In the golden age of "talk therapy," the 1950s and 1960s, psychotherapists saw no limit to what they could do. Believing they had already explained the origins of war, homosexuality, anti-Semitism, and a host of neurotic ailments, they set out to conquer one of mankind's oldest and fiercest foes, mental illness. In Madness on the Couch, veteran science writer Edward Dolnick tells the tragic story of that confrontation. It is a vivid, compelling tale that is told here for the first time. Dolnick focuses on three battles in an epic war: against schizophrenia, autism, and obsessive-compulsive disorder. Schizophrenia, the most dreaded mental illness, strikes its young victims without warning and torments them with hallucinations and mocking voices. Autism claims its victims even younger, at age one or two, and locks them away, cut off from the rest of us by invisible walls. Obsessive-compulsive disorder strikes at any age and entraps its hapless victims in endless rituals. Inspired by their hero, Freud, but bolder even than he, psychoanalysts set out to vanquish those enemies. Armed with only words and the best of intentions, they achieved the worst of outcomes. The symptoms of disease were symbols, these therapists believed, and diseases could be interpreted, like dreams. The ranting of a schizophrenic on a street corner, the retreat of an autistic child from human contact, the endless hand-washing of an obsessive-compulsive were not simply acts but messages. And the message psychoanalysts decoded and delivered to countless families was that parents themselves -- through their subtle hostility -- had driven their children mad. That verdict was not overturned for more than a generation. Clear, dramatic, and authoritative, Madness on the Couch uses the voices of therapists as well as those of patients and their loved ones to describe the controversial methods used to treat the mentally ill, and their heartbreaking consequences. We see the leading lights of psychotherapy at work, including tiny, grandmotherly Frieda Fromm-Reichmann; gawky Gregory Bateson, either a genius or a charlatan, depending on whom one asked; and birdlike R. D. Laing, a slender figure with dark, deep-set eyes and the charisma of a rock star. We meet, too, scientists and family members who fought the reigning dogma of the day. Bernard Rimland, for example, set out to refute the claim that autism was caused by "refrigerator" parents whose coldness had turned their children into zombies. Rimland's only "credential" in his battle with the experts was the fact that his son was autistic. A gripping tale of hubris, arrogant pride, and terrible heartbreak, Madness on the Couch combines the immediacy of superb joumalism with the depth of scrupulous history. It shows us convincingly that in attempting to cure mental illness through talk therapy, psychoanalysis did infinitely more harm than good.

When asked to describe her short stories, Edith Pearlman replied that they are stories about people in peculiar circumstances aching to Do The Right Thing. She elaborated with the same wit and intimacy that make her stories a delight to read: “Before I was a writer I was a reader; and reading remains a necessary activity, occupying several joyous hours of every day. I like novels, essays, and biographies; but most of all I like the short story: narrative at its most confiding. “My own work, and particularly the stories in Vaquita , aims at a similar intimacy between writer and reader. My imagined reader wants to know who loves whom, who drinks what, and, mostly, who answers to what summons. Thank Heavens for Spike Lee! Before his movies writers and critics had to natter about moral stances; now I can say with a more tripping tongue that my characters are people in peculiar circumstances, aching to Do The Right Thing if only they can figure out what The Right Thing is. If not, they’ll at least Do Their Own Right Thing Right. “And I’m drawn to heat: sweltering Central American cities; a steamy soup kitchen; Jerusalem in midsummer; the rekindled passion of an old historian; the steady fire of terminal pain. I like solitaires, oddities, charlatans, and children. My characters are secretive; in almost every story somebody harbors a hidden love, dread, regret, or the memory of an insult awaiting revenge. “When I stop writing stories I plan to write letters, short and then shorter. My mother could put three sentences onto a postcard and make the recipient think he’d read a novel. I’m working towards a similar compression.”

