"Visitors tells the story of feminist activist Ann Snitow's work as an organizer in East Central Europe after the fall of the Berlin Wall in 1989. Over a period of 20 years, Snitow captures the changes and struggles in the new political landscape of post-communism as they unfold, and presents insight into the origins and development of the multi-faceted internationalist feminism that is evolving today"--

"Lahr creates a book worthy of its title: It is a living celebration of theater itself." —Caryn James, New York Times Book Review Since 1992 John Lahr has written for The New Yorker , where for twenty-one years he was the senior drama critic, the longest stint in that post in the magazine's history. Joy Ride is a collection of his profiles and reviews that throws open the stage door, taking us behind the scenes both on and off Broadway to introduce such creators of contemporary drama as August Wilson, Arthur Miller, Stephen Sondheim, Tony Kushner, Wallace Shawn, and Mike Nichols. The result is a delightful, literate, and essential crash course in contemporary theater.

An inventive literary account of Cixous's remarkable journey to her mother's birthplace Winner, French Voices Award for Excellence in Publication and Translation For about eighty years, the Jonas family of Osnabrück were part of a small but vibrant Jewish community in this mid-size city of Lower Saxony. After the war, Osnabrück counted not a single Jew. Most had been deported and murdered in the camps, others emigrated if they could and if they managed to overcome their own inertia. It is this inertia and failure to escape that Hélène Cixous seeks to account for in Osnabrück Station to Jerusalem. Vicious anti-Semitism hounded all of Osnabrück's Jews long before the Nazis' rise to power in 1933. So why did people wait to leave when the threat was so patent, so in-their-face? Drawn from the stories told to Cixous by her mother, Ève, and grandmother, Rosalie (Rosi), this literary work reimagines fragments of Ève's and Rosi's stories, including the death of Ève's uncle, Onkel André. Piecing together the story of Andreas Jonas from what she was told and from what she envisages, Cixous recounts the tragedy of the one she calls the King Lear of Osnabrück, who followed his daughter to Jerusalem only to be sent away by her and to return to Osnabrück in time to be deported to a death camp. Cixous wanders the streets of the city she had heard about all her life in her mother's and grandmother's stories, digs into its archives, meets city officials, all the while wondering if she should have come. These hesitations and reflections in the present, often voiced in dialogues staged with her own son or daughter, are woven with scenes from her childhood in Algeria and the half-remembered, half-invented stories of the Jonas family, making Osnabrück Station to Jerusalem one of the author's most intensely engaging books. This work received the French Voices Award for excellence in publication and translation. French Voices is a program created and funded by the French Embassy in the United States and FACE (French American Cultural Exchange).

James Thomas Flexner has been a professional writer most of his adult life. After several year spent at the City desk at the New York Herald Tribune after graduating from Harvard University , Flexner went on to become one of America's foremost historians. He has written with great distinction in a unique style accessible to and enjoyed by the scholar and general reader, twenty-six books in the fields of American history and art. Although he is principally known for his historical books, notably his four -volume biography of George Washington, Flexner has written in many forms and for many outlets. He has written for print and television; he has been a lecturer, columnist, reviewer, and even a fiction writer.

