Jeffrey, a gay actor/waiter, has sworn off sex after too many bouts with his partners about what is "safe" and what is not. In gay New York, though, sex is not something you can avoid. Whether catering a ditzy socialite's "Hoe-down for AIDS" or cruising at a funeral; at the gym or in the back rooms of an anonymous sex club; at the annual Gay Pride Parade, or in the libidinous hands of a father-confessor, Jeffrey finds the pursuit of love and just plain old physical gratification to be the number-one preoccupation of his times—and the source of plenty of hilarity. Suddenly, just after he's reconciled himself to celibacy, Jeffrey's flamboyant friends introduce him to the man of his dreams, who also happens to be HIV-positive. What follows is an audacious and moving romantic comedy with a difference—one in which the quest for love and really fabulous clothes meet, and where unflagging humor prevails even when tragedy might be just around the corner.

In the tradition of the #1 best-seller SeinLanguage, Bantam Books proudly presents the first book by Paul Reiser, television's sharpest, funniest observer of love, marriage and other mysteries of life. A veteran comic performer, Reiser is best-known as the co-creator and star of the highly-rated NBC comedy, "Mad About You", which Time Magazine called "The season's best new sitcom" in its 1992 debut. Every Thursday night more than twenty million viewers watch as Paul Reiser reveals the most intimate and hilarious scenes of a marriage. Now for the first time, Reiser brings his trademark wit to the page in a book that will delight his eagerly-awaiting audience, and anyone else who has ever fallen in love -- or tried not to. In Couplehood, a New York Times bestseller for more than 40 weeks, Reiser reflects on what it means to be half of a couple -- everything from the science of hand holding, to the technique of tag-team storytelling, to the politics of food and why it always seems to come down to chicken or fish.

Humor in math; story of line and dot falling in love A tongue in cheek fable

Mailer plunges into the broil over womanhood, explores many facets of love and variations, examines studies and the literature of SCUM (The Society for Cutting Up Men), and provides frank, abrasive, and witty observations. A wonderful first edition, first state book.

Located by a computer in the bowels of a major university where it had collected dust for over half a century, this missing manuscript by the biographer of Sherlock Holmes reveals for the first time a hitherto unknown episode in the life of the Great Detective. Holmes, master sleuth, was also an accomplished violinist. Following his discharge from therapy with Sigmund Freud (see The Seven-Per-Cent Solution), we now learn that he journeyed to Paris and there found employment as a pit musician at the Paris Opera. The year is 1891, Paris is the capital of the western world, and its opera house is full of surprises. First and by no means least is the sudden reappearance of the great love of Holmes's life, an accomplished singer from Hoboken, New Jersey. Second is the series of seemingly bizarre accidents--each more sinister than the last--allegedly arranged by the "Opera Ghost, " an opponent who goes by many names and is more than equal to Holmes. Alone in a strange and spectacular city, with none of his normal resources, Holmes is commissioned to protect a vulnerable young soprano, whose beautiful voice obsesses a creature no one believes is real, but whose jealousy is lethal. In this dazzling, long-awaited sequel to The Seven-Per-Cent Solution, the detective pits wits against a musical maniac, and we are treated to an adventure unlike any other in the archives of Sherlock Holmes.

A new collection of candid, hysterical, revealing short-form celebrity interviews and experiences with celebrities such as the Oasis band, the Who's aging leader Pete Townshend, Soul Asylum's Dave Pirner, Ludacris, Courtney Love, Lady Gaga, Snoop Dogg, actor Orlando Bloom, and more.

(Vocal Selections). Sweet Charity , based on Federico Fellini's screenplay for Nights of Cabiria , was directed and choreographed by Bob Fosse, with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon. It opened on Broadway January 29, 1966, and was nominated for 12 Tony Awards. It's since gone on to many more performances around the world including multiple Broadway revivals. Our folio features 14 of its songs, including: Baby Dream Your Dream * Big Spender * A Good Impression * I Love to Cry at Weddings * If My Friends Could See Me Now * Sweet Charity * There's Gotta Be Something Better Than This * Too Many Tomorrows * Where Am I Going * You Should See Yourself * and more.

