Hailed as "astonishingly powerful" by The New York Times, and "written perfectly" by The Washington Post, Joe Klein's #1 bestseller, Primary Colors, was the most-talked-about political novel of the past century. Now acclaimed journalist and author Joe Klein returns with another brilliant and slyly subversive novel set in the gladiatorial arena he knows so well: politics in modern-day America. U.S. senator Charlie Martin is a hot political property, dashing, honorable, irreverent -- and a decorated Vietnam veteran. The Running Mate follows this brash hero on a wild, exhilarating ride through the minefields of politics as usual. But as Charlie quickly learns, combat is a cakewalk compared with the battles waged by free men in pursuit of glory and power. For Charlie's political star is beginning to wane ... a bid for the presidency ends in failure ... a young campaign volunteer's father decks him -- in front of the cameras ... a well-kept secret from Charlie's Vietnam days is revealed ... and a woman has entered his life -- one who loves him but is appalled by his life's work. Suddenly Charlie must confront the two greatest challenges of his life -- a political opponent who has no scruples and a dazzling, unconventional woman who may force him to choose between love and politics. Charlie's dilemma is one that has come to haunt contemporary American politics: Is it possible to be a good politician and a good man? From the Trade Paperback edition.

From the creator and director of Transparent and Emmy-nominated writer for Six Feet Under comes a hilarious and unforgettable memoir. When Jill Soloway was just thirteen, she and her best friend donned the tightest satin pants they could find, poufed up their hair and squeezed into Candies heels, then headed to downtown Chicago in search of their one-and-only true loves forever: the members of whichever rock band was touring through town. Never mind that both girls still had braces, coke-bottle-thick glasses and had only just bought their first bras—they were fabulous, they felt beautiful, they were tiny ladies in shiny pants . Now that Jill is all grown up and a successful writer and producer, she can look back on her tiny self and share her shiny tales with fondness, absurdity, and obsessive-compulsive attention to even the most embarrassing details. From the highly personal (conflating her own loss of virginity and the Kobe Bryant accusations), to the political (what she has in common with Monica and Chandra), to the outrageously Los Angelean (why women wear huge diamonds and what they must do to get them), Tiny Ladies in Shiny Pants is a genre-defying combination of personal essay and memoir, or a hilarious, unruly and unapologetic evaluation of society, religion, sex, love, and—best of all—Jill.

In a masterpiece of love and loss by one of the world's greatest writers, Fabian travels in his VanHome from one end of the country to the other, searching, judging, and testing--himself most of all.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood, with Elvis or Sinatra, Robert Altman or George Clooney--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists--everyone.--From publisher description.

New York Times bestselling author Jenna Jameson ( How to Make Love Like a Porn Star ) teams up with romance author Hope Tarr for this wild erotic novel—Jenna’s first tantalizing foray into fiction. Fleeing Los Angeles and her scarlet past a former porn star returns to her New York roots hoping to lose herself in the crowded city streets, protected from the paparazzi's reach . . . or so she thinks. A chance encounter with a returned war hero--now prominent investment CEO--is the very last thing she wants or needs, or is it? When the handsome and deliciously kinky CEO shows her that there are other ways to satisfy her needs (and he knows all of them), she finds herself in the middle of a sexual awakening, a true romance and a happily ever after. This is a rollicking must-read for all fans of How to Make Love Like a Porn Star .

"As the creator and CEO of the popular Jewish dating app J-Mate, matchmaker Dara Rabinowitz knows the formula for lasting love--at least, for everyone else. When it comes to her own love life, she's been idling indefinitely. Until her beloved bubbe shares Dara's checklist for "The Perfect Jewish Husband" on national television and charming news anchor Chris Steadfast proposes they turn Dara's search into must-see TV. As a non-Jewish single dad, Chris doesn't check any of Dara's boxes. But her hunt for Mr. Perfect is the ratings boost his show desperately needs. If only Chris could ignore his own pesky attraction to Dara--a task much easier said than done when Dara starts questioning if "perfect on paper" can compete with how hard she's falling for Chris"--

Today we enjoy more privacy than ever before, yet the encroachment of the media, computer data gathering, and electronic surveillance in our lives undermines our sense that we have privacy at all. Although privacy is essential to our capacity to love and create and think, it can be used for the wrong reasons. The same condition that sustains intimacy, creativity, and freedom can also be invoked as an abusive kind of secrecy. In Private Matters, Janna Malamud Smith explores this paradox through various prisms: the bedroom, the psychiatrist s couch, the biography, the presidency, the media, women and their bodies, and post9/11 policy. More pertinent than ever before, this modern history of privacy offers important insights into the role of this increasingly elusive and fragile virtue."

Jamaica Kincaid's new novel is the haunting, deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, daughter of a Carib mother and a half-Scottish, half-African father, was delivered to his laundress as an infant, bundled up like his clothes. The Autobiography of My Mother is a story of love, fear, loss, and the forging of a character, an account of one woman's inexorable evolution evoked in startling and magical poetry.

