In her award-winning book Harmful to Minors , Judith Levine radically upended our fixed ideas about childhood. Now, she tackles the other end of life in this poignant memoir of a daughter coming to terms with a difficult father who is sinking into dementia, presenting an insightful exploration of the ways we think about disability, aging, and the self as it resides in the body and the world. In prose that is unsentimental yet moving, serious yet darkly funny, complex in emotion and ideas yet spare in diction, Levine reassembles her father's personal and professional history even as he is losing track of it. She unpeels the layers of his complicated personality and uncovers information that surprises even her mother, to whom her father has been married for more than sixty years. As her father deteriorates, the family consensus about who he was and is and how best to care for him constantly threatens to collapse. Levine recounts the painful discussions, mad outbursts, and gingerly negotiations, and dissects the shifting alliances among family, friends, and a changing guard of hired caretakers. Spending more and more time with her father, she confronts a relationship that has long felt bereft of love. By caring for his needs, she learns to care about and, slowly, to love him. While Levine chronicles these developments, she looks outside her family for the sources of their perceptions and expectations, deftly weaving politics, science, history, and philosophy into their personal story. A memoir opens up to become a critique of our culture's attitudes toward the elderley. A claustrophobic account of Alzheimer's is transformed into a complex lesson about love, duty, and community. What creates a self and keeps it whole? Levine insists that only the collaboration of others can safeguard her father's self against the riddling of his brain. Embracing interdependence and vulnerability, not autonomy and productivity, as the seminal elements of our humanity, Levine challenges herself and her readers to find new meaning, even hope, in one man's mortality and our own.

The award-winning author of Minor Characters writes with delicious transparency about a love that cannot be harnessed and a woman who refuses to be deceived In the great wave of husband-leaving ushered in by the Sexual Revolution, Molly Held frees herself from her cold, flagrantly unfaithful husband after their final quarrel turns violent. With her five-year-old son, she lights out for an Upper West Side apartment and the new life she hopes to find with Conrad Schwartzberg-the charismatic radical lawyer who has recently become her lover. Having escaped from a desert, she lands in a swamp. While Conrad radiates positive energy, he is unable to tell Molly-or anyone who loves him-the truth. No longer the wronged wife, Molly now finds herself the Other Woman. She is sharing Conrad with Roberta, another refugee from marriage-with Conrad's movements between the two of them disguised by his suspiciously frequent out-of-town engagements. Roberta either knows nothing or prefers to look the other way, but Molly's maddening capacity for double vision takes over her mind. What saves her from herself is her well-developed sense of irony, which never fails her-or the reader. "Ironic, witty and always graceful." -Marilyn French, author of The Women's Room "Johnson . . . reveals a knack for lyric bitterness." -Kirkus Reviews "Another superb novel of feminine risk-taking." -Ann Douglas " Bad Connections] is controlled, smooth, deftly written: it evokes scene and character with admirable sure swiftness. . . . Joyce Johnson's touches are all true." -Harper's Magazine "Joyce Johnson is a writer of wit and perception . . . and she has a keen eye for the irony of modern life." -The New York Times Book Review "Often funny, sometimes cathartically angry, always skillful in rendering the small, excruciating moments that add up to the misery of love gone bad." -The Village Voice "The new literature of the aggrieved woman has produced something here quite memorable, a sad, beautiful casebook of unrequited love, unrequited humanity." -E. L. Doctorow "Painfully perceptive, psychologically accurate." -Judith Rossner "A subtle, witty, rueful tour de force of that strange new territory which all of us now inhabit: modern women's modern lives." -Barbara Probst Solomon Joyce Johnson was born in 1935 in New York City, the setting for all her fiction: Come and Join the Dance, recognized as the first Beat novel by a woman writer, Bad Connections, and In the Night Caf . She is best known for her memoir Minor Characters, which won the National Book Critics Circle Award in 1983 and dealt with coming of age in the 1950s and with her involvement with Jack Kerouac. She has published two other Beat-related books: Door Wide Open: A Beat Love Affair in Letters, and The Voice Is All: The Lonely Victory of Jack Kerouac. She has also written a second memoir, Missing Men, and the nonfiction title What Lisa Knew: The Truths and Lies of the Steinberg Case.

The author of over 23 books from 1933-1997, including his superb five-volume "Scenes from the Life of an American Jew," John Sanford is particularly well known for his autobiographical works and memoirs, many of them published by Black Sparrow and Capra presses. This short memoir is a celebration of his life with his wife Maggie, to whom he was married for over 50 years, and who died in 1989. Addressed to her, Sanford's work is a beautiful and loving testimony to his wife's life, including time of her being blacklisted by Metro-Goldwyn-Mayer during the McCarthy era.

