A. Poe, Baudelaire and the Decadents. Like some freakish soul who has lost his place in modern time, Pugmire's style is like that from another era, and yet it too is tainted by his neoteric experience as a punk rock queen and street transvestite. Like his literary heroes such as H. P. Lovecraft and Thomas Ligotti and Henry James, Pugmire strives to create what he does not hesitate to call "literary art" - prose pieces that are beautifully poetic and imaginatively deranged. This perverse concoction is best when sipped slowly, occasionally, and this is not a book to rush through in one sitting. Let it plant its poisoned fungi gradually upon your innocent brain, and thus blemish forever your paltry soul.

A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. This new edition of Ted Allan's novel, This Time a Better Earth, reintroduces readers to the electrifying milieu of the Spanish Civil War and Madrid, which for a short time in the 1930s became the epicentre of a global struggle between democracy and fascism. This Time a Better Earth, first published in 1939, tells the story of Canadian Bob Curtis from the time of his arrival in Spain and the idealism and trials of the international volunteers. Allan's novel achieves the distinction of being both a work of considerable literary and historical significance and a real page-turner. This is the first installment of a series of titles to be published in the Canadian Literature Collection under the Canada and the Spanish Civil War banner. This is a large-scale project devoted to the recovery and presentation of Canadian cultural production about the Spanish Civil War (spanishcivilwar.ca), directed by Bart Auteur and Emily Robins Sharpe. A young Canadian marches over the Pyrenees and enters into history by joining the International Brigades--men and women from around the world who volunteered to fight against fascism in the Spanish Civil War. Published in English.

Throughout the ages philosophers have examined their own lives in an attempt both to find some meaning and to explain the roots of their philosophical perspectives. This volume is an introduction to philosophical autobiography, a rich but hitherto ignored literary genre that questions the self, its social context, and existence in general. The author analyzes representative narratives from antiquity to postmodernity, focusing in particular on three case studies: the autobiographies of St. Augustine, Rousseau, and Sartre. Through the study of these exemplary texts, philosophical reflection on the self emerges as a valid alternative to Freudian psychoanalysis and as a way of promoting self-renewal and change.

"Subversion and Sympathy : Gender, Law, and the British Novel brings new energy and perspective to the law-and-literature movement. Focusing on the position of women in British novels of the eighteenth and nineteenth centuries - a period during which literature played a creative role in legal reform - the book illustrates the many ways in which the investigation of legal matters sheds new light on major literary works. At the same time, it shows that attention to literary representations of legal issues illuminates developments in the law by bringing to life matters at stake in legal reforms. In fourteen essays, the volume spans a range of gender-related issues, including inheritance, money lending, illegitimacy, marriage, and rape. At the same time, it makes a methodological contribution, displaying (and discussing) a range of perspectives that exemplifies the breadth and range of this interdisciplinary area of scholarship, which links history, gender studies, philosophy, literary studies, and law. The volume seeks to reinvigorate the methodology of the law-and-literature movement by provoking a cross-disciplinary conversation among legal scholars, judges, literary scholars, and feminist philosophers. Participants include those already known for their work on law and literature but also, crucially, legal leading lights who have not previously written about literature. Subversion and Sympathy shows that the conversation between law and literature can enrich our understanding not just of the fields in question but also of the deeper human issues at the heart of a given period - and beyond"--Unedited summary from book jacket.

‘Sinclair matches his brisk and original intelligence with an abundant yet sharply controlled prose that makes The Lady with the Laptop a hugely enjoyable and stimulating collection’ Nicholas Wroe, Independent ‘His natural irony is a consistently benevolent force, undermining prejudice, cultural division and paranoia . . . The Lady with the Laptop confirms him as a great observer of both the Jewish diaspora and the instability of any cultural identity’ Ra Page, Guardian ‘Sinclair is great fun, a canny court jester juggling big issues of life, death and cultural chaos, to the tune of a belly laugh’ Angela Neustatter, Literary Review ‘As the title suggests, there is a Chekovian theme running through the stories. They are laced with a wonderful black irony, but they are also very poignant’ Shena Mackay, Scotland on Sunday , Books of the Year ‘This outstanding collection should consolidate Clive Sinclair’s reputation as one of the most inventive writers working in the form today’ Elizabeth Lowry, Times Literary Supplement

