"Hell on Earth is the second book written by Avigdor Hameiri (born Feuerstein; 1890-1970) about his experiences as a Russian prisoner of war during the second half of World War I. Translator Peter C. Appelbaum first became interested in Hameiri's story after learning that one quarter of the Austro-Hungarian army was captured and imprisoned, and that the horrific events that took place at this time throughout Russia and central Asia are rarely discussed in scholarly texts. Available for the first time to an English-speaking audience, this reality-driven novel is comparable to classics like All Quiet on the Western Front and The Gulag Archipelago."--

A darkly comic novel about the bizarre realities of life in Israel today. 'Why is everyone so paranoid in this country? Can't dark guys get on buses with suit bags any more?' Eitan Enoch - 'Croc' to his friends - is taking his usual bus to work in Tel Aviv one morning when a fellow passenger starts to worry about the dark-skinned man with the suit-bag sitting up at the front.Thus begins a week of bloody bombings and bloodier reprisals, at the end of which Croc is transformed into an inadvertent national celebrity: 'CrocAttack - the man the terrorists couldn't kill!' Naturally, the Palestinian cell behind the attacks are less than happy about this reluctant symbol of Israeli defiance. They may not have been after him before, but they are now. Meanwhile, in a hospital somewhere in Jerusalem, a young Palestinian suicide bomber lies in a coma, fighting for his life and trying to piece together how he got there - and just exactly what happened when he finally met the Croc... Fast as a thriller, blackly funny and very contemporary, 'CrocAttack!' is the story of the lethal convergence of two very different lives, and a tragicomic portrait of the country exploding around them.

A novel about a recently widowed 61-year-old woman's changing values and the inevitable conflict which she arouses with her children and social milieu. The author's first novel, 'Gracious Living', was published in 1990.

"A story of love, obsession, and betrayal from "the most important Italian creative writer [of the twentieth] century."—The Times [London]When Silvio, a rich Italian dilettante, and his beautiful wife agree to move to the country and forgo sex so that he will have the energy to write a successful novel, something is bound to go wrong: Silvio's literary ambitions are far too big for his second-rate talent, and his wife Leda is a passionate woman. Antonio, the local barber who comes every morning to shave Silvio, sparks off this dangerously combustible situation when Leda accuses him of trying to molest her. Silvio obstinately refuses to dismiss him, and the quarrel and its shattering consequences put the couple's love to the test.Alberto Moravia earned his international reputation with frank, finely-observed stories of love and sex at all levels of society. In this new English translation of Conjugal Love, he explores an imperiled relationship with his customary unadorned style, psychological penetration, and narrative art.

'In case you had not noticed,' writes Adam Thirlwell in his first novel, Politics, 'in this book I am not interested in anything so small as the history of the USSR. I am not writing anything so limited.' In this epic miniature, therefore, Politics tells the story of three kids in their twenties falling in love with each in London. And, simultaneously, it tells other, smaller stories- of Stalin on the phone, Mao in the bathroom, Osip Mandelstam in another bathroom, Adolf Hitler on all fours, and Milan Kundera in an argument. Politics is not (quite) about politics.

After the Nazis destroy his family, twelve-year-old Moishe gives up his Jewish faith, calls himself Danny, and is taken to New York where he tries to make the best of his life in a Catholic orphanage.

"Pale Blue Ink in a Lady's Hand is, in many ways, a prequel to what is known as Holocaust literature. It involves a long-suppressed love triangle between Leonidas Tachezy, a high-level Austrian career bureaucrat, his younger, trophy wife Amelie, and a Jewish woman from his past, Vera Wormser, with whom he'd fallen in love when she was fourteen."--Page 4 of cover.

"Duncan Wheeler is a successful architect who savors the quotidian pleasures in life until a car accident leaves him severely paralyzed and haunted by the death of his young assistant. Now, Duncan isn't sure what there is left to live for, when every day has become a broken series of unsuccessful gestures. Duncan and his wife, Laura, find themselves in conflict as Duncan's will to live falters. Laura grows desperate to help him. An art conservator who has her own relationship to the repair of broken things, Laura brings home a highly trained helper monkey - a tufted capuchin named Ottoline - to assist Duncan with basic tasks. Duncan and Laura fall for this sweet, comical, Nutella-gobbling little creature, and Duncan's life appears to become more tolerable, fuller, and funnier. Yet the question persists: Is it enough?"--Publisher description.

One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man -on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).

"The Book; yes, their Book. They had no state, holding them together, no country, no soil, no king, no form of life in common. If, in spite of this, they were one, more one than all the other peoples of the world, it was the Book that sweated them into unity. Brown, white, black, yellow Jews, large and small, splendid and in rags, godless and pious, they might crouch and dream all their lives in a quiet room, or fare splendidly in a radiant, golden whirlwind over the earth, but sunk deep in all of them was the lesson of the Book. Manifold is the world, but it is vain and fleeting as wind; but one and only is the God of Israel, the everlasting, the infinite, the Jehovah."-Jud Süss, 1925. When Feuchtwanger's two best known novels "Jew Süss" ("Power") and "Ugly Duchess" were first translated into English in the 1920s, they caused a tremendous sensation in England and then in America. The critics all hailed Feuchtwanger as the master of the historical novel-the peer of Dumas and Scott but written with the psychology of our own day. "Jew Süss," set in the 18th century Germany (at the time consisting of numerous fragmented independent states), deals with an identity crisis: in order to gain social power, the novel's protagonist attempts to forsake his Jewish heritage and becomes assimilated into the mainstream of German culture. More than that, Süss finds himself being in the position of potential kingmaker. Brilliant, attractive and with an insatiable lust for power, he practically ruled the Duke and his court, pandering to the vices of dissolute nobility, mounting through his intrigues to dizzying heights of power. Süss's only vulnerable spot, however, is his precious, exquisite, gentle daughter, Naomi. When her beauty became exposed to the beastliness of the Duke, tragedy came swiftly after.

