"Roth examined the concept of Jewish identity years before the onset of National Socialism and looked ahead with apprehension to Germany's future. Emotionally ravaged by the whirlwind events of Weimar Germany, he dared to write about the historical schism between Eastern and Western Jews, warning of the false comforts of materialism and assimilation and urging his fellow Jews to embrace their heritage and the land of Palestine as a nascent Jewish homeland. As one of Berlin's most eminent journalists, he traveled throughout Europe and composed these essays with both an exigency and restrained contemplation that have earned him comparisons to his more celebrated contemporaries, Thomas Mann and Isaac Babel. By the mid-1930s, as anti-Semitism crested and Roth fled Germany for what he thought were safer climes in Paris, he became increasingly desperate and hobbled by alcoholism. He had tremendous difficulties securing a German publisher, and his powerful 1937 preface, written for what he hoped would be the second edition of The Wandering Jews and included here, was never published in his lifetime."-- Jacket.

Description of many of the more interesting aspects of the Hassidic sect of the Jewish religion.

Remarkable prose collection from a notable Australian poet. If life is a cosmic stage where illusions are the only reality, says Jacob G. Rosenberg, it is through these illusions that we can sometimes better recognize our world, our fellows, and ourselves. Such is the author's hope in this book. The stories in the first part, Lives, explore dimensions of the human landscape. The shorter pieces that make up Embers, inspired by the midrashic tradition of biblical interpretation, investigate the eternal human drama through the prisms of scripture, history, and folklore.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey , he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture---something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to the Hispanic anti-Semitism and the Holocaust in Latin America. Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five College Fortieth Anniversary Professor at Amherst College. A native of Mexico, he received his doctorate in Latin American Literature from Columbia University. Stavans's books include The Hispanic Condition, On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, Love & Language (with Verónica Albin), Resurrecting Hebrew , and Mr. Spic Goes to Washington , and he has edited books including The Oxford Book of Jewish Stories and the upcoming Norton Anthology of Latino Literature . His story "Morirse está en Hebreo" was made into the award-winning movie My Mexican Shivah . Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, an Emmy nomination, the Latino Book Award, Chile's Presidential Medal, the Rubén Darío Distinction, and the Cátedra Roberto Bolaño. His work has been translated into a dozen languages.

Ilan Stavans has been a lightning rod for cultural discussion and criticism his entire career. In A Critic's Journey , he takes on his own Jewish and Hispanic upbringing with an autobiographical focus and his typical flair with words, exploring the relationship between the two cultures from his own and also from others' experiences. Stavans has been hailed as a voice for Latino culture thanks to his Hispanic upbringing, but as a Jew and a Caucasian, he's also an outsider to that culture---something that's sharpened his perspective (and some of his critics' swords). In this book of essays, he looks at the creative process from that point of view, exploring everything from the translation of Don Quixote to the Hispanic anti-Semitism and the Holocaust in Latin America. Ilan Stavans is Lewis-Sebring Professor in Latin American and Latino Culture and Five College Fortieth Anniversary Professor at Amherst College. A native of Mexico, he received his doctorate in Latin American Literature from Columbia University. Stavans's books include The Hispanic Condition, On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, Love & Language (with Verónica Albin), Resurrecting Hebrew , and Mr. Spic Goes to Washington , and he has edited books including The Oxford Book of Jewish Stories and the upcoming Norton Anthology of Latino Literature . His story "Morirse está en Hebreo" was made into the award-winning movie My Mexican Shivah . Stavans has received numerous awards, among them a Guggenheim Fellowship, the National Jewish Book Award, an Emmy nomination, the Latino Book Award, Chile's Presidential Medal, the Rubén Darío Distinction, and the Cátedra Roberto Bolaño. His work has been translated into a dozen languages.

This interpretive study aruges that a trialogue between the three forms of monotheism must be something deeper than merely a meeting of Jewish, Christian and Muslim intellectuals, and that cooperation among them is essential to defend the West against Asian religious nihilism.

