The abolition movement is perhaps the most salient example of the struggle the United States has faced in its long and complex confrontation with the issue of race. In his final book, historian Paul Goodman, who died in 1995, presents a new and important interpretation of abolitionism. Goodman pays particular attention to the role that blacks played in the movement. In the half-century following the American Revolution, a sizable free black population emerged, the result of state-sponsored emancipation in the North and individual manumission in the slave states. At the same time, a white movement took shape, in the form of the American Colonization Society, that proposed to solve the slavery question by sending the emancipated blacks to Africa and making Liberia an American "colony." The resistance of northern free blacks was instrumental in exposing the racist ideology underlying colonization and inspiring early white abolitionists to attack slavery straight on. In a society suffused with racism, says Goodman, abolitionism stood apart by its embrace of racial equality as a Christian imperative. Goodman demonstrates that the abolitionist movement had a far broader social basis than was previously thought. Drawing on census and town records, his portraits of abolitionists reveal the many contributions of ordinary citizens, especially laborers and women long overshadowed by famous movement leaders. Paul Goodman's humane spirit informs these pages. His book is a scholarly legacy that will enrich the history of antebellum race and reform movements for years to come. "[God] hath made of one blood all nations of men for to dwell on all the face of the earth."—Acts 17:26

Newton Minow’s long engagement with the world of television began nearly fifty years ago when President Kennedy appointed him chairman of the Federal Communications Commission. As its head, Minow would famously dub TV a “vast wasteland,” thus inaugurating a career dedicated to reforming television to better serve the public interest. Since then, he has been chairman of PBS and on the board of CBS and elsewhere, but his most lasting contribution remains his leadership on televised presidential debates. He was assistant counsel to Illinois governor Adlai Stevenson when Stevenson first proposed the idea of the debates in 1960; he served as cochair of the presidential debates in 1976 and 1980; and he helped create and is currently vice chairman of the Commission on Presidential Debates, which has organized the debates for the last two decades. Written with longtime collaborator Craig LaMay, this fascinating history offers readers for the first time a genuinely inside look into the origins of the presidential debates and the many battles—both legal and personal—that have determined who has been allowed to debate and under what circumstances. The authors do not dismiss the criticism of the presidential debates in recent years but do come down solidly in favor of them, arguing that they are one of the great accomplishments of modern American electoral politics. As they remind us, the debates were once unique in the democratic world, are now emulated across the globe, and they offer the public the only real chance to see the candidates speak in direct response to one another in a discussion of major social, economic, and foreign policy issues. Looking to the challenges posed by third-party candidates and the emergence of new media such as YouTube, Minow and LaMay ultimately make recommendations for the future, calling for the debates to become less formal, with candidates allowed to question each other and citizens allowed to question candidates directly. They also explore the many ways in which the Internet might serve to broaden the debates’ appeal and informative power. Whether it’s Clinton or Obama vs. McCain, Inside the Presidential Debates will be welcomed in 2008 by anyone interested in where this crucial part of our democracy is headed—and how it got there.

Yokohama Burning is the story of the worst natural disaster of the twentieth century: the earthquakes, fires, and tsunamis of September 1923 that destroyed Yokohama and most of Tokyo and killed 140,000 people during two days of horror. With cinematic vividness and from multiple perspectives, acclaimed Newsweek correspondent Joshua Hammer re-creates harrowing scenes of death, escape, and rescue. He also places the tumultuous events in the context of history and demonstrates how they set Japan on a path to even greater tragedy. At two minutes to noon on Saturday, September 1, 1923, life in the two cities was humming along at its usual pace. An international merchant fleet, an early harbinger of globalization, floated in Yokohama harbor and loaded tea and silk on the docks. More than three thousand rickshaws worked the streets of the port. Diplomats, sailors, spies, traders, and other expatriates lunched at the Grand Hotel on Yokohama's Bund and prowled the dockside quarter known as Bloodtown. Eighteen miles north, in Tokyo, the young Prince Regent, Hirohito, was meeting in his palace with his advisers, and the noted American anthropologist Frederick Starr was hard at work in his hotel room on a book about Mount Fuji. Then, in a mighty shake of the earth, the world as they knew it ended. When the temblor struck, poorly constructed buildings fell instantly, crushing to death thousands of people or pinning them in the wreckage. Minutes later, a great wall of water washed over coastal resort towns, inundating people without warning. Chemicals exploded, charcoal braziers overturned, neighborhoods of flimsy wooden houses went up in flames. With water mains broken, fire brigades could only look on helplessly as the inferno spread. Joshua Hammer searched diaries, letters, and newspaper accounts and conducted interviews with nonagenarian survivors to piece together a minute-by-minute account of the catastrophe. But the author offers more than a disaster narrative. He details the emerging study of seismology, the nascent wireless communications network that alerted the world, and the massive, American-led relief effort that seemed to promise a bright new era in U.S.-Japanese relations. Hammer shows that the calamity led in fact to a hardening of racist attitudes in both Japan and the United States, and drove Japan, then a fledgling democracy, into the hands of radical militarists with imperial ambitions. He argues persuasively that the forces that ripped through the archipelago on September 1, 1923, would reverberate, traumatically, for decades to come. Yokohama Burning , a story of national tragedy and individual heroism, combines a dramatic narrative and historical perspective that will linger with the reader for a long time.

