"The Economics of Growth" first presents the main growth paradigms: the neoclassical model, the AK model, Romer's product variety model, and the Schumpeterian model. The text then builds on the main paradigms to shed light on the dynamic process of growth and development, discussing such topics as club convergence, directed technical change, the transition from Malthusian stagnation to sustained growth, general purpose technologies, and the recent debate over institutions versus human capital as the primary factor in cross-country income differences. Finally, the book focuses on growth policies - analyzing the effects of liberalizing market competition and entry, education policy, trade liberalization, environmental and resource constraints, and stabilization policy - and the methodology of growth policy design. All chapters include literature reviews and problem sets. An appendix covers basic concepts of econometrics.

Moonstone Books is proud to present Tales of Zorro , a brand-new anthology featuring 18 tales of the fox -- the first collection of original Zorro short fiction ever published! This landmark compilation, edited by Richard Dean Starr ( Hellboy, Kolchak: The Night Stalker ), includes all-new stories and essays by some of today's top writers in film and literature.

"Imagine keeping a record of every book you ever read. What would those titles say about you? With humor and warmth, the editor of The New York Times Book Review shares the stories that have shaped her life. For twenty-eight years, Pamela Paul has been keeping a diary that records the books she reads, rather than the life she leads. Or does it? Over time, it's become clear that this Book of Books, or Bob, as she calls him, tells a much bigger story. For Paul, as for many readers, books reflect her inner life-- her fantasies and hopes, her dreams and ideas. And her life, in turn, influences which books she chooses, whether for solace or escape, diversion or self-reflection, information or entertainment. My Life with Bob isn't about what's in those books; it's about the relationship between books and readers. Bob was with her when she struggled to get through the Norton Anthology of English Literature in college and when she read Anna Karenina while living abroad alone. He was there when she fell in love and much needed when she sought solace in self-help and memoirs like Autobiography of a Face. Through marriage and divorce, remarriage (The Master and Margarita) and parenthood (The Hunger Games), professional setbacks and successes, Bob recorded what she read while all that happened. The diary--now coffee-stained and frayed--is the record of a lifelong love affair with books, and has come to mean more to her than any other material possession. My Life with Bob is a testament to the power of books to provide the perspective, courage, companionship, and ultimately self-knowledge to forge our own path"--

Romanian exile Norman Manea’s internationally acclaimed memoir/novel, now available to English-language readers At the center of The Hooligan’s Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea’s book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny. Manea speaks of the bloodiest time of the twentieth century and of the emergence afterward of a global, competitive, and sometimes cynical modern society. Both a harrowing memoir and an ambitious epic project, The Hooligan’s Return achieves a subtle internal harmony as anxiety evolves into a delicate irony and a burlesque fantasy. Beautifully written and brilliantly conceived, this is the work of a writer with an acute understanding of the vast human potential for both evil and kindness, obedience and integrity.

"One of the greatest works in philosophical aesthetics of this century, Languages of Art presents 'a systematic study of symbols and symbol systems and the way they function in our perceptions and actions and arts and sciences, and thus in the creation and comprehension of our worlds'. This enquiry, ranging across psychology, linguistics, the theory of mind, technology, and the sciences, furnishes a deeper understanding of art in its many forms--music, dance, literature, and the visual arts."--

Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Tales represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs "A South African Childhood," a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the book's ninety-one pieces that span a period of fifty-five years. Returning to a lifetime of nonfiction work has become an extraordinary experience for Gordimer. She takes from one of her revered great writers, Albert Camus, the conviction that the writer is a "responsible human being" attuned not alone to dedication to the creation of fiction but to the political vortex that inevitably encompasses twentieth- and twenty-first-century life. Born in 1923, Gordimer, who as a child was ambitious to become a ballet dancer, was recognized at fifteen as a writing prodigy. Her sensibility was as much shaped by wide reading as it was to eye-opening sight, passing on her way to school the grim labor compounds where black gold miners lived. These twin decisives-literature and politics-infuse the book, which includes historic accounts of the political atmosphere, firsthand, after the Sharpeville Massacre of 1960 and the Soweto uprising of 1976, as well as incisive close-up portraits of Nelson Mandela and Desmond Tutu, among others. Gordimer revisits the eternally relevant legacies of Tolstoy, Proust, and Flaubert, and engages vigorously with contemporaries like Susan Sontag, Octavio Paz, and Edward Said. But some of her most sensuous writing comes in her travelogues, where the politics of Africa blend seamlessly with its awe-inspiring nature-including spectacular recollections of childhood holidays beside South Africa's coast of the Indian Ocean and a riveting account of her journey the length of the Congo River in the wake of Conrad. Gordimer's body of work is an extraordinary vision of the world that harks back to the sensibilities-political, moral, and social-of Dickens and Tolstoy, but with a decidedly vivid contemporary consciousness. Telling Times becomes both a literary exploration and extraordinary document of social and political history in our times.

