It does not pay to anger the gods ... If you're lucky, you might just end up being transformed into a spider, falling hopelessly in love with your reflection or being hunted by your own hounds. And if you're unlucky? Well ... read on ...

In the cold, dead eyes of the Banshee, and the hissing, spitting fangs of the Gorgon; in the fiery breath of the dragon and the razor sharp claws of the Sphinx - there is a thirst for blood and a murderous hunger. But it is a time of heroes, and the teeth and claws of these hideous beasts are no match for the lethal blades of such men.

In a time of war, of death and destruction, the world needs heroes. Arthur. Theseus. Geriguiaguiatugo. Their names are whispered on the wind - tales of epic quests, of furious battles, beasts slain and the glory of victory.

To discover how women constructed their own mythology of the West, Kolodny examines the evidence of three generations of women's writing about the frontier. She finds that, although the American frontiersman imagined the wilderness as virgin land, an unspoiled Eve to be taken, the pioneer woman at his side dreamed more modestly of a garden to be cultivated. Both intellectual and cultural history, this volume continues Kolodny's study of frontier mythology begun in The Lay of the Land .

To movie audiences, the work of Andrew Marton (born in Hungary in 1904) is memorable: the famous chariot race in Ben-Hur and the meticulously accurate Normandy invasion in The Longest Day are two of his important achievements. But because his credits were very often "Second Unit Director" or "Co-Director," Marton is often not immediately associated with his work. For the first time this oral history reveals just what were Andrew Marton's contributions to the cinema. This extensive interview, filled with great detail on how he did his movie magic, covers Marton's 55-year career. Technically clever, he always retained his humanity, humor, and humaneness.

When American film director Richard Storm first comes to London, he has his own secret mission. Part vacation, part research, he finds renewed purpose working at a curious magazine of weird phenomena, 'Bizarre'. The owner/editor is herself a curiosity and opens up an extraordinary new world - of strange but true hauntings, hunts and spirit worship. When Richard is introduced to beautiful heiress Sophia Endering, he finds himself helplessly in love with her. But she is as dangerous to herself as she is for those who love her - for she has an almost unstoppable death wish. Strange forces are at work and the uncanny twists of fate which brought Richard to London have something much more apocalyptic in store...

Follow sixteen-year-old Faith Duckle in this audacious and darkly funny tale as she moves through the difficult journey from the schoolyard to the harlequin world of the circus. At fifteen, Faith was lured under the bleachers by a bunch of boys at a football game and raped. Now, almost a year later, a newly thin Faith is haunted by her past, and by the cruel, flippant ghost of her formerly fat self, who is bent on revenge. This quest for retribution eventually compels Faith to violence, forcing her to flee home in search of the only friend she has -- a troubled but caring busboy named Charlie, who is the lover of a sideshow performer -- and to tumble into the colorful, transient world of the circus. But as she leaves her old life behind and dives headfirst into a world of adult passions and dreams, mercurial allegiances, and exhilarating self-discovery (while paying considerable dues with a shovel in the elephant tent), Faith ultimately begins to discover who she is and all that she is capable of. Wonder When You'll Miss Me combines tender wit with page-turning energy and characters as original as they are memorable. By turns harrowing and poignant, lyrical and hilarious, it is a vibrant, compelling novel readers won't forget.

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

Like much twentieth-century feminist writing today, this book crosses the boundaries of genre. Biblical interpretation combines with fantasy, autobiography, and poetry. Politics joins with eroticism. Irreverence coexists with a yearning for the sacred. Scholarship contends with heresy. Most excitingly, the author continues and extends the tradition of arguing with God that commences in the Bible itself and continues now, as it has for centuries, to animate Jewish writing. The difference here is that the voice that debates with God is a woman's.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