It has been said that the only warriors who do not suffer after combat are those who were killed. I cannot attest to that for all battle tested warriors but I certainly can for one---me. Some years ago a young, 13 year old eighth grade student from the Fairfield, Iowa Middle School once asked me, "Were you wounded in the war? I had been invited to speak in Mrs. Broz's class for many years to talk about my wartime experiences. I had been asked and answered many questions but this one was different. I paused, thought deeply and quickly, and replied. "Yes I was wounded, seriously wounded but not a wound that anyone could see and fix." His question gave me pause to quickly think about warriors in all the wars that have been fought, including mine, whose wounds were unseen, untreated and debilitating even though no blood was shed. I spent a sleepless night wondering if my answer had satisfied him...or me. What was there about my military service that left me so hopeless and so helpless when I returned home to civilian life? Was it me? The military itself? The combat? This is what I recalled; perhaps the answers would come as I wrote my experiences down. "I've been practicing Transcendental Meditation for 40 years. It's a great tool for reducing stress ... especially the stress our men and women of the Armed Forces are going through now." --Clint Eastwood, Academy Award-Winning Film Director "Stress causes, anxiety, depression, and violent behavior. Transcendental Meditation is a remarkable process for reducing stress-it can help people live a long and better life." --Mehemet Oz, MD, America's Doctor "In this riveting memoir, a true American hero describes how Transcendental Meditation changed his life for good. A must-read for those struggling with the aftershocks of combat, and their loved ones." --Norman Rosenthal, M.D. Author of Transcendence: Healing and Transformation Through Meditation "The hidden cost of war includes long-term pain and suffering for may veterans and their families. This wonderful book shows how meditation can be a practical, simple, and effective way for our returning warriors to find peace." --Professor Linda Bilmes, Harvard University, co-author of The Three Trillion Dollar War "The Resilient warrior is a riveting read. What is especially impressive is how Jerry Yellin conflates his own war and PTSD experiences, and those experiences of other veterans, with the powerful compelling evidence of the benefits of using meditation as a means to overcome this disorder. I highly recommend this book to anyone seeking relief from stress, regardless of the source of the trauma." --Donald Mikkleson, Vietnam Veteran "My son, Dory, was an eight-year Army veteran who committed suicide early this year and I have suffered terribly. On a really bad day, a few weeks after Dory's death, Jerry Yellin suggested that I read The Resilient Warrior and learn to meditate. Since starting to meditate I can feel the stress leaving me, and my days and nights are getting a little better day-by-day, week-by-week. I strongly recommend Jerry's book to veterans and families of veterans, and anyone who is looking for a way of the nightmare of PTSD." --Lin Klock, Vero Beach, Florida Author Jerry Yellin Jerry was a WW 2 fighter pilot from Hillside, NJ. He flew P-51's over Japan from Iwo Jima. Married to Helene for 60 years, they have four sons and six grandchildren. Jerry is the author of the award winning historical fiction book The Blackened Canteen and his memoir Of War and Weddings . The soldier above all other people prays for peace, for he must suffer and bear the deepest wounds and scars of war." --General Douglas Macarthur

A memoir by the financier who led the World Bank for a decade recalls Wolfensohn's diverse career as an Olympic fencer, leading banker, amateur cellist, and philanthropist and reflects on his successes and failures in the battle against poverty.

Navigating between the two worlds of wartime experiences in Europe and new life in Australia, this moving memoir of & a Holocaust & survivor is & imbued with an element of fiction. This deeply personal narrative travels from darkness to hope as the author loses his family at Auschwitz, spends the war in concentration camps, and ultimately emigrates to Australia with his wife, leading to an eventual restoration that remains colored by a tragic past.

