Product Description After preparing to lead a quiet life as a teacher and scholar of political theory, William Galston has spent the past quarter century crossing the boundaries between academia and public life, including a two-year stint as Deputy Assistant for Domestic Policy under President Clinton. Reflecting these boundary-crossings, Public Matters contains a selection of Galston's essays on politics, policy, and religion. Each is viewed through the prisms of history, theory, and ethical concerns. The essays on politics tell the story of Galston's efforts to help redirect the Democratic Party so that it speaks more clearly to the concerns of 21st century Americans. The essays in the policy section reflect the range of issues with which Galston has grappled as a political activist and public official. Finally, the essays on religion try to come to grips with the challenges that religion, taken seriously (as it should be) poses for the governance of constitutional democracies. Review "William Galston is a unique and indispensable voice, because he's a first-rate political theorist who is also active in the political arena. In this book he offers illuminating and wise comments on a wide range of topics ― the rise of New Democrats, the 2004 elections, preemptive war, the role of religion, and human embryo research. Written with style and panache, Public Matters is highly instructive ― and also a lot of fun." -- Cass Sunstein, University of Chicago Law School An excellent introduction to Galston's thinking on divisive policy questions (stem-cell research, the war in Iraq), the role of religion in public life, and the future of the Democratic Party. ― Commonweal Magazine There is no better example in America today of someone who is both a practical politician and a serious moral thinker than William Galston. His reflections on subjects from domestic politics to war and peace deserve the widest possible audience. -- Alan Wolfe, Director of the Boisi Center for Religion & American Public Life at Boston College About the Author William A. Galston is director of the Institute for Philosophy and Public Policy, Saul I. Stern Professor of Civic Engagement at the School of Public Policy at the University of Maryland, and director of the Center for Information & Research on Civic Learning & Engagement (CIRCLE). Galston is the author of five books and nearly one hundred articles in moral and political theory, American politics, and public policy.

"Theodore Draper is one of the two or three most cogent and thoughtful social historians in the United States today. Everything he writes merits close attention." -Irving Howe "Theodore Draper is a historian of today's world in a class by himself-formidably equipped with learning and experience, fearless in attacking the naivet of the left and the cruelty of the right." -Alfred Kazin Theodore Draper is one of America's most trenchant and informed critics. A Present of Things Past gathers together ten of his most recent and most powerful selected essays, in which Draper, with his customary acuity and wit, tackles a host of issues that define America's political culture. A Present of Things Past is concerned with a reexamination of the Second World War in both its military and its political aspects; the trajectory of American conservatism as it manifested itself during the Reagan years; the rise of Gorbachev and the history of "reform" in the Soviet Union; the revisionist debate over the origins and history of American communism; and the persistent mystery of a man named Max Eitingon, who was, depending on one's reading of the sources, either an important figure in the history of psychoanalysis or an agent of the Soviet secret police, or both. In "American Hubris," Draper illuminates the assumptions that have guided American foreign policy in the postwar period, and concludes that our costly misadventures-in Korea, Vietnam, Lebanon, and elsewhere-cannot be considered a string of aberrations. They were, he argues, a consequence of the Truman Doctrine. In "Reagan's Junta," Draper observes: "This is supposed to have been the era of the imperial presidency. It has turned out to be the era of presidencies that have tried to make themselves imperial-and failed." Throughout these compelling essays, Draper demonstrates the uses and abuses to which history has been put by ideologues of both the left and the right. He finds unacceptable, for example, the practice of many journalists of fictionalizing their sources. The New York Times has called Draper "one of the clearer-eyed observers of the issues that torment us." A Present of Things Past enhances that reputation. Theodore Draper is the author of numerous books, including Present History: On Nuclear War, Dtente & Other Controversies and American Communism. He is a Fellow of the American Academy of Arts and Sciences and lives in Princeton, New Jersey. "Is especially recommended for students of political science, the Cold War era, and twentieth century American history as a powerful, thought-provoking view of the people and events that shaped nations, and through nations the world."-- Library Bookwatch

"This book is the first to examine the fraught relationship between the Federal Bureau of Investigation and a variety of religious groups that have developed in the United States in the century of the FBI's existence. Encompassing religious communities that run the gamut from established religious institutions to violent extremist groups, and covering a period that includes the World Wars, the Cold War, the Civil Rights movement, and 9/11, Truth Faith and Allegiance tackles questions of importance for understanding the history of American religion, the history of law enforcement, and the future of religious liberty"--Provided by publisher.

"This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.

Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: "The unexamined life is not worth living." In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography Life and Shape, first published in 1962, which now, after years of being out of print, has again happily come back to life. As opposed to Survival Through Design (1954), his superb collection of densely philosophical essays, Neutra took a different tack in Life and Shape, following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright. As in the autobiographies of Sullivan and Wright, Life and Shape concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuw Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). Life and Shape also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it. Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to "include everything" but rather to present an honest recounting of his memory of his life. In writing my own Richard Neutra and the Search for Modern Architecture [Oxford University Press, 1982; Rizzoli Press, 2006], I relied on Life and Shape when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back. - Thomas S. Hines, UCLA Professor Emeritus of History and Architecture

From Kennedy to Khrushchev, from Castro to Onassis by way of Mitterand and Bardot, Begin and Arafat, Pierre Salinger has known them all. In this guided tour through modern American history, a man who was at the center of it--former presidential press secretary Pierre Salinger--looks back over the journey that has been his life. of photos.