The first collection of stories from the author of Arctic Summer and In a Strange Room Damon Galgut's first collection of stories transports us to 1980s South Africa where politics begins at home. The family that small circle of beings where love should flourish can be an arid and alienating territory where hatred and violence may ignite. The title novella is set in a house far out of town, at the end of a dust road that rises up into the mountains. The desperate bondage of family life is revealed to a mother as she sits at her sons bedside where he lies sick, perhaps dying. Galgut's understated prose unpicks the emotional paradoxes of family life with a surprising, surreal twist. In a world where some of the most intimate relationships are those between strangers, Small Circle of Beings describes how children must learn to pull away from their parents if they are to find their own way.

We think we know what upward mobility stories are about--virtuous striving justly rewarded, or unprincipled social climbing regrettably unpunished. Either way, these stories seem obviously concerned with the self-making of self-reliant individuals rather than with any collective interest. In Upward Mobility and the Common Good , Bruce Robbins completely overturns these assumptions to expose a hidden tradition of erotic social interdependence at the heart of the literary canon. Reinterpreting novels by figures such as Balzac, Stendhal, Charlotte Brontë, Dickens, Dreiser, Wells, Doctorow, and Ishiguro, along with a number of films, Robbins shows how deeply the material and erotic desires of upwardly mobile characters are intertwined with the aid they receive from some sort of benefactor or mentor. In his view, Hannibal Lecter of The Silence of the Lambs becomes a key figure of social mobility in our time. Robbins argues that passionate and ambiguous relationships (like that between Lecter and Clarice Starling) carry the upward mobility story far from anyone's simple self-interest, whether the protagonist's or the mentor's. Robbins concludes that upward mobility stories have paradoxically helped American and European society make the transition from an ethic of individual responsibility to one of collective accountability, a shift that made the welfare state possible, but that also helps account for society's fascination with cases of sexual abuse and harassment by figures of authority. -- "Modern Language Quarterly"

In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories and novels, written from the 1920s to the 1960s, immortalized the Jews of New York's Lower East Side and their struggle to escape poverty and to partake of America's promise. How I Found America gathers together all of Yezierska's short fiction: the two collections published during her lifetime--Hungry Hearts and Children of Loneliness--and seven additional tales. Each story is authentic and immediate, as memorable as family history passed from one generation to the next. taken together, they constitute an enduring portrait of a time and a people.

The Underground Stream is a remarkable work in the canon of proletarian literature. It holds special significance for trade unionists and communists, offering a vivid portrayal of workers’ struggles in the industrial heart of the United States and highlighting the pivotal role played by militants of the historic Communist Party USA in these struggles. Beyond its historical and political value, the novel tells a compelling tale of the profound sacrifices demanded of communists in the fight for a better future. What sets Albert Maltz’s work apart is his portrayal of proletarian heroes, protagonists driven by the ideals of a more humane and just world. They are communists—pioneers and workers who stand firmly against a society built on exploitation and the machinery of oppression. Maltz depicts them not as idealized figures but as real, living people, complete with virtues and flaws, whose daily actions and efforts, no matter how small, play a vital role in the collective struggle to transform society. The Underground Stream exposes the harsh realities of the class struggle, challenging working-class readers to recognize their responsibility in contributing to its organization and advancement.

It is 1947 and Dr. Harrison, chief psychiatrist at the private asylum Shadowbrook, is treating a mysterious patient, Bertram, who has voluntarily come to the hospital. As treatment of Bertram progresses, Dr. Harrison begins to lose control of his objectivity and makes questionable decisions that may lead to self-destruction.

Just in time for the new millennium, things are falling into place. Online advice columnist Lola Somerville lands the plummest of jobs at Ovum Inc., the hip new TV and web network promising smart programming for women. As Ovum's in-house relationships expert, Lola is now up against the pop-psych big dogs--the authors of the mega-selling The Canon: Your Only Hope For a Husband and of the pharma-memoir Xanax Planet , not to mention E. Ron Wilson, kabillionaire despot of the Men Are Pigs, Women are Nuts empire. She's also rubbing elbows with the most powerful person in the universe: the talk-show host/domestic goddess/pop singer/movie actress/anti-landmine activist Penelope. But Lola soon starts to suspect that something is rotten in Ovum's 24-hour juice bar. Are her sidekicks Kat and Ted the only people who know about her forbidden romance? Whose idea was it to change the women's sports show from "Sweat" to "Glow?" Could she--and her entire demographic--be up against forces more powerful than incompetence? The sinister, surprising truths Lola uncovers will change her, her slice of the world, and the market share of Ben and Jerry's, forever.

Returning from his Carolina coast security job to upstate New York, Jack, haunted by memories of his dead wife and child, is hired to search for a lawyer's missing nephew, a search that leads into the dark underworld of his hometown.

"Twelve linked, wryly humorous stories about an unforgettable cast of Russian-Jewish immigrants trying to assimilate in a new world"--Publisher website (October 2007).