""Impromptu Man captures the remarkable impact of a singular genius, J.L. Moreno, whose creations-the best-known being psychodrama-have shaped our culture in myriad ways, many unrecognized. The record will be set straight for all time by this can't-put-down biography, a tribute by Jonathan D. Moreno to his father's masterly legacy." -DANIEL GOLEMAN, author of Emotional Intelligence: Why It Can Matter More Than IQ J.L. Moreno (1889-1974), the father of psychodrama, was an early critic of Sigmund Freud, wrote landmark works of Viennese expressionism, founded an experimental theater where he discovered Peter Lorre, influenced Martin Buber, and became one of the most important psychiatrists and social scientists of his time. ?? A mystic, theater impresario and inventor in his youth, Moreno immigrated to America in 1926, where he trained famous actors, introduced group therapy, and was a forerunner of humanistic psychology. As a social reformer, he reorganized schools and prisons, and designed New Deal planned communities for workers and farmers. Moreno's methods have been adopted by improvisational theater groups, military organizations, educators, business leaders, and trial lawyers. His studies of social networks laid the groundwork for social media like Twitter and Facebook. ?? Featuring interviews with Clay Shirky, Gloria Steinem, and Werner Erhard, among others, original documentary research, and the author's own perspective growing up as the son of an innovative genius, Impromptu Man is both the study of a great and largely unsung figure of the last century and an epic history, taking readers from the creative chaos of early twentieth-century Vienna to the wired world of Silicon Valley. Jonathan D. Moreno, called the "most interesting bioethicist of our time" by the American Journal of Bioethics, is a professor at the University of Pennsylvania and a Senior Fellow at the Center for American Progress. "--

The memoir of Gwendolyn Midlo Hall offers today's activists and readers an accessible and intimate examination of a crucial era in American radical history. Born in 1929 New Orleans to left-wing Jewish parents, Gwendolyn Midlo Hall's life has spanned nearly a century of engagement in anti-racist, internationalist political activism. In this moving and instructive chronicle of her remarkable life, Midlo Hall recounts her experiences as an anti-racist activist, a Communist Party militant, and a scholar of slavery in the Americas, as well as the wife and collaborator of the renowned African-American author and Communist leader Harry Haywood. Telling the story of her life against the backdrop of the important political and social developments of the 20th century, Midlo Hall offers new insights about a critical period in the history of labor and civil rights movements in the United States. Detailing everything from Midlo Hall's co-founding of the only inter-racial youth organization in the South when she was 16-years-old, to her pioneering work establishing digital slave databases, to her own struggles against cruel and pervasive sexism, Haunted by Slavery is a gripping account of a life defined by profound dedication to a cause.

Some see the 1980s as a Golden Age, a "Morning in America" when Ronald Reagan revived America's economy, reoriented American politics, and restored Americans' faith in their country and in themselves. Others see the 1980s as a new "Gilded Age," an era that was selfish, superficial, glitzy, greedy, divisive, and destructive. This multifaceted exploration of the 1980s brings together a variety of voices from different political persuasions, generations, and vantage points. The volume features work by Reagan critics and Reagan fans (including one of President Reagan's closest aides, Ed Meese), by historians who think the 1980s were a disastrous time, those who think it was a glorious time, and those who see both the blessings and the curses of the decade. Their essays examine everything from multiculturalism, Southern conservatism, and Reaganomics, to music culture, religion, crime, AIDS, and the city. A complex, thoughtful account of a watershed in our recent history, this volume will engage anyone interested in this pivotal decade.

Slave and Citizen is a classic in the field of comparative slave history and race relations. "A significant historiographic milestone in the study of American slave systems. It has been a point of departure for most studies done on slavery and race relations since World War II."--Franklin W. Knight.

