From the New York Times bestselling author David Duchovny, an epic adventure that asks how we make sense of right and wrong in a world of extremes. For the past twenty years, Bronson Powers, former star Hollywood stuntman and converted Mormon, has been homesteading deep in the uninhabited desert outside Joshua Tree with his three wives and ten children. Bronson and his wives, Yalulah, Mary, and Jackie, have been raising their family away from the corruption and evils of the modern world. Their insular existence—controversial, difficult, but Edenic—is upended when an ambitious young property developer, Maya Abbadessa, stumbles upon their land. Hoping to make a profit, she crafts a wager with the family that sets in motion a cataclysmic chain of events. Maya, threatening to report the family to social services, convinces them to enroll three of the children in a nearby public school. Bronson and his wives agree that if Maya can prove that the kids do better in town than homeschooled in their desert oasis, they will sell her a piece of their priceless plot of land. Suddenly confronted with all the complications of the twenty-first century that they have tried to keep out, the Powerses must reckon with their way of life as they try to save it. Truly Like Lightning , David Duchovny’s fourth novel, is a heartbreaking meditation on family, religion, sex, greed, human nature, and the vanishing beauty of an ancient desert.

A novel about the war between the sexes that offers laughs and clear-eyed perspective on contemporary life

Bantam Books issued this paperback edition in 1977. This satirical science fiction novel was first published in 1955. Whereas in the authors' earlier novel "The Space Merchants" the world was ruled by advertising agencies, in this novel corporate lawyers have gained a stranglehold on the world.

Through his distinctive fusion of modernist daring and traditional storytelling, Bernard Malamud became one of postwar America's most important writers, his work an inspiration for and lasting influence on novelists who have come after him, Cynthia Ozick and Philip Roth most notably among them. The second volume of the Library of America's Malamud edition brings together three novels of the 1960s: A New Life (1961), a satiric campus novel set in the Pacific Northwest (based on the author's experiences at Oregon State), in which native New Yorker Seymour Levin finds himself confronted not only with a new landscape but with erotic intrigue, university politics, and an appointment that isn't quite what he had expected it to be. The Fixer (1966) is the gripping saga of a Jew imprisoned in pre-Revolutionary Russia after being falsely accused of the ritual murder of a twelve-year-old boy. The novel-in-stories Pictures of Fidelman: An Exhibition (1969) follows the comic misadventures, sexual and otherwise, of a failed American painter in Italy. In the ten unforgettable stories concluding the collection, Malamud shows himself to be an heir to the tradition of Hawthorne, Chekhov, and Kafka, and at his best--"Idiots First," "The Jewbird," "The German Refugee"--their equal--

Raised in Brooklyn, the son of Jewish immigrants, and coming of age in Depression-era New York, Bernard Malamud (1914-1986) began his career writing stories of unsparing precision and power, plumbing the depths of an impoverished urban world. His early, naturalistic style evolved into an inventive, often surreal idiom that blurs reality and fantasy. His first novel, The Natural (1952), is a dazzling reimagining of the possibilities of sports fiction, and it remains one of the greatest and most beloved novels about baseball ever written. In The Assistant (1957), Malamud created a searing drama of guilt and redemption about a struggling grocer's family and the mysterious drifter who comes to rob, and then to work at, his store, transforming all of their lives in unforeseen ways. Joining these novels are twenty-six short stories, ranging from the early tale "Armistice," set in Brooklyn during the troubling weeks of the German invasion of France in 1940, to one of his deepest and most celebrated stories, "The Magic Barrel," a deep fable about a rabbinical student and the matchmaker who leads him to an utterly unexpected bride--

A charming and undeniably powerful debut novel set in Berlin, "This Must Be the Place" chronicles the friendship between a fading actor and a young married American woman who are both learning to live with the past.

A New York Times BestsellerThe bestselling author of The Red Tent resurrects an entirely forgotten sector of society in an engrossing book packed with some of the most vivid characters in recent fiction.The Last Days of Dogtown is a stunning novel about a small group of eccentrics and misfits, struggling in a harsh, isolated landscape only fifty miles north of Boston, yet a world away.Among the inhabitants of Dogtown are Black Ruth, an African woman who dresses as a man and works as a stone mason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her rural brothel; Oliver Younger, who survives a miserable childhood at the hands of a very strange aunt; and Cornelius Finson, a freed slave whose race denies him everything. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself and inspires those around her to become more generous and tolerant themselves.Anita Diamant lives in West Newton, Massachusetts.

Human-wildlife conflict is a major issue in conservation. As people encroach into natural habitats, and as conservation efforts restore wildlife to areas where they may have been absent for generations, contact between people and wild animals is growing. Some species, even the beautiful and endangered, can have serious impacts on human lives and livelihoods. Tigers kill people, elephants destroy crops and African wild dogs devastate sheep herds left unattended. Historically, people have responded to these threats by killing wildlife wherever possible, and this has led to the endangerment of many species that are difficult neighbours. The urgent need to conserve such species, however, demands coexistence of people and endangered wildlife. This book presents a variety of solutions to human-wildlife conflicts, including novel and traditional farming practices, offsetting the costs of wildlife damage through hunting and tourism, and the development of local and national policies.

Adele Geras's glorious follow-up to her bestselling novel FACING THE LIGHT

Text: English, German (translation)

Traces the life of the American novelist from her childhood in the newly settled prairies of Nebraska through her years as a journalist, editor, and teacher, and examines the relationship between what she wrote and who she was.

Feeling ignored by his children and abandoned by his friends, Samuel Horowitz, at the urging of Mrs. Washington, agrees to volunteer at a local hospital.

