Fans of Gerda Mayer will be delighted with her new collection. Short, spare, deceptively simpleher range is wide. The poems have a vivid imagistic claritydeliciously wickedbittersweet sadness - Katie Campbell CITY LIMITS One of the most tactful namers of the Holocaust but her poems of everyday disenchantment are deepened by a powerful bitterness. She is funny but never a stand-up comedian. Like Stevie Smith she writes children's rhymes for grown-ups. - Peter Porter THE OBSERVER

Book by Roditi, Edouard

Conceived as a convenience to those readers who are themselves concerned with doubt and faith. The Stream & The Sapphire presents a compact thematic grouping of thirty-eight poems, originally published in seven separate volumes. The earliest poem here dates from 1978, and though the sequence is not wholly chronological, "it does," as Denise Levertov remarks in her brief Foreword, "to some extent, trace my slow movement from agnosticism to Christian faith, a movement incorporating much of doubt and questioning as well as affirmation."

1976, Paperback, 139 pages

I have a Name is a vital engagement with life and an unflinching stare at death, concluding that love transcendent is a reality, Winner of the William Carlos Williams Award (1997) The wondrous subtlety of David Ignatow's art is brought to bear on the timeless themes of love and death. Intimate remembrances evince a rich life: Hebrew lessons, war, first love, friendships with Stanley Kunitz and others, his wife's death. One poem comments on another, often with wit and irony; no statement is ever final. In this way, Ignatow shows that we exist most fully in the fluidity of our perceptions and in our inability to attain a single state of mind or definition of things. I Have A Name is a vital engagement with life and an unflinching stare at death, concluding that love transcendent is a reality, embracing all, the living and the dead.

Book and jacket rate fine/like new used better than very good not quite mint.

“We got to talking”—so David Antin begins the introduction to Radical Coherency , embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin’s innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin’s influential critical essays and spontaneous, performed lectures (or “talk pieces”) for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin’s provocative take on Clement Greenberg’s theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the ’60s and ’70s that still sparkle today—and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache—one thatwill be welcomed by any fan of this consummate trailblazer.

Book by Michaels, Anne

A collection of poems by Anne Michaels. The poems are meditations on how love changes in order to survive, how we move from obsolete science to new perceptions, and how, in her words, the same loneliness that closes us/ Opens us again.

The Black Death of 1348-50 devastated Europe. With mortality estimates ranging from thirty to sixty percent of the population, it was arguably the most significant event of the fourteenth century. Nonetheless, its force varied across the continent, and so did the ways people responded to it. Surprisingly, there is little Jewish writing extant that directly addresses the impact of the plague, or even of the violence that sometimes accompanied it. This absence is particularly notable for Provence and the Iberian Peninsula, despite rich sources on Jewish life throughout the century. In After the Black Death , Susan L. Einbinder uncovers Jewish responses to plague and violence in fourteenth-century Iberia and Provence. Einbinder's original research reveals a wide, heterogeneous series of Jewish literary responses to the plague, including Sephardic liturgical poetry; a medical tractate written by the Jewish physician Abraham Caslari; epitaphs inscribed on the tombstones of twenty-eight Jewish plague victims once buried in Toledo; and a heretofore unstudied liturgical lament written by Moses Nathan, a survivor of an anti-Jewish massacre that occurred in Tàrrega, Catalonia, in 1348. Through elegant translations and masterful readings, After the Black Death exposes the great diversity in Jewish experiences of the plague, shaped as they were by convention, geography, epidemiology, and politics. Most critically, Einbinder traces the continuity of faith, language, and meaning through the years of the plague and its aftermath. Both before and after the Black Death, Jewish texts that deal with tragedy privilege the communal over the personal and affirm resilience over victimhood. Combined with archival and archaeological testimony, these texts ask us to think deeply about the men and women, sometimes perpetrators as well as victims, who confronted the Black Death. As devastating as the Black Death was, it did not shatter the modes of expression and explanation of those who survived it--a discovery that challenges the applicability of modern trauma theory to the medieval context.

1971 First American Edition.THE GENEROUS DAYS. Please view our other rare books by famous Poetry Artists.

This book represents a new departure in science studies: an analysis of a scientific style of writing, situating it within the context of the contemporary style of literature. Its philosophical significance is that it provides a novel way of making sense of the notion of a scientific style. For the first time, the Hellenistic mathematical corpus - one of the most substantial extant for the period - is placed centre-stage in the discussion of Hellenistic culture as a whole. Professor Netz argues that Hellenistic mathematical writings adopt a narrative strategy based on surprise, a compositional form based on a mosaic of apparently unrelated elements, and a carnivalesque profusion of detail. He further investigates how such stylistic preferences derive from, and throw light on, the style of Hellenistic poetry. This important book will be welcomed by all scholars of Hellenistic civilization as well as historians of ancient science and Western mathematics.

The Journal of Raïssa Maritain, composed of the sundry diaries, notes, and fragments of Raïssa Maritain’s substantial bibliography, tells the story of a soul in love with God. Compiled by her husband Jacques, these writings bear witness to the depth of Raïssa’s spiritual experiences, the warmth of her embrace for the contemplative life and silent prayer, the sweeping expanse of her intellectual powers, the sheer breadth of her sufferings, and, above all else, her willingness to undergo the “martyrdom of the heart,” offering to God a total gift of self. For readers already familiar with Raïssa Maritain, especially through her poetry, the Journal is an occasion to remember with renewed vigor truths already known; for the new reader, it is an illuminating introduction to one of the great mystics of the twentieth century.