Daniel Thayne, a young Englishman, finds himself trapped in Tokyo. His passport lost, he is working illegally in a ramshackle language school, whose boss refuses to pay his salary. He is in a dead end relationship with Keiko, his cloying Japanese girlfriend, whose apartment is filled with stuffed toys. But his troubles are only beginning. As the hot, stormy weather of the rainy season descends, Keiko's family appear on his doorstep, determined to pressure him into marriage with their daughter by any means. Owners of their own mysterious and threatening 'Company Business' (or is it 'Business Company'?) they set about taking over his life. As Daniel resists, or tries to, he will learn a great deal about Japan - good and bad - and about his own culture.

This book describes the growth and economic integration of the European economy from 1500 to 1913. The authors apply macroeconomic techniques to identify growth rates, inflation, product markets, trade networks and business cycles across a set of countries over the period.

This unfinished work was unearthed among his papers by City College professor Murphy, along with Trilling's own preface and commentary on the work as it stands: 24 short chapters. The novel is based on the late-life of poet Walter Savage Landor (1775-1864), who got into some unpleasant business surrounding his Bath landlady and her 16-year-old ward. Trilling details the true-life incident in his preface, then moves his own story to 1930s New England.

Born in Munich in 1896, Josef Breitenbach began taking photographs while working in the family wine merchant business. Proving less than successful at the latter, he opened his first photographic studio in 1932. Munich at that time was a stronghold of libertarians and bons vivants, and Breitenbach's clients included actors, cabaret stars, writers and political figures. It was a short-lived venture; when Hitler became Chancellor in 1933, the photographer escaped to Paris, where he stayed for the next six years. There, Breitenbach's close friendship with Max Ernst, and his experimentation with printing techniques and color manipulation, brought him into contact with the thriving Surrealist movement, although he never became a member of that group. His work was included in a number of exhibitions, alongside that of Man Ray, Brassai and Cartier-Bresson. After the outbreak of war, and a period of internment, he fled to New York and established himself as a teacher and commercial photographer. However, his early work remained unseen until its surprise discovery, after his death, in 1984. Published in association with The Josef Breitenbach Trust, Manifesto is an important addition to the literature available on this extraordinary artist.

(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.

Hirschmann, who died in 1989 at the age of 88, was a New York City business executive known for his activities as a diplomat and anti-Nazi activist. In this charming memoir, he tells how he was able to blend his passion for classical music with his professional life. In the 1920s, he obtained a radio station for his company and utilized it to broadcast live symphony concerts. In the 1940s he founded the FM radio station WABF, which carried live classical music concerts. As organizer and president of the New Friends of Music, a nonprofit organization that presented chamber music concerts for the general public, he helped bring many of the world's greatest musicians to this country. It was at Hirschmann's instigation that his friend, Mayor Fiorello La Guardia, created New York City's High School of Music and Art. His reminiscences about these and other accomplishments and of his many friends in the music world are delightful, but disturbing is his account of his successful campaign in 1936 to force the New York Philharmonic to withdraw its invitation to the German conductor Wilhelm Furtwangler to succeed Arturo Toscanini as Music Director of the orchestra. The record of this episode is less clear-cut than Hirschmann suggests; Furtwangler, who conducted at the New York Philharmonic during 1927-1930 and claimed that he remained in Hitler's Germany to save his country's ``soul,'' maintained that he himself withdrew from the appointment because of the anti-German campaign.

Communicating with lawmakers has changed dramatically over the years and the Congressional Communications Report has been there helping the government relations community change along with it. The Report compiles insights from Congressional staff and those working to influence them on how best to get a message through to Members of Congress. The Report overlays these insights with expert analysis of shifts in technology and social media to bring you a complete understanding of what works and what doesn t when you are communicating with Capitol Hill. Publishers of the Original U.S. Congress Handbook and the book of Washington Representatives have teamed with Dr. David Rehr and George Mason University Law School to bring you the largest, most in-depth study of its kind on the work habits of Congressional staff and the lobbying community. The Congressional Communications Report is packed with information accompanied by full-color charts and ready to use data points that will change the way you do business with Capitol Hill.

In nineteenth-century Eastern Europe, the Jewish-run tavern was often the center of leisure, hospitality, business, and even religious festivities. This unusual situation came about because the nobles who owned taverns throughout the formerly Polish lands believed that only Jews were sober enough to run taverns profitably, a belief so ingrained as to endure even the rise of Hasidisms robust drinking culture. As liquor became the regions boom industry, Jewish tavernkeepers became integral to both local economies and local social life, presiding over Christian celebrations and dispensing advice, medical remedies and loans. Nevertheless, reformers and government officials, blaming Jewish tavernkeepers for epidemic peasant drunkenness, sought to drive Jews out of the liquor trade. Their efforts were particularly intense and sustained in the Kingdom of Poland, a semi-autonomous province of the Russian empire that was often treated as a laboratory for social and political change. Historians have assumed that this spelled the end of the Polish Jewish liquor trade. However, newly discovered archival sources demonstrate that many nobles helped their Jewish tavernkeepers evade fees, bans and expulsions by installing Christians as fronts for their taverns. The resulta vast underground Jewish liquor tradereflects an impressive level of local Polish-Jewish co-existence that contrasts with the more familiar story of anti-Semitism and violence. By tapping into sources that reveal the lives of everyday Jews and Christians in the Kingdom of Poland, Yankels Tavern transforms our understanding of the region during the tumultuous period of Polish uprisings and Jewish mystical revival.

Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg’s city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community’s families, shopkeepers, and small business owners, Goldblatt attempted ‘to grasp something of their life and what they had built.’ The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt’s subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime. Exemplary of Goldblatt’s empathetic and observational documentary style, these photographs and oral histories establish a generous exchange between photographer and subject. Together these materials preserve narratives of Fietas as a racially diverse community that existed in defiance of apartheid. An accompanying essay by Professor Ashwin Desai places Fietas within the wider historical context of Indian South Africans and racist ideology before and after the advent of apartheid, completing a compelling reference to a little known community forever changed by the darkest point in South Africa’s history. (Verlagsangaben)

"Nearly all of us either have had or have heard of an experience in which a soul already departed reaches back to us who have been left behind.... Sometimes, it's no more than a whisper, a familiar smell in the air, or just the feeling of presence as vivid as when the loved one was still alive. These moments are just that...moments, a glimpse behind the veil; not a letter from heaven, but a postcard." (Dan Gordon, Postcards from Heaven) A postcard from heaven is not a revelation from on high -- rather, it's "a whisper, a familiar smell in the air, or just the feeling of presence" of someone who's passed away. It is just enough of a message to imply that what we call life is not ended by what we call death. Dan Gordon has been receiving these postcards all his life -- from his father, his older brother, and his son Zaki, who was killed in a car accident when he was only twenty-two. Postcards from Heaven is the beautiful, inspirational memoir of four generations of a remarkable family and how they remain interconnected, a part of one another's stories, even after passing to the other side. Here is the span of his father's long life, moving and funny, from the Russian Revolution to his improbable Depression-era courtship of a woman named Goddess -- Gordon's mother -- to his spiritual later years in Israel; his incorrigible older brother's mischievous magic, able to find humor even in cancer treatment; and his brilliant son, a natural storyteller who looked destined to follow his father into the movie business. These are the stories of their lives on earth as well as after death. Full of humor, compassion, and love, Postcards from Heaven comforts and assures us that those we loved can reach back to those of us still on earth -- and, if only we are attentive enough to listen, we can hear them say, Got here safe. It's really beautiful. Much love, till we meet again.

Mad Men meets Nashville in this debut mystery set in 1963, written by Grammy winner and Rock and Roll Hall of Famer Cynthia Weil. "I loved everything about I'm Glad I Did ... Not just brava, Cynthia. Bravissima!!" --Carole King, multi-Grammy winning singer-songwriter of Tapestry and author of the New York Times bestseller A Natural Woman New York City, summer of 1963: JJ Green is a born songwriter--a major problem, since her family thinks the music business is a cesspool of lowlifes and hustlers. Defying them, she secretly takes an internship at the Brill Building, the epicenter of a new sound called rock and roll. When she finds a writing partner in Luke Silver, a boy with mesmerizing green eyes, JJ believes she is living her dream. They'll even be cutting their first demo with legendary singer Dulcie Brown. But soon JJ's dream is shattered by tragedy, and she must navigate a web of troubled pasts, hidden identities, and tangled secrets--before it snares her, too. From the Hardcover edition.

A captivating novel about aging fathers and their grown daughters, childhood scars, and rewriting the script with a little help from Shakespeare, from the acclaimed author of My October . On the brink of forty, Bea Rose has lost her lover, her business, and her bearings. When the opportunity arises to work on a summer production of King Lear to be staged in various parks around Montreal, she takes it, despite her utter lack of theatre experience. Things get off to a rocky start when Bea meets the artistic director, Artie White, a childhood friend whose presence stirs up painful memories. Then, inadvertently attracting the attentions of the play's aging star, she learns that she must tread carefully among the egos and relationships of the company. At the same time, Bea's father begins behaving erratically, and her younger sister Cara discovers cracks in the foundation of an apparently perfect life. The sisters do their best to care for their beloved, demanding father, but his deteriorating condition is more than they can handle. Meanwhile, the star of Lear is also faltering amidst the confusions of age, illness, and regret. When a raucous party whirls out of control, the various forces in Bea's life collide, culminating in a violent act that could destroy more than one life. But that act also reveals how lives might be united in new ways. Tender, vivid, and powerful, Lear's Shadow is a richly satisfying meditation on love's power to bind and to liberate. It's a lyrical reminder that even in the face of grief, life's joy can be embraced.

Miriam Beckstein is a young, hip, business journalist in Boston. She discovered in The Family Trade and The Hidden Family that her family came from an alternate reality, that she was very well-connected, and that her family was too much like the mafia for comfort. She found herself caught in a family trap in The Clan Corporate and betrothed to a brain-damaged prince, and then all hell broke loose. Now, in The Merchants' War , Miriam has escaped to yet another world and remains in hiding from both the Clan and their opponents. There is a nasty shooting war going on in the Gruinmarkt world of the Clan, and we know something that Miriam does not; something that she's really going to hate--if she lives long enough to find out.