What should your child learn in the sixth grade? How can you help him or her at home? This book answers these important questions and more, offering the specific shared knowledge that thousands of parents and teachers across the nation have agreed upon for American sixth graders. Featuring sixteen pages of full-color illustrations, a bolder, easier-to-follow format, and a thoroughly updated curriculum, What Your Sixth Grader Needs to Know, Revised Edition, is designed for parents and teachers to enjoy with children. Hundreds of thousands of children have benefited from the Core Knowledge Series. This revised edition gives a new generation of sixth graders the advantage they need to make progress in school today, and to establish an approach to learning that will last a lifetime. Discover: • Favorite Poems—old and new, from Edgar Allan Poe’s classic “The Raven” to Maya Angelou’s “Woman Work” • Literature—from around the world, including Homer’s epics the Iliad and the Odyssey, Shakespeare’s Julius Caesar, and Mark Twain’s The Prince and the Pauper • Learning About Language—he rules of written English, including the four kinds of sentences, common English sayings and phrases, plus an introduction to Greek and Latin roots • History and Geography—world history from ancient Greece and the fall of the Roman Empire to the Enlightenment and the French Revolution; American history of the post—Civil War era, including the Industrial Revolution, immigration, urbanization, and reform • Visual Arts—a brief history of art, stretching from the classical period through the Renaissance, Baroque, and Romantic periods all the way to the age of realism, with full-color reproductions and discussions of great works by artists such as El Greco, Rembrandt, and Winslow Homer • Music—understanding and appreciating music, including musical notation, chords, and scales—plus biographies of great composers such as Handel, Haydn, Mozart, Beethoven, and Chopin • Math—challenging lessons, ranging from probability and statistics, geometry, ratios and proportions to basic pre-algebra • Science—fascinating discussions of plate tectonics, oceans, astronomy, the environment, the human body, and the immune system—plus short biographies of great scientists such as Marie Curie

"Profound, vital and correct. Hirsch highlights the essence of our American being and the radical changes in education necessary to sustain that essence. Concerned citizens, teachers, and parents take note! We ignore this book at our peril."-- Joel Klein, former Chancellor of New York City Public Schools Now in paperback, the bestselling author of Cultural Literacy delivers a powerful manifesto on the failures of America's early education system and its impact on our current national malaise, advocating for a shared knowledge curriculum students everywhere can be taught--an educational foundation that can help improve and strengthen America's unity, identity, and democracy. In How to Educate a Citizen, E.D. Hirsch continues the conversation he began thirty years ago with his classic bestseller Cultural Literacy, urging America's public schools, particularly at the elementary level, to educate our children more effectively to help heal and preserve the nation. Since the 1960s, our schools have been relying on "child-centered learning." History, geography, science, civics, and other essential knowledge have been dumbed down by vacuous learning "techniques" and "values-based" curricula; indoctrinated by graduate schools of education, administrators and educators have believed they are teaching reading and critical thinking skills. Yet these cannot be taught in the absence of strong content, Hirsch argues. The consequence is a loss of shared knowledge that would enable us to work together, understand one another, and make coherent, informed decisions. A broken approach to school not only leaves our children under-prepared and erodes the American dream but also loosens the spiritual bonds and unity that hold the nation together. Drawing on early schoolmasters and educational reformers such as Noah Webster and Horace Mann, Hirsch charts the rise and fall of the American early education system and provides a blueprint for closing the national gap in knowledge, communications, and allegiance. Critical and compelling, How to Educate a Citizen galvanizes our schools to equip children with the power of shared knowledge.

THE STORY: The setting is the backyard of a Brooklyn tenement on the last day of summer vacation, where a group of children aged five to fourteen (portrayed by adult actors) are at play. Finding a dying bird they decide to have a ritual burial, whi

“An incisive study of the Western world’s shift from institutional religion to more personal beliefs in the second half of the nineteenth century . . . This is intellectual history at its most comprehensive and convincing.” — Publishers Weekly (starred review) The late nineteenth century was an age of grand ideas and great expectations fueled by rapid scientific and technological innovation. In Europe, the ancient authority of church and crown was overthrown for the volatile gambles of democracy and the capitalist market. If it was an age that claimed to liberate women, slaves, and serfs, it also harnessed children to its factories and subjected entire peoples to its empires. Amid this tumult, another sea change was underway: the religious revolution. In The Religious Revolution , Dominic Green charts this profound cultural and political shift, taking us on a whirlwind journey through the lives and ideas of Ralph Waldo Emerson and Walt Whitman; of Éliphas Lévi and Helena Blavatsky; of Wagner and Nietzsche; of Marx, Darwin, and Gandhi. Challenged by the industrialization, globalization, and political unrest of their times, these figures found themselves connecting with the religious impulse in surprising new ways, inspiring others to move away from the strictures of religion and toward the thrill and intimacy of spirituality. The modern era is often characterized as a time of increasing secularism, but in this trenchant new work, Green demonstrates how the foundations of modern society were laid as much by spirituality as by science or reason. The Religious Revolution is a narrative tour de force that sweeps across several continents and five of the most turbulent and formative decades in history. Threading together seemingly disparate intellectual trajectories, Green illuminates how philosophers, grifters, artists, scientists, and yogis shared in a global cultural moment, borrowing one another’s beliefs and making the world we know today.

