The ancient wisdom of the great Hebrew mystics makes one essential promise: "There is a better way to live." In his follow-up to the national bestseller "Soul Prints," renowned spiritual leader Marc Gafni addresses the ever-important issue of our erotic connection to the universe. "The Mystery of Love"takes us on an extraordinary journey that illuminates the path toward all-encompassing and enduring love -- one that enables us to experience the full eros of living. With clarity and compassion, Rabbi Gafni teaches us how to live with passion and love in all facets of our lives. "The Mystery of Love" begins with a radical new understanding of loving, drawn from the ancient wisdom texts of the Kabbalist tradition, and explains how ten unique qualities of sexuality (The Hebrew Tantra) can serve as our spiritual guides in the creation of a loving, passionate existence in every dimension of our lives.

When young Tony Florentino agrees to fly out of Miami to do a favour for his father's partner Herb, he's thinking chiefly about a weekend of the good life. For Herb's niece Bella has disappeared, and Tony is meant to find her... No problem. However, just a couple of days in Miami and Tony is no longer so optimistic. Between the city's sleazier joints and its exclusive jetset clubs, he learns that the sweet-natured Bella has made some surprisingly ruthless enemies...Tony blunders on -- determined to solve the mystery, but blissfully unaware of the real powers behind it all. And when his life is put into danger, it is too late to discover that even friends cannot be trusted.

Death By Deadline is a mystery thriller that takes you deep into the heart of local TV News, with heroes, villains, and a look at how the battle to be first with a story can climax in unbelievable catastrophe. Can local news kill people? That's the essential question as the author takes you through a mosaic of politics. the underworld, government, and the life of a big city as seen through the prism of courageous journalists and their corrupt and devious counterparts. Death by Deadline is a story of murder, mayhem, and hope. accompanied by unforgettable characters, and some of the most unusual newsroom humor that you will ever read. This is not for the fainthearted, but is IS for people who want to walk the fine line between solid reporting and the tragedy of journalistic deceit. The people are not real. Can it happen? Maybe, on some dark day in the future, unless it is too late. "Too late" is a real possibility. But in the meantime, the thread of corruption, sexual tension, heroes and villains fighting an internal struggle, produces a newsroom full of tightrope walkers in a novel with so many surprises, that the reader must be prepared to face the unthinkable.

"The Frontier Garrison" is the first English translation of "Az elõretolt helyõrség" by the Hungarian novelist Jenõ Rejtõ (1905-1943), originally published in 1939 under the pen name of "P. Howard." The translator, Balint Kacsoh (a university professor) also annotated the edition. The preface provides biographical data of Jenõ Rejtõ in historical and literary context. The genre is fiction; elements of action, adventure, mystery, and comedy are mixed in the story. It is suitable for young readers and adults. Synopsis: Action and adventure are mixed with a healthy dose of offbeat humor in this P. Howard classic, set in the second half of the 1930s. Harrincourt is dishonorably discharged from the French Naval Academy for a prank. He realizes that his carefree behavior put the livelihood of his widowed mother and teenage sister in jeopardy. To secure their financial future, he pays the premium on his life insurance policy and joins the French Foreign Legion destined to Africa, where his death "in the course of professional duty" would be all but guaranteed. While in basic training in Oran, he unwittingly becomes mixed up in murder and espionage and encounters the ghost of a murdered woman who has a penchant for singing. In short order, his unit is dispatched to a frontier garrison established to support French colonial expansion into equatorial Africa. Rival foreign powers, however, attempt to thwart the French plans and Harrincourt finds himself in the crossfire of international intrigue and falls in love with the beautiful woman whose haunting ghost follows the legionnaires as they march through the deadly Sahara. It is up to Harrincourt to save the day and uncover the secret of a mysterious watch, even if it might mean foregoing the death benefit his insurance policy would pay to his family.

