Chana Rochel Werbermacher was a remarkable child, imbued with a love of Torah and a fervent desire to learn. Her destiny beckoned, and she became a scholar-and the focus of great controversy in the shtetl of Ludomir and the Jewish community at large. Many sought her advice. They called her "Rebbe," for that is what she was. The story of her struggle, her courage, and her life will be an inspiration for generations to come. You will not forget her.

Shortlisted for the Scotiabank Giller Prize and nominated for the Governor-General's Award for Literature, a hilarious, swashbuckling yet powerful tale of pirates, buried treasure and a search for the Fountain of Youth, told in the ribald, philosophical voice of a 500-year-old Jewish parrot. Set in the years around 1492, Yiddish for Pirates recounts the compelling story of Moishe, a Bar Mitzvah boy who leaves home to join a ship's crew, where he meets Aaron, the polyglot parrot who becomes his near-constant companion. From a present-day Florida nursing home, this wisecracking yet poetic bird guides us through a world of pirate ships, Yiddish jokes and treasure maps. But Inquisition Spain is a dangerous time to be Jewish and Moishe joins a band of hidden Jews trying to preserve some forbidden books. He falls in love with a young woman, Sarah; though they are separated by circumstance, Moishe's wanderings are motivated as much by their connection as by his quest for loot and freedom. When all Jews are expelled from Spain, Moishe travels to the Caribbean with the ambitious Christopher Columbus, a self-made man who loves his creator. Moishe eventually becomes a pirate and seeks revenge on the Spanish while seeking the ultimate booty: the Fountain of Youth. This outstanding New Face of Fiction is filled with Jewish takes on classic pirate tales--fights, prison escapes, and exploits on the high seas--but it's also a tender love story, between Moishe and Sarah, and between Aaron and his "shoulder," Moishe. Rich with puns, colourful language, post-colonial satire and Kabbalistic hijinks, Yiddish for Pirates is also a compelling examination of mortality, memory, identity and persecution from one of this country's most talented writers.

Combining Eastern spiritualism with Western science, the founder of the national charity God's Love We Deliver creates an inspiring, practical, and hopeful approach to facing death. Uplifting without being sentimental, Stone explores such important issues as fear and grief, near-death experiences, survival, and preparation for death.

(Vocal Selections). 7 songs from the Broadway standard, including: Brotherhood of Man * Grand Old Ivy * Happy to Keep His Dinner Warm * How to Succeed in Business Without Really Trying * I Believe in You * Love from a Heart of Gold * Paris Original.

An inspiring memoir about love, race, identity, and contested narratives told with unflinching mettle. Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.

It is commonly assumed that capitalism has created an a-emotional world dominated by bureaucratic rationality; that economic behavior conflicts with intimate, authentic relationships; that the public and private spheres are irremediably opposed to each other; and that true love is opposed to calculation and self-interest. Eva Illouz rejects these conventional ideas and argues that the culture of capitalism has fostered an intensely emotional culture in the workplace, in the family, and in our own relationship to ourselves. She argues that economic relations have become deeply emotional, while close, intimate relationships have become increasingly defined by economic and political models of bargaining, exchange, and equity. This dual process by which emotional and economic relationships come to define and shape each other is called emotional capitalism. Illouz finds evidence of this process of emotional capitalism in various social sites: self-help literature, women's magazines, talk shows, support groups, and the Internet dating sites. How did this happen? What are the social consequences of the current preoccupation with emotions? How did the public sphere become saturated with the exposure of private life? Why does suffering occupy a central place in contemporary identity? How has emotional capitalism transformed our romantic choices and experiences? Building on and revising the intellectual legacy of critical theory, this book addresses these questions and offers a new interpretation of the reasons why the public and the private, the economic and the emotional spheres have become inextricably intertwined.