Abigail & John offers readers the opportunity to view prominent scenes in American history through the remarkable lives of one of the country's most beloved couples-the Adams's. Exploring the historical significance of a partnership that spanned over five decades, the book details the love they shared for each other and the country. From carefree childhoods to years of war, to the births of their children, and the beginning of a new nation, Abigail & John looks into the unique roles the Adams's played in the formation of America, and contributions and sacrifices they made for the young country.From David Bruce Smith, author of American Hero: John Marshall, Chief Justice of the United States, and his mother Clarice Smith, world renowned artist, comes this compelling and insightful historical biography of Abigail and John Adams. This unique nonfiction children's book tells the story of one of America's most-treasured couples alongside stunning and original illustrations.

'Terrific ... Combines comic brilliance with a poignant portrait of a family trapped between two worlds' Sunday Times In the summer of 1978 the Krasnansky family - bickering, tired and confused - arrive in Rome. Alongside thousands of other Soviet Jewish refugees they await passage to a new home in the West. But escaping Communism is not so easy, especially when some of the Krasnanskys insist on bringing it with them. It is harder still when their American sponsor lets them down and they find they're stuck. What follows is a tragic yet comic tale of reckless brothers and long-suffering sisters, ailing parents and innocent children, of love affairs and criminal liaisons, of a wonderfully troubled family and a perpetually wandering people, and their epic search for a home...

While procreation is ubiquitous, attention to the ethical issues involved in creating children is relatively rare. In Debating Procreation, David Benatar and David Wasserman take opposing views on this important question. David Benatar argues for the anti-natalist view that it is always wrong to bring new people into existence. He argues that coming into existence is always a serious harm and that even if it were not always so, the risk of serious harm is sufficiently great to make procreation wrong. In addition to these "philanthropic" arguments, he advances the "misanthropic" one that because humans are so defective and cause vast amounts of harm, it is wrong to create more of them. David Wasserman defends procreation against the anti-natalist challenge. He outlines a variety of moderate pro-natalist positions, which all see procreation as often permissible but never required. After criticizing the main anti-natalist arguments, he reviews those pronatalist positions. He argues that constraints on procreation are best understood in terms of the role morality of prospective parents, considers different views of that role morality, and argues for one that imposes only limited constraints based on the well-being of the future child. He then argues that the expected good of a future child and of the parent-child relationship can provide a strong justification for procreation in the face of expected adversities without giving individuals any moral reason to procreate

Maybe you know Amanda. Maybe you are Amanda. Whoever you are, you will love Amanda. An important, shrewd, and laugh-out-loud funny debut novel that answers the question: What happens when Bridget Jones or the Sex and the City girls get married and have babies? Nothing ever prepared Amanda for this: not her elite college degree, not her brainy friends, not her mother the feminist heroine. At age 35, she finds herself at home with two children, mopping spills and singing The Itsy-Bitsy Spider. It doesn?t help that her husband?s face is all over national television or that her best friend is dating a billionaire or that every woman she knows seems to have a plastic surgeon and an interior decorator. While everyone else is racing up the fast track, it?s getting hard for Amanda to remember why she left work in the first place. Set amidst the glamor and power of boom-time Washington, D.C., Amanda Bright is a novel about status and ambition marriage and jealousy and a woman?s struggle to discover the things that matter most. Amanda Bright@Home will become an anthem for a generation of women that is learning that success is not always found at the office."

Calvin Trillin uses his wit and humour to enlighten readers with his intimacies as a father and husband in his poignantly funny nonfiction novel Family man. Trillin touches every subject under his family's sky, beginning with some child-rearing advice: "Try to get one that doesn't spit up. Otherwise, you're on your own." On children he simple states: "Your children are either the center of your life or they're not." His charming ruminations on fatherhood clearly prove that he has reveled in the role of father - writing songs for family movie musicals.