Partition--the idea of separating Jews and Arabs along ethnic or national lines--is a legacy at least as old as the Zionist-Palestinian conflict. Challenging the widespread "separatist imagination" behind partition, Gil Hochberg demonstrates the ways in which works of contemporary Jewish and Arab literature reject simple notions of separatism and instead display complex configurations of identity that emphasize the presence of alterity within the self--the Jew within the Arab, and the Arab within the Jew. In Spite of Partition examines Hebrew, Arabic, and French works that are largely unknown to English readers to reveal how, far from being independent, the signifiers "Jew" and "Arab" are inseparable.In a series of original close readings, Hochberg analyzes fascinating examples of such inseparability. In the Palestinian writer Anton Shammas's Hebrew novel Arabesques, the Israeli and Palestinian protagonists are a "schizophrenic pair" who "have not yet decided who is the ventriloquist of whom." And in the Moroccan Jewish writer Albert Swissa's Hebrew novel Aqud, the Moroccan-Israeli main character's identity is uneasily located between the "Moroccan Muslim boy he could have been" and the "Jewish Israeli boy he has become." Other examples draw attention to the intricate linguistic proximity of Hebrew and Arabic, the historical link between the traumatic memories of the Jewish Holocaust and the Palestinian Nakbah, and the libidinal ties that bind Jews and Arabs despite, or even because of, their current animosity.

On February 26, 1938, 17-year-old Georg Klaar took his girlfriend Lisl to his first ball at the Konzerthaus. His family was proudly Austrian; they were also Jewish, and two weeks later came the German Anschluss. This incredibly affecting account of Nazi brutality towards the Jews includes a previously unpublished post-war letter from the author's uncle to a friend who had escaped to Scotland. This moving epistle passes on the news of those who had survived and the many who had been arrested, deported, murdered, or left to die in concentration camps, and those who had been orphaned or lost their partners or children. It forms a devastating epilogue to what has been hailed as a classic of holocaust literature.

John Beckett was a rising political star. Elected as Labour's youngest M.P. in 1924, he was constantly in the news and tipped for greatness. But ten years later he was propaganda chief for Mosley's fascists, and one of Britain's three best known anti-Semites. Yet his mother, whom he loved, was a Jew. Her ancestors were Solomons, Isaacs and Jacobsons, originally from Prussia. He successfully hid his Jewish ancestry all his life - he said his mother's family were "fisher folk from the east coast." His son, the author of this book, acclaimed political biographer and journalist Francis Beckett, did not discover the truth until John Beckett had been dead for years. He left Mosley and founded the National Socialist League with William Joyce, later Lord Haw Haw, and spent the war years in prison, considered a danger to the war effort. For the rest of his life, and all of Francis Beckett's childhood, John Beckett and his family were closely watched by the security services. Their devious machinations, traced in records only recently released, damaged chiefly his young family. This is a fascinating and brutally honest account of a troubled man in turbulent times.

The author presents his philosophy of contemporaryJewish duty. He provides an in-depth examination of the covenant and a way of looking at it in the late twentieth century.

This book is a study of the pratical application of a religious idea: the belief in the continuing validity of the Old Testament, especially the Ten Commandments, which ordained the observance of the Sabbath on the seventh day, Saturday. The author traces the growth and development of the most radical of English Sabbath observers, those who revered the Jewish Sabbath in a Christian context. But this is not only a pre-history of the Seventh-Day Adventists. It is also the story of the remarkable persistence of a revolutionary religious belief powerful and convincing enough to survive the Restoration and continue into modern times. The Saturday-Sabbath gradually became institutionalized in a nonconformist sect in which the ideological foundation was sufficient to unite men who on political grounds should have been the most bitter of enemies, including Fifth Monarchists, millenarians, neutrals, and Royalists alike. That those men and their followers could amicably join forces after the Restoration is testimony to the power of religious ideas which might overshadow the political affiliations of the civil war.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

For almost fifty years, the Zionist labour movement led the Jewish community in Palestine and later, in the State of Israel. Among the close-knit group of its founding fathers, Berl Katznelson was a unique figure. He was an intellectual, a politician, a man of letters, a statesman and the initiator of many of the social and economic institutions THAT shaped the face of the movement and in its wake, the character of the country as a whole. The biography of Berl is more than the biography of an individual: it is the story of a movement. The book traces Berl from a young Russian socialist and romantic pioneer on the shores of the Sea of Galilee, into the propounder of a work ethic and the founder of the central political current of the Israeli labour movement. The development of this movement is depicted against the background of the major political events of the period: Jewish-Arab relations, the European crisis of the thirties as it affected the Jewish people and the successes and failures of Zionist policy. It is required reading for anyone who wants to understand in depth the complexity of Israeli society today.