A rediscovered gem from the Roaring Twenties, "Cutie: A Warm Mamma" offers a biting satire of social reformers and urban life in Chicago. Co-authored by Ben Hecht and Maxwell Bodenheim, this collection of short stories delivers sharp social commentary through humorous and literary fiction. Exploring themes of city life and societal change, the book provides a unique snapshot of the era. Readers will find insightful, and often droll, observations on human nature and the complexities of social interaction. "Cutie: A Warm Mamma" remains a relevant and engaging exploration of the tensions between idealism and reality, rendered with a distinctive voice from a pivotal moment in American history. Its enduring appeal lies in its ability to provoke thought and laughter, making it a timeless reflection on society and its discontents. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The nine American Jews of whom Milton Konvitz writes are philosophers, jurists, or rabbis, widely known and readily accepted as American Jewish thinkers. Their work reflects all essential Jewish values. Each person in his own way has dedicated his work to the betterment of life and the advancement of human ideals. In this sense, their Jewishness is not defined by religion alone. Americanism permeated all they thought and all they did. Konvitz argues that in the complex modern world, secularists often serve God more handsomely than do members of synagogues or churches. For example, when the Supreme Court in 1954 (with Felix Frankfurter playing a key role behind the scenes) agreed to outlaw segregation of the races in public schools, was the Court's action secular or religious? When Congress passed the statute known as the Americans with Disabilities Act, requiring equal treatment of handicapped persons, was the action secular or religious? Is a minimum wage act secular or religious? Is Medicaid a secular or a religious act? Konvitz believes the distinction is not useful, or even possible. The book is divided into three parts, reflecting Konvitz's range of intellectual interests. The nine essays offer concise intellectual biographies of three American Jewish philosophers, three Supreme Court Justices, and three rabbis. The philosophers-Horace M. Kallen, Morris Raphael Cohen, and Sidney Hook-are world-renowned. The jurists-Louis D. Brandeis, Benjamin N. Cardozo, and Felix Frankfurter-hold prominent places in American legal history. And the three rabbis-Leo Jung, Robert Gordis, and Jacob Agus-are known wherever Jewish thought is studied. By treating with equal seriousness the lives and writings of both religious and secularist thinkers, the author intentionally minimizes the conventional antagonism and frequent conflict between religion and secularism. An unusual feature of the book is the fact that the author was a close friend of six of the persons whose lives and work are examined, allowing him a perceptive insight into their character and thought. Although the book is about serious subjects, its graceful style makes the contents easily accessible to lay persons as well as scholars and students of Judaica.

“Pre-eminent among historians of labor history.†—Arthur Schlesinger, Jr. The textbook history of the 1920s is a story of Prohibition, flappers, and unbounded prosperity. For millions of industrial workers, however, the “roaring twenties†looked very different. Working-class communities were already in crisis in the years before the stock market crash of 1929. Strikes in the 1920s and attempts to organize the unemployed and fight evictions in the early 1930s often fell victim to police violence and repression. Here, Irving Bernstein recaptures the social history of the decade leading up to Franklin Delano Rooseveltâ€s inauguration, uncovers its widespread inequality, and sheds light on the long-forgotten struggles that form the prelude to the great labor victories of the 1930s. "In other words, viewed from afar, most of the people who were suffering the hardships of the Depression were depressed and even ashamed, ready to blame themselves for their plight. But the train of developments that connects changes in social conditions to a changed consciousness is not simple. People, including ordinary people, harbor somewhere in their memories the building blocks of different and contradictory interpretations of what it is that is happening to them, of who should be blamed, and what can be done about it. Even the hangdog and ashamed unemployed worker who swings his lunch box and strides down the street so the neighbors will think he is going to a job can also have other ideas that only have to be evoked, and when they are make it possible for him on another day to rally with others and rise up in anger at his condition. —From the new introduction by Frances Fox Piven

Identity and Struggle at the Margins of the Nation-State brings together new research on the social history of Central America and the Spanish-speaking Caribbean during the late nineteenth and early twentieth centuries. Aviva Chomsky and Aldo A. Lauria Santiago have gathered both well-known and emerging scholars to demonstrate how the actions and ideas of rural workers, peasants, migrants, and women formed an integral part of the growth of the export economies of the era and to examine the underacknowledged impact such groups had on the shaping of national histories. Responding to the fact that the more common, elite-centered "national" histories distort or erase the importance of gender, race, ethnicity, popular consciousness, and identity, contributors to this volume correct this imbalance by moving these previously overlooked issues to the center of historical research and analysis. In so doing, they describe how these marginalized working peoples of the Hispanic Caribbean Basin managed to remain centered on not only class-based issues but on a sense of community, a desire for dignity, and a struggle for access to resources. Individual essays include discussions of plantation justice in Guatemala, highland Indians in Nicaragua, the effects of foreign corporations in Costa Rica, coffee production in El Salvador, banana workers in Honduras, sexuality and working-class feminism in Puerto Rico, the Cuban sugar industry, agrarian reform in the Dominican Republic, and finally, potential directions for future research and historiography on Central America and the Caribbean. This collection will have a wide audience among Caribbeanists and Central Americanists, as well as students of gender studies, and labor, social, Latin American, and agrarian history. Contributors . Patricia Alvarenga, Barry Carr, Julie A. Charlip, Aviva Chomsky, Dario Euraque, Eileen Findlay, Cindy Forster, Jeffrey L. Gould, Lowell Gudmundson, Aldo A. Lauria Santiago, Francisco Scarano, Richard Turits