"An award-winning historian revisits Marcel Proust's masterpiece in this essay on literature and memory, exploring the question of identity-that of the novel's narrator and Proust's own. In this engaging reexamination of In Search of Lost Time, Saul Friedländer considers how the narrator defines himself, how this compares to what we know of Proust himself, and what the significance is of these various points of commonality and divergence. We know, for example, that the author did not hide his homosexuality, but the narrator did. Why the difference? We know that the narrator tried to marginalize his part-Jewish background. Does this reflect the author's position, and how does the narrator handle what he tries, but does not manage, to dismiss? These are major questions raised by the text and reflected in the text, to which the author's life doesn't give obvious answers. The narrator's reflections on time, on death, on memory, and on love are as many paths leading to the image of self that he projects. In Proustian Uncertainties, Friedländer draws on his personal experience from a life spent investigating the ties between history and memory to offer a fresh perspective on the seminal work"--

One short story, one novella, and two complete movies populated by ghosts, unicorns and werewolves are included.

Through the examination of a range of literary and cinematic texts, from William Wyler's classic The Best Years of Our Lives to the novels of Henry James, Silverman offers a bold new look at masculinities which deviate from the social norm.

Paris in the 1930s: Louis Grandeville has a beautiful wife, a nice home, a loyal servant, and a large circle of well-placed friends. His financial situation doesn't require him to work. Yet Louis is obsessed by the nagging reality that he never has and never will amount to anything. He believes his life is devoid of any affection or goal, filled instead with a thousand trifles intended to relieve its monotony, and populated with human beings he seeks out to avoid being alone but for whom he cares little. Every few days for one winter, Louis writes down the details of his unhappy marriage. Although his wife, Madeleine, is the focal point of his journal, his painstakingly rendered analyses of her behavior tell us more about him than her, and about the harm two people can do to one another. Unsparing and insightful, A Winter's Journal remains one of the most devastating novels ever written on the self-destructive impulse present in all marriages.

“Brilliant . . . The dean of American comic writers showcases his varied talents mocking the public and private lives of politicians, average citizens and himself.”— The Star-Ledger Calvin Trillin has committed blatant acts of funniness all over the place—in The New Yorker, in one-man off-Broadway shows, in his “deadline poetry” for The Nation, in comic novels, and in what USA Today called “simply the funniest regular column in journalism.” Now Trillin selects the best of his funny stuff and organizes it into topics like high finance (“My long-term investment strategy has been criticized as being entirely too dependent on Publishers Clearing House sweepstakes”) and the literary life (“The average shelf life of a book is somewhere between milk and yogurt”). He addresses the horrors of witnessing a voodoo economics ceremony and the mystery of how his mother managed for thirty years to feed her family nothing but leftovers (“We have a team of anthropologists in there now looking for the original meal”). He even skewers deserving political figures in poetry. In this, the definitive collection of his humor, Calvin Trillin is prescient, insightful, and invariably hilarious. “A literary treasure . . . There is only one Calvin Trillin, and if he didn’t exist we would have to invent him.”— The Washington Times “Funny is to Trillin what drinking is to Uncle Jed in Annie Get Your Gun —it’s what he does ‘natur’lly.’ He’s also a lot more than funny. Quite Enough of Calvin Trillin is the twenty-eighth book he’s published over not far short of a half-century, and their range of subjects is remarkable.”—Jonathan Yardley, The Washington Post “Trillin made his reputation over four decades as the author of ‘U.S. Journal’ in the New Yorker [but he] is incapable of resisting the temptation of comedy. The jokes kept on welling up and Mr. Trillin made a parallel reputation as a writer of funny stuff.”— The Economist “Wry, whip-smart, understated, and entertaining.”— The Miami Herald

In the classic noir tradition of "Have Gun, Will Travel," Rachel Pollack--one of the world's foremost authorities on the Tarot--gives us the tale of Jack Shade, an occult shaman for hire. Jack Shade has a secret, and this hidden part of his past sends him on a journey through time and space and a great number of metaphysical doorways. From the cosy poker table in the eleventh floor apartment of the Hotel de Reve Noire to the ethereal Forest of Souls to the faded houses along the Gold River, Jack flows in and out of this world. Even when his own duplicate hires him to kill himself, Jack is mercury in motion. Jack the Nimble. Jack the Quick. The Fissure King: A Novel in Fire Stories collects the four existing Jack Shades novellas and shows us Jack's final trick--one last story that finally reveals Jack's true nature. Only Rachel Pollack, one of the world's greatest authorities of tarot and an award-winning novelist and comic book writer, could dream of someone as mischievous and mythopoeic as Jack Shade. The King is dead. Long live the King.

A messianic tale about a group of professional mourners—a darkly funny novel of grief, mystery and redemption from the author of The Delivery . Ed is a weeper. A professional weeper. He's a card-carrying member of an eccentric union hired to cry at funerals, wakes, services and burials. It’s an odd job, but his services are sorely needed these days, as the town, the region, the country as a whole has become more or less numb. No one is able to summon a shred of human emotion whatsoever. Not anymore. (What’d be the point? The world’s already gone to hell.) So there’s always work for Ed and his colleagues. But all those cries can wear a man down, and the tears don’t flow quite like they used to, even for a consummate pro like Ed. Then one morning, a stranger comes to town. A scrawny kid with no belongings, no parents, no name, no past. And at precisely the moment of his arrival, people begin to experience something new. Something strange. An onslaught of unbidden feelings, unfamiliar feelings, too many feelings A surrealist story of mourning and messiahs, deserts and droughts, cowboys and junkies, miracles and mass hysteria, the lure of despair and the solace of friendship. Peter Mendelsund’s Weepers is a novel for this age: our age of anesthesia and anger.