New insights into how the Book of Samuel offers a timeless meditation on the dilemmas of statecraft The Book of Samuel is universally acknowledged as one of the supreme achievements of biblical literature. Yet the book's anonymous author was more than an inspired storyteller. The author was also an uncannily astute observer of political life and the moral compromises and contradictions that the struggle for power inevitably entails. The Beginning of Politics mines the story of Israel's first two kings to unearth a natural history of power, providing a forceful new reading of what is arguably the first and greatest work of Western political thought. Moshe Halbertal and Stephen Holmes show how the beautifully crafted narratives of Saul and David cut to the core of politics, exploring themes that resonate wherever political power is at stake. Through stories such as Saul's madness, David's murder of Uriah, the rape of Tamar, and the rebellion of Absalom, the book's author deepens our understanding not only of the necessity of sovereign rule but also of its costs--to the people it is intended to protect and to those who wield it. What emerges from the meticulous analysis of these narratives includes such themes as the corrosive grip of power on those who hold and compete for power; the ways in which political violence unleashed by the sovereign on his own subjects is rooted in the paranoia of the isolated ruler and the deniability fostered by hierarchical action through proxies; and the intensity with which the tragic conflict between political loyalty and family loyalty explodes when the ruler's bloodline is made into the guarantor of the all-important continuity of sovereign power. The Beginning of Politics is a timely meditation on the dark side of sovereign power and the enduring dilemmas of statecraft.

As the host of one of National Public Radio's most popular interview programs, Michael Krasny has spent decades leading conversations on every imaginable topic and discussing life's most important questions with the foremost thinkers of our time. Now he brings his wide-ranging knowledge and perceptive intelligence to a thoughtful and thought-provoking exploration of belief -- and lack of belief. Many books and pundits advocate for a specific God, while others adamantly declare there is no God. Yet these strident viewpoints often speak right past each other, rarely convincing anyone but the already convinced. In Spiritual Envy , Krasny helps believers and nonbelievers alike understand their own questions about faith and religion, about God and human responsibility. Krasny challenges each of us to look closely at faith and its power, and to examine the positive and negative aspects of religion as expressed in culture, literature, and human relationships. Personal and universal, timely and timeless, this is a deeply wise yet warmly welcoming conversation, an invitation to ask one's own questions -- no matter how inconclusive the answers.

This book speculates about the important inventions, scientific discoveries, and political and social developments, which may occur during the coming millennium. It does this by presenting -- through the eyes of a fictitious author living in the year 3000 -- a list of the 100 men and women who have had the greatest impact on world history and on the everyday lives of individuals. The hundred persons are ranked in order of their influence. The main section of the book consists of short biographies of those 100 persons, describing what each person accomplished, and why that person is so important. Forty-five of the entries are actual historical personages. These include such well known figures as Jesus Christ, Confucius, Charles Darwin, Christopher Columbus, Albert Einstein, and George Washington. Among the fifty-five entries from the third millennium are: Sue Ellen Green (who develops a cancer vaccine); Miguel Carranza (chief founder of the United World Federation); Stella Ricardo Garcia (architect and formscaper); Mika Kivikoski (who develops the technology to control the weather); and Shu Gungwu (who finds the solution to the baffling "mind-body problem"). Other topics treated include: space travel and space colonies; medical advances (such as artificial organs, and reversible sex-change operations); arts and entertainment (including music, literature, the visual arts, and sports and games); solar power; philosophy (including political theory, epistemology, semantics, and ethics); mathematics, pollution control, robots, brainwashing; nuclear warfare; robots; and artificial intelligence. The book includes a historical chart (listing the main events of both the actual past and the projected future), a list of honorable mentions (and their accomplishments); a glossary, and an extensive index.