This volume of essays brings together some of the best work by Americanists concerned with the problem of ideology and its bearing upon American literature and culture. It projects neither a particular ideological view nor a particular view of ideology. On the contrary: these essays highlight the many uses of ideology as a critical term, and, in doing so, they open fresh avenues of inquiry and forums for discussion. They also demonstrate that, far from being parochial or reductive, ideological analysis is integral to considerations of formal structure and crucial to an understanding of the relations between literature and culture. Their essays deal variously with theoretical issues, with questions of theme, genre, and perspective, and with interpretations of particular authors and texts. The editors of the volume provide a general introduction to the nature and development of ideological critique, and an afterword that discusses the coherence of the volume as a whole and its implications for further study.

Mimesis: the idea of imitation. Alterity: the idea of difference, the opposition of Self and Other. In his most accomplished work to date, Michael Taussig explores these complex and often interwoven concepts. Arguing that mimesis is the nature that culture uses to create second nature, he maintains that mimesis - variously experienced in different societies - is not only a faculty but also a history. That history, Taussig writes, is deeply tied to "Euroamerican colonialism, the felt relation of the civilizing process to savagery, to aping, sensateness caught in the net of passionful images spun for several centuries by the colonial trade with wildness." For anthropologists, social scientists, cultural critics, artists and everyone else caught up in the enigma of the postmodern, framing the question "What is Reality" is crucial to gaining an understanding of what it is we know and who we are. Why is it important to understand that traditions are inventions and that social life is a construction when they grip us with all the force of the "natural"? And how is it that we understand reality as both real and really made up? In Mimesis and Alterity Taussig undertakes an eccentric history of the mimetic faculty. He moves easily from the nineteenth-century invention of mimetically capacious machines, such as the camera, backwards to the fable of colonial "first-contact" and alleged mimetic prowess of "primitives," and then forward to contemporary time, when the idea of alterity is increasingly unstable. Utilizing anthropological theory, Taussig blends Latin American ethnography and colonial history with the insights of Walter Benjamin, Adorno and Horkheimer. Vigorous and unorthodox, Taussig's understanding of mimesis in different cultures deepens our meanings of ethnography, racism and society.

It is no longer news that the history of the European past and its role in shaping American cultural life is under severe attack. In virtually every university that offers a liberal arts curriculum, in every arts institution that deals with European classics, in the offices of every publication that engages in intellectual pursuits, the discussion of the past has become the principal battleground for mapping out the future of our culture. In this provocative and insightful collection of essays first published in The New Criterion, ten distinguished critics reflect on the fate of Europe’s cultural and political legacy as we approach the turn of the century. On subjects ranging from the collapse of communism and its implications for European society, to the study of the classics, to the prospects for serious music and art, these essays offer analyses marked by wit, independence, and commanding intelligence. The contributors include David Pryce-Jones, Anne Applebaum, Roger Scruton, John Gross, Ferdinand Mount, John Herington, Keith Windschuttle, Mark Steyn, Hilton Kramer, and Roger Kimball. The Future of the European Past is a major contribution to the debate over some of the most pressing cultural issues of our time.