Son of pioneer movie producer Harry Rapf, Maurice Rapf grew up in Hollywood in that city's golden age. After moving from independent filmmaking to Warner Bros., in 1924 the senior Rapf joined Louis Mayer and became one of the founding members of MGM. Hence, movies were a huge influence in Maurice Rapf's early life. After graduating from college, Rapf worked as a screenwriter for major Hollywood studios, but, in 1947, he left Hollywood, never to work for a major studio again. On numerous occasions, he was called before the House Un-American Activities Committee as an alleged communist, although he never made a public confession or denial. As a result he was blacklisted from the industry and forced to begin a new career in the East. He eventually became a movie critic and film studies professor. Maurice Rapf knows movies and the movie business as an insider, from first-hand experience, not from books. His autobiography is the story of one person's interaction with an evolving Hollywood. Rapf witnessed the historical progression of movie production: from silents to sound, from a fun-loving frontier community to a huge and fiercely competitive industry, from an apolitical never-never land to a community very much aware of-and nervous about-its social responsibility in a period of economic depression and in a period of world peace seriously threatened by the aggression of fascism. Of interest to students and teachers of film studies, of American history, and of American popular culture, as well as anyone who loves movies.

The founders of the United States overcame religious intolerance in favor of a constitutional order dedicated to fair treatment for people's deeply held conscientious beliefs. This respect for religious difference, scholar Nussbaum writes, formed our democracy. Yet today there are signs that this legacy is misunderstood. The prominence of a particular type of Christianity in our public life suggests the unequal worth of citizens who hold different religious beliefs, or no beliefs. Others, meanwhile, seek to curtail the influence of religion in public life in a way that is itself unbalanced and unfair. Such partisan efforts, Nussbaum argues, violate the spirit of our Constitution. This is a historical and conceptual study of the American tradition of religious freedom. Weaving together political history, philosophical ideas, and key constitutional cases, it is a chronicle of an ideal of equality that has always been central to our history but is now in danger.--From publisher description.

The classic history of the muckraking era (1902–1914) has been extended to trace the muckrakers' influence through World War II and McCarthyism, the civil rights movement and the counterculture, Korea and Vietnam, Naderism and women's liberation, and Watergate. (Former editions stopped with the New Deal.) The book that Allan Nevins called, "By all odds the best account in print of a most interesting movement," now embodies the challenge of the muckrakers to Americans of the seventies. Professor Filler has added a new introduction and a new final chapter, "The Anguish of Change." and has updated facts, interpretations, and references throughout the book. He also has updated his chronology and bibliography and has added four newly discovered cartoons and drawings to the twenty-two illustrations appearing in previous editions. Modern heirs of the muckraking tradition—Jack Anderson, Bernstein and Woodward, Dan Ellsberg, James Forman, Abbie Hoffman, Ralph Nader, I.F. Stone, and various TV talk-show personalities—are treated fairly but astringently. So too are revisionist critics of the original muckrakers. Today's journalistic investigators and social critics, in Professor Filler's view, lack the historical perspective and the emphatic sensitivity of their precursors. His opinion on this score will be controversial, but would be understood by Ida Tarbell, who wrote of the first edition, "His liberal sympathies give warmth to his narrative and his honesty as an investigator gives it trustworthiness."

Sketches of eminent Americans and a pointed reconsideration of the ingredients of the American Dream form a fascinating social history. Should be must reading in executive suites as well as college classrooms. --Forbes

A profoundly moving biographical study of George Kennan by the fine historian John Lukacs A man of impressive mental powers, of extraordinary intellectual range, and--last but not least--of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life. Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the "X" or "Containment" article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan's thinking; the--perhaps unavoidable--misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

Ism, Ism, Ism / Ismo, Ismo, Ismo is the first comprehensive, United States-based film program and catalogue to treat the full breadth of Latin America's vibrant experimental film production. The exhibition features key historical and contemporary films from Argentina, Brazil, Bolivia, Chile, Colombia, Cuba, Ecuador, Mexico, Paraguay, Peru, Uruguay, Venezuela, Puerto Rico and the United States. From innovative works by Brazilian artist Helio Oiticica and Mexican photographer Manuel Alvarez Bravo to the breathtaking yet practically unknown ouevre of queer Ecuadorian filmmaker Eduardo Sola Franco, the exhibition takes both the aficionado and the open-minded viewer on a journey into a wealth of materials culled from the forgotten corners of Latin American film archives. Equally unprecedented in its approach and scope, the accompanying fully bilingual catalogue features major scholars and artists working across nationalities, mediums, and time periods. Lerner and Piazza assemble a mix of original content authored by key curators, scholars, and archivists from Latin America: eighteen essays and articles translated for the first time pertaining to the history of Latin American experimental film, historical image-documents that are fundamental to the history of experimental film in Latin America, and program notes from the exhibition's programs. Published in association with the Los Angeles Filmforum, and as part of the Getty's Pacific Standard Time: LA/LA.