At the 37th libel suit Thurlow Potts has brought to court to protect the family name, the family's beleaguered lawyer Charlie Paxton loses the case. Thurlow seems driven beyond reason to protect the million dollar shoe business of his mother, Cornelia Potts, known to the press as the 'Old Woman who Lived in a Shoe.' But some people in the courtroom think Thurlow should be taken seriously, including Ellery Queen, who is looking on while waiting with his father, Inspector Queen of the New York Police Department, for another case. Afraid Thurlow will make good on his threats, Paxton begs Queen for help. Paxton's fiancee is Thurlow's sister, and she secures Queen an invitation to dinner, where Queen meets the extended and unusual Potts family. But before the meal ends, Thurlow challenges his younger brother to a duel, and not one, but two murders ensue. For the twin victims, and for Queen who must now solve the crimes, the fairytale is over. From his first appearance in print in 1929, Ellery Queen became one of America's most famous and beloved fictional detectives. Over the course of nearly half a century, Frederic Dannay and Manfred B. Lee, the duo writing team known as Ellery Queen, won the prestigious Edgar Award multiple times, and their contributions to the mystery genre were recognized with a Grand Master Award, the highest honor bestowed by the Mystery Writers of America. Their fair-play mysteries won over fans due to their intricate puzzles that challenged the reader to solve the mystery alongside the brilliant detective. Queen's stories were among the first to dominate the earliest days of radio, film, and television. Ellery Queen's Mystery Magazine, which the writers founded and edited, became the world's most influential and acclaimed crime fiction magazine.

Aus dem Buch: "Sie hatten ohnehin ein wenig Aufsehen erregt. Man ist zwar in Paris an sehr vieles, das andernorts Zusammenrottungen verursachen würde, schlechtweg gewöhnt; ein höchst nachlässig gekleidetes Paar aber fällt in einem erstklassigen Mode-Restaurant auch in Paris auf. Ihre Gesichter, die in diesem Milieu sofort sozusagen dominierten, und das sichere Auftreten Fecs hatten den Maître d'Hôtel jedoch schnell entwaffnet; die Lebhaftigkeit ihrer Unterhaltung, welche durchaus gegen die Lokalusancen verstieß, besonders das überaus kräftige Mienenspiel Bichettes hatten dann aber neuerdings unliebsame Aufmerksamkeit hervorgerufen." Walter Serner (1889-1942) war ein Essayist, Schriftsteller und Dadaist.

Brash, sexy, investigative journalist Margo Ross runs her hip news program with wit and intelligence. Tipped off that Albert Einstein might have been murdered by a group of right-wing militarists, Margo pursues the scoop of her life, tangling with a network of clues and an outlandish cast of suspects.

Simone Purdy is a manipulator of the nicest kind with the best of motives: to keep order among her post-college circle of friends, all established couples.

A novel of airport intrigue. She was young. She was beautiful. And in more danger than she knew. Rebel Martin worked out of National Airport in Washington DC as a stewardess for Coastal Airlines. She lived in the high rent section of Alexandria, VA courtesy of one friend. She had a wardrobe that would make a movie star envious, courtesy of another. And she played the field, in the sky and on the ground. There was Pilot Jim Lindsay, who had a wife and two children. He wanted to marry Rebel. So did young Robert Denham, a handsome ramp agent who didn't make enough to keep Rebel in cosmetics. One man involved with Rebel who didn't want to marry her was Frak Gilcannon, Coastal's executive vice president....Captain McDermott, recently reassigned from Coastal's Chicago office to Washington as a check pilot on the Boeing 727, had formerly been a homicide detective. Now, reluctantly, he finds himself back on the homicide trail seeking the person who'd strangled Rebel. And he finds his answer in two places. In the sky. And on the ground

