The second Hob Draconian novel finds the smart but lazy detective in a race for his life. The laziest PI in the world takes a job that should be like shooting fish in a barrel--except he ends up being the fish! "Mr. Sheckley . . . has an engagingly madcap manner all his own".--"The Wall Street Journal".

The name Boeing evokes vivid images, from the B-17 Flying Fortresses of World War II to the 707 and 747 jet transports that revolutionized air travel. Less well known: The Boeing Company built the first stage of the Saturn rocket that started men on the way to the moon, developed the Minuteman missile system, and is now designing America's space station. Boeing jets, in service around the globe, carry 675 million passengers annually--the equivalent of twelve percent of the world's population. Behind the statistics and the awe-inspiring aircraft is a company of paradoxes, a vast organization nimble enough to take daring market risks that have kept it at the top of its industry. Robert J. Serling, forty-five years an award-winning aviation writer, takes the reader behind the scenes with humor, objectivity, and abundant anecdotes: Boeing once went seventeen months without seeing a single domestic jetliner and came close to bankruptcy. One of its legendary test pilots unexpectedly barrel-rolled a prototype jetliner, into which the company had sunk one-quarter of its net worth, because he thought the stunt would help sell the airplane. Legend and Legacy, Robert J. Serling's most ambitious work to date, reads like a novel, complete with memorable characters who, despite occasional stumbles, helped win the war and conquer the commercial skies: The salesman who almost traded a used 727 for $12 million worth of underwear. The vice president who worked in a darkened office illuminated by a single, low-wattage light bulb. The gifted, driven engineers who did the impossible, by yesterday. Never in its seventy-five years has Boeing been so revealingly profiled. This book is must-reading for anyone fascinated by the history of aviation.

"For many serious readers," Robert Alter writes in his preface, "the novel still matters, and I have tried here to suggest some reasons why that should be so." In his wide-ranging discussion, Alter examines the imitation of reality in fiction to find out why mimesis has become problematic yet continues to engage us deeply as readers. Alter explores very different sorts of novels, from the self-conscious artifices of Sterne and Nabokov to what seem to be more realistic texts, such as those of Dickens, Flaubert, John Fowles, and the early Norman Mailer. Attention is also given to such individual critics as Edmund Wilson and Alfred Kazin and to current critical schools. In Alter's essays, a particular book or movement or juxtaposition of writers provides the occasion for the exploration of a general intellectual issue. The scrutiny of well-chosen passages, the joining of images or themes or ideas, the associative and intuitive processes that lead to the right phrase and the right loop of syntax for the matter at hand-all these come together unexpectedly to illuminate both the text in question and the general issue. Recent discussions of mimesis in fiction generally proceed from a single thesis. By contrast, Motives for Fiction offers an empirical approach, attempting to define mimesis in its various guises by careful critical readings of a heterogeneous sampling of literary texts. Intelligent and good-humored, the book is also old-fashioned enough to wonder whether mimesis might not be a task or responsibility to which much contemporary fiction has not proved entirely adequate.

"Roald Hoffmann's contributions to chemistry are well known; this Nobel laureate has published more than 500 articles and two books. As an "applied theoretical chemist," he has made significant contributions to our understanding of chemical bonding and reactivity, and taught two generations of chemists how to use molecular orbitals for real chemistry. Less well known, however, are Hoffmann's important and insightful contributions to the areas of scholarship surrounding chemistry. Over a career that spans nearly fifty years, Roald Hoffmann has thought and written copiously about the broader context of chemistry and its relationship to the arts and poetry. This book contains Hoffmann's essays and is organized around several major themes: chemical reasoning and explanation, writing and communicating in science, ethics, art and science, and chemical education. A few are unpublished lectures that are valuable additions to the volume. The editors have the full cooperation of Roald Hoffmann in this project. Most of the published work will be reprinted verbatim, but a few of the essays will be revised to eliminate redundancy. The unpublished lectures will also be edited since they were originally intended to be delivered orally at specific occasions. The editors will provide an introduction to the book, and some introductory material for each section. In introducing the material, they will highlight the intrinsic importance and interest of the ideas, as well as the places where Hoffmann's thought makes novel contributions to cognate areas"--