From the acclaimed author of The Six Pillars of Self-Esteem comes a powerful guide to growing your self-confidence and creating a more fulfilled life. The challenge to honor the self calls on the heroic possibilities of our nature—on the will to think, to understand, to remain true to our understanding, to struggle, to endure, to persevere, and to remain open and responsive to life, sometimes in the face of dread, despair, confusion, and loneliness. —from the introduction What is the most important judgement you will ever make? The judgement you pass on yourself. Self-esteem is the key to success or failure. “Tell me how a person judges his or her self-esteem,” says pioneering psychologist Nathaniel Branden, “and I will tell you how that person operates at work, in love, in sex, in parenting, in every important aspect of existence—and how high he or she is likely to rise. The reputation you have with yourself—your self-esteem—is the single most important factor for a fulfilling life.” In Honoring the Self, Branden offers comprehensive, thoughtful advice for raising your self-esteem and teaches you how to: • Grow in self-confidence and self-respect. • Nurture self-esteem in children. • Break free of guilt and fear of others’ disapproval. • Honor the self—the ethics of rational self-interest. Self-concept is destiny. Using the sage advice and self-reflective prompts in Honoring the Self , you can discover the power of personal transformation and build a better life.

Hidden away in an Oxford back street is a crumbling Georgian mansion, unknown to any but the few who possess a key to its unassuming front gate. Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous. Mark gathers around him an impressionable group of students- glamorous Emmanuella, who always has a new boyfriend in tow; Franny and Simon, best friends and occasional lovers; musician Jess, whose calm exterior hides passionate depths. And James, already damaged by Oxford and looking for a group to belong to. For a time the group lives in a charmed world of learning and parties and love affairs. But university is no grounding for adult life, and when, years later, tragedy strikes they are entirely unprepared. Universal in its themes of ambition, desire and betrayal, this spellbinding novel reflects the truth that the lessons life teaches often come too late. 'The naïve sense of indestructibility possessed by a close-knit group of students is expertly balanced with the suspense of what threatens to unfold.' Sophie Morris Saturday Independent 'Naomi Alderman's second novel examines the warping effects of wealth.' Joanna Briscoe, Observer 'Alderman's premise is familiar - trust-funder going to the bad - but this is, nonetheless, a dark spell of a book, with brooding disenchantment at its heart.' Eithne Farry. Daily Mail 'As the novel progresses, we are forced to look at how people are driven by impulses they're not even aware of, and the most brutal lesson of all- that love doesn't come without pain or sacrifice.' Alastair Mabbott, The Herald 'The Lessons is sturdily plotted and hooks you in- it's a good read if not unique.' Alice Fisher, Observer 'Alderman packs a punch with her opening line', Lianne Kolirin , Daily Express 'The Lessons has more insight into human nature than Martin Amis's The Pregnant Widow , and is more intellectually sustained. This is a second novel from a young writer of huge talent, ambition and energy.' Amanda Craig, Independent 'No one writes about pain better than Alderman. Lose yourself in 278 pages and you enter another world.' Liz Hoggard, Evening Standard 'Naomi Alderman is, evidently, not afraid of ghosts. She courts them and flirts with them and defies them in her darkly seductive second novel, The Lessons .' Damian Barr, Independent on Sunday 'Beautifully written . . . satisfyingly complex exploration of the characters and their relationships.' Samira Shackle , New Statesman 'This is a remarkable novel, which portrays with uncomfortable accuracy the feted world of the Oxford undergraduate. It reminds me a great deal of Donna Tartt's The Secret History in that it has the same brooding sense of menace and the same lightening characterisation. Naomi is a supremely talented writer.' Joanne Harris, 'Witty, dark and compelling.' Charlotte Mendelson 'Wise, compassionate and heart-rending, a novel that conveys all the cruelty and pain of gilded youth.' Liz Jensen author of Chocolat Praise for Disobedience - 'Rich, fresh, fascinating. A wonderful novel' Sunday Times 'Sharp, funny and poignant' Hilary Mantel

Always exploring the boundaries of race, identity, politics, memory, sexuality, and love with fearless insight and deep compassion, Nadine Gordimer has produced another masterpiece of short fiction. From a former anti-apartheid activist’s search for his own racial identity by tracing his great-grandfather’s part in South Africa’s diamond industry to a parrot that scandalizes people with repetitions of their quarrels and clandestine love-talk, this new collection of stories eloquently probes how people are never free from their past nor spared from loss.

