In 1862 Nevada Territory, after finding his foster parents murdered and scalped, twelve-year-old Pinky Pinkerton, son of a railroad detective and a Sioux Indian, inherits a valuable deed and must hide from dangerous Whittlin Walt and his gang of desperados.

September AD 80. Flavia and her friends go to Rome to celebrate the Festival of Jupiter at Senator Cornix's town house. When a famous racehorse goes missing, Nubia sets out to recover it. The four friends find themselves caught up in a plot against one of the rival factions, the Greens. Who is trying to sabotage the charioteers? Could it be an inside job, or someone with a grudge from long ago? How many men and horses will die before the killer is caught?

In 80 A.D., ten-year-old Roman sleuth Flavia and her friends sail from Corinth to Rhodes to try to stop a mysterious man who is kidnapping children and selling them into slavery.

Jonathan and his friends are called to Rome by the emperor in the winter of 80 A.D. to find the new Prometheus believed to have brought an epidemic to the city, but Jonathan, obsessed with reuniting his parents, makes some unwise--and life-threatening--choices.

Mystery and adventure for four young detectives in Ancient Roman times . . . Flavia is suspicious of the new woman in her father's life, Cartilia Poplica. She's certain that Cartilia has an ulterior motive, but to find out the truth Flavia must perform twelve tasks - like the Greek hero Hercules. So begins a thrilling journey, but what will Flavia learn at the end of her quest?

Carolyn Heilbrun opens our eyes to the ways in which the concept of androgyny -- the realization of man in woman and woman in man -- has run from its source in pre-Hellenic myth through the literature of the Western world. Here brilliantly brought to life are long-unrecognized manifestations of the androgynous ideal: in the classic drama, with its celebration of the feminine impulse toward life; in the Gospels, as Jesus breaks with the paternalistic tradition; in the medieval ambiguities of the cult of Mary and the courts of love; in the Renaissance, with its developing view of a more autonomous human being, culminating in Shakespeare's androgynous vision. Moving toward our own time, Mrs. Heilbrun traces the emergence of the woman hero in fiction. Clarissa and Hester Prynne, the strong women characters in Jane Austen, the Brontës, and George Eliot, the heroines of male writers -- Henry James, E. M. Forster, D. H. Lawrence -- are all seen as androgynous creations. And the writers of the Bloomsbury group are looked as exemplifications of the androgynous ideal both in their art and in their lives. -- From publisher's description.

Five short stories in which a vacation takes a supernatural turn.

The former Prince of Wales has lived his whole life in the public eye, yet he remains an enigma. He was born to be king, but he aims much higher. A landmark publication, Charles: The Heart of a King reveals Prince Charles in all his complexity: the passionate views that mean he will never be as remote and impartial as his mother; the compulsion to make a difference and the many and startling ways in which the Prince and now King of the United Kingdom and fifteen other realms has already made his mark. The book offers fresh and fascinating insights into the first marriage that did so much to define him and an assessment of his relationship with the woman he calls, with unintended accuracy, his 'dearest wife': Camilla, now Queen Consort. We see Charles as a father and a friend, a serious figure and a joker. Life at court turns out to be full of hidden dangers and unexpected comedy. Now, updated and revised with a new preface and two new chapters - covering details of Harry and Meghan's exit and its implications, the cash-for-honours scandal, Prince Andrew, and more - this significant study reveals a monarchy threatened and a man in sight of happiness yet still driven by anguish and a remarkable belief system, a charitable entrepreneur, activist, agitator and avatar of the Establishment who just as often tilts against it.--

This foundational book of conjure methods will introduce you to morethan 100 time-tested ways to cast magic spells for protection, love, luck, wealth, health, and revenge within a variety of containers including:* Eggs, Bones, Shells, and Fruits* Potted Plants and Hollow Trees* Paper, Cloth, and Leather Packets* Mojo Hands and Troll Bundles* Doll-Babies and Loaded Statuary* Glass Bottles and Jars* Sugar, Cigar, and Match Boxes* Mirror Boxes and Compacts* Loaded Oil Lamps and Candles* Ice Boxes and Freezers* Black Hawk Buckets* Scandinavian Spiritus Boxes* Witch Bottles and Bottle Trees* Jewish and Arabic Spirit Traps

* Divination and Seership with Crystal Balls, * Pendulums, and Numerology Conjure Spells for Money, Love, Protection, and Luck * Cursing, Break-Up, and Hot Foot Tricks to Drive Off Enemies * The Secrets of Conjure Cookery and Traditional Herbal Medicine * Candle Magic, Spell Sigils, and Petition Papers in the Hoodoo Tradition * How to Make Your Own Mojo Hands, Sachet Powders, and Packet Charms The Red Folder, an oversized 8 1/2" x 11", 136-page book, collects and reprints all of the flyers and extracts from the books we gave to attendees at the Hoodoo Heritage Festival workshops from 2014 through 2019. It is the sequel, and perfect companion to, The Black Folder, which collected 20 years' worth of Lucky Mojo shop flyers and hand-outs for workshops at the annual Hoodoo Heritage Festival from 2008 through 2013.

Cesare Lombroso is widely considered the founder of criminology. His theory of the "born" criminal dominated European and American thinking about the causes of criminal behavior during the late nineteenth century and the early twentieth. This volume offers English-language readers the first critical, scholarly translation of Lombroso's Criminal man, one of the most famous criminological treatises ever written. The text laid the groundwork for subsequent biological theories of crime, including contemporary genetic explanations--Cover.

