Summary: Introduces the leading performers from around the world. This work explores the breadth of the world music experience through the voices of the musicians themselves. It gives a view of the interactions of a globalizing society and introduces readers to some thoughtful artists.

Acclaimed photographer Elinor Carucci takes on her most challenging and rewarding subject yet: motherhood. When Elinor Carucci gave birth to her twins, she discovered the highs and lows that are part of every new mother’s experience. A noted photographer accustomed to documenting intimate moments, Carucci used her camera to deal with the maelstrom of emotions. She followed her babies as they grew into toddlers, then children, with their own complex relationships. Carucci’s dramatic use of light and shadow and her uncanny ability to capture the freedom with which children express themselves imbue her images with a marvelous clarity. By turns touching, surprising, sensual, joyful, and unflinching, these striking pictures convey moments that are at once personal and universal—a child’s runny nose, a fight between brother and sister, a fast-food meal, a warm embrace, a sleepless night, an ice cream cone. The result, as Francine Prose remarks in her foreword, are images that "seem new, no matter how well we may think we know . . . the experiences and feelings they depict. . . . Nothing, we feel, is left out."

From 16 Jan. through 28 Feb. 1991, the U.S. & its allies conducted one of the most operationally successful wars in history, a conflict in which air operations played a preeminent role. This report captures the key findings of the 10 reports of the Survey. It proves an executive summary of each report & asks questions that cut across each of the reports: what was the air campaign plan, & what did it accomplish? what was the role of intelligence? who ran the air war? what were the conditions in the theater? what were the instruments of air power? what supported the air power? which technologies worked? Photos.

"Permission : A Manifesto for Writers, Artists, and Dreamers is for anyone with a creative impulse, a resource to be reached for during times both fertile and not. The creative process often unfolds, albeit haphazardly, in a fairly predictable fashion: the impulse to create, the anxiety of starting, and-hopefully-the making of art. Along the way, a million different things can derail the process. Exploring subjects such as "The Myth of Perfection." "The Specter of Silence," and "Hubris and Humility," the goal of On Permission: A Manifesto for Writers, Artists, and Dreamers is to inspire and guide creatives to a place of transformation, of freedom from the constraints of shame and fear in all their forms, and to the understanding and recognition of the ethics of story-making, art-making, truth-telling, permission, and creative soul-saving. While especially good for writers, On Permission is also for creatives working in visual art, music, and beyond. Embedded within the essays are inspiring quotes from Annie Dillard, Zadie Smith, Jane Kenyon, Andrew Wyeth, Stanley Kunitz, Elizabeth Gilbert, Jericho Brown, Jacqueline Woodson, Wallace Stegner, Vivian Gornick, Ross Gay, Cheryl Strayed, Anne Lamott, George Saunders, Melissa Pritchard, Sally Mann, Dani Shapiro, Adrienne Rich, St. Augustine, and others"-- Provided by publisher.

Through easy-to-read discussions, logical diagrams and an addictive downloadable simulator, this book will help you translate the contents of The Goal into workable procedures in your own organization.

Southern slaveholders proudly pronounced themselves orthodox Christians, who accepted responsibility for the welfare of the people who worked for them. They proclaimed that their slaves enjoyed a better and more secure life than any laboring class in the world. Now, did it not follow that the lives of laborers of all races across the world would be immeasurably improved by their enslavement? In the Old South but in no other slave society a doctrine emerged among leading clergymen, politicians, and intellectuals -- "Slavery in the Abstract," which declared enslavement the best possible condition for all labor regardless of race. They joined the Socialists, whom they studied, in believing that the free-labor system, wracked by worsening class warfare, was collapsing. A vital question: to what extent did the people of the several social classes of the South accept so extreme a doctrine? That question lies at the heart of this book.--Publisher.