One of the rarest Olympia titles, first published in 1955 as Vol. 12 of the Traveller's Companion Series, later reprinted in the impossibly rare "Ophir Books" set, and not seen since. Chariot of Flesh is the story of Baroness Carla, deceased at the introduction, with recollections of the woman's sensuality by her many paramours, told to a questing former lover. Alfred Chester (who who wrote this book as "Malcolm Nesbit") has largely vanished from the literary scene, but at one point in the late '50s achieved status for Jamie Is My Heart's Desire. He died in Israel in 1971 of a drug overdose, after having twice been ejected from the Beat paradise of Morocco.

"In 1915, fourteen years before Berlin Alexanderplatz, Alfred Doblin published his first novel, an amazing, extensively researched Chinese historical extravaganza: The Three Leaps of Wang Lun. Even more remarkably, given its subject matter, the book was written in expressionist style and is now considered the first modern German novel, as well as the first Western novel to depict a China untouched by the West. Based on actual accounts of a doomed rebellion during the reign of Emperor Qianlong in the late eighteenth century, the novel tells the story of Wang Lun, a historical martial arts master and charismatic leader of the White Lotus sect, who leads a futile revolt of the "Truly Powerless." Densely packed cities and Tibetan wastes, political intrigue and religious yearning, imperial court life and the fate of wandering outcasts are depicted in a language of enormous vigor and matchless imagination, unfolding the theme of timidity against force and a mystical sense of the world against the realities of power"--

Robert Nathan's "Jonah" is a compelling work of literary fiction that reimagines one of the Old Testament's most profound narratives. This acclaimed novel delves into the story of the biblical prophet Jonah, exploring the challenges and spiritual journey of a man called to deliver a divine message. Through Nathan's evocative prose, readers are drawn into a deeply reflective exploration of religious themes. The book centers on Jonah, the reluctant prophet, as he grapples with the weight of prophecy, the nature of obedience, and the concept of divine mercy. It offers a nuanced portrayal of a timeless figure confronting his faith, destiny, and the world around him. As a significant piece of biblical fiction, "Jonah" stands as a literary novel that resonates with enduring questions about human will and spiritual calling. It is a masterful example of Christian historical fiction that transcends its setting to ponder universal dilemmas. This edition presents a classic narrative, inviting reflection on a foundational story and its lasting impact on literature and thought. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Great Secret Edward Phillips Oppenheim Little, Brown, and Company, 1908 Fiction; Mystery & Detective; General; Fiction / Action & Adventure; Fiction / Mystery & Detective / General; Literary Collections / American / General

Landfall is New Zealand's foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, reviews and cultural commentary. Landfall 240 also features the winner of the 2020 Landfall Essay Competition as well as judges comments.

This book analyzes seven important works in the field of Modern Hebrew fiction that were translated to English and adapted into films. The author presents a brief history of Modern Hebrew literature, and a brief survey of Israeli cinema and of the adaptation of Israeli prose fiction into films. The chapters include a presentation of the literary world of the author whose work is studied and an itemization of his literary works in English translations. At the end of each chapter there is a discussion of the cinematic adaptation of the literary work studied in that chapter followed by a bibliography.

This issue of The Review of Contemporary Fiction presents new Slovak fiction in translation, congregating such significant writers as Dusan Dusek, Brano Hochel, Michal Hvorecky, Jan Johanides, Daniela Kapitanova, Monika Kompanikova, and Dusan Simko, among others most of whom have never before been translated into English to form a literary portrait of contemporary Slovak identity, framed by traditionalism and yet striving to engage the modern world with a voice all its own.