THE COMPLETE ORIGINAL EDITION! An utterly revelatory work. Unprecedented in scope, detail, and ambition. In Lost Tribes and Promised Lands, celebrated historian and cultural critic Ronald Sanders offers a compelling and ideology-shattering history of racial prejudice and myth as shaped by political, religious, and economic forces from the 14th Century to the present day. Written with clear-eyed vigor, Sanders draws on a broad history of art, psychology, politics, and religion to inform his striking and soundly-reasoned assertions. Lost Tribes and Promised Lands nimbly zig-zags through space and time, doggedly chipping away at the myopic history of discovery and righteous conquest that has been reiterated for decades by the same ideological forces responsible for centuries of mythological prejudice and racial strife. Placing 14th Century Spanish intolerance (specifically anti-Semitism) as the origins of American racism toward African and Native Americans, Sanders elegantly weaves complex threads of colonial economics, religious exceptionalism, and xenophobia into a heady and often-infuriating thesis on the history of racism. Finally back in print in a complete and cost-accessible edition (when the book was out of print, demand for this important work was so intense that used copies sold for thousands of dollars). Find out why! Lost Tribes and Promised Lands is a gripping and hegemony-exploding treatise on the history of race in the New World.

The first-ever anthology of American antiwar writing: from 1812 to the present, covering the entire political spectrum and the complete history of U.S. wars.

According to the 1990 census, New York, for the first time in a century, had more foreign-born inhabitants than native-born residents. A city of continual immigration, New York's people have been documented by major artists and photographers from the earliest European settlers to the present. In this majestic illustrated history, with over 500 prints, paintings, and photographs, many never before published, we see the arrival of the first wave of Dutch and Anglo-Saxon settlers in the seventeenth century. We progress through Irish and German immigrations in the mid-nineteenth century, the immigration in the late nineteenth and early twentieth centuries of vast numbers of Italians and Eastern European Jews as well as Greeks and Slavs, followed by African Americans moving from the South after World War I. Finally, as the twentieth century comes to a close, Caribbeans, Latinos, Africans, and Asians have become the dominant new New Yorkers. As he did with Harlem on My Mind, The Lower East Side, American Jewish Album, and The Italian Americans, Allon Schoener has brought together wonderful images as well as documentary accounts from diaries, letters, news articles, and other sources, giving us the rich history and texture of this great city.

Should a court order medical treatment for a severely disabled newborn in the face of the parents' refusal to authorize it? How does the law apply to a neighborhood that objects to a group home for developmentally disabled people? Does equality mean treating everyone the same, even if such treatment affects some people adversely? Does a state requirement of employee maternity leave serve or violate the commitment to gender equality? Martha Minow takes a hard look at the way our legal system functions in dealing with people on the basis of race, gender, age, ethnicity, religion, and disability. Minow confronts a variety of dilemmas of difference resulting from contradictory legal strategies―strategies that attempt to correct inequalities by sometimes recognizing and sometimes ignoring differences. Exploring the historical sources of ideas about difference, she offers challenging alternative ways of conceiving of traits that legal and social institutions have come to regard as "different." She argues, in effect, for a constructed jurisprudence based on the ability to recognize and work with perceptible forms of difference. Minow is passionately interested in the people―"different" people―whose lives are regularly (mis)shaped and (mis)directed by the legal system's ways of handling them. Drawing on literary and feminist theories and the insights of anthropology and social history, she identifies the unstated assumptions that tend to regenerate discrimination through the very reforms that are supposed to eliminate it. Education for handicapped children, conflicts between job and family responsibilities, bilingual education, Native American land claims―these are among the concrete problems she discusses from a fresh angle of vision. Minow firmly rejects the prevailing conception of the self that she believes underlies legal doctrine―a self seen as either separate and autonomous, or else disabled and incompetent in some way. In contrast, she regards the self as being realized through connection, capable of shaping an identity only in relationship to other people. She shifts the focus for problem solving from the "different" person to the relationships that construct that difference, and she proposes an analysis that can turn "difference" from a basis of stigma and a rationale for unequal treatment into a point of human connection. "The meanings of many differences can change when people locate and revise their relationships to difference," she asserts. "The student in a wheelchair becomes less different when the building designed without him in mind is altered to permit his access." Her book evaluates contemporary legal theories and reformulates legal rights for women, children, persons with disabilities, and others historically identified as different. Here is a powerful voice for change, speaking to issues that permeate our daily lives and form a central part of the work of law. By illuminating the many ways in which people differ from one another, this book shows how lawyers, political theorist, teachers, parents, students―every one of us―can make all the difference,