By the award-winning and bestselling author of Journey to the River Sea, a novel that sings with characteristic Ibbotson warmth and wit.Eva Ibbotson's charming and warm-hearted tale, A Secret Countess was originally published as A Countess Below Stairs.Anna, a young countess, has lived in the glittering city of St Petersburg all her life in an ice-blue palace overlooking the River Neva. But when revolution tears Russia apart, her now-penniless family is forced to flee to England. Armed with an out-of-date book on housekeeping, Anna determines to become a housemaid and she finds work at the Earl of Westerholme's crumbling but magnificent mansion. The staff and the family are sure there is something not quite right about their new maid - but she soon wins them over with her warmth and dedication.Then the young Earl returns home from the war - and Anna falls hopelessly in love. But they can never be together: Rupert is engaged to the snobbish and awful Muriel - and anyway, Anna is only a servant. Or so everybody thinks . . .

A hundred years ago, in the Himalayan peaks of Nanvi Dar, the daughter of an English earl is kidnapped by a huge hairy monster. In a secret valley Agatha Farley is introduced to a family of motherless yetis and devotes her life to their upbringing. She teaches them to speak, tells them stories and insists on polite manners. But as the decades pass, tourists come to the mountains, a hotel is built and yeti-hunters arrive. Agatha knows that there is one place in the world where they would be protected - her ancestral home at Farley Towers. When a boy and his sister stumble upon her hidden valley, she knows she has found the courageous people who will carry out her plan. The excited yetis are smuggled into the bridal suite at the hotel. A freezer lorry is waiting to put them into semi-hibernation on the long trip home. But the baby yak that has fallen in love with the youngest yeti foils the refrigeration plan and they set off on a hugely entertaining road trip half way across the world. In the Sultan of Aslerfan's kingdom the yetis release all the animals from his zoo. In the Alps they rescue a lost child in a blizzard. In Spain, the yak creates chaos at a bullfight. But when they arrive in England, a terrible shock awaits them at Farley Towers... This early novel, never submitted for publication, contains all the trademark qualities that made Eva's subsequent books so successful; comedy, loveable and eccentric characters, perfectly-crafted plotting, and inspiring themes of tolerance, kindness to animals, and the defeat of cruelty.

This book is a counterpart to the classic The Art of Loving. Whereas the main topic there was man's capacity to love, the main topic here is his capacity to destroy, his narcissism, and his incestuous fixations. Whereas the topic of non-love fills most of these pages, the problem of love is taken up in a new and broader sense, namely, the love of life. The love of life, independence, and the overcoming of narcissism form "a syndrome of growth" against "a syndrome of decay" formed by love of death and malignant narcissism.

Look-Look Books feature popular characters in a great paperback format. These storybooks contain magnificent full-color illustrations both toddlers and beginning readers will love.

Widely heralded for her bestselling first novel ( Feed My Dear Dogs ) and award-winning stories ( Sister Crazy , also nominated for the Orange Prize), Emma Richler finally returns with a dazzling major novel with the power of A.S. Byatt's Possession , the wit and wonder of Peter Carey's Oscar and Lucinda and Kate Atkinson's Life After Life --about a sister and her adopted brother with a one-of-a-kind connection: a profoundly moving, original love story about the unbreakable ties that bind, and the choices we make or create for ourselves. Zachariah and Rachel are brother and sister. Well, not exactly. They are star-crossed lovers. Well, not exactly. Rachel is the cherished daughter of a Russian family living in London--the richly imagined, mysterious Wolffs; Zach is her parents' adopted son who arrived from the orphanage with one sweater, a head of curls and a dexterous set of fists. As children, they became as close as two people can be. But when they crossed a forbidden line, there was no going back. Now, as an adult, coping with their father's furious rebuttal of Zach, Rachel sets herself the task of inventing a family history for her beloved. And so she brings to life his imagined ancestry--from a tavern-educated boxer in Dickensian times, to a Hussar at the Battle of Borodino during the Napoleonic Wars--even as their troubles in present-day Camden Town build to yet another point of no return. Cartwheeling through history, filled with art and science, fairy tales and folk songs, tsars and foundlings, epic battles in the prize ring and on the Eastern Front, and characters that take over our hearts, Be My Wolff is riveting--wondrous, funny and tragic and of astonishing imagination and beauty.