Fiction and non-fiction are two sides of the same coin. Or are they? Michael Penderecki is in flight. Someone has threatened to kill him. But who is the woman dead in the bathtub? And why does the voice of Yves Montand singing 'Les Feuilles Mortes' surge from the horn of an antiquated phonograph in an otherwise silent villa in Sils Maria? This is the most enigmatic - and melodramatic - of Gabriel Josipovici's novels to date. It is as though one of Magritte's paintings had come to life to the rhythms of a Bach Partita. A Winter in Zürau Fiction and non-fiction are two sides of the same coin. Or are they? Franz Kafka is in flight. After spitting blood and being diagnosed with tuberculosis in the summer of 1917, his thirty-fourth year, he escapes from Prague to join his sister Ottla in her smallholding in Upper Bohemia. He leaves behind, he hopes, a dreaded office job, a dominating father, an importunate fiancée and the hothouse literary culture of his native city. Free of all this, he believes, he will at last be able to make sense of his existence and of his strange compulsion to write stories and novels which, he knows, will bring him neither fame nor financial reward .But this is not fiction. It is an exploration of eight crucial months in the life of one of the greatest writers of the twentieth century, months of anguish and reflection preserved for us in his letters and journals of the time, and which resulted not just in the production of the famous Aphorisms but, as Josipovici shows in this compelling study, of some of his most resonant parables and story-fragments

Cool, elegant, pure, and yet surprisingly eccentric, the thirteen stories in Between the Flags explore contradictions of American experience since World War II. This retrospective of B.H. Friedman's work begins with "As I Am I Will Be," as its central character, Little Boy, faces civilian life after the war. It ends with the title story, in which a nameless man fights for his life against the sea and afterward realizes how little of his identity he carries away. Between these two periods - the forties and the eighties, youth and old age - life stories filled with regret, humor, and subtle complications. They complement the stories collected in Coming Close (1982), also published by Fiction Collective. Friedman's characters struggle with the ways in which their lives are bounded. The desire to recover the sexual energy of youth propels one character into a confrontation with priapism. An art critic and the painter she made famous nourish and then finally consume each other's talents. In "Whisper," a man cherishes the anonymity that allows him to move freely in his pursuit of "zeros" (money). "Whisper," a prescient parable for the eighties, was expanded into a novel and recommended for a National Book Award by William Gass. Except for "Reunion in Spain," which is published here for the first time, all of these stories appeared previously in distinguished literary magazines.

Product Description From the melting pot that was Iraqi society comes a tale, recounted by a grand old man of Canadian letters, of growing up as a Jewish boy in Baghdad in the 1940s. Naim Kattan was born into an intellectual Jewish family in Baghdad in 1928. He, his brother, and his friend Nessim were the only Jews in a group of young men who met every evening in a cafe to talk passionately abut creating a national Iraqi literature in their newly independent country. They had good reason, for although the Jewish community in Iraq dated back 2500 years, and Jews were abmong the best Arabic scholars in the country, they were never considered equals by the Muslim majority. In 1941, after British forces defeated the German-backed Iraqi insurgents, angry Bedouins entered Baghdad before it could be secured and began the Farhoud, the massacre of Jews in the city. The violence stopped just short of the Kattans' house, but the family immediately began the long application process for visas. Kattan began selling stories to literary magazines and speculating about the role of women in a country where even Jewish women wore veils. He eventually won a scholarship to the Sorbonne and left his family, not to be reunited with them until five years later, when he found them in a settlement camp in Israel This is a memoir of identity, of growing up in a tumultuous polyglot society, of change both personal and societal, of finding one's place in life. Here is a fascinating portrait of a people, a city, a state, and a culture that are as troubled today as Kattan found them sixty years ago. Review A fine portrait of a particular place and time that is no more. --Library Journal In all respects, a most moving and haunting work. --Montreal Star In all respects, a most moving and haunting work. --Montreal Star About the Author Naim Kattan has lived in Montreal since 1954. He has written more than thirty books of poetry, essays and fiction, which have been translated into many different languages. He has received many honors including the France-Canada Prize and France's prestigious Legion d'Honneur.