In his first book of non-fiction, originally published in 1962, Herbert Gold explores some not-so-happy problems confronting people in an age of "mass destruction, mass inertia, mass everything." While acknowledging that we live in a time of utmost global significance-war on an enormous scale was a reality of the twentieth century and continues to threaten, unadulterated evil has exhibited itself in grandiose proportions-Gold tackles issues and problems which are very much of significance to the individual: teaching, writing, love, marriage, divorce, and death. In The Age of Happy Problems, Gold takes the reader through a journey of eclectic characters, situations, and locales. Part I is a selection of essays entitled "American Events." In "The Age of Happy Problems" we are presented with an analysis of the problems facing people in the middle of their lives and careers. "How to Be an Artist's Wife" explores the prospect of being married, and remaining married, to a temperamental and egotistical artist. "Divorce as a Moral Act" describes the termination of marriage as a means for renewal and the chance to start over again the search for love. "The Bachelor's Dilemma" evokes the decisions confronting the male of the "big city." And "A Dog in Brooklyn, A Girl in Detroit: A L"ife Among the Humanities" is a memoir on the paradoxes of teaching in a university. Part II is entitled "American Places." The author examines in this section various American lifestyles. In "Paris: Notes from La Vie de Boheme," Gold describes Americans abroad, why they decide to become expatriates, and how they adapt to their new surroundings. In "Greenwich Village: The Changing Village" he writes about the importance of New York City's symbol of change, experiment and nonconformity. Finally, the author meditates on "Death in Miami Beach," offering a moving account of the relationship between death and the popular Florida city. Gold writes: "How can I total it up? What is the map of the map? Well, to begin with, Plato was wrong. The life of contemplation is not sufficient...and for another thing, Plato was right. He knew that men must learn to come together in the practice of intelligence and moral privilege." Gold's essays, stemming from the author's own humanity, are just as poignant and relevant today as they were when they were first published. The Age of Happy Problems is sure to captivate, but perhaps most of all, make the reader contemplate the importance of these issues for his or her own life.

A "memoir by a journalist about his father's attempt to survive the aftermath of Auschwitz in a small industrial town in Sweden"--Jacket.

Paris, France is a memoir written by Gertrude Stein and published in 1940 on the day that Paris fell to Germany during World War II. The book blends Stein's childhood memories with a commentary on French people and culture; is a memoir written in a "stream of consciousness" style. It is interpreted as Gertrude Stein's personal view of France as a country, and the French people. She observes the French eating, drinking, crossing the street, and carrying out their day in no other way that deviates from their "Frenchness." The word "French" quickly becomes a state of being or state of existence.

At turns funny and strangely sobering, this "found memoir" is a picaresque tale of inspired, heroic deceit, incompetence, and -- just possibly -- triumph. Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, expulsive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

In 1946, Elizabeth Taylor -- then fourteen and a major star at MGM -- published a book about her pet chipmunk, Nibbles. With wit, charm, and remarkable skill, she related the adventures and mishaps of her high-spirited friend. She and Nibbles were virtually inseparable during the shooting of National Velvet and other films; in fact the chipmunk almost got to appear in Courage of Lassie -- but he was so well behaved that he didn't look real, and his scene was cut! Recounted here are such stories as the happiest birthday of her life, when she was given King Charles, the horse who was called The Pi in National Velvet, because only Elizabeth could ride him. Long out of print, this enchanting memoir is available once again with Miss Taylor's original illustrations (including previously unpublished drawings from her private collection), photos of Elizabeth Taylor and Nibbles on and off the set, and a new introduction by the legendary actress. Children will love the story of a girl and her pet; older readers will appreciate the insight into young Elizabeth Taylor's life that this book provides.

Long before Stonewall, young Air Force veteran Edward Field, fresh from combat in WWII, threw himself into New York’s literary bohemia, searching for fulfillment as a gay man and poet. In this vivid account of his avant-garde years in Greenwich Village and the bohemian outposts of Paris’s Left Bank and Tangier—where you could write poetry, be radical, and be openly gay—Field opens the closet door to reveal, as never been seen before, some of the most important writers of his time. Here are young, beautiful Susan Sontag sitting at the feet of her idol Alfred Chester, who shrewdly plotted to marry her; May Swenson and her two loves; Paul and Jane Bowles in their ambiguous marriage; Frank O’Hara in and out of bed; Fritz Peters, the anointed son of Gurdjieff; and James Baldwin, Isabel Miller (Patience and Sarah), Tobias Schneebaum, Robert Friend, and many others. With its intimate portraits, Field’s memoir brings back a forgotten era—postwar bohemia—bawdy, comical, romantic, sad, and heroic.

"A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss"--

Born in Vienna in 1936, David Pryce-Jones is the son of the well-known writer and editor of the Times Literary Supplement Alan Pryce-Jones and Therese "Poppy" Fould-Springer. He grew up in a cosmopolitan mix of industrialists, bankers, soldiers, and playboys on both sides of a family, embodying the fault lines of the title: "not quite Jewish and not quite Christian, not quite Austrian and not quite French or English, not quite heterosexual and not quite homosexual, socially conventional but not quite secure." Graduating from Magdalen College, Oxford, David Pryce-Jones served as Literary Editor of the Financial Times and the Spectator, a war correspondent for the Daily Telegraph , and Senior Editor of National Review . Fault Lines is a memoir that spans Europe, America, and the Middle East and encompasses figures ranging from Somerset Maugham to Svetlana Stalin to Elie de Rothschild. As seen on Channel 4's My Grandparents' War , with Helena Bonham Carter, the memoir has the storytelling power of Pryce-Jones's numerous novels and non-fiction books, and is perceptive and poignant testimony to the fortunes and misfortunes of the present age.