The transformation of the human sciences into the social sciences in the third part of the 19th century was closely related to attempts to develop and implement methods for dealing with social tensions and the rationalization of society. This book studies the connections between academic disciplines and notions of Jewish assimilation and integration and demonstrates that the quest for Jewish assimilation is linked to and built into the conceptual foundations of modern social science disciplines. Focusing on two influential "assimilated" Jewish authors—anthropologist Franz Boas and sociologist Georg Simmel—this study shows that epistemological considerations underlie the authors' respective evaluations of the Jews' assimilation in German and American societies as a form of "group extinction" or as a form of "social identity." This conceptual model gives a new "key" to understanding pivotal issues in recent Jewish history and in the history of the social sciences.

Jewish A Historical Introduction surveys the history of Jewish philosophy, from the formation of the Hebrew Scriptures to the present time. The book is intended as a text for courses in Jewish philosophy, as well as for more general courses in religious thought, in Judaism, and in philosophy. The author discusses the nature of God, the origin and end of the universe, and the moral value of humanity, all from the distinct perspective of Jewish intellectual history. The texts highlighted include the Hebrew Scriptures, the Midrash, medieval rabbinic commentaries, and modern works of Jewish theology. Among the Jewish philosophers discussed are Judah Ha-Nasi, Saadia Gaon, Judah Ha-Levi, Abraham ibn Daud, Moses Maimonides, Levi Gersonides, Hasdai Crescas, Baruch Spinoza, Hermann Cohen, Martin Buber, and Franz Rosenzweig. The book presupposes no prior background in Judaism, in philosophy, or in Jewish philosophy. Each chapter concludes with sets of key terms and questions as well as recommendations for further reading.

The developments in Judaism which occurred during the Second Temple period (c. 550 BC to 100 AD) were of great importance for the nature of Jewish religion in later centuries, yet few studies have examined the era in full. Now Lester L. Grabbe's lucid and accessible volume provides a much-needed encyclopedic study and holistic interpretation of the period. Topics examined include: * views about God and the spirit world * the temple and priesthood * scripture and synagogue * the main religious sects and revolutionary movements * eschatology and messianism * magic and predicting the future * religion in the Jewish diaspora * converts and 'Godfearers'. With an extensive, up-to-date bibliography, plus numerous helpful cross-references, summaries and syntheses, this book is essential reading for scholars and students of the history of Jewish religion. It will also be of great value as a reference tool.

Erich S. Gruen investigates a remarkable phenomenon in religious and literary history: the freedom with which Jewish writers in antiquity retold and recast, sometimes distorted or bypassed, biblical narratives that ostensibly had the status of sacred texts.

Peoplehood--everyone's talking about it. But what does it actually mean and why is it important to the future of Judaism? "Why is this conversation important? Why does it merit your attention? If you care about Jewish identity and community, then you know that we have no trouble identifying the problems that fragmentize us as a people but have far less success identifying that which unites us. Without a unifying, collective notion of Jewish identity that is meaningful and robust, it is virtually impossible to make a strong case for Jewish continuity." --from the Introduction This call to Jewish community explores the purpose, possibilities and limitations of peoplehood as a unifying concept of community for a people struggling profoundly with Jewish identity. It defines what peoplehood is--and is not--and explores both collective and personal Jewish identity and the nature of identity construction. Drawing on history, sacred texts and contemporary scholarship, The Case for Jewish Peoplehood identifies some of the obstacles that challenge a shared notion of peoplehood: personal choices, construct of membership and boundaries, growth of Jewish illiteracy, identity fragmentation between Israeli and Diaspora Jewry and the generational divide affecting traditionalists, baby boomers and generations X and Y. To help you join the conversation, the authors support a vision for the future and provide practical guidance and recommendations for getting there.

How have modern Jews appropriated traditional aspects of their culture and religion to sustain them in the modern world? Twenty-one distinguished scholars address this question by drawing on a range of disciplines: social and cultural history, ethnography, folklore, sociology, educational theory, and rabbinics. They examine Jewish communities from Russia to North Africa, from Israel to the United States. Among the subjects they explore are Jewish art, holiday practices, feminist ceremonies, adult education, and religious movements in Israel. The Uses of Tradition demonstrates the persistence of tradition and the limits to continuity. It asks: How extensively can tradition be reinterpreted before it is subverted? At what point is creative reinvention an act of betrayal? How effectively can selective borrowing from tradition sustain a religious community?