During the hard and bitter years of his youth in England, Harry Bernstein’s selfless mother never stops dreaming of a better life in America, no matter how unlikely. Then, one miraculous day when Harry is twelve years old, steamship tickets arrive in the mail, sent by an anonymous benefactor. Suddenly, a new life full of the promise of prosperity seems possible–and the family sets sail for America, meeting relatives in Chicago. For a time, they get a taste of the good life: electric lights, a bathtub, a telephone. But soon the harsh realities of the Great Depression envelop them. Skeletons in the family closet come to light, mafiosi darken their doorstep, family members are lost, and dreams are shattered. In the face of so much loss, Harry and his mother must make a fateful decision–one that will change their lives forever. And though he has struggled for so long, there is an incredible bounty waiting for Harry in New York: his future wife, Ruby. It is their romance that will finally bring the peace and happiness that Harry’s mother always dreamed was possible.

Vintage movie tie-in paperback book

The planet was called Pyrrus, a strange place where all the beasts, plants and natural elements were designed for one specific purpose: to destroy man. The settlers there were supermen, twice as strong as ordinary men and with milli-second reflexes. They had to be. For their business was murder. It was up to Jason dinAlt, interplanetary gambler, to discover why Pyrrus had become so hostile during man's brief habitation. This omnibus contains all three novels in the Deathworld trilogy!

DEATHWORLD centers on Jason dinAlt, a professional gambler who uses his somewhat erratic psionic abilities to tip the odds in his favor. He is challenged by a man named Kerk Pyrrus (who turns out to be the ambassador from the planet Pyrrus) to turn a large amount of money into an immense sum by gambling at a government-run casino. He succeeds and survives the planetary government's desperate efforts to steal back the money. In a fit of ennui, he decides to accompany Kerk to his home, despite being warned that it is the deadliest world ever colonized by humans...DEATHWORLD! DEATHWORLD is one of the classics of the Golden Age of science fiction, born in the pages of Astounding Science Fiction under the editorship of John W. Campbell, Jr.

The 25th century's most outrageous outlaw is back--and this time it means war! "Slippery Jim" diGriz, better known as the Stainless Steel Rat, is seeking revenge for the murder of his mentor-in-crime. But to do so, he must join an army and oppose its iron-fisted dictator--and keep a planet from being enslaved.

Ebery bit as stunning as West of Eden, Winter in Eden continues the incredible story of an alternate world much like the Paleolithic Stone Age. A monumental epic of passion, courage and triumph, it is supported by national radio and print advertising.

"The discovery, disappearance and mystery of a priceless scientific treasure"--Jacket subtitle.

"The author explores this tradition in depth and defines it with a breadth of vision, a dynamic vigor and freedom rarely paralleled today....His method, flexible, generous, humane in the best sense of the word, eschews pedantry, dogma, useless theorizing and scholastic argumentation."--The New York Times Book Review. "I wish to make it clear that The Gates of Horn represents an outstanding critical accomplishment."--Saturday Review. In the Odyssey, Homer describes two gates of the one of ivory through which fictitious dreams pass, and the other of horn, through which nothing but the truth may pass. Realism is the type of literature that passes through the horn, and in this significant study of the genre Levin examines a major form of Realism--the French novel--and focuses on five of its masters--Stendahl, Balzac, Flaubert, Zola, and Proust. Now available in paperback, Levin's study is a veritable reconstruction of the artistic and intellectual life of a nation.

A new Conan adventure--from one of today's most popular writers of fantasy and SF! For decades, millions of readers have thrilled to the adventures of Conan, the barbarian adventurer invented by Robert E. Howard and further chronicled by other fantasy greats, including such notables as L. Sprague de Camp, Poul Anderson, and Robert Jordan. Now Harry Turtledove, one of today's most popular writers of fantasy and SF, contributes a novel to the Conan saga--a tale of Conan in his youth, in the year or so before he becomes the wandering adventurer we know from the tales of Howard and others. On the verge of adulthood, he lives in a Cimmerian hamlet, caring for his ailing mother, working in his father's smithy, and casting his eye on the weaver's daughter next door. Then war comes: an invasion by the Aquilonian Empire. Conan burns to join the fight, but he's deemed too young. Then, from the border country, comes an unbelievable report: The Aquilonians have smashed the Cimmerian defending forces, and can rule as they please. Soon their heavily garrisoned forts dot the countryside. Their settlers follow after, carving homesteads out of other men's land. Every Cimmerian longs to drive the intruders out with fire and sword, but they must stay their hands, for the Aquilonians have promised savage reprisals. Then, intolerably, the Aquilonian commander takes a wholly dishonorable interest in the weaver's daughter -- and he's not a man to wait, or even ask permission. It's not a recipe for a peaceable outcome.