By the author of the critically acclaimed international hits The Last Kabbalist of Lisbon and The Warsaw Anagrams , this novel proves Richard Zimler's mastery of the "riveting literary murder mystery" ( Independent on Sunday ). It's Berlin, 1932. Sophie is a smart and sexually precocious fourteen-year-old coming of age during Hitler's rise to power. Forced to lead a double life when her father and boyfriend become Nazi collaborators, she reserves her dreams of becoming an actress for her beloved elderly neighbor, Isaac Zarco, and his friends, most of whom are Jews working against the government in a secret group called the Ring. When a member is sent to Dachau, she realizes there must be a Nazi traitor in the group. But who? Through successive mysteries, reversals, and surprises --and a race against time --The Seventh Gate builds to a shattering end. In its chilling but sensuous evocation of the time and place, Richard Zimler's novel is a love story and a tale of ferocious heroism

From The Highly Acclaimed Author Of The Last Kabbalist Of Lisbon And Hunting Midnight Comes A Sweeping Tale Of Devotion, Persecution And Vengeance In Colonial India By The Time The 16Th Century Was Drawing To A Close In The Portuguese Colony Of Goa, The Catholic Inquisition Was Making Excellent Progress In Its Mission To Keep All Sorcerers Whether Native Hindus Or Immigrant Jews From Practising Their Traditional Beliefs. Those Who Refused To Denounce Others And Give Up Their Ways Were Either Strangled By Executioners Or Burnt Alive In Public Autos-Da-Fé. By Living Just Outside Colonial Territory, The Zarco Family Manages To Stick Firm To Its Portuguese Jewish Roots. Tiago And His Sister Sofia Enjoy A Peaceful Childhood Learning To Illustrate Manuscripts With Their Father, And Secretly Dipping Into The Heady Chaos Of The Hindu Festivals Celebrated By Their Beloved Cook Nupi. As The Children Reach Adulthood, The Family Is Torn Apart When First The Father And Then The Son Are Imprisoned By The Inquisition. But Who Could Have Betrayed Them? Impeccably Researched, Guardian Of The Dawn Is Both A Riveting Historical Mystery And, In Its Profound Exploration Of The Nature Of Evil, A Powerful Reinterpretation Of Othello. This Is Richard Zimler At His Imaginative, Energetic, And Insightful Best. Praise For The Last Kabbalist Of Lisbon Zimler [Is] A Present-Day Scholar And Writer Of Remarkable Erudition And Compelling Imagination, An American Umberto Eco. Francis King, Spectator Drenched In Atmosphere And Period Detail. Wall Street Journal A Riveting Literary Murder Mystery, His Novel Is Also A Harrowing Picture Of The Persecution Of 16Th-Century Jews, And In Passing, The Atmospheric Introduction To The Hermetic Jewish Tradition Of The Kabbalah. Independent On Sunday A Fascinating Novel With Spellbinding Subject Matter. Elle Praise For Hunting Midnight Enthralling&Hunting Midnight Is A Shamelessly Sprawling Historical Novel, Spanning Continents, Napoleonic Wars, A Secret Jewish Family, Kalahari Magic, And Slavery In South Carolina. Sydney Morning Herald Zimler Is Always An Exhilaratingly Free Writer, Free Of Ordinary Taboos&Hunting Midnight Shows Zimler At The Height Of His Powers. London Magazine This Is An Epic Melodrama, Spanning Three Continents And More Than Twenty-Five Years, Building Up To A Genuinely Moving Climax. Literary Review This Is A Rousing Roaring Roller Coaster Of A Read. Climb Aboard And Have Zimler Rattle You Off Into The Sort Of Expansive Imaginative Realm That Readers Dream Of And Lesser Writers Steer Clear Of&Bracing, Spine-Tingling Stuff. Australian Reading Hunting Midnight Was Like Discovering A Rare Gem. Richard Zimler Is A Brilliant Author With A Touch Of Genius. Rendezvous Magazine (Usa)

"In this electrifying novel, Richard Price, the author of Clockers and a writer on The Wire, shines a light in every corner of New York City"--

A surprising and innovative look at class that proposes new approaches to this important topic. While references to gender, race, and class are everywhere in social theory, class has not received the kind of theoretical and empirical attention accorded to gender and race. A welcome and much-needed corrective, this book offers a novel theoretical approach to class and an active practice of class analysis. The authors offer new and compelling ways to look at class through examinations of such topics as sex work, the experiences of African American women as domestic laborers, and blue- and white-collar workers. Their work acknowledges that individuals may participate in various class relations at one moment or over time and that class identities are multiple and changing, interacting with other aspects of identity in contingent and unpredictable ways. The essays in the book focus on class difference, class transformation and change, and on the intersection of class, race, gender, sexuality, and other dimensions of identity. They find class in seemingly unlikely places-in households, parent-child relationships, and self-employment-and locate class politics on the interpersonal level as well as at the level of enterprises, communities, and nations. Taken together, they will prompt a rethinking of class and class subjectivity that will expand social theory.