"'A covenantal vision of life, with mitzvah (divine commandment) as the central organizing principle in the relationship between Jews and God, liberates the intellect and the moral will. I seek to show that a tradition mediated by the Sinai covenant can encourage the development of a human being who is not afraid to assume responsibility for the ongoing drama of Jewish history. Passive resignation is seen not to be an essential trait of one whose relationship to God is mediated by the hearing of mitzvot ." --from the Introduction This interpretation of Jewish teaching will appeal to all people seeking to understand the relationship between the idea of divine demand and the human response, between religious tradition and modernity. Hartman shows that a life lived in Jewish tradition need not be passive, insulated, or self-effacing, but can be lived in the modern pluralistic world with passion, tolerance, and spontaneity. The Judaic tradition is often seen as being more concerned with uncritical obedience to law than with individual freedom and responsibility. In A Living Covenant, Hartman challenges this approach by revealing a Judaism grounded in a covenant--a relational framework--informed by the metaphor of marital love rather than that of parent-child dependency. This view of life places the individual firmly within community. Hartman shows that the Judaic tradition need not be understood in terms of human passivity and resignation, but rather as a vehicle by which human individuality and freedom can be expressed within a relational matrix.

Welcome to Rome. It is the summer of 1978, and the Krasnansky family, bickering, tired and confused, are supposed to be passing through. Alongside thousands of other Soviet Jewish refugees – among them criminals, dissidents and refuseniks – they await passage to their new homes in the West. But escaping Communism is not so easy, especially when some of the Krasnanskys insist on bringing it with them, and even more so when their sponsor in the USA lets them down and they find that they’re no longer passing through at all. On the contrary, they’re stuck.Welcome, then, to the waiting room of your life, and to a tragic but comic tale of reckless brothers and long-suffering sisters, ailing parents and innocent children, of love affairs and criminal liaisons, of a wonderfully troubled family and a perpetually wandering people, and their epic search for a home: somewhere, anywhere – or Canada, as it turns out.The Free World is the glorious debut novel by David Bezmozgis, whose collection of stories was shortlisted for the Guardian First Book Award, and who was recently included in the New Yorker’s prestigious ‘20 under 40’ list.

A New York Times Book Review Notable Book Daphne Merkin brings her signature combination of wit, candor, and penetrating intelligence to subjects that touch on every aspect of contemporary culture, from the high calling of the literary life to the poignant underside of celebrity and our collective fixation on fame. Merkin's elegant, widely admired profiles go beneath the glossy facades to consider their vulnerabilities and demons, as well as their enduring hold on us. Here one will encounter a gallery of complex, unforgettable celebrities, from Marilyn Monroe to Mike Tyson, and from Courtney Love to Truman Capote. Merkin also offers reflections on writers as varied as Jean Rhys, W. G. Sebald, John Updike, and Alice Munro. From a brazenly honest and deeply empathic observer, The Fame Lunches shines a light on truths we often prefer to keep veiled-and in doing so opens up the conversation for all of us.

In this unique collection of essays, some of today’s smartest Jewish thinkers explore a broad range of fundamental questions in an effort to balance ancient tradition and modern sexuality In the last few decades a number of factors—post-modernism, feminism, queer liberation, and more—have brought discussion of sexuality to the fore, and with it a whole new set of questions that challenge time-honored traditions and ways of thinking. For Jews of all backgrounds, this has often led to an unhappy standoff between tradition and sexual empowerment. Yet as The Passionate Torah illustrates, it is of critical importance to see beyond this apparent conflict if Jews are to embrace both their religious beliefs and their sexuality. With incisive essays from contemporary rabbis, scholars, thinkers, and writers, this collection not only surveys the challenges that sexuality poses to Jewish belief, but also offers fresh new perspectives and insights on the changing place of sexuality within Jewish theology—and Jewish lives. Covering topics such as monogamy, inter-faith relationships, reproductive technology, homosexuality, and a host of other hot-button issues, these writings consider how contemporary Jews can engage themselves, their loved ones, and their tradition in a way that’s both sexy and sanctified. Seeking to deepen the Jewish conversation about sexuality, The Passionate Torah brings together brilliant thinkers in an attempt to bridge the gap between the sacred and the sexual. Contributors: Rebecca Alpert, Wendy Love Anderson, Judith R. Baskin, Aryeh Cohen, Elliot Dorff, Esther Fuchs, Bonna Haberman, Elliot Kukla, Gail Labovitz, Malka Landau, Sarra Lev, Laura Levitt, Sara Meirowitz, Jay Michaelson, Haviva Ner-David, Danya Ruttenberg, Naomi Seidman, and Arthur Waskow.