“Extraordinary . . . No one but Chaim Potok could have written this strangely sweet, compelling, and deeply felt novel.”— The Cleveland Plain Dealer In his powerful My Name is Asher Lev, Chaim Potok gave the world an unforgettable character and a timeless story that The New York Times Book Review hailed as “little short of a work of genius.” The Chicago Sun-Times declared it “a story that had to be told.” Now, Chaim Potok’s beloved character returns to learn, to teach, to dream, in The Gift of Asher Lev. Twenty years have passed. Asher Lev is a world-renowned artist living with his young family in France. Still, he is unsure of his artistic direction. Success has not brought ease to his heart. Then Asher’s beloved uncle dies suddenly, and Asher and his family rush back to Brooklyn—and into a world that Asher thought he had left behind forever. It is a journey of confrontation and discovery as Asher purges his past in search of new inspiration for his art and begins to understand the true meaning of sacrifice and the painful joy in sharing the most precious gift of all. Praise for The Gift of Asher Lev “A masterwork.” — Newsday “Rivals anything Chaim Potok has ever produced. It is a book written with passion about passion. You’re not likely to read anything better this year.” — The Detroit News “Fascinating.” — The Washington Post Book World “Very moving.” — The Philadelphia Inquirer

Can torture ever be justified? When is eavesdropping acceptable? Should a kidnapper be waterboarded to reveal where his victim has been hidden? Ever since 9/11 there has been an intense debate about the government's application of torture and the pervasive use of eavesdropping and data mining in order to thwart acts of terrorism. To create this seminal statement on torture and surveillance, Charles Fried and Gregory Fried have measured current controversies against the philosophies of Aristotle, Locke, Kant, and Machiavelli, and against the historic decisions, large and small, of Jefferson, Lincoln, and Pope Sixtus V, among many others. Because It Is Wrong not only discusses the behavior and justifications of Bush government officials but also examines more broadly what should be done when high officials have broken moral and legal norms in an attempt to protect us. This is a moral and philosophical meditation on some of the most urgent issues of our time.

"The Evolution of Central Banks" employs a wide range of historical evidence and reassesses current monetary analysis to argue that the development of non-profit-maximizing and noncompetitive central banks to supervise and regulate the commercial banking system fulfils a necessary and natural function.Goodhart surveys the case for free banking, examines the key role of the clearing house in the evolution of the central bank, and investigates bank expansion and fluctuation in the context of the clearing house mechanism. He concludes that it is the noncompetitive aspect of the central bank that is crucial to the performance of its role. Goodhart addresses the questions of deposit insurance and takes up the "club theory" approach to the central bank. Included in the historical study of their origins are 8 European central banks, the Bank of Japan, the Bank of England, and the Federal Reserve Board of the United States.Charles Goodhart was appointed to the newly established Norman Sosnow Chair of Banking and Finance at the London School of Economics in 1985. For the previous 17 years he served as a monetary economist at the Bank of England, becoming a Chief Adviser in 1980.

Book by Krauthammer, Charles

Reznikoff's subject is one people's suffering at the hands of another. His source materials are the U.S. government's record of the trials of the Nazi criminals before the Nuremberg Military Tribunal and the transcripts of the Eichmann trial in Jerusalem. None of the words here are Reznikoff's own: instead he has created, through selection and arrangement of the courtroom testimony, a poem that unfolds in the voices the perpetrators and the survivors of the Holocaust themselves. He lets the terrible history lay itself bare in history's own tongue.

Few can match Charles Rosen's cultivation and discernment, whether as pianist, music historian, or critic. Here he gives us a performance of literary criticism as high art, a critical conjuring of the Romantic period by way of some of its central texts. "What is the real business of the critic?" Rosen asks of George Bernard Shaw in one of his essays. It is a question he answers throughout this collection as he demonstrates and analyzes various critical approaches. In writing about the Romantic poets Lord Byron, William Wordsworth, William Cowper, and Friedrich Hölderlin, he examines the kind of criticism which attempts to uncover concealed code. He investigates the relationship between Romantic aesthetic theory and artworks, and explores the way Romantic art criticism has been practiced by critics from Friedrich Schlegel to Walter Benjamin. In essays on Honoré de Balzac, Robert Schumann, Gustave Flaubert, and others, he highlights the intersections between Romantic art and music; the artist's separation of life and artistic representations of it; and the significance of the established text. With an apt comparison or a startling juxtaposition, Rosen opens whole worlds of insight, as in his linking of Caspar David Friedrich's landscape painting and Schumann's music, or in his review of the theory and musicology of Heinrich Schenker alongside the work of Roman Jakobson. Throughout this volume we hear the voice of a shrewd aesthetic interpreter, performing the critic's task even as he redefines it in his sparkling fashion.

Hardcover with dust jacket. VG/VG

In The Wizard of Odds, renowned and best-selling basketball writer Charley Rosen brings us for the first time the full life story of Jack Molinas, one of the greatest basketball players of his era, a man whose gambling addiction and hubris caused his ultimate demise. Drawing on numerous, previously unavailable first-person accounts, including Jack Molinas’s own journal and trial transcripts, Rosen presents the true saga of a man who perhaps better than anyone around him understood the weaknesses of the system in which he lived—so much so that he convinced himself that he could manipulate that system to his advantage with total impunity, in a life’s journey that took him from NBA play to the Mafia and the pornographic film industry, and to an ultimate tragic destiny.

Young Lewis misses his grandfather, even though he died when Lewis was only two. Together Lew and his mother learn that remembering Grandpa together is less lonely than each remembering him alone. Warm, rich, and beautiful, a comforting consideration of death.--ALA Booklist. An ALA Notable Children's Book.