17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean to happen, to arrive, to have to happen or arrive, to let or to make happen or arrive, to destine, to address, to send, to legate, to inherit, etc., if it all still signifies, between here and there, the near and the far, da und fort, the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted missives, anonymous letters, all of it confided to so many modes, genres, and tones. In it I also abuse dates, signatures, titles or references, language itself. J. D. "With The Post Card, as with Glas, Derrida appears more as writer than as philosopher. Or we could say that here, in what is in part a mock epistolary novel (the long section is called "Envois," roughly, "dispatches" ), he stages his writing more overtly than in the scholarly works. . . . The Post Card also contains a series of self-reflective essays, largely focused on Freud, in which Derrida is beautifully lucid and direct."—Alexander Gelley, Library Journal

Tom Stoppard has written some of the most challenging and fanciful plays of the 20th century. His work, from the early Jumpers to the film Shakespeare in Love to the current play The Invention of Love, has in effect changed the landscape of drama. Witty, erudite, passionate, abstract, clever (some would say too clever by half), his works are like no one else's. Who is Tom Stoppard -- the Czech-born son of Jews who became the singularly English man of letters? In this vibrant, critical portrait, Ira Nadel weaves life and works into a fascinating chronicle of Stoppard's world on English and American stages. Peopled with such characters as Diana Rigg, John Wood, and Billy Crudup, the book untangles Stoppard's genius against the backdrop of Broadway and London's West End.

A keepsake edition gathering the lyrics of more than 80 of Gershwin’s most popular songs Ira Gershwin once remarked that he always tried to “capture the way people spoke to each other—their slang, their clichés, the catch phrases.” Few people in ordinary life, of course, can muster the humor, vivacity, and emotional directness that Gershwin brought to his lyrics. His collaboration with his brother George—one of the summits of American popular music—produced masterpieces that reflect, perhaps, the way people would like to talk. “Someone to Watch Over Me,” “Nice Work If You Can Get It,” “They Can’t Take That Away from Me,” “’S Wonderful”: these have entered the culture and become part of our common language. The insouciant, improvisational air of his lyrics belies the meticulous craftsmanship that Ira brought to every syllable. Robert Kimball has gathered more than 80 examples of Ira Gershwin at his best: the comic invention of songs such as “They All Laughed” and “Let’s Call the Whole Thing Off,” the poignancy of “The Man I Love,” the wry edge of “The Saga of Jenny,” the sheer exuberance of “Fascinating Rhythm,” and dozens more. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

From award-winning actress Illeana Douglas comes a memoir about learning to survive in Hollywood while staying true to her quirky vision of the world. In 1969 Illeana Douglas' parents saw the film Easy Rider and were transformed. Taking Dennis Hopper's words, "That's what it's all about man" to heart, they abandoned their comfortable upper middle class life and gave Illeana a childhood filled with hippies, goats, free spirits, and free love. Illeana writes, "Since it was all out of my control, I began to think of my life as a movie, with a Dennis Hopper-like father at the center of it." I Blame Dennis Hopper is a testament to the power of art and the tenacity of passion. It is a rollicking, funny, at times tender exploration of the way movies can change our lives. With crackling humor and a full heart, Douglas describes how a good Liza Minnelli impression helped her land her first gig and how Rudy Valley taught her the meaning of being a show biz trouper. From her first experience being on set with her grandfather and mentor-two-time Academy Award-winning actor Melvyn Douglas-to the moment she was discovered by Martin Scorsese for her blood-curdling scream and cast in her first film, to starring in movies alongside Robert DeNiro, Nicole Kidman, and Ethan Hawke, to becoming an award winning writer, director and producer in her own right, I Blame Dennis Hopper is an irresistible love letter to movies and filmmaking. Writing from the perspective of the ultimate show business fan, Douglas packs each page with hilarious anecdotes, bizarre coincidences, and fateful meetings that seem, well, right out of a plot of a movie. I Blame Dennis Hopper is the story of one woman's experience in show business, but it is also a genuine reminder of why we all love the movies: for the glitz, the glamor, the sweat, passion, humor, and escape they offer us all.

Oprah called the tale of love in a concentration camp that lies at the heart of Holocaust survivor Herman Rosenblat's controversial memoir "the greatest love story ever told." But when his story is attacked as the greatest lie ever sold and his memoir is canceled, Rosenblat must defend his narrative. The Apple is the story behind the story. It first recounts Herman's authentic account of surviving Nazi concentration camps with his family. It then explores his made-up story of a girl he says helped him by tossing apples over the fence of a work camp, a girl he would encounter again in New York after the war and marry. Why did an old man embellish his Holocaust account with a romantic fiction which won him appearances on the Oprah Show that touched and inspired many, but also ignited a firestorm of criticism when his fabrication was uncovered.