Values and Vision. Lead People--Manage Things -- Planning. Knowing and Understanding Processes -- The Seven Quality Control Tools -- Statistical Process Control Charts -- The Seven Management and Planning Tools -- Product Development Strategy -- Product Improvement Strategies -- Appendices. Index.

Pennsylvania farmer Amos Breed is joined by his son, Ben, and promoter Zachary Fraser--and, later, by Bernie Kasper--in turning an alligator-infested swamp into a vacation spa called Miami Beach

How diverse can, and should, TV programming be? And especially, in what precise ways does governmental regulation of TV affect (or fail to affect) the programs station owners produce—programs which, in the final analysis, shape in such large measure the values of Americans? It is to these timely and beguiling questions that Harvey Levin addresses his dispassionate assessment of the complex relationship between government and the TV industry. Analyzing data drawn from the history of the FCC's regulatory decisions, as well as from interviews with numerous government and industry officials, Professor Levin shows how the present form of restrictive governmental regulation almost always results in higher profits and rents for TV stations, with no concomitant increase in programming diversity. In addition, Professor Levin investigates various other aspects of the media market, from the particular kinds of crucial decisions that are made when, for example, a newspaper owns a TV station, to the kinds of problems that arise when commercial rents are taxed to fund public TV; from the brand of programming we are offered when a monopoly controls a given TV market to the nature of programming in a situation of steady and fair competition. Following a comprehensive assessment, the author makes a compelling case for diversification of station ownership, in order to be "safe rather than sorry." He also argues for the entry of new stations, more extensive support of public TV, and some form of quantitative program requirements—all of which will help bring about greater program diversity. Professor Levin's volume provides us with a fully documented and sharply focused analysis of the theories, policies, and problems of one of the most powerful and misunderstood of contemporary institutions.

Over the course of one day, traces the loss of the author's Zionist faith against a backdrop of Jewish history, recounting how his growing disaffection with the modern state of Israel was shaped by the mythologies and realities of the Jewish homeland.

Publisher Millions of immigrants were drawn to American shores, not by the mythic streets paved with gold, but rather by its tables heaped with food. How they experienced the realities of America's abundant food--its meat and white bread, its butter and cheese, fruits and vegetables, coffee and beer--reflected their earlier deprivations and shaped their ethnic practices in the new land. Hungering for America tells the stories of three distinctive groups and their unique culinary dramas. Italian immigrants transformed the food of their upper classes and of sacred days into a generic "Italian" food that inspired community pride and cohesion. Irish immigrants, in contrast, loath to mimic the foodways of the Protestant British elite, diminished food as a marker of ethnicity. And, East European Jews, who venerated food as the vital center around which family and religious practice gathered, found that dietary restrictions jarred with America's boundless choices. These tales, of immigrants in their old worlds and in the new, demonstrate the role of hunger in driving migration and the significance of food in cementing ethnic identity and community. Hasia Diner confirms the well-worn adage, "Tell me what you eat and I will tell you what you are."

The first two volumes of Heinrich Schenkers's masterwork Neue musikalische Theorien und Phantasien, Harmonielehren pubdate 1906), and Kontrapunkt pubdates 1910 and 1922), laid the foundations for the harmonic aspect of his theory. The specific voice-leading component was a later development, progressing with brilliance over the last 15 years of his life. It is in Free Composition (Freie Satz, 1935) that the idea of voice-leading receives its most detailed and precise formulation. Pendragon Press is honored to make this distinguished reprint available once again, with a new preface by Carl Schacter.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

A catalogue with comments on 40 paintings from the exhibition