FIRST PUBLISHED in English in 1958, Two Women is a compassionate yet forthright narrative of simple people struggling to survive in war. The two women are Cesira, a widowed Roman shopkeeper, and her daughter Rosetta, a naive teenager of haunting beauty and devout faith. When the German occupation of Rome becomes imminent, Cesira packs a few provisions, sews her life savings into the seams of her dress, and flees with Rosetta to her native province of Ciociara, a poor, mountainous region south of Rome. Cesira's currency soon loses its value, and a vicious barter economy, fraught with shifty traffickers and thieves, emerges among the mountain peasants and refugees. Mother and daughter endure nine months of hunger, cold, and filth as they await the arrival of the Allied forces. Cesira scarcely cares who wins the war, so long as victory comes soon and brings with it a return to her quiet shopkeeper's life. Instead, the Liberation brings tragedy. While heading back to Rome the pair are attacked by a group of Allied Moroccan soldiers, who rape Rosetta and beat Cesira unconscious. This act of violence and its resulting loss of innocence so embitters Rosetta that she falls numbly into a life of prostitution. Throughout these hardships Moravia offers up an intimate portrayal of the anguish and destruction wrought by war, both on the battlefield and upon those far from the fray.

FIRST PUBLISHED in English in 1958, Two Women is a compassionate yet forthright narrative of simple people struggling to survive in war. The two women are Cesira, a widowed Roman shopkeeper, and her daughter Rosetta, a naive teenager of haunting beauty and devout faith. When the German occupation of Rome becomes imminent, Cesira packs a few provisions, sews her life savings into the seams of her dress, and flees with Rosetta to her native province of Ciociara, a poor, mountainous region south of Rome.Cesira's currency soon loses its value, and a vicious barter economy, fraught with shifty traffickers and thieves, emerges among the mountain peasants and refugees. Mother and daughter endure nine months of hunger, cold, and filth as they await the arrival of the Allied forces. Cesira scarcely cares who wins the war, so long as victory comes soon and brings with it a return to her quiet shopkeeper's life.Instead, the Liberation brings tragedy. While heading back to Rome the pair are attacked by a group of Allied Moroccan soldiers, who rape Rosetta and beat Cesira unconscious. This act of violence and its resulting loss of innocence so embitters Rosetta that she falls numbly into a life of prostitution. Throughout these hardships Moravia offers up an intimate portrayal of the anguish and destruction wrought by war, both on the battlefield and upon those far from the fray.

America's wacky, angry man of the suburbs strikes back in this uproarious free-for-all! Alan King once again turns his bright, beady eye on suburbia and finds it uproariously funny. The outrageous Mr. King is America's most peerless destroyer of America's sacred cows. Here's another blast from his loaded cigar that levels AT&T, IBM, the AMA, BBD&O, the IRS, the PTA, and Freud, just for openers. It will leave you leveled, too from laughing.

Abraham Geiger's magnum opus provides a comprehensive history of Judaism from its biblical roots to the 19th century. Geiger was a pioneering scholar of Jewish studies and an instrumental figure in the development of Reform Judaism. This book remains an essential resource for scholars and lay readers alike seeking to deepen their knowledge of Jewish history and tradition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a book of aspirations fulfilled, those of the author and his colleagues. It tells us what it is to be a mathematician and to do mathematics. It will be read with interest and enjoyment by those in mathematics and by those who might want to know what mathematicians and mathematical careers are like. Halmos, mathematician and expositor, has contributed much to ergodic theory, algebraic logic, operator theory, and the mathematical literature in general.

This is a book of aspirations fulfilled, those of the author and his colleagues. It tells us what it is to be a mathematician and to do mathematics. It will be read with interest and enjoyment by those in mathematics and by those who might want to know what mathematicians and mathematical careers are like. Halmos, mathematician and expositor, has contributed much to ergodic theory, algebraic logic, operator theory, and the mathematical literature in general.

