Donna Karan is the most prominent and successful figure in American fashion. Her popularity derives from a philosophy of designing real clothes for real women - beautiful yet practical creations that are as easily worn in everyday life as on the catwalk. She is the archetypal New Yorker, drawing her inspiration from the energy, pace, and style of the world's most sophisticated city. Originating as a womenswear label, her company now produces menswear, childrenswear, and accessories, all perpetuating the uniquely modern style that has brought Donna Karan world recognition.

From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.

"Based on long-lost recordings, a set of riveting and revealing conversations with America's great cultural provocateur. There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain.Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years. This is the great director unplugged, free to be irreverent and worse--sexist, homophobic, racist, or none of the above-- because he was nothing if not a fabulator and provocateur. Ranging from politics to literature to the shortcomings of his friends and the many films he was still eager to launch, Welles is at once cynical and romantic, sentimental and raunchy, but never boring and always wickedly funny.Edited by Peter Biskind, America's foremost film historian, My Lunches with Orson reveals one of the giants of the twentieth century, a man struggling with reversals, bitter and angry, desperate for one last triumph, but crackling with wit and a restless intelligence. This is as close as we will get to the real Welles--if such a creature ever existed. "--

Millions of adult Americans will fondly remember such entertaining movies as Carousel, The Jackpot, and There's No Business Like Show Business. Phoebe and Henry Ephron, who wrote the screenplays for these and other films, were a unique team in that they used their special talents, working with dozens of great names of screen and stage, to create everything from the comic to the somber under circumstances both humorous and quite the opposite. Whether they were working on a Carousel, starring Shirley Jones and Gordon MacRae or a new What Price Glory, or Fred Astaire's Daddy Long Legs, the Ephrons were always learning something new and exciting about a magical assortment of people (Henry remembers the famous director John Ford the day he was faulted by his producer for being two days behind in shooting a film. He tore up six pages and said: "Tell the SOB I'm six days ahead!") This is also a story of the thirty-seven-year marriage of two people who started out with very little, realized their dreams of having a play produced on Broadway, and then went to Hollywood, where they wrote major scripts for some of the biggest stars. Woven throughout the story is the family element of raising four daughters in the make-believe atmosphere of Southern California. As the two Ephrons worried about the work they'd done on one major script, the make-believe turning into a glorious reprieve when it was reported to them that Darryl Zanuck had just told a friend, "I'll never know how the Ephrons took that old chestnut and turned it into this great screenplay." Here, a professional storyteller is at his best in a personal narrative which also brings onstage a fascinating supporting cast.

An autobiography of comedian Henny Youngman, from his birth in London, his childhood in Brooklyn, through his early career as a performer in the Borscht Belt, to the present, when he continues to perform while in his mid-80s.

"An astounding collection of adventures and observations, woven into a dramatic account that helps to clarify some of the mysteries of our nation's recent history....Hamilton's story offers a rare combination of insight, wry humor, and real inspiration." -- Jimmy Carter, in the Foreword Hamilton Jordan has had a life full of personal struggles, from firsthand encounters with racial hatred in the Civil Rights-era South to exposure to Agent Orange as a civilian volunteer in Vietnam and his tumultuous years as the youngest chief of staff in presidential history, under Jimmy Carter. But a more powerful opponent has defined Jordan's life -- cancer. Three times in the last twenty years he has been diagnosed with the disease: non-Hodgkin's lymphoma, melanoma, and prostate cancer. Each time, Jordan credits early detection, being well-informed, and keeping positive as the keys to his survival. In this beautifully written book, Jordan weaves together his remarkable life to date with the uplifting story of his victories over cancer. Moving, inspiring, and powerful, No Such Thing As A Bad Day is a read that no one will soon forget.

'Perec is serious fun' The Guardian Both an affectionate portrait of mid-century Paris and a daring memoir, Georges Perec's I Remember is now available in English to UK readers for the first time, with an introduction by David Bellos. In 480 numbered statements, all beginning identically with 'I remember', Perec records a stream of individual memories of a childhood in post-war France, while posing wider questions about memory and nostalgia. As playful and puzzling as the best of his novels, I Remember is an ode to life: the ordinary, the extraordinary, and the sometimes trivial, as seen through the eyes of the irreplaceable Georges Perec.

Book by Goldman, Emma, Berkman, Alexander

No one believed it could happen in their town. But it did. Valarie Clark Miller seemed to have it all. Smart and beautiful with a wealthy, successful husband and growing family, Valarie appeared to be the picture-perfect Mormon wife. But it was all a façade. Inside, she was crumbling from the pressures of long-repressed memories of a childhood filled with sexual and physical abuse. In Hometown Betrayal , author Emily Benedek brings you behind the closed doors of the remote Mormon community of Clarkston, Utah. With the help of hundreds of individual stories, she pieces together not only what happened to Valarie, but also the conditions and culture that allowed it. Hometown Betrayal culminates in an account of the Miller family's fight to hold accountable the men--including the local cop-- who abused Valarie and controlled the systems designed to look the other way.

Traces the life of the Polish exile who became an important influence on the development of European socialism and explains why she became politically active

A funny, candid, insightful, and unflinchingly honest memoir from one of New York City's most spirited and outspoken mayors Ed Koch—the bold, colorful, forthright, and impassioned three-term mayor of the city of New York—lived his eighty-eight years to the fullest. In I'm Not Done Yet Koch reflects on life after politics, taking readers through his various career turns since losing the Democratic mayoral primary to David Dinkins in 1989, during which time he worked as a radio talk-show host, a newspaper columnist, a college instructor, a SlimFast spokesman, and an arbitrator on the television show The People's Court. With occasional looks back at his childhood in the Bronx and his political experiences, Koch speaks openly about the ups and downs of what he calls "the third act" of his storied career, offering a frank account of his health and medical challenges, and considering what it has meant to live a life without a partner or children. I'm Not Done Yet is a fearless account of an extraordinary man's under-standing of what it means to reach one's autumn years, and offers proof that the healthiest outlook on advancing age is to keep active at the work you love.

