From his conversation with the conservative William F. Buckley on PBS to his testimony at the Chicago Seven trial to his passionate riffs on Cezanne, Blake, Whitman, and Pound, the interviews collected in Spontaneous Mind , chronologically arranged and in some cases previously unpublished, were conducted throughout Allen Ginsberg's long career. From the late 1950s to the mid-1990s, Ginsberg speaks frankly about his life, his work, and major events, allowing us to hear once again the impassioned voice of one of the most influential literary and cultural figures of our time.

One day it happens: the dreaded event that will change your life forever. For Alix Kates Shulman, it happened in a remote seaside cabin on a coastal Maine island—where the very isolation that makes for a perfect artist's retreat can also put life at risk. Shulman woke to find that her beloved husband had fallen the nine feet from their sleeping loft and was lying on the floor below, deathly still. Though Scott would survive, he suffered an injury that left him seriously brain impaired. He was the same—but not the same. In this elegant memoir, Shulman describes the ongoing anxieties and risks—and surprising rewards—she experiences as she reorganizes her world to care for her husband and discovers that what might have seemed a life sentence to some has evolved into something unexpectedly rich.

A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

The autobiography of a German Jew, from Leipzig, now a rabbi, describing Jewish life and the antisemitism which began in the early 1930s, even before the Nazi takeover. Describing Nazi persecution of Jews, focuses on the expulsion of the Polish Jews in October 1938 and the rescue of some by the Polish consul in Leipzig. Gives details on the events of the "Kristallnacht" pogrom and the struggle of his family to emigrate in 1939. Out of 18,000 Jews in Leipzig in 1930, only 6,000 remained there in 1939; they were deported in various transports between 1942-45. Followed by an essay on Holocaust theology (pp. 148-159).

Rosalyn Tureck was the first twentieth-century artist to make the Goldberg Variations and all-Bach recitals popular, earning recognition and praise for bringing Bach to the world. Now we have an autobiography by Ms. Tureck (1913-2003), the renowned keyboard artist and scholar who dedicated her life to the works of Johann Sebastian Bach.

Autobiography of Puah Rakovsky, who broke from traditional upbringng to become a professional educator, Zionist activist, and feminist leader in the late nineteenth and early twentieth century Poland.

Autobiography of this notable peace campaigner, focusing on his political and social activities. Discusses his work to foster peace in the Middle East and his involvement with many organisations working in the interests of peace and social justice, such as the Jewish Council to Combat Fascism and Anti-Semitism. Gives an account of his interactions with many political leaders and also provides a record of post-war left-wing political movements in Australia. Includes index. The author is the founder of the journal 'Paths to Peace'.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Memorie Di Lorenzo Da Ponte, Da Ceneda: In Tre Volumi, Volume 2; Memorie Di Lorenzo Da Ponte, Da Ceneda: In Tre Volumi; Lorenzo Da Ponte Lorenzo Da Ponte, Baron George Gordon Byron Byron pubblicate dall' autore. Gray & Bunce, stampatori, 1829 Biography & Autobiography; Composers & Musicians; Biography & Autobiography / Composers & Musicians

German-Jewish poet Karl Wolfskehl spent the last years of his life, from 1938 to 1948, in Auckland, New Zealand, 'on the globe's last island reef', as a refugee from Nazi Germany. The conditions of his life forced him to consider the very nature of human existence, and his letters from New Zealand, many to friends and associates exiled around the globe, amount to an intellectual autobiography.