"This book asks fundamental questions about the uses of history. That it does so from a rootedness in Jewish history, an unassimilated location, is one part of its strength. But history alone doesn't confer this strength; the poet's continuing labor with Jewish meaning does. The other part, of course, is the integrity of its poetics. A Klepfisz poem lives amid complex tensions, even when its texture may appear transparent. There is a voice, sometimes voices, in these poems which can often best be heard by reading aloud. Her sense of phrase, of line, of the shift of tone, is almost flawless. But perfection is not what Irena Klepfisz is after. It is the tension between so many forces: Language, speechlessness, memory, politics, irony, compassion, hunger for what is lost, hunger for a justice still to be made, that makes this poetry crucial to the new unfoldings of history that we begin, in 1990, to imagine." -- from the introduction by Adrienne Rich

This is Laski's most important book after A Grammar of Politics . It discusses, on a grand scale, every aspect of American public life. Laski surveys American traditions and the American spirit, political institutions, the entire educational, religious, economic and social scene, America as a world power, and Americanism as a principle of civilisation. Laski's unsurpassed knowledge of American constitutional, social and cultural history is set in the perspective of his deep study of comparative constitutional history and political theory. He was one of very few people to see U.S. politics from the inside, as a result of his friendships with Roosevelt, Brandeis and Oliver Wendell Holmes.

This third volume of the Selected Papers of Edward Shils brings together ten essays, three of which have never been published before and all the others of which have been completely revised and elaborated. They deal with the history of American and European sociology as an intellectual undertaking and as a means to the attainment of practical ends. Professor Shils's main themes are the influence of ethical and practical intentions on scholarly study in the social sciences, the autonomy of the intellectual tradition of sociology, and the significance of the institutional organization of sociological teaching and research.

"[The anti-testing] movement now has a guidebook. . . . Kamenetz shows how fundamentally American it would be to move toward a more holistic system." - New York Times Book Review The Test is an essential and critically acclaimed book for any parent confounded by our national obsession with standardized testing. It recounts the shocking history and tempestuous politics of testing and borrows strategies from fields as diverse as games, neuroscience, and ancient philosophy to help children cope. It presents the stories of families, teachers, and schools maneuvering within and beyond the existing educational system, playing and winning the testing game. And it points the way toward a hopeful future of better tests and happier kids.

On June 8, 1967, at the height of the Six-Day War between Israel and its Arab neighbors, Israeli air and naval forces attacked the USS LIBERTY, an intelligence-collection ship in the service of Israel's closest ally, while that vessel steamed in international waters off the Sinai Peninsula. The Israelis killed 34 Americans, wounded 171, and nearly sank the ship. Dozens of theories exist about what happened that day. Official inquiries conducted in both the United States and Israel attributed the event to faulty communications and tragic error, but survivors remain outspoken and not alone in their belief that the Israelis acted deliberately. Federal judge and former naval aviator A. Jay Cristol places the incident in its proper context. The Israeli strike, he argues, can only be understood in light of the Cold War, the outbreak of war in the Middle East, interservice rivalry within the Israeli Defense Forces, and the chaos of an operational environment. That both the United States and Israel kept much of the data concerning the incident classified for more than ten years served only to fuel the fires of intrigue and charges of conspiracy to cover up the truth, but since the incident significant portions of most of the official inquiries have now been declassified. Cristol draws on these, on documents recently obtained by him through the Freedom of Information Act, and on extensive oral history interviews to deliver the most comprehensive treatment of the episode that threatened to ruin Israel's relations with the United States and has served as a nagging source of suspicion for so many years.

"Alexander Nemerov is one of the greatest readers of American visual culture. This book has the revelatory power that only wide-ranging curiosity and true independence of mind can achieve." Richard H. Brodhead President of Duke University and author of Cultures of Letters: Scenes of Reading and Writing in Nineteenth-Century America ; "A benchmark in the writing of art history and in studies of the Civil War, Acting in the Night occupies a category unto itself. It uniquely immerses the reader in a holistic experience of the Civil War and shows Nemerov as a cosummate stylist in the field of American art history."Kathleen Pyne author of Modernism and the Feminine Voice ; "This is a work of criticism that borders on poetry, a brilliant and extremely original book that invites us to rethink to the artistic world we study."Julia Reinhard Lupton author of Thinking with Shakespeare: Essays on Politics and Life ; What can the performance of a single play on one night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, D.C., on October 17, 1863--with Abraham Lincoln in attendance--to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem "Anecdote of the Jar,"in which a single object organizes the wilderness around it. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change. --Book Jacket