"100 Inspirational Stories and Beautiful, Uplifting Photos of Survivors. "You have cancer" are three of the most terrifying words a person can hear, and our culture does little to ease the fear. New Beginnings: 100 Cancer Survivors follows one hundred survivors who discovered that those words were the start of a new beginning, not an end to their lives. New Beginnings is a collection of narratives and energetic photographic portraits of men, women, children, and families that inspire and provide hope for anyone diagnosed with cancer as well as for their families and friends. The survivors vary in age, ethnicity, and diagnosis, but they all share the ability to turn a diagnosis of cancer into a positive force in their lives. Coming from all walks of life, survivors include Sally Craigen, who beat two different cancers three decades apart but who never let it stop her from enjoying life; Rabbi William Cutter, who had already survived three heart attacks by the time he faced down prostate cancer on two occasions; Sophia Colby, diagnosed with hemophagocytic lymphohistiocytosis at fifteen months of age, who has survived more in her ten years than many people do in their entire lives; and professional basketball player Coby Karl, who hasn't let two bouts from thyroid cancer stop him from chasing his dreams; and ninety-six others. This is a project by and for cancer survivors: their words, Bill Aron's photographs, in collaboration with their ideas and sensibilities. This is their book"--

Barbara Katz Rothman, a noted sociologist who has explored motherhood in four previous books and has more recently explored the social implications of the human genome project, now turns her eye toward race and family. Weaving together the sociological, the historical, and the personal, Barbara Katz Rothman looks at the contemporary American family through the lens of race, race through the lens of adoption, and all--race, family, and adoption--within the context of the changing meanings of motherhood. Drawing on her own experience as the white mother of a black child, on historical research on white people raising black children from slavery to contemporary times, and pulling together work on race, adoption, and consumption, she offers us new insights for understanding the way that race and family are shaped in America today. This book is compelling reading, not only for those interested in family and society, but for anyone grappling with the myriad issues around raising a child of a different race--an estimated seven million American families in 2005. [from publisher description].

Selling "genetically gifted" human eggs on the free market for a hefty price. In vitro fertilization. Fetal rights. Prenatal diagnosis. Surrogacy. All are instances of biomedical and social "advancements" with which we have become familiar in recent years. Yet these issues are often regarded as distinct or only loosely related under the rubric of reproduction. Barbara Katz Rothman demonstrates how they form a complex whole that demands of us in response a woman-centered, class-sensitive way of understanding motherhood. We need a social policy for dealing with mothers and motherhood that is consistent with feminist politics and feminist theory. Her book show how we as a society must first recognize that the real needs of mother, father, and children have been swept aside in an attempt to reduce the complex process of human reproduction to a clinical event that can be controlled by medical technology. Rothman suggests ways to accomplish social and legal change that would allow technological advances to affirm motherhood and the mother-child relationship without cost to women's identity. This new edition of Recreating Motherhood contains exciting updates. Rothman shows how this material is key in understanding the family, not just motherhood. And a new chapter, "Reflections on a Decade," explores how new reproductive technologies combine with new marketing and new genetics to pose troubling social questions.

Just as every society has an economic and political structure, so too every society has a gender structure. Barbara Risman's original research on single fathers, married baby boom mothers, and heterosexual egalitarian couples and their children, reported in this intriguing book, weaves together qualitative and quantitative data from surveys, interviews, and observation. Risman shows how gender as a social structure affects individuals, organizes expectations attached to social positions, and becomes an integral part of social institutions. She provides empirical evidence that human beings are capable of enduring and affective intimate relationships without gender as the central organizing mechanism. The data also strongly indicate that men and women are capable of changing gendered ways of being throughout their lives. In her analysis of nontraditional families, Risman finds that gender expectations can be overcome if couples are willing to flout society and risk "gender vertigo." Most children of such families adopt their parents' beliefs about gender, but they do struggle with the contradictions between parental ideology and folk knowledge and expectations in peer relationships. The author argues that we can create a just society only by creating a society in which gender is an irrelevant category for social life--a post-gender society.