From bestselling author Rich Cohen and award-winning illustrator Kelly Murphy comes a middle grade action-adventure novel, Alex and the Amazing Time Machine. Alex Trumble is a pretty ordinary kid—except for the fact that his IQ borders on genius, and he loves to read books on vortexes and time travel. But when two angry hit men kidnap his big brother Steven, Alex's life changes fast. Inventing a time machine (using an iPod, mirrors, duct tape, and a laser pointer) is only half the battle. With the help of the time-bending Dingus, Alex and his best friend Todd must travel back in time to collect clues, outwit the bad guys, and race against the clock to save his family from total oblivion.

Winner of the PEN/Faulkner Award for Fiction "A hilarious, richly imagined bear's eye view of love, music, alienation, manhood and humanity…that recalls Pynchon at his most controlled." —Publishers Weekly (starred review) The hero of this sensational debut novel is an alto-sax virtuoso trying to evolve a personal style out of Coltrane and Rollins. He also happens to be a walking, talking, Blake- and Shakespeare-quoting bear whose musical, spiritual, and romantic adventures add up to perhaps the best novel, ursine or human, ever written about jazz.

Four complete works by Philip Roth in one volume. The complete comic saga of Nathan Zuckerman, his ordeals of conscience, from Manhattan, to Miami Beach, to Czechoslovakia! "Roth has transcended himself . . . . A comic genius . . . Certainly Philip Roth's finest achievement to date, eclipsing even his best single fictions . . . ZUCKERMAN BOUND binds together THE GHOST WRITER, ZUCKERMAN UNBOUND, and THE ANATOMY LESSON, adding to them as epilogue a wild short novel, THE PRAGUE ORGY, which is at once the bleakest and the funniest writing Roth has done." -- The New York Times Book Review "ZUCKERMAN BOUND proves that no one now writing can be funnier and, at the same time, more passionately serious than Philip Roth." -- Time "ZUCKERMAN BOUND shows the author's always ebullient invention and artful prose at their most polished and concentrated." -- The New Yorker

An autobiography by one of the leading novelists in the English language. A perennial Nobel favourite, the volume and quality of Philip Roth's work (he published a new novel just about every year) make him a wonderful author to collect.

Actions speak louder than words in this wordless, fully painted graphic novel. If every action has an equal and oppostie reaction, get ready to run for cover: A corrupt cop is shaking down drug dealers, a serial killer is slaughtering strippers, a political scandal is about to explode, the planet is burning and nobody's tal

"Like a García Márquez novel that has suddenly, horrifyingly, come to real life" ( New York Newsday ), Fear in Chile is an extraordinary collection of firstperson accounts of life under dictatorship. In the 1980s, shortly after Chile emerged from one of the century's most notorious reigns of terror, Chilean journalist Patricia Politzer interviewed figures including a revolutionary activist, a military leader loyal to General Augusto Pinochet, a bank clerk concerned with the status quo, the mother of one of the "disappeared," as well as a dozen other men and women from every political position and social stratum of Chilean life. The result is a broad, vivid, yet nonideological view of modern life under military rule, about which Ariel Dorfman writes, "I can think of no better introduction to my country." With the October 1998 arrest of General Pinochet in Great Britain and renewed world awareness of the horrendous crimes committed during his regime, Fear in Chile , updated with a new afterword by the author that considers the recent attempts to prosecute Pinochet for human-rights violations, offers a vivid portrait of Chile's Pinochet era.

A woman physician confronts the moral issues of her time in the third novel in the New York Times–bestselling author’s historical medical trilogy. Roberta Jeanne d’Arc Cole is favored to be named associate chief of medicine at a Boston hospital. She is married to a surgeon. They own a trophy residence on historic Brattle Street in Cambridge and a summer house in the Berkshire Hills. Everything melts away. Her gender and her work at an abortion clinic cost her the hospital appointment. Her marriage fails. Crushed, she goes to the farmhouse in Western Massachusetts, thinking to sell it, and finds an unexpected life. How she continues to fight for every woman’s right to choose, while acknowledging her own ticking clock and maternal yearning, makes this prize-winning third story of the Cole trilogy as relevant as tomorrow.