The many thousands of Jews from German-speaking lands who came to the United States throughout the nineteenth century played a major part in laying the foundations of the Jewish community in America. The author considers these immigrants a branch of German Jewry, compelled to seek overseas the political and civil rights denied them at home. In this volume of the Ellis Island Series, the fascinating story of this mass immigration of mostly poor, enterprising, young people is told in vivid detail. Drawing on rare letters, diaries, memoirs, period newspapers, journals, and other firsthand accounts, Barkai traces the process of family-oriented chain migration, resettlement, and acculturation, exploring as well the group's relations with the Jewish community in Germany and with German and Jewish immigrants in the New World. Often starting out as peddlers and storekeepers, the immigrants moved back and forth from East Coast towns and cities to settlements in the South, Midwest, and Far West, helping to expand the American frontier and to develop cities such as Cincinnati St. Louis, Milwaukee, and San Francisco. The narrative chronicles their experiences in the goldfields of California, on Indian reservations, and during the Civil War, in which German-Jewish soldiers in the Union and Confederate armies struggled against bigotry to assert their civil rights. These engaging personal narratives are woven into an account of the formative role played by German-Jewish immigrants in establishing the institutional framework of the American-Jewish community. Their influential network of mutual aid and philanthropic organizations would be challenged, at the turn of the century, by the great mass migration of Jews from Eastern Europe. The author's presentation of the dramatic encounter between these two groups sheds new light not only on this critical period in American-Jewish history but also on the dynamics of cultural change in a pluralist society.

In Reforming Sex: The German Movement for Birth Control and Abortion Reform, 1920 to 1950, Atina Grossmann reconstructs the complicated history of a movement that has been romanticized as the harbinger of 1960s sexual radicalism and demonized as a precursor to Nazi racial policy, but mostly buried and obscured by Nazi bookburnings and repression. Relying on a broad range of sources - from police reports, films and personal interviews to sex manuals unearthed from library basements and secondhand bookstores - the book analyzes a remarkable mass mobilization during the turbulent and innovative Weimar years of doctors and laypeople for women's rights to abortion and public access to birth control and sex education. Reforming Sex takes on questions of international context and comparison as well as continuity and discontinuity in twentieth century German history in a manner that other studies have not. The book follows Weimar sex reformers into the Third Reich, to exile around the world, and into both the Eastern and Western zones of postwar Germany. It demonstrates how deeply rooted eugenics ideology and American and Bolshevik models of modernity were in the Weimar movement. It also examines the drastic rupture between sex reform notions of social health and National Socialist population policy. The story of German sex reform provides a new perspective on post-World War II family planning programs; it sheds light on the long and lively background to current controversies about abortion, the role of doctors and the state in determining women's right to control their own bodies, and the possibilities for reforming and transforming sexual relations between men and women.

Product Description After preparing to lead a quiet life as a teacher and scholar of political theory, William Galston has spent the past quarter century crossing the boundaries between academia and public life, including a two-year stint as Deputy Assistant for Domestic Policy under President Clinton. Reflecting these boundary-crossings, Public Matters contains a selection of Galston's essays on politics, policy, and religion. Each is viewed through the prisms of history, theory, and ethical concerns. The essays on politics tell the story of Galston's efforts to help redirect the Democratic Party so that it speaks more clearly to the concerns of 21st century Americans. The essays in the policy section reflect the range of issues with which Galston has grappled as a political activist and public official. Finally, the essays on religion try to come to grips with the challenges that religion, taken seriously (as it should be) poses for the governance of constitutional democracies. Review "William Galston is a unique and indispensable voice, because he's a first-rate political theorist who is also active in the political arena. In this book he offers illuminating and wise comments on a wide range of topics ― the rise of New Democrats, the 2004 elections, preemptive war, the role of religion, and human embryo research. Written with style and panache, Public Matters is highly instructive ― and also a lot of fun." -- Cass Sunstein, University of Chicago Law School An excellent introduction to Galston's thinking on divisive policy questions (stem-cell research, the war in Iraq), the role of religion in public life, and the future of the Democratic Party. ― Commonweal Magazine There is no better example in America today of someone who is both a practical politician and a serious moral thinker than William Galston. His reflections on subjects from domestic politics to war and peace deserve the widest possible audience. -- Alan Wolfe, Director of the Boisi Center for Religion & American Public Life at Boston College About the Author William A. Galston is director of the Institute for Philosophy and Public Policy, Saul I. Stern Professor of Civic Engagement at the School of Public Policy at the University of Maryland, and director of the Center for Information & Research on Civic Learning & Engagement (CIRCLE). Galston is the author of five books and nearly one hundred articles in moral and political theory, American politics, and public policy.

Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment. Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values. This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.

A profoundly moving biographical study of George Kennan by the fine historian John Lukacs A man of impressive mental powers, of extraordinary intellectual range, and--last but not least--of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life. Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the "X" or "Containment" article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan's thinking; the--perhaps unavoidable--misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

An extraordinary collection of essays by Nobel Peace laureates and leading scholars on the concluded Iraq War, The Iraq War and its Consequences is the First and Only book that brings together more than 30 Nobel Peace laureates and eminent scholars to offer opinions, analyses and insights on the war that has drawn both widespread opposition and strong support.In this intellectually captivating book, Professor Irwin Abrams, considered the leading authority world-wide on the history of the Nobel Peace Prize and Distinguished University Professor Emeritus at Antioch University, and Professor Wang Gungwu, renowned historian and Director of the East Asian Institute at the National University of Singapore, have collected works of notable laureates and scholars from diverse backgrounds. The Nobel Peace laureates and eminent scholars, together, expound on the consequences and impacts of the Iraq War ? an effort that has not been made before. In conclusion, there are two sermons by Gunnar St†lsett, Bishop of Oslo.The Prominent Contributors are: Nobel Peace LaureatesTenzin Gyatso (The Fourteenth Dalai Lama of Tibet, 1989)David Trimble (MP, Leader of the Ulster Unionist Party, UK, 1998)Jody Williams (International Ambassador of International Campaign to Ban Landmines, USA, 1997)Sir Joseph Rotblat (Pugwash Conferences on Science and World Affairs, UK, 1995)Jose Ramos-Horta (Foreign Minister of East Timor, 1996)Frederik Willem de Klerk (Former President of South Africa, 1993)Mairead Corrigan Maguire (Co-founder, Community of Peace People, Northern Ireland, UK, 1976)Bernard Lown (Co-founder, International Physicians for the Prevention of Nuclear War, 1985)Peter Hansen (Commissioner-General, United Nations Relief and Works Agency, UN, 1945)Irene Khan (Sec-General, Amnesty International, 1977)Mary Ellen McNish (Executive Secretary, American Friends Service Committee, USA, 1947)Brian Philips of Oxford Brookes University (Quaker Peace and Social Witness, UK, 1947)Cora Weiss, President (Permanent International Peace Bureau, 1910)Christian Dominice (Sec-General, Institute of International Law, 1904)Eminent ScholarsNoam Chomsky (Prominent Political Critic, Professor of Linguistics, MIT)Joseph Stiglitz (Nobel laureate in Economics 2001, Columbia University)Richard A Falk (Albert G Milbank Professor of International Law and Practice, Emeritus, Princeton University)Sir John Daniel (UNESCO Assistant Director-General for Education)John W Dower (Pulitzer Prize winner & Elting E. Morison Professor of History, MIT)Eric Stover (Director of Human Rights Center, UC Berkeley)Frank N von Hippel (Professor of Public and International Affairs, Princeton University)Lord Colin Renfrew of Kaimsthorn (Director of McDonald Institute for Archaeological Research, Cambridge University)William Hartung (Director of Institute's Arms Trade Resource Center, World Policy Institute)Benjamin R Foster (Professor of Assyriology and Curator of the Yale Babylonian Collection, Yale University)Svetlana Broz (Sarajevo Cardiologist, Author and Lecturer)Faleh A Jabar (Iraq specialist and Research Fellow, Birkbeck College, London University)Lisa Martin (Professor of Government, Harvard University)Helena Cobban (Middle-East Specialist and Columnist for Christian Science Monitor)Mahmood Mamdani (Director of Institute of African Studies, Columbia University)Rosemary Foot (Professor of International Relations, Modern History, Oxford University)Robin Lakoff (Professor of Linguistics, UC Berkeley)Roland Paris (Political Science and International Affairs, University of Colorado at Boulder