What sort of person devotes their life to the study of bugs? How do you picture your average, every-day entomologist? "I've been photographed on several occasions," writes author May Berenbaum, "and it seems that every time, photographers ask me to pose in one of three ways: seated in front of a microscope, with an insect (usually a cockroach) on my face, or with an insect net clutched in my hand." In Buzzwords , Berenbaum expertly blows away these stereotypes with short takes on all things entomological--from the story of a pet ant kept for 14 years to major motion pictures featuring cockroaches. Buzzwords showcases the Best of Berenbaum, a selection from her humor column in the American Entomologist professional journal, accompanied by a number of original pieces written for this book. "I know people are reading these columns," she notes, "because they write me letters that point out all the mistakes I've made!" The book comes in four parts: How entomologists see insects, including their view of a U.S. government plan to eradicate illicit coca fields by dropping caterpillars from airplanes. How the rest of the world sees insects, with Berenbaum's proposed classificatory scheme for placing Spider Man, Firefly, and other cartoon superheroes into well-defined taxa. How entomologists view themselves--featuring Bambi Berenbaum, a gorgeous entomologist created for an episode of TV's popular "The X-Files," whose character was inspired when the scriptwriter consulted Berenbaum's books. How entomologists see their colleagues, with various views on scholarly citation, motion sickness, and more. Along the way are some thought-provoking observations--for example, about the impact of television on public knowledge of science. In one poll, Berenbaum writes, 35% of adults said they believed that prehistoric humans coexisted with dinosaurs, a la the Flintstones. Berenbaum even takes on the controversy over alternative medicine, fearlessly purchasing Chinese medicinal insects during a professional trip to Vancouver, which also happened to be her honeymoon. "Okay, so maybe giving two talks at an International Congress of Entomology is not everybody's idea of a romantic honeymoon venue, but it seemed like a good idea at the time." Berenbaum is a noted scientist in a field that doesn't always gets the respect it deserves, but she shows us that there's a fun and even freaky side of life with insects. While working on the University of Illinois' annual Insect Fear Film Festival she received a letter from a "crush freak" who waxed lyrical about a young, sexy babe with a size 9 or 10 shoe. Berenbaum writes, "On the one hand, it's almost gratifying to think that insect pest management can arouse people's interest to such an extreme extent. On the other hand, it has convinced me not to list my shoe size in the biographical sketch of my next book." Readers will appreciate learning how the word "shloop" was introduced to the medical literature when physicians used a metal suction tip to remove a cockroach from a patient's ear canal, and how one investigator named a series of subspecies bobana, cocana, dodana, and so forth, "anticipating by 60 years the song, 'The Name Game,' by Shirley Ellis." Although you'll chuckle all the way, Berenbaum has the last laugh, giving powerful lessons in the spectacular diversity of the insect world and the nature of scientific discovery, cleverly packaged as witty observations on subjects far and wide. If you're a scientist or you like reading about science--better yet, if you've ever found a fly in your soup (or worried that you might have unknowingly just slurped one down with your tomato bisque--this book is for you.

Best known as an immigrant autobiographer—primarily for the much-celebrated The Promised Land (1912) and From Plotzk to Boston—Mary Antin (1881-1949) wrote regularly for the Atlantic Monthly and played an influential role in the Boston and New York Jewish literary communities. With the publication of her letters, Evelyn Salz restores her to a prominent place in American literature. Throughout her life, Antin corresponded with a wide range of people from Israel Zangwill and Theodore Roosevelt to Zionists Horace Kallen and Bernard G. Richards, as well as writer and editor Louis Lipsky, industrialist Thomas A. Watson, and Rabbi Abraham Cronbach. Impressive in its scope and elegance, this correspondence (1899-1949) follows Antin's life from a precocious adolescence through her years of fame and public involvement (after writing The Promised Land) and her slow descent into mental illness and eventual obscurity.

"Essays tracing the intellectual life of a quintessential New York City writer and thinker Marshall Berman was one of the great urbanists and Marxist cultural critics of the twentieth and twenty-first centuries, and his brilliant, nearly sui generis book All That Is Solid Melts Into Air is a masterpiece of the literature on modernism. But like many New York intellectuals, the essay was his characteristic form, accommodating his multifarious interests and expressing his protean, searching exuberant mind. This collection includes early essays from and on the radical '60s, on New York City, on literary figures from Kafka to Pamuk, and late essays on rock, hip hop, and gentrification. Concluding with his last essay, completed just before his death in 2013, this book is Berman's intellectual autobiography, tracing his career as a thinker through the way he read the "signs in the street.""--

The 1948 United Nations Universal Declaration of Human Rights expresses the credo that all human beings are created free and equal. But not until 1995 did the United Nations declare that women's rights to be human rights, and bring gender issues into the global arena for the first time. The subordination of indigenous and minority women, ethnic cleansing, and the struggle for reproductive rights are some of the most pressing issues facing women worldwide. Women, Gender, and Human Rights is the first collection of essays that encompass a global perspective on women and a wide range of issues, including political and domestic violence, education, literacy, and reproductive rights. Most of the articles were written expressly for this volume by internationally known experts in the fields of government, bioethics, medicine, public affairs, literature, history, anthropology, law, and psychology.

