'Heart-wrenching, heart-warming and heartfelt - Mother Ship is a beautifully crafted, warts-and-all love letter to our wonderful NHS' Adam Kay, author of This is Going to Hurt After her identical twin girls are born ten weeks prematurely, Francesca Segal finds herself sitting vigil in the 'mother ship' of neonatal intensive care, all romantic expectations of new parenthood obliterated. As each day brings a fresh challenge for her and her babies, Francesca makes a temporary life among a band of mothers who are vivid, fearless, and inspiring, taking care not only of their children but of one another. Mother Ship is a hymn to the sustaining power of women's friendships, and a loving celebration of the two small girls - and their mother - who defy the odds. A comforting and encouraging read, especially for others enduring the same experience. 'A heart-wrenching insight into what must have been such a fragile, overwhelming and terrifying time - yet there's humour in there too. Beautiful' Giovanna Fletcher 'A beautiful, lyrical memoir that navigates the unpredictable landscape of NICU and the will to survive' Christie Watson, author of The Language of Kindness

A collection of photographs taken by Francesca Woodman from childhood until her early death at 22. Providing an exploration of feminine identity, the photographs focus on three main themes: the female staged, the female as spectacle and the female as image.

A passionate and sensual story of love, loss, and renewal... When New York newspaper editor Nick Devlin first lays eyes on Anna Green, a young reporter, he falls hard and fast. Anna, not so much -- particularly as she's engaged to be married. But Nick is not about to let a little obstacle like a fiance stand in his way. He loves Anna, and he's certain she'll soon love him, too. He will turn out to be right, but with great love comes the possibility -- even inevitability -- of great loss. Now, looking back on it all from the villa in France to which she has fled, Anna relives her great love as she struggles to embrace a new life full of wonder and hope.

When a thief steals the bicycle she has secretly borrowed from her sister, eleven-year-old Ari, in trying to recover the bike, learns a lot about dealing with people.

Following the success of Rizzoli's "The Blue Note Years," the treasured archive of Francis Wolff photographs has been opened once again to present a previously unseen collection of dynamic images. Included aer never-before-published color images from Wolff's later years of photography. This volume is a collection of the jazz photographs taken from 1941 to 1968 by Francis Wolff, cofounder of Blue Note Records, to document the world's most famous jazz label. Vignettes tell the story of Blue Note Records; its founders, Alfred Lion and Francis Wolff; recording master, Rudy Van Gelder; and many of the labels' great artists--Jimmy Smith, Miles Davis, Wayne Shorter, Herbie Hancock, Grant Green, John Coltrane, Lee Morgan, Hank Mobley, Joe Henderson, and Art Blakey, among others.

Details the story of a group of engaging and courageous young people known as Los Intocables and their fight for justice, in an account of the murder of Guatemalan bishop Juan Gerardi, the country's leading human rights activist.

Gehry has instilled his buildings with a technical virtuosity that seems to have no limits and, combined with his extraordinary imagination, his skill has resulted in some of the world's most remarkable buildings and structures.

Demonstrating the candor and conviction that have made him one of our most trusted and incisive public voices, The New York Times columnist Frank Rich brilliantly and meticulously illuminates the Bush administration?s disturbing love affair with ?truthiness.? Rich?s step-by-step chronicle shows how, in the wake of 9/11, a propaganda president and his advisors misled a nation into war in Iraq and how the bungled aftermath, a Washington leak, and a devastating hurricane at long last revealed the lies in a story that had been so effectively sold to the nation as God-given patriotic fact.

Excerpt from The Mind of Primitive Man The meaning of types, 35. — The meaning of vari ability, 37 — The -analysismf populations as com posed Of different elements, 41. — Determination of differences between traits, 42. — Regular distribu tion of many variable phenomena, 42. — Measure ments of degree of variability, 44. — Description of differences between types, 47.

Franz Kafka (1883-1924) war ein deutschsprachiger Schriftsteller. Sein Hauptwerk bilden neben drei Romanfragmenten zahlreiche Erzählungen. Kafkas Werke wurden zum größeren Teil erst nach seinem Tod und gegen seine letztwillige Verfügung von Max Brod veröffentlicht, einem engen Freund und Vertrauten, den Kafka als Nachlassverwalter bestimmt hatte. Kafkas Werke zählen unbestritten zum Kanon der Weltliteratur. Aus dem Buch: "Es ist nicht ganz leicht, jetzt nachdem ich diesen schrecklichen aber durchaus nicht bis in seine Tiefe schrecklichen Brief gelesen habe, für die Freude zu danken, die er mir bei der Ankunft gemacht hat. Es ist Feiertag, gewöhnliche Post wäre nicht mehr gekommen, ob morgen Freitag etwas von Ihnen käme, war auch zweifelhaft, es war also eine Art bedrückter Stille, doch gar nicht traurig, soweit es Sie betraf; in Ihrem letzten Briefe waren Sie ja so stark, daß ich Ihnen zugesehen habe, so wie ich von meinem Liegestuhl aus Bergsteigern zusehen würde, wenn ich sie oben im Schnee von hier aus- erkennen könnte. Und nun kam er doch knapp vor dem Mittagessen, ich konnte ihn mitnehmen, aus der Tasche ziehn, auf den Tisch legen, wieder in die Tasche stecken, wie eben so die Hände mit einem Brief spielen wollen, man sieht ihnen zu und freut sich über die Kinder."