Bobby is the class clown. He can always be counted on to crack up his friends and sometimes even the teachers. But he can't always be counted on to stay out of trouble'and that's no joke when you're in danger of being shipped off to a special school for kids with ‘behavioral problems.' Bobby's got one last chance to prove to his teachers, his principal, and his parents'especially his super-sarcastic dad'that he can be taken seriously. His assignment: to put on a school-wide laugh-off. It's teachers vs. students'and may the best comic win. It's also a chance for Bobby to show his dad that mean jokes aren't just kidding around. Packed with kid-tested jokes and riddles, this funny novel is also a thoughtful exploration of the power of laughter to hurt'and to heal. 2000-2001 Georgia's Picture Storybook Award & Georgia's Children's Book Award Masterlist

Upstate New York, at the confluence of the great Hudson River and its mighty tributary the Mohawk —from this stunning landscape came the creation of a new world of science. In 1887, Thomas Edison moved his Edison Machine Works here and in 1892, it became the headquarters of a major manufacturing company, giving the town its nickname: Electric City. The peak of Autumn, 1919: The pull of scientific discovery brings Charles Proteus Steimetz, a brilliant mathematician and recent arrival from Ellis Island, to town. His ability to capture lightning in a bottle earns him the title "Wizard of Electric City." Barely four feet tall with a deeply curving spine, Steinmetz's physical deformity belies his great intellect. Allied with his Mohawk friend Joseph Longboat and his adopted eleven–year–old granddaughter Midget, the advancements he makes in Electric City will, quite simply, change the world. The peak of Autumn, 1965: Sophie Levine, the daughter of a company man, one of the many scientists working at The Company, whose electric logo can be seen from everywhere in town. Her family escaped Europe just before World War II, leaving behind a wake of annihilation and persecution. Ensconced in Electric City, Sophie is coming of age just as the town is gasping its last breaths. The town, and America as a whole, is on the cusp of great instability: blackouts, social unrest over Vietnam, and soon the advent of the seventies. Into her orbit drifts Henry Van Curler, the favored son of one of Electric City's founding Dutch families, as well as Martin Longboat, grandson of Joseph Longboat. This new generation of Electric City will face both the history of their town and their own uncertain future, struggling to bridge the gap between the old world and the new. Electric City is a vital, pulsing, epic novel of America, of its great scientific ingenuity and its emotional ambition; one that frames the birth and evolution of its towns against the struggles of its indigenous tribes, the immigrant experience, a country divided, and the technological advancements that ushered in the modern world.

No one better understands the desire to be bad than Elizabeth Wurtzel. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at women who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter-day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and women in today's headlines. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to those women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth. She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway's tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society's complete obsession with badness: what's a girl to do? Let's face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock." Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to life and to love. Whether writing about Courtney Love, Sally Hemings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di--or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You'll Never Make Love in This Town Again--Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.

"What started with ten office workers in Boston started out sitting in a circle and sharing the problems they encountered on the job became, in a few short years, a nationwide movement that united people of diverse races, classes, and ages. They took on the corporate titans. They leafleted and filed lawsuits and started a woman-led union. They won millions of dollars in back pay and helped make sexual harassment and pregnancy discrimination illegal. The women office workers who rose up to win rights and respect on the job transformed workplaces throughout America. And along the way came Dolly Parton's toe-tapping song and a hit movie inspired by their work. Working 9 to 5 is a lively, informative firsthand account of this movement, packed with practical organizing lore that will embolden anyone striving for fair treatment"--Dust jacket flap.

Designed to bring the wisdom of centuries to a wide audience, "The Illustrated Hebrew Bible" is a beautiful collection of 75 of the most compelling stories from this ancient text. 130 full-color illustrations.