THE SILENT WALL Matty Matthews has been to the town of Forza d'Aguil before. Stationed there with a small group of soldiers during WWII, it was here that Matty fell in love with Rosanna. It was a sweet, short-lived affair until the soldiers unexpectedly got orders to pull out. Matty never got to say goodbye. Now he's back in Sicily, drawn to the mountain town after all these years. But the citizens of Forza d'Aguil are easy to offend, and when Matty inadvertently crosses Pino, the mafioso sabotages his leaving. Trapped in Forza d'Aguil, hemmed in on all sides by the oppression of the town and its silent citizens, he's stuck in the middle of mafia country with no way out. He has only the help of the innkeeper Vinciguerra, a man he can't understand, and the passion of the sweet Sophia. Or is she part of the sinister web, too? THE RETURN OF MARVIN PALAVER Marvin Palaver dies at the worst possible moment in life, just when he is coming out even with his nemesis, fellow scrap seller Sidney Minsk. He is so close. The contract is signed and Sydney has just bought back his own scrap, the deal of a lifetime. Marve knows happiness supreme. But as the tears of joy make his eyes swim, there comes a bump in his chest, and he is dead before he hits the floor. But death doesn't stop Marvin. His masterful schwindel must be complete. So Marve finagles his way back to the material plane for a bit of artful ghosting. Sidney has hidden the contract away, confident that he's the only one who knows about it. All Marve needs to do is get him to reveal it--he should live so long

Colour illustration by Kirwan.

Jimmy Gallivan is a glum fellow in jail, with three weeks to go on a seven-year term for attempted murder, when he's caught up in a massive jailbreak. He doesn't want to leave, but another con forces him to come along. Gallivan gradually realizes the whole jailbreak was meant to get him out, but he doesn't know why. Why him? Why couldn't they wait three weeks until he'd be released anyway?

KILL THE BOSS GOOD-BY Tom Fell, the boss, is gone, and Pander has temporarily taken over the rackets in town. He's got some ideas of his own how the bookies should be operating. The business needs some fresh blood. Then Fell is back, back from his rest at Desert Farm where Dr. Emilson has been treating him for manic depression; back with Cripp, his right-hand man. Fell knows he's been gone too long, that Pander has stepped in and made some changes. Pander thinks he's got the big bosses behind him, but what he doesn't know is that Fell may be manic, but he knows what he wants--power. And nobody is going to stop him from taking it. MISSION FOR VENGEANCE Eight years ago they were running guns, then something went wrong and they were all running for their lives. Farret spent some time in a South American prison but now he's back and out to even the score. One of the four betrayed him, and Farret knows you got to keep the score even on these things. John Miner owns a ranch and is engaged to Getterman's daughter, Jane. He's the first to find out about Farret. But Farret isn't interested in Miner yet. First he's got to settle with Lena; and after that, Metz. And if it isn't Metz who set him up, Getterman is next. But sooner or later, it all comes down to Miner. Miner brought him into the group--and his is the biggest score to settle of them all.

GIRL IN A BIG BRASS BED Lobbe wants his painting back. Goering confiscated it when the Nazis raided Rotterdam. But now, years later, it has been located, and the German government wants to return it. So Lobbe sends his assistant Manny deWitt to Munich to fetch it. The painting is Vermeer's "Apple Girl," Lobbe's prized possession. The mission seems easy enough. But as deWitt soon discovers, those who have the misfortune to come in contact with the elusive Vermeer seem to experience an early and unpleasant death. The sooner he gets the painting and gets out, the better. If only it were that simple. THE SPY WHO WAS 3 FEET TALL This time Lobbe sends Manny to a recently emerged African nation called Motana. It's deWitt's job to negotiate the contract to build a road through the country. As usual, Lobbe doesn't muddy the waters with too much information for deWitt. But this time, everyone seems to be up on the project but him. Yum Lee, the Chinese emissary who also wants the contract, is one step ahead of him. Inge, Lobbe's delightful niece, is strictly undercover. And then there's his ubiquitous taxi driver, Baby, who is much more (or less) than what he seems. Just what the hell is so important about this road anyway? CODE NAME GADGET As gadgets go, it was supposedly a fairly large one, large enough to fill a medium-sized factory. Manny's mission is to buy it for his boss Lobbe before the competition beats him to it. The mission takes him to England under the eccentric guidance of a pilot named Max Garten, and into the unexpected arms of Meghan Bushmill. Together, the three of them form a kind of team as they try to figure out who are the good guys and who are the bad guys--and if it even makes any difference anymore. Because whoever has the gadget can destroy the world, and even Lobbe may not be able to buy his way out of that one.