In Divided By God, Noah Feldman examines the unique, fascinating balance the United States has pursued for well over 200 years now -- the attempt at democratic government by the people in a country made up of many religions, and many highly religious people. The novel principle enshrined to help make this a success was strong separation of church from state. The strain on the system has never been greater as polarization grows over the many hot-button topics of our day. Feldman also observes how the stakes have been raised in the last 50 years as the forces of secularism have fought a largely successful battle to remove religious symbolism from the public sphere, while at the same time the growing tide of religious conservatism has managed to forge a surprisingly close church-state relationship through government funding of religious priorities (faith-based initiatives and school vouchers, for example.) Feldman, a law professor at New York University, delivers a timely book that attempts to move the discussion past rhetoric, by a careful examination of the history of church-state separation. The book's lively, conversational writing makes for a fascinating journey, starting with a precise analysis of exactly why our founding fathers debated and finally agreed to formally separate church and state, and then tracking the tests and challenges that separation has stood over the last two centuries. Perhaps the most refreshing current throughout is Feldman's lack of partisan bias, and his respect and understanding of the values, fears and goals that successive generations have brought to all sides of this never-ending debate. It is that lack of partisanship that makes his conclusion all the more powerful -- a call to move beyond a battlefield where the secular and religious forces aggressively pursue their own mutually exclusive goals, and instead to seek a deeper understanding of what values we all hold in common, and to recognize the importance of engaging in constructive debate in order to find and define that commonality together. -- Ed Dobeas

A New York Times Book Review Editors' Choice and a Paris Review Staff Pick A January Pick by Salon , Town and Country, Southern Living, and LA Magazine New Orleans, 1918. The birth of jazz, the Spanish flu, an ax murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge—and the Crescent City gets the rich, dark, sweeping novel it so deserves. From one of the most inventive writers of his generation, King Zeno is a historical crime novel and a searching inquiry into man’s dreams of immortality. New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation’s. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split the city, a work of staggering human ingenuity intended to restore New Orleans’s faded mercantile glory. The war is ending and a prosperous new age dawns. But everything is thrown into chaos by a series of murders committed by an ax-wielding maniac with a peculiar taste in music. The ax murders scramble the fates of three people from different corners of town. Detective William Bastrop is an army veteran haunted by an act of wartime cowardice, recklessly bent on redemption. Isadore Zeno is a jazz cornetist with a dangerous side hustle. Beatrice Vizzini is the widow of a crime boss who yearns to take the family business straight. Each nurtures private dreams of worldly glory and eternal life, their ambitions carrying them into dark territories of obsession, paranoia, and madness. In New Orleans, a city built on swamp, nothing stays buried long.

Library of America offers the most complete collection ever published of Nathanael West's writings. Along with the four novels for which he is famous, this authoritative collection gathers stories, poetry, essays and plays, film scripts and treatments, and letters. In the Dada-inspired The Dream Life of Balso Snell (1931), he freely mixes high-flown literary and religious allusions with erotic and scatological humor. Miss Lonelyhearts (1933) presents, in a series of grotesque, starkly etched episodes, the spiritual breakdown of a newspaper columnist overwhelmed by his readers’ suffering. By contrast, A Cool Million (1934) reduces the eternal optimism of Horatio Alger’s novels to a brutal, cartoonish farce. In his last work, The Day of the Locust (1939), West renders with hallucinatory precision the reverse side of the Hollywood dream, as he choreographs a cast of failures, has-beens, and deluded glamour-seekers in what becomes an apocalyptic dance of death. Also included is a generous sampling of West’s other surviving work, ranging from freewheeling improvisations and grotesque comic tales to more mainstream work written with Hollywood or Broadway in mind, and including his anti-war satire Good Hunting and his adaptation of Francis Ile’s famous crime novel Before the Fact. The uncollected West shows him as a writer who embodied the contradictions and crazy-quilt exuberance of American culture—and raises the question of how he might have developed had his career not been cut short. Selected correspondence with William Carlos Williams, F. Scott Fitzgerald, Malcolm Cowley, Bennett Cerf, and others rounds out the volume and sets West’s literary life in fuller context. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.

In a famous passage in The Red and the Black , the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.