Things are back to normal for Annabel Andrews since that freaky Friday when she switched bodies with her mother. She is still in love with Boris, her cute friend from upstairs, and she is still annoyed by her pesky little brother, Ape Face. But normal doesn't last long in the Andrews household! When Ape Face fixes a broken-down television set Boris sold to him, something unusual happens. Instead of regularly scheduled programs, this TV shows the future -- one day in advance! They get tomorrow's shows, tomorrow's movies, and tomorrow's news. Annabel thinks they should use their new TV with ESP to help people, but Boris has plans of his own ...

Can a man be content with a piece of bread and some change tossed his way from a passerby? Today's modern welfare state expects he can. Those who control the money in our society think that giving a dollar at the train station and then appropriating a billion dollars for federal housing can cure the ails of the homeless and the poor. But the crisis of the modern welfare state is more than a crisis of government. Private charities that dispense aid indiscriminately while ignoring the moral and spiritual needs of the poor are also to blame. Like animals in the zoo at feeding time, the needy are given a plate of food but rarely receive the love and time that only a person can give. Poverty fighters 100 years ago were more compassionate--in the literal meaning of "suffering with"--than many of us are now. They opened their own homes to deserted women and children. They offered employment to nomadic men who had abandoned hope and human contact. Most significantly, they made moral demands on recipients of aid. They saw family, work, freedom, and faith as central to our being, not as life-style options. No one was allowed to eat and run. Some kind of honest labor was required of those who needed food or a place to sleep in return. Woodyards next to homeless shelters were as common in the 1890s as liquor stores are in the 1990s. When an able bodied woman sought relief, she was given a seat in the "sewing room" and asked to work on garments given to the helpless poor. To begin where poverty fighters a century ago began, Marvin Olasky emphasizes seven ideas that recent welfare practice has put aside: affiliation, bonding, categorization, discernment, employment, freedom, and most importantly, belief in God. In the end, not much will be accomplished without a spiritual revival that transforms the everyday advice we give and receive, and the way we lead our lives. It's time we realized that there is only so much that public policy can do. That only a richness of spirit can battle a poverty of soul. The century-old question--does any given scheme of help... make great demands on men to give themselves to their brethren?--is still the right one to ask. Most of our 20th-century schemes have failed. It's time to learn from the warm hearts and hard heads of the 19th-century.

"The tumultuous early years of the young Jewish state are brought to vivid life through the eyes of two German Jewish brothers. Arie survived the Holocaust in Europe. Peter, one year older, was sent to America before the war began. They find each other again in Israel, learning everyone else in their family has been murdered. Peter becomes a top Mossad agent, deeply involved in many of the key spy adventures of the era. Arie becomes a scheming businessman, among the richest men in Israel: one brother is building the state, the other protecting it. But they have fallen in love with the same woman, a Jewish refugee from Egypt. The brothers' jealousies and intrigues are mirrored by the young nation's very own struggles to survive"--

It's the boom years of the 1980s, and life is closing in on Nathan Seltzer, who rarely travels outside his suddenly gentrifying Lower East Side neighbourhood. While he tries to decide whether he should cheat on his wife with Karoline, a German pastry chef whose parents may or may not have been Nazis, his father, Harry, is plotting with the 1960s boogaloo star Chow Mein Vega for the comeback of this dance craze. Meanwhile, a homicidal drug addict is terrorizing the neighbourhood. With its ensemble cast of unforgettable characters, Boogaloo on 2nd Avenue is a comedy of cultures about the old and the new, about Latinos, Jews, Sicilians and Germans. It's about struggling to hold onto life in a rapidly changing world, about food and sex and about how our lives are shaped by love and guilt.

An old American who lives in Brazil is writing his memoirs. An English teacher at the naval academy, he is married to a woman young enough to be his daughter and has a little son whom he loves. He sits in a mountain garden in Niterói, overlooking the ocean. As he reminisces and writes, placing the pages carefully in his antproof case, we learn that he was a World War II ace who was shot down twice, an investment banker who met with popes and presidents, and a man who was never not in love. He was the thief of the century, a murderer, and a protector of the innocent. And all his life he waged a valiant, losing, one-man battle against the world’s most insidious enslaver: coffee. Mark Helprin combines adventure, satire, flights of transcendence, and high comedy in this "memoir" of a man whose life reads like the song of the twentieth century.

