The social media star offers personal anecdotes, doodles, and previously unreleased photographs that trace her struggles with heartbreak and anxiety, while counseling readers to be true to themselves.

(Applause Books). Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story , Gypsy, Anastasia, The Turning Point , and The Way We Were appear. Laurents' highly praised memoir is a dazzling portrait of his life as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra Streisand's career by casting her in I Can Get It for You Wholesale . He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story . Throughout, Laurents is funny, fierce, and frank a life recounted as richly as it was lived. "This is a historic work. A 'must' for show biz mavens." LIZ SMITH, Newsday & Syndicated

The story of Koestler's imprisonment in France in 1940, his escape and his extraordinary and adventurous journey to the safety of London, which unfolds like some travel nightmare by Kafka. The 'scum of the earth' are those heroic individuals, like Koestler himself, who had fought the tide of fascism and come to live in liberal France under the mistaken impression that they would be safe.

Chronicles the life and adventures of Arlene Blum, the first woman to attempt Mt. Everest, as she recalls how her childhood in Chicago fueled her need to become a high-altitude mountain climber.

A hero in each of Israel's wars, perhaps the most daring and successful commander in Israel's extraordinary military history, Ariel Sharon has always been a warrior, whether the enemies were hostile Arab nations, terrorists, Time magazine, or rival politicians. The public man is well known—aggressive in battle, hard-line in politics—but the private man has always been obscured by Sharon's dazzling career and powerful personality. In this compelling and dramatic autobiography, the real Sharon appears for the first time: a man of complex depths and passions, a loving father, a man of courage and compassion.

"In the ten years since her beloved, groundbreaking Encyclopedia of an Ordinary Life, New York Times bestselling author Amy Krouse Rosenthal has been quietly at work on this modest but mighty magnum opus, creating a spectacular literary experience that is unprecedented, unforgettable, and explosively human. Amy Krouse Rosenthal has cultivated a distinct blend of nonlinear memoir, observational humor, wistful reflections, and interactive connections with readers. A decade after Encyclopedia of an Ordinary Life, she's back with a sublime new work, a timeless collection of insights, memories, and moments that are at once intimate and universal. Why the title Textbook Amy Krouse Rosenthal? Because each piece of prose is organized into classic subjects such as Social Studies, Music, and Language Arts. Because textbook would accurately describe a book with a first-of-its-kind interactive text messaging component. Because textbook is an expression meaning "quintessential"--Oh, that wordplay and unconventional format is so typical of her, so textbook AKR. Because if an author's previous book has the word encyclopedia in the title, following it up with a textbook would be rather nice. Textbook Amy Krouse Rosenthal speaks to the awe, bewilderment, and poignancy of being alive"--

Recounts the successful efforts of Padre Rufino Niccacci and other residents of Assisi to shelter and protect three hundred Jews and to provide others with false papers, all under the noses of the Nazi occupiers.

In the spring of 1919, two British solar eclipse expeditions confirmed the correctness of general relativity theory and propelled Albert Einstein to instant celebrity. Before this major turning point, the majority of Einstein's writings published in this volume dealt with the clarification of general relativistic problems, such as the status of the metric field, the character of gravitational waves, the problem of energy-momentum conservation, and questions of cosmology, such as the nature and size of the universe and the distribution of matter within it. After his rise to international fame, Einstein's publications changed markedly. He faced an increasing demand for popular articles and lectures on relativity, its development and meaning. He also felt compelled to respond to a host of commentators, ranging from skeptical physicists to philosophers trying to reconcile his revolutionary theory with their views. For the first time, he also responded in print to outspoken anti-relativists, some of them fueled by cultural conservatism and, frequently, anti-Semitism. Einstein used his newly won fame to lend prestige to political causes, especially to the reconciliation among European nations and to Zionism. In the early years of Weimar Germany, Einstein spoke out vigorously for the young republic, emphasizing the rights of the individual. He agonized over the misery of the Central Europeans in the grip of starvation and economic collapse, praised the support of individuals and groups such as the Quakers, and championed the cause of Eastern European Jews. His rejection of assimilation, combined with a fierce defense of the right of Jews to higher education, led Einstein to campaign for the establishment of a university in Palestine, the land which he conceived of as a cultural center for all Jews.

Rabbi Alan Lew is known as the Zen Rabbi, a man who has been a leader in the Jewish meditation movement and who has worked to bring two ancient religious traditions into everyday life. One God Clapping is the story of his roundabout yet continuously provoking spiritual odyssey. It is also the story of the meeting between East and West in America and the ways in which that encounter has transformed how we understand our God and ourselves. Born in Brooklyn, where his grandfathers introduce him to the rituals of Jewish life, Lew is uprooted when his family moves to the suburbs. From there, his quest for spiritual solace begins, seeing him through the flowering of the sixties in California where, in the company of poets, hipsters, and beats, he settles on Zen Buddhism as a spiritual path. The enhanced self-awareness he chronicles leads to a completely unexpected revelation - the depth of his attachment to being a Jew. His interest in Buddhism begins to wane, culminating in his decision to become a rabbi. Yet even upon settling in as rabbi of the largest conservative synagogue in San Francisco, he is not at the end of his search for a spiritual home. Forced to answer questions about his Buddhist past, he is obliged to examine more closely the nature of spiritual practice and determine exactly what Buddhism and Judaism have to offer each other. Like a Zen parable or a Jewish folk tale, One God Clapping unfolds as a series of stories, each containing a moment of revelation or instruction that, while often unexpected, is never simple of contrived. Like the life of Alan Lew himself, this book is a bold experiment in the integration of Eastern and Western ways of looking at and living in the world.