About the Book "The Great Wall of China" ("Beim Bau der Chinesischen Mauer") is a short story written by Franz Kafka in 1917. It was not published until 1931, seven years after his death. Max Brod selected stories and published them in the collection Beim Bau der Chinesischen Mauer. -wikipedia For more eBooks visit www.kartindo.com

Franz Neumann's classic account of the governmental workings of Nazi Germany, first published in 1942, is reprinted in a new paperback edition with an introduction by the distinguished historian Peter Hayes. Neumann was one of the only early Frankfurt School thinkers to examine seriously the problem of political institutions. After the rise of the Nazis to power, his emphasis shifted to an analysis of economic power, and then after the war to political psychology. But his contributions in Behemoth were groundbreaking: that the Nazi organization of society involved the collapse of traditional ideas of the state, of ideology, of law, and even of any underlying rationality. The book must be studied, not simply read, Raul Hilberg wrote. The most experienced researchers will tell us that the scarcest commodity in academic life is an original idea. If someone has two or three, he is rich. Franz Neumann was a rich man. Published in association with the United States Holocaust Memorial Museum.

An epic in novel form telling of the miraculous visions of a poor French girl at Lourdes.

Coin description and origin with phots of some coins

In this first post-9/11 account of the career of the man who established himself as America's Mayor in the dark days after America was attacked, Fred Siegel shows how Rudy Giuliani's successes in New York--restoring law and order, cutting taxes and radically reducing the welfare rolls--demonstrated that Gotham was indeed governable (a matter of doubt until his election) and that our major cities might again become vibrant and dynamic places to live after thirty years of middle-class flight. Someone who has worked with Giuliani as well as studied him, Siegel describes this colorful figure as an immoderate centrist, who, like the city he came to embody, evokes contradictory emotions. For some, he was a ruthless autocrat during his years at city hall; for others, he was a heroic figure who took on the vested interests that had dragged the city down. Siegel regards Guiliani as a shrewd tactician and artist of the possible who could have stepped out of the pages of Machiavelli's THE PRINCE. A self-promoting, self-absorbed man, the mayor made his own enormous ego serve the city's well-being. He promoted the virtues of duty and sacrifice, but was sometimes unable to honor these values in his personal life. He was suspicious of those outside his immediate circle, but he also placed this tribal ethos in the service of ideals that transcended New York's ethnic politics and business as usual. THE PRINCE OF THE CITY is at once a fascinating character study, a history of New York over the last forty years, and a classic inquiry into the issue of how cities thrive or die. Siegel's story culminates with a dramatic account of September 11, 2001, revealing how Giuliani's s eight years in office had prepared him and the city to rise to this tragic occasion. Siegel concludes with a look at how Guiliani's successor, Mayor Michael Bloomberg, has handled his legacy and at what the future might hold for America's Mayor.

When Fred Friendly's powerful examination of broadcast news was published in 1967, it was judged by The New Yorker to be "an engrossing professional memoir." and it quickly leaped onto The New York Times bestseller list. Now reissued with a new Introduction by Dan Rather, anchor and managing editor of the CBS Evening News, and Tom Bettag, executive producer of Nightline, on the anniversary of Friendly's death, this discourse on the importance of television in society presents Friendly's uncannily prescient views on the corrosive effect of money on the news business, the sensationalization of news reporting, and the viewing public's appetite for quality broadcasting. With Edward R. Murrow, Fred Friendly practically invented television journalism. Through telling anecdotes and penetrating analysis, he recalls his collaborations with Murrow, from their stinging documentary on Senator Joseph McCarthy to CBS's pioneering coverage of the burgeoning civil rights and anti-Vietnam War movements. Friendly also recounts his resignation as president of CBS News in 1966, when the network ran reruns of I Love Lucy instead of Senate hearings on the war in Vietnam. Following that controversial decision, he began writing this memorable book.

As the guarantor of international security, the United States must commit to a long-term military presence in Iraq and Afghanistan. But what are the tools necessary to succeed on the new battlefields of the Long War? In this volume, a group of the foremost U.S. military officials and national security experts analyze the American experience in Iraq and Afghanistan thus far in order to map a way forward―not only for the military, but for diplomats, elected officials, and the American public. Giselle Donnelly, Frederick W. Kagan, and their coauthors offer several core lessons for success in The Long War. They argue that decentralizing command is the key to efficient operations on an ever-changing battlefield; that air power is the unsung hero of counterinsurgency warfare; that public opinion can influence crucial military decisions; and that the military should minimize its role in domestic affairs. Finally, although the battlefields have changed over the last fifty years, the authors contend that America's long-held counterinsurgency strategy―to foster political support at home, employ diplomacy overseas, and extend military assistance to allies―remains effective. The Long War will not soon be over. But, in the words of retired Army special forces officer Colonel Robert Killebrew, the United States already has "the tools it needs in order to prevail in the wars of the twenty-first century.

There are well over 200 fanzines in current distribution, originating in almost every state in the U.S. as well as in Canada, England, Germany, Ireland, Spain, and Sweden. This is the first book about them. Few persons outside the science fiction field (where, historically, fanzine publication appears to have begun) know the meaning of the portmanteau word, fanzine (amateur fan plus magazine). Fanzines are published, written, and illustrated by young persons, usually well under 30, and bear such names as ANDROmeda, BeABohema, Comickazi, Granfalloon,and Varolika. The history of the genre is brief, dating from the 1930s, but many of the publishers and contributors have achieved considerable distinction as writers, including Poul Anderson, Ray Bradbury, and Richard Lupoff. Coming to this serious study of an unusual subject with his considerable expertise in the field of violence, Dr. Wertham has been struck, first, by the nonviolent, creative aspects of the genre and, second, by the amateur status of fanzines. His conclusion, which will surprise many readers, is that herein may lie a message for our unheroic age.