In this volume, Jules Chametzky has gathered his very personable stories and reminiscences of some of the many writers he has met or known as he writes, some fleetingly, a few more intensely over the course of his more than half a century in the business of reading, writing, and talking about literature, of teaching and editing. Not only do those writers emerge as the complicated and fascinating human beings they are, but we also come to know Jules himself, a warm and gracious storyteller. Praise for Out of Brownsville: NO STUDENT of American Jewish writing needs to be reminded that Jules Chametzky is one of its pioneers. A founding editor of the influential Massachusetts Review, he is perhaps especially noted for his study of the fiction of Abraham Cahan. He now caps a distinguished career as critic, editor, and teacher with this delightful volume of memoirs. It is astonishing to know how many of the shapers of literature in America Chametzky knew not merely as subjects met in passing but understood as artists. Readers and scholars will, of course, find their own favorites among the individual memoirs, but beyond the perceptiveness of the recollections and the shrewd assessments in them, there emerges Jules himself, warm, gracious, accepting, modest about his own achievements, which he scarcely mentions. One closes the book with a sense of regret that it has ended and with a feeling how good it was for those who met Jules and enjoyed, however briefly, his friendship. Joseph C. Landis, Editor, Yiddish-Modern Jewish Studies, Professor Emeritus of English, Queens College, CUNY WOVEN INTO these lively portraits and reminiscences of others are not only sudden illuminations of the characters portrayed and of the fleeting moments captured here, but also insights into the fragility of life, the power to create, and the strange magic of human encounters that make Jules Chametzky s memoir so touchingly social and pleasurable to read. Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies, Harvard University LEGENDARY EDITOR Jules Chametzky s book is autobiography at its cleanest: one s life through the eyes of others. His astute, personable dispatches are a map of Jewish intellectual trends in the United States in the second half of the twentieth century. Ilan Stavans, Lewis-Sebring Professor in Latin American and Latino Culture (Spanish), Amherst College ACCORDING TO the Jewish Midrash, the Book and the Sword came wrapped together, with a message: Regard what is written in the book, or be delivered to the sword. Jules Chametzky s love of books and their very human creators is expressed in this cultural memoir with affection and marvelous charm, yet there is also a tone of urgency, from a man who has dedicated his life to keeping the book open and the sword sheathed. Lawrence Bush, Editor, Jewish Currents About the Author: Jules Chametzky is Professor of English, emeritus, at the University of Massachusetts Amherst, where he taught from 1958 until 2004. He was a founder of The Massachusetts Review, of which he is Editor, emeritus, after 27 years as senior co-Editor. Chametzky has published numerous articles and reviews on Jewish American and American literature in popular and academic journals. His major publications include From the Ghetto: The Fiction of Abraham Cahan; Our Decentralized Literature: Cultural Mediations in Selected Jewish and Southern Writers; the Penguin edition of Abraham Cahan s The Rise of David Levinsky. He co-edited Black and White in American Culture: Ten Years of The Massachusetts Review; and Jewish American Literature: A Norton Anthology. Chametzky is the father of three sons and was married for 52 years to the late poet Anne Halley.

Egypt's indigenous Jewish population comprised Arabic-speaking Rabbanite and Karaite Jews, some of whom had been in the country since the early Islamic era. Jews expelled from Spain in 1492 took refuge in Egypt, and their numbers were augmented in the mid-nineteenth century by Sephardic immigrants. Originally welcomed elsewhere in the Ottoman Empire, these Spanish Jews came to Egypt seeking economic opportunity in the era of Suez Canal construction and the cotton boom. The late nineteenth century brought Ashkenazi Jews fleeing persecution in Eastern Europe. The different groups formed a heterogeneous community of cosmopolitan hybrids, which was both an element of strength and a factor in its eventual demise. The Dispersion of Egyptian Jewry examines the history of the Egyptian Jewish community after 1948, focusing on three major areas: the life of the majority of the community, which remained in Egypt from the1948 Arab-Israeli War until the aftermath of the 1956 Suez/Sinai War; the dispersion and reestablishment of Egyptian Jewish communities in the United states, France, and Israel; and contested memories of Jewish life in Egypt since President Anwar al-Sadat's visit to Jerusalem in 1977. Beinin argues that the experiences of Egyptian Jews cannot be adequately accounted for by either Egyptian nationalist or Zionist narratives. Fusing history, ethnography, literary analysis, and autobiography, Joel Beinin conducts an interdisciplinary investigation into identity, dispersion, and the retrieval of identity that is relevant for anyone interested in Egypt, the Jewish diaspora, or the formation of cultures and identities.

Irena Koprowska's autobiography illuminates the struggles of a young immigrant woman to combine family responsibilities and a demanding medical career. Irena Koprowska's autobiography chronicles the life and struggles of an immigrant woman who successfully pursued a career while raising a family. In the process, she became an award-winning physician, professor, and research pioneer at a time in history when it was believed a woman's place was in the home. Born in Warsaw in 1917, Irena Koprowska was married, pregnant, and a physician by the age of twenty-two. Forced to flee the Nazis, first in Poland and then in France, she fled to Brazil in 1940. Four years later she immigrated to the United States. Unable to speak English, she started her academic career as a volunteer at the Department of Pathology at Cornell University Medical College. During the years of her subsequent Research Fellowships at Cornell University Medical College, she worked with George N. Papanicolaou, inventor of the Pap smear. The two co-authored a case report of the earliest diagnosis of lung cancer by a sputum smear. Eight years later, she was appointed Assistant Professor of Pathology at State University of New York Downstate Medical College and went on to become the first woman physician to become a full professor at Hahnemann Medical College and Hospital (now known as Hahnemann University) in Philadelphia. Later she joined the faculty of Temple University Medical School where, upon her retirement in 1987, she became Professor Emerita. She was recognized as "Woman Physician of the Year" by a Gold Medicus award of the Polish American Society in 1977 and received the Papanicolaou Award of the AmericanSociety of Cytology in 1985.