The third book (after The Family Trade and The Hidden Family ) in the saga of the Merchant Princes by Charles Stross, in which Miriam gets into deadly trouble. Miriam Beckstein has gotten in touch with her roots and they have nearly strangled her. A young, hip, business journalist in Boston, she discovered (in The Family Trade ) that her family comes from an alternate reality, that she is very well-connected, and that her family is too much like the mafia for comfort. In addition, starting with the fact that women are family property and required to breed more family members with the unique talent to walk between worlds, Miriam has tried to remain an outsider and her own woman. She started a profitable business in a third world she has discovered, outside the family reach (recounted in The Hidden Family ). She fell in love with a distant relative, but he died saving her life. Now, however, in The Clan Corporate , Miriam may be overreaching. And if she gets caught, death or a fate worse is around the bend. There is, for instance, the brain-damaged son of the local king who needs a wife. But they'd never make her do that, would they?

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

Mohamed Al Fayed, flamboyant tycoon, condemned by DTI inspectors as "guilty of deception on a grand scale," has always bitterly attacked these findings. This is the story of the poor boy from Egypt who became the self-proclaimed King of Knightsbridge.

An enterprising kid from the Bronx, Howard had one simple - but smart - idea that revolutionized telecommunications. He pioneered what is now an over-a-billion-dollar-a-year-industry, successfully fought off AT&T's aggressive attempts to pull the plug on his operation - then took his own start-up company public, to net over $100 million for himself. And it all began with a hot dog stand, as Jonas relates in this effervescent account of how he became the milionaire nextdoor. "Mr. Jonas enjoys playing David to any Goliath in sight." - The Economist "An Edisonian visionary" - New York Mag. "Score one for the little guy." - Forbes "The advice should prove illuminating and the adventure inspirational to anyone following, or contemplating, a similar self-made journey." - Howard Rothman "Readers won't fail to admire the author's drive, and some will enjoy his humorous approach..." - Publisher's Weekly This book is an entertaining, enlightening, occasionally intense first-person glimpse at Howard's take on life. Look at the world through his eyes and you're guaranteed to see things differently. For readers who enjoyed: Trump: The Art of the Deal (9780345479174) The Warren Buffett Way (9780471743675) Over the Top (9780785271192) Rich Dad, Poor Dad (9780446567404)

Berlin! Berlin! is a satirical selection from the "man with the acid pen and the perfect pitch for hypocrisy," as New York author and Tucholsky-expert Peter Wortsman writes. This book os a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modelled after one of Tucholsky's real-life gilrfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book. In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time. He poured scorn on the reactionary institutions of the old regime, the follies of the Weimar Republic, and the peculiarities of the German character. - William Grimes, The New York Times Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart. That's Tucholsky in a nutshell. - Anne Nelson, author of "The Red Orchestra" and "The Guys" Kurt Tucholsky was one of the most brilliant German-Jewish writers of his time. Today's Berliners adore him as one of their greatest sons. The world has yet to discover his genius. -Peter Schneider, author of "The Wall Jumper" and "Eduard's Homecoming" A selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. - Peter Wortsman, author of "Ghost Dance in Berlin" . . . a small, fat Berliner, who wanted to stop a catastrophe with his typewriter. -Erich Kästner, author of "Emil and the Detectives"

Known as the 'Black Stone' back in Istanbul, Alan has recently made a daring escape from prison after being convicted of murdering a Turkish businessman. Now in a cockroach-infested Manhattan apartment, without his accustomed bespoke tailoring, he prepares for a new assignment against an old enemy of the Kurdish people. But his instructions are not to wipe out the big-wig himself, but his two little daughters and the lovely woman they call 'Mommy'. Although Alan doesn't understand English, or any other gibberish that turns the Big Apple -- he thinks 'Mommy' is one of the prettiest names for a woman he has ever heard.

The global financial crisis is largely behind us, but the challenges it poses to the future stability of the world’s economic system affects everyone from American families to Main Street businesses to Wall Street financial powerhouses. It has provoked controversy over the best way to reduce the risk of a repeat of what proved to be the worst financial crisis since the Great Depression. To describe those challenges—and the lessons learned—the Hutchins Center on Fiscal and Monetary Policy at Brookings turned to frontline policymakers and some of their most prominent critics. Central Banking after the Great Recession contains the resulting research, leading off with a telling interview between Ben Bernanke, then in his final weeks as Federal Reserve chairman, and Liaquat Ahamed, author of the Pulitzer Prize–winning Lords of Finance. Insightful chapters by John Williams of the San Francisco Federal Reserve Bank, Paul Tucker of Harvard University, and Donald Kohn of Brookings discuss unconventional monetary policy, financial regulation, the impact of the crisis on the independence of the Federal Reserve. Each chapter is followed by a lively debate.