Psychoanalyst, teacher, and scholar, Heinz Kohut was one of this century's most important intellectuals. A rebel, according to many mainstream psychoanalysts, Kohut challenged Freudian orthodoxy and the medical control of psychoanalysis in America. His success in treating narcissistic disorders and his highly influential book How Does Analysis Cure? established Kohut's Self Psychology as the strongest rival to traditional psychoanalysis today. The Curve of Life reveals Kohut's private and public life through a unique collection of lively and thoughtful correspondence with colleagues, public figures, family, and close friends. Over 300 never-before-published letters, drawn from Kohut's private files and from colleagues, cover Kohut's life from his native Austria in the 1930s until his death in 1981. Because many of his letters were so substantive, this rich collection clarifies Kohut's landmark published works. In letters to such diverse personalities as Anna Freud and Bruno Walter, Kohut meditated on some of the most intriguing psychoanalytic questions of the day—the nature of psychological cure, the relationship between doctor and patient, and the role of the Oedipus complex in psychoanalysis. The correspondence also reveals Kohut's lively interest in literature, music, history, and culture, as well as his deep and often contentious involvement in the politics of the psychoanalytic movement. Kohut discussed his theories in letters to August Aichhorn, Heinz Hartmann, the Surgeon General, and even Jacqueline Kennedy, and the responses, some published here for the first time, prompted him to explore his ideas from a variety of perspectives. A letter from Anna Freud provoked Kohut to respond this way: "What you had to say gave me great pleasure, and your approval was a welcome support amidst the inescapable insecurities under pressure to which we are all exposed. Strangely enough, it was not the discussion of scientific contributions and other statements that I had sent to you but the very last, parting sentence of your letter which gave me the most food for thought. You sent me your best wishes for the presidency of the American Psychoanalytic Association, and expressed the hope that '...this office permits opportunity for some revolutionary moves.'" The Curve of Life illuminates the evolution of Kohut's theory of the psychology of the self, and provides a rare glimpse into the institutional and intellectual history of psychoanalysis in the last half of this century. These letters will fascinate not only scholars in psychoanalysis, but also those in the humanities, social sciences, and even theology, as well as general readers curious about the private thoughts of a towering figure in intellectual life.

A Globe and Mail Top Nonfiction Book Finalist, Shaughnessy Cohen Prize for Political Writing In this groundbreaking investigation, Erna Paris explores the history of global justice, the politics behind America's opposition to the creation of a permanent international criminal court, and the implications for the world at large. The International Criminal Court (ICC) is the first permanent tribunal of its kind. The mandate of the ICC is to challenge criminal impunity on the part of national leaders and to promote accountability in world affairs at the highest level. Independent and transnational, its indictments cannot be vetoed in the Security Council. On March 11, 2003, when the new court was inaugurated in a moving ceremony, attended by over half of the countries in the world, one country was conspicuously missing from the celebrations. The government of the United States had made it clear that the International Criminal Court was not consistent with American goals and values.

Esteemed American journalist David Rieff argues against our passion for the past. He looks at how memory serves nationalistic history every ANZAC Day and annual pilgrimage to Gallipoli, and how memory of past horrors inflame deep-seated ethnic hatreds, violence and wars.

A dual milestone in City Lights history, When I Was a Poet is number 60 of the famous Pocket Poets Series, as well as our first book of poems by legendary Beat author David Meltzer. The title piece is an ambitious late work by a master at the height of his powers, a spiritual assessment of the meaning of a lifetime spent writing poetry. Also included are portraits of key figures in the poet's life, including his parents, his late wife and musical partner Tina Meltzer, and Semina artist Wallace Berman, as well as "California Dreamin'," a reminiscence of Beat-era bohemian life. Meltzer's wide-ranging musical knowledge manifests itself in "A Slew of Blues" as well as poems devoted to the likes of Art Pepper and Nusrat Ali Khan, while his esoteric interests are embodied in a series of mystical "amulets." The book's final section contains two more major works, the eight-part serial poem "Night Reals" and "Dogma," a modernist counterpoint to the autobiographical title piece. With its profound meditations on love, loss, aging and death, When I Was a Poet is a substantial contribution to American poetry by one of its greatest living practitioners. As Lawrence Ferlinghetti writes, Meltzer is "one of the greats of post-WWII San Francisco poets and musicians."