The man behind "I Could Have Danced all Night" and "Almost Like Being in Love", lyricist Alan Jay Lerner (1918-1986) is widely regarded as one of the most important figures of the American musical stage. In penning the lyrics to some of the most well-known and beloved Broadway shows, including Brigadoon, Paint Your Wagon, My Fair Lady, and Camelot, Lerner worked and corresponded with some of the greatest luminaries of popular entertainment over a career which spanned four decades, from performers like Rex Harrison and Julie Andrews to composers like André Previn, Leonard Bernstein, Charles Strouse, Andrew Lloyd Webber, and especially Frederick Loewe. In this rich collection of correspondence, most of it published for the first time, author Dominic McHugh sheds new light on Lerner's working relationships with these legendary figures. McHugh's extensive commentary reveals Lerner's turbulent partnerships with Loewe and Lane, his affection for Harrison, and his reverence for Burton. Particular emphasis is placed on Lerner's aborted projects with composers like Richard Rodgers and Arthur Schwartz. Especially valuable is the correspondence from his final years, in which he worked on a movie version of The Merry Widow, a BBC TV series about musicals, and a musical version of My Man Godfrey, none of which came to fruition. The collection ends with a poignant final exchange between Lerner and Andrew Lloyd Webber, with whom he was to have written The Phantom of the Opera. Overall, this important and lively book reveals the highs and lows of the career of one of America's wittiest and most romantic lyricists.

The world of Aaron Spelling is one we all know from hours spent in front of the TV screen. Dynasty, Melrose Place, Beverly Hills 90210, Charlie's Angels, The Love Boat, The Mod Squad, Hart to Hart - these shows claimed huge audiences and define him as one of the most successful showmen of all time. Never told before, Aaron Spelling is the story of his life from the Prime-Time King himself - personal, revealing, filled with confidential facts on such Hollywood greats as Michelle Pfeiffer, Heather Locklear, Farrah Fawcett, Joan Collins, and Ricardo Montalban. Now for the first time, Spelling opens the door to his backstage world with his candid observations about Hollywood and the TV business, along with the inspiring rags-to-riches story of a poor Jew from Texas who overcame insurmountable odds to become the most successful TV producer ever.

In a candid, witty autobiography, the distinguished American composer recalls his Brooklyn childhood, his study with Nadia Boulanger in Paris, his music, and his relationships, and offers a portrait of the era in which he lived and worked

Deborah Solomon's biography sets Jackson Pollock in his time and portrays him as a shy, often withdrawn person, full of insecurities and self-doubts, and frequently unable to express himself about his art or its meaning. Solomon interviewed two hundred people who knew Pollock and his work and she has drawn extensively on Pollock's own writings and other personal papers. She examines the artist's relationships with his family; his wife and fellow artist Lee Krasner; art patron Peggy Guggenheim; the painters Willem de Kooning, Mark Rothko, and many more.

The Nation: A Biography tells the surprising story behind America’s oldest weekly magazine, instigator of progress since 1865—the bickering abolitionists who founded it; the campaigns, causes and controversies that shaped it; the rebels, mavericks and visionaries who have written, edited and fought in its pages for 150 years and counting. The story of The Nation is also the story of our country—and our movement. Entertaining as well as inspiring, Guttenplan’s history of The Nation is essential reading for anyone who wants to understand where we came from—and how to continue the march toward a radical future. “Here’s to The Nation on its 150th birthday,” historian Eric Foner writes in the introduction. “This book makes clear why we should hope that the country’s oldest weekly magazine survives for at least another century and a half.”

Celine Dion Behind the Fairytale

The concentration of power in the caudillo (leader) is as much a formative element of Mexican culture and politics as the historical legacy of the Aztec emperors, Cortez, the Spanish Crown, the Mother Church and the mixing of the Spanish and Indian population into a mestizo culture. Krauze shows how history becomes biography during the century of caudillos from the insurgent priests in 1810 to Porfirio and the Revolution in 1910. The Revolutionary era, ending in 1940, was dominated by the lives of seven presidents -- Madero, Zapata, Villa, Carranza, Obregon, Calles and Cardenas. Since 1940, the dominant power of the presidency has continued through years of boom and bust and crisis. A major question for the modern state, with today's president Zedillo, is whether that power can be decentralized, to end the cycles of history as biographies of power.

"Theo Aronson's latest royal book is a model of what a royal biography should be... The problems of being a princess in today's monarchy are vividly implicit in every page... I found the book eminently readable in an easy style that lends itself to wit and irony..." Elizabeth Longford, The Tablet "A balanced and on the whole generous interpretation of this most elusive of royal characters. Aronson expounds convincingly the almost intolerable pressures to which a woman of intelligence and character must find herself subjected when entrapped in the mesh of royal responsibilities." PHILIP ZIEGLER, Daily Telegraph 'Books of the Year' "Theo Aronson is a practised royal biographer who writes with fluidity... It is good to find royal gossip in which no one is absurdly inflated and no one viciously demeaned." Times Literary Supplement "Aronson's strength is his style: he is an elegant writer who can handle the broad picture and the telling detail." Daily Telegraph Part imperious royal figure, part femme du monde, Princess Margaret spent the greater part of her life torn between meeting the exacting standards of the monarchy and flouting its long-established conventions. She has been described as tragic, unresolved, a royal maverick, a woman of conflict, a princess without a cause. From any viewpoint, she remains the most interesting member of the royal family. Widely praised on its publication in hardback, this is the first detailed, in-depth study of this controversial figure. A respected royal biographer. Theo Aronson is uniquely qualified to tell the Princess's story - from her private and public life. He has been helped by many who know Princess Margaret and has drawn on several new and unfamiliar sources. He has also had the incalculable advantage of several audiences with her, allowing him to incorporate many of her memories, observations and opinions in his book. This is a fresh, frank and highly entertaining account of an always colourful life.