The most enduring tales of fantasy are appreciated by readers of all ages, generation after generation. This trilogy of novellas by critically acclaimed author Mark Helprin will stand that test by time. The heroes of his imagined kingdom pit the power of their love and devotion against dark forces of greed and suppression. His themes resonate for readers of contemporary fantasy as well as those who cherish classic legends and tales. This Calla Edition presents Helprin's novellas -- Swan Lake , A City in Winter, and The Veil of Snows -- in a single volume, as he had always intended. Award-winning illustrator Chris Van Allsburg's 42 full-color plates complement Helprin's prose with sensitively wrought, finely nuanced images -- sometimes grand, sometimes fanciful, always evocative. This signed, numbered edition, limited to 300 copies, includes a deluxe slipcase.

In an unnamed country at the beginning of the last century, a child called Pavla is born to peasant parents. Her arrival, fervently anticipated and conceived in part by gypsy tonics and archaic prescriptions, stuns her parents and brings outrage and scorn from her community. Pavla has been born a dwarf, beautiful in face, but as the years pass, she grows no farther than the edge of her crib. When her parents turn to the treatments of a local charlatan, his terrifying cure opens the floodgates of persecution for Pavla. "Little Nothing" unfolds across a lifetime of unimaginable, magical transformation in and out of human form, as an outcast girl becomes a hunted woman whoseultimate survival depends on the most startling transfiguration of them all. Woven throughout is the journey of Danilo, the young man entranced by Pavla, obsessed only with protecting her. Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, "Little Nothing" spans the beginning of a new century, the disintegration of ancient superstitions, and the adoption of industry and invention. With a cast of remarkable characters, a wholly original story, and extraordinary, page-turning prose, Marisa Silver delivers a novel of sheer electricity."

Allison Lee is seventeen and off to college in the fall. So far, she’s been in love once (total catastrophe) and on fire twice (also pretty bad). Both love and fire have left their scars. Looking a little more burnt chicken and a little less radiant phoenix, Allison takes up residence in Dylan Hall (a.k.a. Dyke Hall) at St. Joseph’s College, where she discovers the true gift of freshman year: the opportunity to reinvent yourself. Miles away from the high school she’s happy to leave behind, her all-female dorm is a strange new world, home to new social circles and challenges. Allison still feels like the odd girl out ... until Shar appears. Beautiful and blinding, Shar quickly becomes the sun at the centre of Allison’s universe, drawing her in with dangerous allure. Will Allison get burned again? And, if she does … what kind of scars will she earn this time?

The Book of Blessings is an extraordinary and deeply poetic re-creation of Jewish prayer that offers new blessings, poems, and meditations for Sabbath, holiday, and everyday observance. Steeped in dialogue with rabbinic tradition, it is for those who seek a more contemporary, egalitarian approach to traditional liturgy. " Falk] manages to create extraordinarily beautiful prayers--in Hebrew and English--that are both radically new and deeply resonant with Jewish tradition." --Judith Plaskow, The Women's Review of Books "Marcia Falk's work in Hebrew blessings is as beautiful as it is innovative; and it is innovative in the sweetest, most nourishing sense, sat urated in love for the language itself (its overtones and melodies as well as its deep structure), its history, its people. Even those who do not hear the traditional liturgies as exclusionary will respond to the meticulously flowering poet's passion of Marcia Falk's wholly original contribution." --Cynthia Ozick "A truly magisterial and exciting collection of brakhot . . . that invites us to re-encounter not only the blessing, but the Source of blessing. . . . Falk rekindles the flame of Jewish ardor and devotion." --Hadassah " Falk's] prayers are re-creations of traditional prayers, her versions striking in the beauty and power of their language, in English and Hebrew: this is a poet's siddur, full of profound meaning." --Sandee Brawarsky, Jewish Week

In The Captive, Proust's narrator is living with Albertine in his mother's Paris apartment. He is chronically concerned about who she may or may not love. In The Fugitive, Albertine is irretrievably lost to him, and he retreats to Venice, where he receives a telegram from Gilberte, Swann's red-haired daughter. Rich with irony, the story inspires meditations on desire, homosexuality, music, and the art of introspection. The final volume of a new, definitive text of A la recherche du temps perdu was published by the Bibliotheque de la Pleiade in 1989. For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff's translation to take into account the new French editions.