By the middle of the eighteenth century the merchants were dominant figures in the northern American colonies, powerful economically, politically, and socially. But in New England this preeminence had not been present in the first years of settlement; it had been achieved in the course of three generations of social development as the merchants often Puritans themselves, rose within the Bible Commonwealths to challenge the domination of the Puritan fathers. In lively detail Mr. Bailyn here presents the struggle of the merchants to achieve full social recognition as their successes in trade and in such industries as fishing and lumbering offered them avenues to power. Surveying the rise of merchant families, he offers a portrait in depth of the emergence of a new social group whose interests and changing social position powerfully affected the developing character of American society. The story of this group is the story of people and of their many-sided interests. The merchants were united by the demands of their common devotion to trade, yet they did not form a socially homogeneous unit. In fact their social differences--created in the confusions and dislocations of the early days of settlement came to play an important role in their business and political activities. Moreover, their commercial ventures, successes, and failures affected their social and political situation. Internationalists by occupation, they were deeply affected by personal relations with Europeans as well as by events in the Old World. Drawing on source material from many fields--business records, religious and political data, literary remains, and genealogical information--Mr. Bailyn has discovered much that is new about the merchants, and has brought it all together into a composite portrait of our economic founding fathers that is fascinating in itself and that will reorient our thinking about many aspects of early New England history.

“Humpty Dumpty” is the story of the defeat of passion. In this novel our civilization with all its biological and psychological ancestry laid bare, rises to overpower one of its supermen. Savaron, the man, with a skyrocket for a soul, hurls himself against the invisible monster—the lifeless decaying thing he identifies as society. Genius holds carnival in Savaron's mind. Brilliantly and futilely he struggles to extricate himself from the grip of the crowd-men of his day. His brain for a little while illuminates the way for him. Love corrupts him, conventions repudiated by his mind steal into his heart, confusion begins to knock his brain and Savaron, the gay and unscrupulous giant, finds himself fastened to the earth of Lilliput. In this Novel Hecht has outwritten the promise of Erik Dorm and Gargoyles. More epithetical than the former and vaster in scope and clearer in detail than the latter, “Humpty Dumpty” emerges as one of the most vivid and daring of modern excursions into the soul of man. Ben Hecht was an American screenwriter, director, producer, playwright, journalist, and novelist. A journalist in his youth, he went on to write 35 books and some of the most enjoyed screenplays and plays in America. He received screen credits, alone or in collaboration, for the stories or screenplays of some seventy films. In the 1910s and 1920s, Hecht became a noted journalist, foreign correspondent, and literary figure. In the late 1920s, his co-authored, reporter-themed play, The Front Page, became a Broadway hit. American Screenwriters calls him “one of the most successful screenwriters in the history of motion pictures”. Hecht received the first Academy Award for Best Story for Underworld (1927). Many of the screenplays he worked on are now considered classics.

Sixteen more lost stories by Ben Hecht from the Snickersnee Press, this compilation about Chicago's pioneering Modernist artists, their art and the pioneering skyscrapers punctuating the cityscape. Audiences include 1. Art and cultural historians of early Modernism in Chicago; 2. Short story lovers interested in literary journalism of Ben Hecht at his before-30 Chicago brightest. 3. Chicago history. The 1921-1922 short works reveal Hecht's passion for avant-garde art including German DaDa, show off his unbridled wordsmithery, philosophizing and humor in his salad days before he became Hollywood's most sought-after film writer and script doctor (Scarface, Spellbound, Notorious). Written for his Chicago Daily News column 1001 Afternoons in Chicago, the pieces vary from bar rooom comedy about specific artists to intellectual arguments about Modernism and beauty, subjects unexplored by other Hecht biographers. Uncompiled until rediscovered on microfilm by archival research consultant and Hecht biobibliographer Florice Whyte Kovan, they rejuvenate and contextualize with her historical notes and profuse illustrations. Hecht interviews Primitivist Jerome Blum, visiting Russian painter Nicholas Roerich; satirizes landscape artist George Peyraud, expounds on Dadaist Johannes Van Baader. He features his own illustrators Herman Rosse and Wallace Smith, the latter illustrating Hecht's banned book, Fantasius Mallare. Two-page spreads recall George Grosz's early Americana drawings; works by eccentric Stanislaw Szukalski's, recently a NetFlix subject. No-Jury artists rejected at Art Institute of Chicago, as Hecht laments, receive a two-page cartoon spread. Over 20 artists referenced. Hecht's skyscraper stories track daily construction of the spire-topped Temple Building and extoll the iconic Wrigley Tower. A roman a clef with a surprise ending invokes the extravagant dreams of architect Frank Lloyd Wright. Kovan's quirky landscape-oriented layout varies column height evoking the cityscape. Her research at Smithsonian Archives of American Art, MoMA and Library of Congress establishes that several artist friends became Hollywood artists and set designers. She adds scholarly value with material, 104 reference images including film stills; bibliography, image acknowledgements, internal commentary, endnotes, foreword, afterword, index. The vibrant sundrenched cover is from hand-made painted washi paper by Washington, DC artist Sheila Crider who created it for Kovan's original artist book.