Fifth Volume in the Series: Proust Complete Bilingual - English / French - Vol. 1 to 7.Each English Volume is annotated and illustrated by P. Segal: PROUST SAID THAT, with different numbers and topics, followed by the original French version.In this volume: Issue N°5 from "Proustsaidthat Americana Collection." (27 pages).Topics: In This Issue; Holiday Madness, The Café Lifestyle, The 1995 Proust Wake, Paris, Our Lady of the Typists, Proust Sightings, Chocolate Madeleines and much more Remembrance of Things Past / À la Recherche du Temps Perdu. Previously also translated as In Search of Lost Time is a novel in seven volumes, written by Marcel Proust (1871-1922). It is considered to be his most prominent work, known both for its length and its theme of involuntary memory, the most famous example being the "episode of the Madeleine" which occurs early in the first volume.The novel had great influence on twentieth-century literature; some writers have sought to emulate it, others to parody it. In the centenary year of the novel's first volume, Edmund White pronounced À la Recherche du Temps Perdu "the most respected novel of the twentieth century." "Within a Budding Grove" was awarded the "Prix Goncourt" in 1919.Charles Kenneth Scott Moncrieff, MC (The Military Cross is the third-level military decoration awarded to officers and (since 1993) other ranks of the British Armed Forces, and used to be awarded to officers of other Commonwealth countries.) was a Scottish writer, most famous for his English translation of most of Proust's À la recherche du temps perdu, which he published under the Shakespearean title Remembrance of Things Past.About the SeriesSeries: Proust Complete Bilingual - English / French- Vol. 1 to 7. Translated from French by C. K. Scott Moncrieff: -Volume I: Swann's Way [1922] / Du Côté de chez Swann (1913), sometimes translated as The Way by Swann's. -Volume II: Within a Budding Grove [1924] / À L'ombre Des Jeunes Filles en Fleurs (1919), also translated as In the Shadow of Young Girls in Flower. Goncourt Prize in 1919.-Volume III: The Guermantes Way [1925] / Le Côté de Guermantes (1920/1921)-Volume IV: Cities of the Plain [1927] / Sodome et Gomorrhe (1921/1922) sometimes translated as Sodom and Gomorrah.-Volume V: The Captive [1929] / La Prisonnière (1923), also translated as The Prisoner. Volume VI: The Sweet Cheat Gone [1930] / Albertine Disparue (1925) La Fugitive) sometimes translated as The Fugitive [last line of Walter de la Mare's poem "The Ghost"] or Albertine Gone. Translated by Stephen Hudson: Volume VII: Time Regained [1931] / Le Temps Retrouvé (1927), also translated as Finding Time Again and The Past Recaptured.Topics in the "Proustsaidthat Americana Collection": Issue N°1: Proust Support Group, nocturnal liestyle, drugs, Pink Floyd, Stephen Hawking, Dreyfus Affair, madeleines Issue N°2: Marcel Purroust, neurosis, Fortuny, Bonny DoonV ineyard, French postcards, nesselrode puddingIssue N°3: Untortured Love, Cacophony Society, Paris and Venice, The Little Phrase, Raymond Chandler, fried sole.Issue N° 4: Proust's Life and Mine, Rejection, Proust Questionnaire, Florence, Coffee, S. Richter, bouillabaisse.Issue N°5: Holiday Madness, The Café Lifestyle, The 1995 Proust Wake, Paris, Our Lady of the Typists, Proust Sightings, Chocolate Madeleines and much more Front Cover: Hélène Standish, born Hélène de Pérusse des Cars.Marcel Proust is inspired by several models for the character Oriane de Guermantes in his novel, In Search of Lost Time.

In his tradition, Lionel Trilling takes the reader into the hearts and minds of some of the most well known literary figures and their works, extracting wisdom and expounding to reveal how society can learn and benefit from the study of great literature.