In this rich and savvy collection of commentaries on the events, people and issues that shape and define our world, Pulitzer Prize-winning columnist and "New York Times" bestselling author Ellen Goodman cuts to the heart of the stories and controversies that helped to define our times. For over twenty-five years, nationally syndicated columnist Ellen Goodman has been training her lens on contemporary American life. A marvelously direct writer with keen insight into what makes the average American tick, laugh and occasionally boil with rage, Goodman takes her measure of the national psyche in a voice that is at once perceptive, witty and deeply humane. "Paper Trail," her first collection in more than ten years, journeys through an era that has been golden in its advances and bleak in its disappointments. In a voice both reasoned and impassioned, she makes sense of the cultural debates that have captured our attention and sometimes become national obsessions. She wrestles with the close-to-the-bone issues of abortion, working mothers and gay marriage, the struggles for civil liberties and equal rights, and the moral complexity of assisted suicide and biotech babies. As she wends through the era of the Clinton scandals and the "amBushing" of America, the dot-com boom and bust, the horrors of September 11 and the War on Terrorism, Goodman pauses to celebrate some of our lost icons, including Jackie Onassis, Princess Diana and Doctor Spock. She reminds us as well of the fleeting fame of such instant celebrities as Elian Gonzalez and Lorena Bobbitt. The lines that separate public and private life dissolve under Goodman's scrutiny as she shows us how Washington politics, SiliconValley technology and the national media culture infiltrate our jobs, relationships and minds. With the trademark clarity that readers count on, she walks us through the dilemmas posed by new technologies that range from cloning to cell phones and makes us laugh at the vagaries of Viagra and Botox and unreality TV. And in a world that sometimes seems to be stuck on fast forward, she holds on to values as timeless as a family Thanksgiving and a summer porch in Maine. Including more than 160 of Ellen Goodman's lively and stylish columns, this timely collection walks us along the paper trail in a voice that is both crystal clear and original.

"The 25th Anniversary Edition of this iconic memoir of a female computer programmer that unflinchingly explores the intersections of technology and life"--

During the summer of '69, Elliot Tiber first helped start the Gay Liberation Movement and then saved the Woodstock Festival from cancellation. However, the best and most significant of Tiber's life adventures did not happen until after Woodstock. In this third and final memoir, following the critically acclaimed, Palm Trees on the Hudson, and his break-out bestseller, Taking Woodstock, Tiber chron[Bokinfo]

Negli anni novanta EIliott Erwitt esibiva sempre più spesso immagini molte delle quali mai pubblicate dalla loro creazione, avvenuta verso la fine degli anni quaranta e l'inizio dei cinquanta - che gli vinsero l'accesso al firmamento di quel venerato periodo della fotografia d'arte. Tali fotografie rappresentano una cosciente violazione delle regole dei canoni fotografici dell'epoca - esposizione perfetta, gamma tonale completa, messa a fuoco precisa, composizione tradizionale - associati ad un trattamento esistenziale di "amore coriaceo" nei confronti dell'America, dissimulato sotto l'alone dei film noir appartenenti al periodo che incombeva su questa generazione di fotografi. Inoltre, come per i suoi coetanei, si percepisce questo slancio deciso verso la creazione di un determinato stile ed impronta del tutto personale. Personal Best riunisce molte di queste immagini ed un numero anche maggiore di fotografie fino ad oggi inedite. Introduzione di Sean Callahan.

In this dual autobiography, father and son discuss their war experiences in Vietnam, how the tragedy of cancer--caused by exposure to Agent Orange--has affected their lives, and how their courage and love for each other helps them with their struggle.

For fans of The Passenger , this thrilling tale of an ex-Nazi surgeon hiding in plain sight in 1960s London by the celebrated filmmaker is a lost noir gem, introduced by Anthony Quinn and narrated on audio by Mark Gatiss, as chosen by Ian Rankin on BBC Radio 4's A Good Read . 'Stunning: incredibly good, tense and compelling and morally complex.' Ian Rankin 'This extraordinary novel had me hooked from start to finish.' Sarah Waters 'An outstanding novel: gripping, tense and darkly unsettling. ' Jonathan Freedland 'A wonderfully compelling noir thriller and audacious and challenging act of imagination.' William Boyd 'One of the best London novels of the 20th century.' Benjamin Myers Nothing is more inviting to disclose your secrets than to be told by others of their own ... London, June 1965. Karl Braun arrives as a lodger in Pimlico: hatless, with a bow-tie, greying hair, slight in build. His new neighbours are intrigued by this cultured German gentleman who works as a piano tuner; many are fellow émigrés, who assume that he, like them, came to England to flee Hitler. That summer, Braun courts a woman, attends classical concerts, dances the twist. But as the newspapers fill with reports of the hunt for Nazi war criminals, his nightmares become increasingly worse ... 'A haunting, remarkable novel, as startlingly original as any of Pressburger's films.' Nicola Upson 'A dark and harrowing window on the past: the ending will haunt your dreams.' Janice Hallett