"In The Third Body, the poet, novelist, feminist critic, and theorist Helene Cixous interweaves a loose narrative line with anecdotal presentations, autobiography, lyricism, myth, dream, fantasy, philosophical insights, and intertextual citations of and conversations with other authors and thinkers. Cixous evokes the relationship of the female narrator and her lover, a relationship of alternating presences and absences, separations and rejoinings - a passionate and ever-buoyant relationship in which the partners partake of life and death, memory and oblivion, desire and discovery, the transgressive and the visionary, and the chimerical and the "real." This relationship assumes protean forms within a complex web of writing, creating a "third body" out of the entwined bodies of the narrator and her lover. This is a sensuous body endowed with flesh-and-blood reality, and it is also the body of the text: for Cixous, writing is grounded in the physical body, and the physical body becomes writing." "The three dominant texts that Cixous cites or alludes to Wilhelm Jensen's novel Gradiva; Freud's interpretation of that work in the essay "Delusion and Dream"; and Kleist's "Earthquake in Chile" - are integrated with reminiscences of the narrator's dead father, juxtaposed with thoughts about her lover; evocations of the narrator's mother; and ruminations on figures taken from Scripture, classical mythology, and fairy tales." --Book Jacket.

Erica Jong, the author of Fear of Flying, was a correspondent and friend of Henry Miller for the last decade of his life. In this blend of biography, autobiography, scholarship and polemic, she sets out to re-evaluate Miller's work and to rescue him from charges of misogyny and titillation. The book contains Jong's own correspondence with Miller, and also examines the background to the diaries of Anais Nin.

Classic stills from the life of one of Britain's most cherished entertainers. This is the extraordinary life story of comic legend Denis Norden, told in momentary snapshots by the master British comedian himself. Containing reminiscences of a career stretching back to the golden age of the radio, through the heyday of cinema and the early pioneering days of television comedy, 'Clips From a Life' showcases Denis Norden's creative genius at its very best. Told with Denis' hallmark flashes of brilliant humour and sharp observation, the extraordinary life of this enduring humorist is unravelled through his private recollections of the ways things used to be, back then. Denis' school-day musings, dry witticisms, and old-time sayings unearthed from days gone by, combined with remembrances of collaborations with famous figures of the day, from Eric Sykes to Bill Fraser, will sweep you back instantaneously to the magical gags, lively characters and laughter of the past. Flitting between Denis' East End childhood and early career in Variety as a cinema manager for the Hyams Brothers, to his post-war work as a scriptwriter on the groundbreaking radio shows 'Take It From Here' and 'In All Directions', to the phenomenally successful television comedy 'Whack-O!' (all written with long-term collaborator Frank Muir), to his years as a solo writer, performer, and presenter on programmes such as the much-loved 'It'll Be Alright on the Night', it is easy to see how Denis' comic appeal has endured for decades, to make him one of the greatest British writers and performers to date. Brimming with Denis's unique wit and personal warmth, this is a rich and compelling mix of anecdote and autobiography from a very special entertainer.

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.” —Harold Bloom “ The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.” —David Herbert Donald, Professor Emeritus, Harvard University The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard. Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty. Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few. Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

Mixing biography, autobiography, fiction, criticism, and conversations among friends, with 'Social Practices' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with 'Video Green: Los Angeles Art and the Triumph of Nothingness'. 'Social Practices' includes writings from and around the legendary "Chance Event-Three Days in the Desert with Jean Baudrillard" (1996), and "Radical Localism," an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota. She considers the work of such major contemporary artists as Jason Rhoades, Channa Horowitz, Simon Denny, Yayoi Kusama, Henry Taylor, Julie Becker, Ryan McGinley, and Leigh Ledare. Although Kraus casts a skeptical eye at the genre that's come to be known as "social practice," her book is less a critique than a proposition as to how art might be read through desire and circumstance, delirium, gossip, coincidence, and revenge. All art, she implies, is a social practice.

Tracing the growth of ancient biography from the fifth century to the first century B.C., Arnaldo Momigliano asks fruitful questions about the origins and development of Greek biography. By clarifying the social and intellectual implications of the fact that the Greeks kept biography and autobiography distinct from historiography, he contributes to an understanding of a basic dichotomy in the Western tradition of historical writing. The Development of Greek Biography is fully annotated, and includes a bibliography designed to serve as an introduction to the study of biography in general. This classic study is now reissued with the addition of Momigliano's essay "Second Thoughts on Greek Biography" (1971).

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.

The daughter of Oliver Golden, an African American expatriate and agrarian activist of the early 1900's, and Bertha Bialek, youngest daughter of Polish American emigres of Jewish descent, Lily Golden has a special place in history. In this account of her experience, Golden provides a connection between the contemporary and historical relationships of America to Russia. Golden offers a distinctly different and refreshing point of view of the lives and experiences of Russia in her often alluring and romantic, sometimes bitterly painful, yet always vivid and intimate details of her life as a dark-skinned Russian surviving in and struggling against turbulent changes. She brings her tale of a sometimes charmed sometimes challenged existence full circle in her descriptions of her ultimate contact with distant relatives in the United States. Lily Golden allows the reader access into her lifelong revelation that family and community ties are boundless by time and geography.--page 4 of cover.