The People from Heaven , John Sanford's most ambitious and searing novel, completes his Warrensburg Trilogy, digging beneath the bucolic surface of a small-town to expose the hatred at its core. "A sacred book, majestic in its rebukes of those who violate the breath and origin of humanity while professing faith and going through the motions of holiness." Carl Sandburg The people of Warrensburg are divided by the arrival of a nameless Black woman. Her few allies call her America Smith, while the town's most prominent citizens try to drive her out. This clash results in rape and murder. Sanford punctuates this spare plot with poetic episodes from the nation's past, rooting the characters' actions in the violence of the nation's founding. He tells the story with an artistry of language that led the Cambridge Companion to Jewish American Literature to describe him as America's "most outstanding neglected novelist." This new edition of Sanford's literary masterpiece features an introduction by Jack Mearns, author of John Sanford: An Annotated Bibliography. The other books in the trilogy are Make My Bed in Hell and The Old Man's Place. John Sanford (1904-2003) was a screenwriter and author who wrote 24 books. A one-time member of the Communist Party, he and his wife, the ground-breaking screenwriter Marguerite Roberts, refused to testify to the House Un-American Activities Committee, and were blacklisted in Hollywood for nearly a decade. "Only a warm-hearted and perceptive author who believes in the potential worth of humanity could have conceived the powerful conflicts, the trenchant syllables here. The fact that it succeeds in provoking an examination of national conscience as well as of person attitude also suggests its worth." New York Herald Tribune "Sanford's technique is arresting and every page has a savor and quality of its own." The New Republic

Hailed by Thomas Pynchon as “daringly imagined and darkly romantic—a moral thriller,” Destiny Express captures both the glamour and the terror of an era, dramatizing the perilous moment when art, politics, and destiny converged on the tracks out of Berlin. Berlin, the last day of February, 1933. The Reichstag lies in smoldering ruins, a new world about to spring from its ashes. And now for German filmmakers the choices are stark: stay and collaborate with a government that believes in cinema’s power to shape reality, or leave everything behind. Destiny Express is the story of Fritz Lang and Thea von Harbou, husband and wife, director and screenwriter—together, they made some of the greatest films of all time: M, Metropolis, Doctor Mabuse. As each day is torn from the calendar they watch as one by one Bertolt Brecht, Max Ophuls, Billy Wilder, take the next train out. Destiny Express follows Lang, von Harbou, and a host of real and fictional others––novelist-turned-minister-of-culture Joseph Goebbels, American café Surrealist Sam Harrison, Mercedes racing champ Otto Merz, film star Rudolf Klein-Rogge, a pair of not-so-secret police—as their paths converge, intertwine, and separate across the grid of Berlin, from the artificial daylight of the UFA soundstage to the artificial night of Berlin's most exclusive and decadent nightclubs. Harsh lights, long shadows: the perfect setting for a deeply researched, deftly imagined tale, as one character puts it, of "crime, gambling, cocaine, jazz, stock exchange maneuvers, smuggling, hypnosis, counterfeiting, violence, Expressionism." Destiny Express is the story of a marriage at the end of its passion, at the edge of history—all at the end of an era when film was to mean more than it ever would again.

A recreation of a village in Palestine and its characters, each gently and carefully called back from the past to tell their stories in a literary narrative. In 1917, the members of a spy ring who sought to assist the British in driving the Turks from Palestine were betrayed. It was said that four women of the town were seen laughing at the arrests of their neighbors. Each met a strange fate: one died prematurely, the second went mad, the third was an invalid and the fourth lived out her life in disrepute. When Halkin read this story of the village that he lived in, it inspired him to begin a journey into the past. His friends and neighbors each offered a different version of the events, and Halkin discovered that each of them was in some way affected by the legendary fate of the spy ring