This ebullient memoir chronicles the author's lifelong love of books, which began with Sir Arthur Quiller-Couch's "The Art of Writing" and developed with works by Izaak Walton, Cardinal Newman, and Milton

"In these 19 evocative pieces of short fiction, best-selling and award-winning writers tackle such intriguing issues as sex by telepathy, the pick-up scene on other planets, and making love with Superman. Thought-provoking, often shocking, always entertaining, 'Alien Sex' daringly explores those barriers between men and women that can make them seem so 'alien' to one another. probing the current and future state, shape, and complex problems of the human male/female relationship, this fantastic collection will make you think about sex in a whole new way."--Pg. [4] of cover.

Presents a history of heterosexuality, explores the contemporary psyche of sexual orientation, and shows how culture creates and manipulates thoughts and experiences of desire, love, and relationships.

"Ahlam, the daughter of a Palestinian refugee and his Israeli wife, grows up in the arid lands of desert suburbia outside of Phoenix. In a stark landscape where coyotes prowl and mysterious lights occasionally pass through the nighttime sky, Ahlam's imagination reigns. She battles chronic fever dreams and isolation. When she meets her tempestuous counterpart Laura, the two fall into infatuated partnership, experimenting with drugs and sex, and watching helplessly as a series of mysterious deaths claim high school classmates. The girls flee their pasts for New York City, but as their emotional bond heightens, the intensity of their lives becomes unbearable. In search of love, ecstasy, oblivion, and belonging, Ahlam and Laura's drive to outrun the ghosts of home threatens to undo them altogether"--

A Globe and Mail Top 100 Book of 2025 Both sweeping and intimate, a majestic novel of love and war that brilliantly evokes the drama and turbulence of medieval France Thierry Villar is a well-known—even notorious— tavern poet, familiar with the rogues and shadows of that world, but not at all with courts and power. He is an unlikely person, despite his quickness, to be caught up in the deadly contests of ambitious royals, assassins, and invading armies. But he is indeed drawn into all these things on a savagely cold night in his beloved city of Orane. And so Thierry must use all the intelligence and charm he can muster as political struggles merge with a decades-long war to bring his country to the brink of destruction. As he does, he meets his poetic equal in an aristocratic woman and is drawn to more than one unsettling person with a connection to the world beyond this one. He also crosses paths with an extraordinary young woman driven by voices within to try to heal the ailing king—and help his forces in war. A wide and varied set of people from all walks of life take their places in the rich tapestry of this story. A new masterwork from the internationally bestselling author of All the Seas of the World , A Brightness Long Ago , and Tigana , Written on the Dark is an elegant tour de force about power and ambition playing out amid the intense human need for art and beauty, and memories to be left behind.

The gripping and elegiac stories of eight lost books, and the mysterious circumstances behind their disappearances. They exist as a rumour or a fading memory. They vanished from history leaving scarcely a trace, lost to fire, censorship, theft, war or deliberate destruction, yet those who seek them are convinced they will find them. This is the story of one man's quest for eight mysterious lost books. Taking us from Florence to Regency London, the Russian Steppe to British Columbia, Giorgio van Straten unearths stories of infamy and tragedy, glimmers of hope and bitter twists of fate. There are, among others, the rediscovered masterpiece that he read but failed to save from destruction; the Hemingway novel that vanished in a suitcase at the Gare du Lyon; the memoirs of Lord Byron, burnt to avoid a scandal; the Magnum Opus of Bruno Schulz, disappeared along with its author in wartime Poland; the mythical Sylvia Plath novel that may one day become reality. As gripping as a detective novel, as moving as an elegy, this is the tale of a love affair with the impossible, of the things that slip away from us but which, sometimes, live again in the stories we tell.

A charming and funny memoir about experiences Gina Gershon has had with cats throughout her life that are analogous to her relationships with men and her ongoing search for true love. Film and television icon Gina Gershon may be best known for her movie roles in "Bound "and "Showgirls" and television appearances on "Curb Your Enthusiasm" and "How to Make" "It in America," but deep down she is a self-described cat lady. "In Search of Cleo "follows Gina s desperation and despair when her assistant loses her beloved cat, Cleo. Gina spends two months roaming the back streets of Los Angeles at all hours of the night, searching for Cleo and meeting several quirky and outrageous characters who help or hinder her in different ways, including Ellen DeGeneres, who searches with Gina and recommends her pet psychic, Sonia; Arthur, the newspaper delivery man who gives her advice; and the mysterious fortune-teller, who appears from the shadows to give her a statue of Saint Gertrude, the protector of cats everywhere. Gina soon finds herself enmeshed in L.A. s strangest subcultures, doing everything she can to bring Cleo home, including chanting with a bunch of crystal-wielding hippies and being slapped with a chicken by a Santeria priest. Along the way, she reflects on the various cats that have been a part of her life and shares her travails as a single girl in search of both her cat and some sanity. "In Search of Cleo "will delight pet lovers and singletons alike as it introduces Cleo to the celebrated pantheon of literary cats that includes Dewey, Homer, and Oscar."