Part memoir, part his take on life, the universe and Hollywood, this is an all-round portrait of David Gest, a true original. This book aims to broaden our perception of the person we fell in love with on 'I'm a Celebrity, Get Me Out of Here!' and will cover a wide range of topics, from the humourous to the more serious.

This vivid and colorful memoir recounts the experience of a Jewish-American man growing up during the turmoil of the Bush and Obama eras and dealing with the 2008 recession, crazy relatives, depression, failed romances, political and law careers, and foreign adventures in Israel, South Korea, and China. It contains richly detailed portraits of 2000's American life and the various fascinating cities of America, from New York to Chicago to New Orleans. It also has outrageous sexual comedy, Jewish shtick, and provides a serious look at the social issues facing the modern United States, from welfare to homelessness to the expense of college and over-competitiveness in the workforce. A must-read for people of what Newsweek has dubbed "Generation Screwed." If you enjoyed "The Adventures of Huckleberry Finn", you'll love this. Its a heartfelt and at times hilarious commentary on our American life.

Nestled high in the Berkshire Mountains of western Massachusetts, Goose Pond is surrounded by a deeply forested tranquillity that belies the many murmuring voices eager to tell its stories - stories stretching back hundreds, thousands, and yes, even millions of years. This delightful volume reveals the stories behind the abandoned paper mills, the old cabins, the founding families, the dams, the floods, the Appalachian Trail, the teaming wildlife, the Mohican arrowheads, a storied fishing club, a shoreside resort, a Presidential fishing trip, and even the geological origins of the pond's crescent shape. Writing in his engaging and witty style, the author dives deeply into the timeless legends of an Indian grave, a stone throne, a mysterious U.S. Navy operation and a sunken car. While providing readers with the spoken memories of the lake's children, some interviewed while well into their 90s, a complete written memoir, over twenty simple recipes from Goose Pond's very own cookbook, hand-drawn maps from British colonial days, restored black and white photographs rescued from dusty attic shoeboxes, and clippings discovered in the digital archives of the last century's local newspapers, this generously illustrated book tells the saga of a quintessential, mountaintop New England millpond caught up in the sweeping arc of American history.

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

For me it begins in such an ordinary way ... with a gorilla, a blonde, and a gun ... Mid- 20th century Hollywood; 'Raymond Chandler's LA before Pilates and cell phones'. Clancy Sigal (who would later be the inspiration for Doris Lessing's 'Saul Green') is just back from fighting in the Second World War and an abortive solo attempt to assassinate Hermann Goering at the Nurenburg trials. Charming his way into a job as an agent with the Sam Jaffe agency, Sigal plunges into a chaotic Hollywood peopled by fast women, washed-up screenwriters, wily directors, and starstruck FBI agents trailing 'subversives'. He parties with the likes of Humphrey Bogart, Barbara Stanwyck, Tony Curtis and an anxious Peter Lorre, who becomes a drinking buddy. But this is the era of the Hollywood Blacklist and Sigal, like many of his contemporaries, is subpoenaed to testify before the HUAC. Will he give up the list of nine names, burning a hole in his pocket, to save his own skin? Hilarious, touching, intimate and revealing: Sigal's memoir reads like a forgotten hardboiled detective novel and has all the makings of an instant classic.

Just Say Yes, perhaps the first marijuana memoir ever published, is a positive account of long-term cannabis use. With ruthless honesty and deadpan humor, the author observes the effect of weed upon every aspect of her life: marriage, motherhood, friendship, work, sport, sex. As John Updike wrote about Hiller's short story collection, Skin, this is "good, brave and joyful writing." Ten years after its first publication, the updated edition of Just Say Yes addresses the changing status of cannabis in America and includes a foreword by Steve DeAngelo. "This funny, wry and very candid memoir purports to be a Confession of an American Pot-Smoker but is really a cultural/personal history of the past fifty years. The narrative progresses backward, and not only the past but innocence itself is recaptured." -Phillip Lopate, Nonfiction Director, MFA Writing Program, Columbia University "Likely to loosen up fellow smokers, while adding a personal take to the public discussion of cannabis." -Kirkus Reviews "Brilliant, important, and beautifully written." -Betsy Prioleau, author of Seductress and Swoon