Images of life and spiritual growth center around the themes of the garden, the mirror, and lamentations in this collection of twenty-six poems

"Proofs & Theories is a long-awaited first gathering of essays by one of this country's most brilliant poets. Like her poems, the prose of Ms. Gluck, who won the Pulitzer Prize for poetry in 1993 for The Wild Iris, is compressed, fastidious, fierce, alert, and absolutely unconsoled. The force of her thought is apparent everywhere in her writing and whether she is contemplating - skeptically - the critical currency of ideas like "courage" and "sincerity," T.S. Eliot's reduced reputation as a poet of impersonality, the loyalties of the objectivist George Oppen, or the ferocity in the headlong art of Sylvia Plath, there is something exhilarating about her seriousness, spare, austere, mind-clearing, and adamantly alive. She shares her skepticism with a whole temper of post-modern critical thought. But post-modernism, on the whole, has stood aside from what artists have thought was at stake in their art in order to dissect it. Ms. Gluck is also quite expert - wry sometimes, darkly funny even - at dissection but in these essays one never doubts what is at stake: an art as truthful, adamant, and unflinching as the intelligence that she brings to her own. Proofs & Theories is not a casual collection. It is the testament of a major poet"--OCLC

Louise Gluck has long practiced poetry as a species of clairvoyance. She began as Cassandra, at a distance, in league with the immortal; to read her books sequentially is to chart the oracle's metamorphosis into unwilling vessel, reckless, mortal and crude. The Seven Ages is Gluck's ninth book, her strangest and most bold. In it she stares down her own death, and, in so doing, forces endless superimpositions of the possible on the impossible--an act that simultaneously defies and embraces the inevitable, and is, finally, mimetic. Over and over, at each wild leap or transformation, flames shoot up the reader's spine.

inspired by recent women's marches, sisters Lucy and Grace Lang's book for very young children honors the centennial of the passage of the 19th Amendment, which secured women's right to vote in the United States. As the world churns, all parents are striving to raise informed, courageous children, equipped to handle a changing and dangerous world in the most responsible and productive ways possible. March On! draws on the iconography of the women's march that started it all, the historic 1915 New York City women's march, highlighting the tremendous potential for collective activism, in rhyme, coupled with unique and diverse pictures to appeal to both children's imaginations and adults' familiarity with archetypal American imagery.

English, German (translation)

Alfred is pleased to present the Broadway's Best series. The best songs from the best shows are arranged for Easy Piano by Alfred's skilled arrangers. Each book includes lyrics and a synopsis of the show. Titles: All For You * Alone in the Universe * Biggest Blame Fool * A Day for the Cat in the Hat * Green Eggs and Ham * Horton Hears a Who * How Lucky You Are * It's Possible (McElligot's Pool) * Notice Me, Horton * Oh, The Thinks You Can Think.

We've all sung it a thousand times, and most of us know at least the first verse by heart. "America the Beautiful" has been called a hymn, a prayer, even the "national heartbeat set to music." Numerous proposals and half a dozen bills in Congress have tried to replace our national anthem, "The Star-Spangled Banner," with this more lyrical, less militaristic song. But who knows the story behind the song? In America the Beautiful, Lynn Sherr tells the story of Katharine Lee Bates, a poet and pioneering young English professor at the newly established Wellesley College, who penned "America the Beautiful" at age 33, as she gazed over the glorious panorama from the top of Pike's Peak, Colorado. The poem, published two years later on July 4, 1895, struck a chord. Americans embraced it and immediately set it to music, trying out at least 74 different melodies. There were even Mexican, Canadian, and Australian versions. Analyzing the lyrics of "America the Beautiful" and the story of Katharine Lee Bates's unusual life, Lynn Sherr opens a window onto the shifting world of late 19th century America. She explores the lingering impact of the Civil War and the dramatic developments in commerce and technology, which shaped the American Century and the popularity of one brilliant, stirring song.

"Destruction and Sorrow beneath the Heavens is both a travel memoir and the chronicle of a distinct intellectual shift as one of the most captivating contemporary writers and thinkers begins to engage with the cultures of Asia and the legacies of its interactions with Europe in a newly globalized society. Rendered in English by award-winning translator Ottilie Mulzet, Destruction and Sorrow beneath the Heavens is an important work, marking the emergence of Krasznahorkai as a truly global novelist"-- Amazon.com

"The Last Wolf": features a classic, obsessed Krasznahorkai narrator, a man hired to write (by mistake, by a glitch of fate) the true tale of the last wolf of Extremadura, a barren stretch of Spain. This miserable experience is narrated all in a single sentence as a sad looping tale, a howl more or less, in a dreary wintry Berlin bar to a patently bored bartender. The Last Wolf is Krasznahorkai in a maddening nutshell with the narrator trapped in his own experience enfolding the reader in the exact same sort of entrapment to and beyond the end, with its first full-stop period of the book. "Herman": a peerless virtuoso of trapping who guards the splendid mysteries of an ancient craft gradually sinking into permanent oblivion, is asked to clear a forest's last noxious beasts. In Herman I: the Game Warden, he begins with great zeal, although in time he suspects that maybe he was on the wrong scent. Herman switches sides, deciding to track entirely new game. In Herman II: The Death of a Craft, the same situation is viewed by strange visitors to the region. Hyper-sexualized aristocratic officers on a very extended leave are enjoying a saturnalia with a bevy of beauties in the town nearest the forest. With a sense of effete irony, they interrupt their orgies to pitch in with the manhunt of poor Herman, and in the end, only we are left to relish the magic bouquet of this escapade.