Hillel Halkin is an American-born Jew who has cast his personal and historical lot with Israel. The imaginary American Jewish friend to whom Halkin directs his onrush of argument is an equally committed young Jew who, however, upholds the possibility of a viable Jewish life outside of Israel. He has just returned to the United states after his second visit to Israel and written a letter of his impressions, which triggers the present correspondence. The two friends argue about Zionism, Israel, Jewish history and culture, the nature of Jewishness. As the gauntlet is flung back and forth, Halkin elaborates his case that Jewish history and Israeli history are two lines in the process of converging, so that for all practical purposes the struggle for Jewish survival and the struggle for Israel are the same; and that any Jew who chooses, in the absence of extenuating circumstances, not to live in Israel is removing himself to the peripheries of the struggle for Jewish survival and away from the center of Jewish history.

This March 1941 book-written by a New Jersey Jewish-German émigré-caused a storm in Germany and America with its open advocacy of the physical extermination of all Germans and Germany itself. This was to be achieved through a process of mass sterilization, and the physical dismemberment of that country. Arguing that Nazism was in fact just another expression of militant Germanism, the author said that the Germans would never change and the only way to end the ongoing struggle was to end Germany and the German people. Because of Kaufman's claimed links to the policy advisors of the American president, Nazi Propaganda Minister Joseph Goebbels used the book to help encourage Germans to fight to the last. Ironically, significant sections of Kaufman's book, despite being dismissed as the work of a loner, came true. At least 12 million Germans were expelled from their land following the end of the war, and their deportation became the single largest transfer of any population in modern European history, and one-third of German territory was ethnically cleansed of Germans and permanently seized. Although the sterilization plan was never implemented, the collapse in the German birth rate, predicted by the author, has occurred, and even this part of the plan seems set to become reality. As the author wrote: "Of course, after complete sterilization, there will cease to be a birth rate in Germany. At the normal death rate of 2 per cent per annum, German life will diminish at the rate of 1,500,000 yearly. Accordingly in the span of two generations that which cost millions of lives and centuries of useless effort, namely, the elimination of Germanism and its carriers, will have been an accomplished fact." A SENSATIONAL IDEA!-Time Magazine A PLAN FOR PERMANENT PEACE AMONG CIVILIZED NATIONS! -New York Times This is an exact reproduction of the 1941 original, digitally reprocessed to the highest standards.

"All is true," realist writers would say of their work, to which critics now respond: All is art and artifice. Offering a new approach to reading nineteenth-century realist fiction, Lilian R. Furst seeks to reconcile these contradictory claims. In doing so, she clarifies the deceptions, appropriations, intentions, and ultimately the power of literary realism.In close textual analyses of works ranging across European and American literature, including paradigmatic texts by Balzac, Flaubert, George Eliot, Zola, Henry James, and Thomas Mann, Furst shows how the handling of time, the presentation of place, and certain narrational strategies have served the realists’ claim. She demonstrates how readers today, like those a hundred years ago, are convinced of the authenticity of the created illusion by such means as framing, voice, perspective, and the slippage from metonymy to metaphor. Further, Furst reveals the pains the realists took to conceal these devices, and thus to protect their claim to be employing a simple form. Taking into account both the claims and the covert strategies of these writers, All Is True puts forward an alternative to the conventional polarized reading of the realist text—which emerges here as neither strictly an imitation of an extraneous model nor simply a web of words but a brilliantly complex imbrication of the two.A major statement on one of the most enduring forms in cultural history, this book promises to alter not only our view of realist fiction but our understanding of how we read it.