2011 Reprint of 1950 Translation by William Turner. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Recommended, both as a fascinating and little-known document in the history of psychology and as a provocative reading of the history of psychology. (Religious Studies Review). Will interest many students of the history of psychoanalysis... Rank's conclusions contribute to present-day controversies about the status of psychoanalysis as a science. (Psychiatric Times ) The first complete English translation of a work that Rank published in 1930. It draws on anthropology, sociology, mythology, religion, philosophy, history, and literature to chart the development of the human psyche... The book's antimaterialistic passion makes it a compelling counterpoint to the stern biology of our own age, and the bounds it sets to what psychoanalysis can claim are justly drawn. (Wilson Quarterly ) Unquestionably Rank's most important work... This new translation is an effort to create a Rank for our millennium... [and it] reads elegantly and comfortably in English... The argument is complex and intricate, consisting of a long historical/ethnographic sweep that takes us from a 'primitive' state, via animism through the Christian or sexual era to the scientific era and modern development of psychology... Along the way we find traces of many of Rank's other brilliant psychological surveys -- the double, Don Juan, heroes' birth myths, the theme of incest -- woven into this massive canvas and viewed on the largest scale... Throughout this book, the grand tapestry is set with some remarkable gems of observation. (Naomi Segal Psychoanalysis and History ) This is the first complete translation of Otto Rank's fascinating text on the nature and history of the concept of the Soul and Will in the psychological history of humankind... a tour de force in vigour, scope and application to many contemporary issues such as sexual behaviors, the nature of dreaming, incest prohibitions and narcissism, to name but a few. (L.R. Edgar Journal of the Royal Anthropological Society ) In his last years, Otto Rank turned his lifetime of thought and learning toward two of the most difficult topics in human history: religion and the soul. The result was this now-classic work, available in this new, very accessible English translation. Unlike many other intellectuals of the twentieth century, Rank maintains a place for the soul rather than dismissing it as a fantasy. The soul and the beliefs about it, he argues, set forth the foundation for psychology, with its complex analyses of consciousness, self-consciousness, and personality. Rank's commentary is not limited to beliefs about individual souls but includes ideas about group souls, sometimes encompassing nations or generations. Rank suggests that it is in expression of group beliefs that the idea of the soul attains its greatest power. What is the soul? Otto Rank treats it as a universal and essential belief for individuals and their societies, constant in function but evolving in form through millennia. To borrow a post-Rankian metaphor, the soul was created in the big bang of irresistible psychological force colliding with immutable biological fact-our will to live forever against death. The collision creates a spark in our individual and social consciousness which through history has become both consolation and inspiration: the immortal soul. All ideologies reflect this phenomenon and modify its expression to suit the era. Otto Rank wrote before the atom bomb or television, both of which alter our perception of death without changing the fact. Rank's introduction of the soul as an essential part of contemporary psychology helps explain a number of perplexing, irrational phenomena in contemporary life.

The only thriving wildlife still barely touched is the hot, confusing & poorly lit world within. The strangely shaped glands & bones, the transparent lungs, the dense tangle of cells in the brain hold worlds within worlds; & thru it all, streams of blood. Vroman drew his 1st sample of blood shortly after WWII &, during the past 20 years, has made its study his vocation & avocation. The mechanisms of coagulation have been of particular fascination & it's the story of his research on the prothrombin complex that introduced the reader of this volume to all aspects of human blood--its development, structure & function. Based on up-to-date biochemical research.IntroductionThe Structure of Blood; Coagulation; HemophiliaHOW WE PLAY WITH The Atom; The Hydrogen Bond; Hydrophobic Binding; Protein Formation; Protein AnalysisHOW PROTEINS PLAY WITH US; The Prothrombin Compex; Proteins & Heredity; Monomolecuilar Films; Hemoglobin; Thrombosis & the Hageman FactorRED Membrane Functions; Blood Types; The Formation of Red Cells; Radioactive Counts; Hemoglobin an Red Cell Survival WHITE White Cell Count; Neutrophils, Eosinophils, Basophils; Lymphocytes, Plasma Cells & ImmunityTHE Functions of the Blood; HemostasisSome Dates; Some Literature; Some Sizes; Index