THE STORY: A Man enters a small boutique, hoping to find a suitable gift for his young mistress, who is facing a grave operation. Unaccountably he quickly finds himself confiding in the Proprietress, speaking without hesitation of the pain he feels at having his telephone calls to his loved one unreturned, of his fear that her condition may be fatal. The Proprietress consoles him, suggesting that perhaps she wants to spare him, that she needs to face her ordeal alone and without added burden that his involvement would impose. As they speak specters of other deep-seated concerns arise: the difference in age between the Man and his mistress; his unfulfilling marriage; the emptiness of material success without love to enrich it; the void that might have been filled had there been the possibility of children; the frustration of being unable to make a true and total commitment to another person. It is almost as though the Proprietress might be-or has become-the absent mistress. As the play ends the Man and the Proprietress embrace, two strangers grateful for the small miracle which, if only for a brief moment, has let them share closeness always hoped for but seldom achieved.

In the early 1980s, the National Basketball Association entered into an era of prominence that rivaled any in sports history. While the league had its share of stars, including Kareem Abdul-Jabbar and Dr. J, it was the arrival of two fresh-faced, talented kids - Larry Bird and Earvin "Magic" Johnson - that infused new energy into the NBA at the beginning of the decade, sending the game into an upwards spiral that has made basketball the most exciting game in the world. The arrival of Bird and Johnson launched one of the greatest eras in the history of the sport, one that continues to this day. The game's popularity exploded, and its stars became household names throughout the world. Magic, Kareem, Larry, Dr. J and Michael became superstars, their images gracing the pages of magazines and the walls of adoring children. The game has everything: dynamic personalities, dramatic rivalries and the best athletes in the world. And its success is assured for years to come thanks to a new crop of superstars that includes Shaquille O'Neal, Grant Hill, Anfernee Hardaway and Chris Webber. NBA Hoop Shots captures this unprecedented era through the camera lens of NBA Senior Photographer Andrew D. Bernstein. From the efficiency of Kareem's skyhook, the precision of a Bird jumper and the jaw-dropping acrobatics of a Jordan slam, Bernstein's work will dazzle both the hard-core and casual fan with magical images of the game's greatest players. With a foreword by NBA Commissioner David Stern and an introduction by Magic Johnson, NBA Hoop Shots will take you to places of which you have only dreamed.

Andrea Levy, author of the Man Booker shortlisted novel THE LONG SONG and the prize-winning, million-copy bestseller SMALL ISLAND, draws together a remarkable collection of short stories from across her writing career, which began twenty years ago with the publication of her first novel, the semi-autobiographical EVERY LIGHT IN THE HOUSE BURNIN'. "None of my books is just about race," Levy has said. "They're about people and history." Her novels have triumphantly given voice to the people and stories that might have slipped through the cracks in history. From Jamaican slave society in the nineteenth century, through post-war immigration into Britain, to the children of migrants growing up in '60s London, her books are acclaimed for skilful storytelling and vivid characters. And her unique voice, unflinching but filled with humour, compassion and wisdom, has made her one of the most significant and exciting contemporary authors. This collection opens with an essay about how writing has helped Andrea Levy to explore and understand her heritage. She explains the context of each piece within the chronology of her career and finishes with a new story, written to mark the centenary of the outbreak of the Great War in 1914. As with her novels, these stories are at once moving and honest, deft and humane, filled with insight, anger at injustice and her trademark lightness of touch

In her delightful reimagining of A Midsummer’s Night Dream , Amanda Craig slyly serves up a witty cross-cultural farce, a modern-day tale of love and lies set against the magical landscape of Tuscany. When Theo, a workaholic lawyer, his English wife Polly, and their two children rent an idyllic Italian villa, they expect a relaxing summer holiday together. Polly, with her loved ones’ romantic interests at heart, has invited an eccentric mix of friends and family along--including three eligible bachelors, a former model, an Indian-British divorcee with a young son, and her own appalling mother-in-law. They soon discover the Casa Luna is a strange, enchanted place where people find their heart's desire—but at a price. Everyone falls in love, though not with the people they expect, and the results are surprising and hilarious.

Eight children from eight different countries express their thanks for many special things including the sun that colors the sky, breezes that lift kites, clouds that paint cotton pictures and send rain, and sparkling stars that "shine like Mommy's eyes."