"One of the four best Hollywood novels ever written." —Elizabeth Frank, New York Times Book Review "Epstein is a master storyteller at the height of his powers." —Jonathan Kirsch, Los Angeles Times Book Review "Mr. Epstein effortlessly captures the magic of a Hollywood childhood . . . San Remo Drive is a haunting and deeply affecting book." —Michiko Kakutani, New York Times Leslie Epstein's bestselling new novel is composed of five interrelated episodes, in each of which a germ of childhood experience is elaborated by the mature imagination of one of this country's most distinguished writers of fiction. Richard Jacobi, the narrator of these reflections, invites us to revisit the crucial experiences of his youth: driving to Malibu to meet the man determined to marry his mother; on vacation in the Mohave, while his father, the famed Hollywood figure Norman Jacobi and Lotte, his mother, must deal with the terrible consequences of Norman's testimony before the House Committee on Un-American Activities; exploring how a night in a bar and brothel in Tijuana becomes linked to the spiritual growth of his brother, Bartie, who is surely destined to be one of the most memorable and endearing characters in modern literature; viewing a precarious initiation into sexuality that will mark forever the way an artist sees the world and does his work. This is, then, a novel written from memory, in the same sense that the Schubert sonatas that attract Lotte to her baby grand are played from memory—that is, by heart.

Leonard Michaels (January 2, 1933 - May 10, 2003) was an American writer of short stories, novels, and essays. He was born in New York City to Jewish parents; his father was born in Poland. He went to college and earned his B.A. from New York University and went on to acquire an M.A. as well as a Ph.D. in English Literature from the University of Michigan, before spending most of his adult life in Berkeley, California.Going Places, his first book of short stories, made his reputation as one of the most brilliant of that era's fiction writers; the stories are urban, funny, and written in a private, hectic diction that gives them a remarkable edge. The follow-up, coming six years later (Michaels was perhaps not prolific enough to build a widely popular career), was I Would Have Saved Them If I Could, a collection as strong as the first.

Poetry. "I am spending my 39th year practicing uncreativity. On Friday, September 1, 2000, I began retyping the day's NEW YORK TIMES word for word, letter for letter, from the upper left hand corner to the lower right hand corner, page by page." With these words, Kenneth Goldsmith embarked upon a project which he termed "uncreative writing", that is: uncreativity as a constraint-based process; uncreativity as a creative practice. By typing page upon page, making no distinction between article, editorial and advertisement, disregarding all typographic and graphical treatments, Goldsmith levels the daily newspaper. DAY is a monument to the ephemeral, comprised of yesterday's news, a fleeting moment concretized, captured, then reframed into the discourse of literature. "When I reach 40, I hope to have cleansed myself of all creativity"-Kenneth Goldsmith.

A classic of the specialized literature for piano, this volume is an undisputed touchstone for students and professionals. One of the few manuals to deal so specifically and thoroughly with the use of the pedal as a valuable aid in the production of sound, it presents a practical and rational approach, with the support of numerous musical examples. This new edition (September 2021) is realized in collaboration with the Schnabel Music Foundation and presents the original content in a new layout, with the addition of a text dedicated to the left pedal. Contents: Ancient and modern notations for the use of the pedal The different degrees of legato and separation Adapting pedal techniques to tempo and dynamics Intermediate positions Using the central and left pedals Karl Ulrich Schnabel (1909-2001), a pianist of international renown, had a distinguished career spanning eight decades as a solo performer and also interpreter of original works for one piano four-hands and for two pianos. He was one of the most sought after teachers in the world, and was especially known for his ability to teach musical expression.

How can we distinguish between injustice and misfortune? What can we learn from the victims of calamity about the sense of injustice they harbor? In this book a distinguished political theorist ponders these and other questions and formulates a new political and moral theory of injustice that encompasses not only deliberate acts of cruelty or unfairness but also indifference to such acts. Judith N. Shklar draws on the writings of Plato, Augustine, and Montaigne, three skeptics who gave the theory of injustice its main structure and intellectual force, as well as on political theory, history, social psychology, and literature from sources as diverse as Rosseau, Dickens, Hardy, and E. L. Doctorow. Shklar argues that we cannot set rigid rules to distinguish instances of misfortune from injustice, as most theories of justice would have us do, for such definitions would not take into account historical variability and differences in perception and interest between the victims and spectators. From the victim's point of view--whether it be one who suffered in an earthquake or as a result of social discrimination--the full definition of injustice must include not only the immediate cause of disaster but also our refusal to prevent and then to mitigate the damage, or what Shklar calls passive injustice. With this broader definition comes a call for greater responsibility from both citizens and public servants. When we attempt to make political decisions about what to do in specific instances of injustice, says Shklar, we must give the victim's voice its full weight. This is in keeping with the best impulses of democracy and is our only alternative to a complacency that is bound to favor the unjust.