"In this literary diary, Krasznahorkai chronicles his attempts to fathom the life of Herman Melville, which is also the source of inspiration for his forthcoming novella Spadework for a Palace. Retracing Melville's steps, Krasznahorkai becomes engrossed in a web of chance encounters and coincidences that stretch from Manhattan to Nantucket, to London and to Berlin. Over the course of his wanderings, Krasznahorkai finds himself increasingly alienated from his present-day surroundings, drawn instead to the company of ghosts: the novelist Malcolm Lowry when he was down-and-out, the visionary architect Lebbeus Woods and of course - Melville himself. Ornan Rotem's photographic essay follows Krasznahorkai on his forays, both in space and time, creating a subtle portrait of a creative mind at work and the places he encounters."--Publisher.

An illustrated and descriptive catalogue of 253 works. Text in English and French.

"Longing makes you weak. It's an emotion I've managed to avoid for the past eight years." There was a time when Marlowe Wyatt had abandoned herself to the unrestrained pleasures of love; she'd been bold and unashamed, giving her heart and body to her lover without inhibition or hesitation. Until she was betrayed. It's ironic, then, that she now earns a living composing love letters for clients incapable of communicating desire -- erotic fantasies she skillfully creates with her head, but never her heart . . . deliberately disconnected from her passionate core. Her newest client is about to challenge all that. From the moment of their first encounter, Gideon Brown ignites in her an overpowering hunger like none she's ever known, and a vulnerability she thought she'd vanquished. As the powerful attraction that sizzles between them inspires Marlowe's best work, sensations and desires she'd long held in check sweep her toward the brink of surrender. Yet her own fear, plus thoughts of the woman for whom Gideon hired Marlowe to write the letters, holds her back. But for how long?

Levi is a "fixer" in a fix. The CIA needs his help. The Russian mob wants him dead. With enemies closing in and nowhere to turn, he learns that the one person who may hold all the answers ... is his dead wife. -- Brief Synopsis: Levi Yoder is a member of the Mafia and a fixer of people's problems. He takes on issues where the law is otherwise unable to help. Unfortunately, Levi can't fix the problem he's facing. Having been diagnosed with a terminal case of cancer, Levi readies himself for death, but what he didn't prepare himself for was waking up one morning and learning that he's in complete remission. PERIMETER is a story of a man thrust back into a life he'd assumed was over. When he finds that he and the rest of his family are targets of what the CIA claims are elements of the Russian mob, Levi reluctantly agrees to help in whatever way he can. As Levi immerses himself in the seedy underbelly of international organized crime and politics, he learns that he's being targeted for something his now-dead wife did. It's quickly evident that the people he knows can't be trusted and the problems he needs to fix may be beyond his substantial skills.

Alex and Andrew are friends. And Barbara...Barbara is a goddess. Here is the eternal triangle, the story of three people in an unhappy tangle of emotions, none able to articulate the precise quality of their longing and dissatisfaction. Are any of them truly interested in reaching the ‘paradise’ they claim to be seeking, or are they actually trying to avoid it? In St. John’s hands, what is commonplace is transformed and transcendent. This is the work of an extraordinary writer.

Ten-year-old Alison and eight-year-old Jake discover that their nanny is working undercover to catch criminals.

"No one escapes the Sea's reckoning in this searing sequel. . . . Powerful and emotionally gratifying." -- Kirkus Reviews (starred review) By sinking a fleet of Imperial Warships, the Pirate Supreme and the resistance have struck a massive blow against the Emperor. Now allies from across the empire are readying themselves to bring about the end of the conquerors' rule and the rebirth of the Sea. But trust and truth are hard to come by in this complex world of mermaids, spies, warriors, and aristocrats. Who will Genevieve--washed up half-dead on the Wariuta island shore--turn out to be? Is warrior Koa's kindness toward her admirable, or is his sister Kaia's suspicion wiser? Back in the capital, will pirate-spy Alfie betray the Imperials who have shown him affection, especially when a duplicitous senator reveals xe would like nothing better? Meanwhile, the Sea is losing more and more of herself as her daughters are brutally hunted, and the Empire continues to expand and profit. A web of schemes, shifting loyalties, and blossoming identities converge in Maggie Tokuda-Hall's remarkable companion to The Mermaid, the Witch, and the Sea , as unlikely allies work to forge a new and better world.