From This American Life alum David Rakoff comes a hilarious collection that single-handedly raises self-deprecation to an art form. Whether impersonating Sigmund Freud in a department store window during the holidays, climbing an icy mountain in cheap loafers, or learning primitive survival skills in the wilds of New Jersey, Rakoff clearly demonstrates how he doesn’t belong–nor does he try to. In his debut collection of essays, Rakoff uses his razor-sharp wit and snarky humor to deliver a barrage of damaging blows that, more often than not, land squarely on his own jaw–hilariously satirizing the writer, not the subject. Joining the wry and the heartfelt, Fraud offers an object lesson in not taking life, or ourselves, too seriously.

A take-no-prisoners tale of growing up without knowing who you are David Matthews was born on the line between races. His mother was white, but she disappeared when he was an infant, leaving him with pale skin and the prospect of a Jewish identity. His father was black, a journalist and activist who counted Malcolm X among his friends. So growing up in the Baltimore ghetto in the 1980s, Matthews had a choice. He took one look at the school lunchroom and chose white. But that choice took on new implications when he came home to a neighborhood where his chosen race was a liability, if not a hazard. In the years that followed, Matthews slipped in and out of identities as the situation demanded, making use of each to get what he needed. He read the culture around him, soaked up its expectations, biases, and passwords, and fashioned a character that could only exist in this generation in America, an exuberant, open-minded, opportunistic young man making up his life and identity on the fly.

"It's about time a book came out about one of the most talented and beloved performers in the American theater. Charlotte is the consummate actress, comedienne, entertainer. Her work on stage and screen is always hilarious and somehow also gets you right in the gut. Her story is every bit as brilliant. Read it and smile." -Comedy Legend, Carl Reiner "To think of Charlotte Rae is to smile. Consequently, when I began to read "The Facts of My Life," I was unprepared for the emotional impact it would have on me. By the time I finished the first chapter, dealing as it does with her severely troubled son Andy, I was in tears. "As an old friend of Charlotte's, I thought I knew her fairly well. But as I read on, I discovered that the 'facts of her life' were constantly surprising (as well as amusing and engrossing)! There is so much that I don't know about Charlotte and so much that I now want to know, when the book is finally completed and published, I'll be first in line to get my copy!" -Sheldon Harnick (Composer, Fiddler on the Roof) Charlotte Rae's career spans more than seventy years, from the golden age of television to Shakespeare in the Park, the New York Cabaret scene of the late 1940's and 50's to her hit series, The Facts of Life and well beyond. Off stage and screen, Charlotte's life has been one of joy and challenge, raising an autistic son, coming to terms with alcoholism, the heartache of a broken marriage, the revelation of a gay husband and the sudden challenge of facing middle-age with financial and emotional uncertainties-an crisis she ultimately turned into the determination that brought her stardom. The Facts of My Life is the first opportunity for Charlotte fans to explore the fascinating story of her extraordinary life: poignant and hilarious, a story of courage and triumph, one that speaks for a generation of women breaking barriers, taking on challenges, overcoming personal tragedy, and paving the way for others.

As Reagan's solicitor general, Fried selected and argued cases involving some of the most important legal battles in our time: abortion, flag burning, civil rights, and capital punishment. In this provocative and lively memoir, he gives an inside look at how these controversial cases were part of the larger Reagan judicial revolution.

"The twenty-one chapters in this book celebrate events in which I and my family were intimately involved and became premises for episodes of "The Dick Van Dyke Show." The book also contains 220 photographs of the stars of yesteryear -- great stars that I trust are fondly remembered by our older readers, and happily introduced to our younger ones" -- preface.

The TV funny man reintroduces the protagonist of Enter Laughing, a Jewish clerk from the Bronx who joins a Shakespeare theater company down South, entertains the troops during World War II, and reaches the brink of comic stardom. 40,000 first printing.

The followup to the New York Times bestseller Stories from Candyland has even better stories to tell--about Candy Spelling's notorious rift and reconciliation with her daughter, Tori, her misadventures in dating and sex, and her new life as a producer, writer, and businesswoman. After thirty-eight happy years of marriage to influential producer Aaron Spelling, raising two children in Hollywood, and co-managing one of the largest estates in the country (finally selling Spelling Manor, as detailed on her HGTV series, for $85 million), Candy is now adjusting to life on her own. In her new uncharted territory, she's ready to share the most intimate details of her life with Aaron; how his illness caused her to question her identity; and how she's reinvented herself as an independent woman, businesswoman, and television personality. Along the way, Candy reveals all-new dishy stories including those of Hollywood friends Joan Crawford, Bette Davis, Michael Jackson, Janet Leigh, Dean Martin, and Elizabeth Taylor (her lifelong rival over their jewelry). Engaging, heartwrenching, intimate, and hilarious, Candy at Last shares her story of how family, friends, and her husband's inspiring advice to "follow your dreams" has made her determined to live life to the fullest.

True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review ). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.” — The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.” —Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.” —Edward Abbey , Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.” —Bruce Colman , San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.” — The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.” —Frederick Iseman , Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings .” — The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.” — Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.” — Publishers Weekly