A thrilling exploration of psychological disturbance and fear from the bestselling and prize-winning author of Measuring the World. *Now a major film starring Kevin Bacon and Amanda Seyfried* On retreat in the wintry Alps with his family, a writer is optimistic about completing the sequel to his breakthrough film. Nothing to disturb him except the wind whispering around their glassy house. The perfect place to focus. Intruding on that peace of mind, the demands of his four-year-old daughter splinter open long-simmering arguments with his wife. I love her , he writes in the notebook intended for his script. Why do we fight all the time? Guilt and expectation strain at his concentration, and strain, too, at the walls of the house. They warp under his watch; at night, looking through the window, he sees impossible reflections on the snow outside. Then the words start to appear in his notebook; the words he didn't write. Familiar and forbidding by turns, this is an electrifying experiment in form by one of Europe's boldest writers. The ordinary struggles of a marriage transform, in Kehlmann's hands, into a twisted fable that stays darkly in the mind.

Picture the scene: The boardroom at French electricity giant EdF. The subject: 'Motivation'. One of the senior economists piped up: She came to work, she declared, because she was paid to. The stunned silence lasted a full 15 seconds. The woman was Corinne Maier and she had dared to voice the unspeakable - we go to work not because we love it, not because we love organising childcare, and cramming on the Tube for 45 minutes, but because we have to. This sets the tone for Maier's revolutionary book on getting away with doing as little as possible at work. Full of practical tips as well as insights into the workings of the modern company, HELLO LAZINESS is as inspirational as it is enlightening. Covering subjects ranging from getting promoted, to managing in meetings and dealing with colleagues, HELLO LAZINESS is a witty antidote to the rash of American motivational books on the market. It is a call to the office-workers of the world to rise up and throw their laptops and mission statements in the air. HELLO LAZINESS will make you laugh, then make you wish you'd known all of this years ago.

"In The Apprenticeship, or The Book of Pleasures, Clarice Lispector tries to discover how to bridge the gap between people, or how to even begin to try. A woman struggles to emerge from solitude and sadness into love, including sexual love: her guide on this journey is Ulisses, who (yes) leads her patiently into the fullness of life."--

Chuck Barris reinvented television. And when he was through, he moved to the south of France. This memoir is about becoming king of the game show and why Peter Mayle got it all wrong. So how does a boy from south Philadelphia, the fellow who created the Dating Game, the Newlywed Game, and the Gong Show find happiness on the Cote d' Azur - especially if he fractures the language, is homesick for football, and knows in his heart of hearts that he's got at least one more prime-time hit in him struggling for air time? Painfully candid, remarkably informative, and alive with spark, wit, and intelligence, this chronicle may well be the funniest confession ever written. The end began a few years ago with the Popsicle Twins, an act performed by a pair of nubile Valley Girls on the Gong Show that almost shut down NBC. Chuck Barris was not only the creator and producer of the program, he was also its host, and therefore, the man responsible. He had, finally, gone too far. So, he sold Chuck Barris Productions and decamped with his beautiful wife to the hills above Saint-Tropez. He soon had a villa, a classic speedboat, lots of unwanted guests, and was being kicked toward the conclusion that the charm of the country would be considerably enhanced if one could only figure out how to get rid of the French people. The new beginning ended when Chuck Barris realized that having all your dreams come true isn't what it's cracked up to be. So, back to Los Angeles and the real dream-makers. Can't a guy who wrote a rock and roll standard, a guy who made himself into a champion boule player make the legend live again? The answer to that, and to why Bill Clinton would rather talk with Nicole Kidman (Mrs. TomCruise), can be found in these pages, a confession that would make St. Augustine and Jean-Jacques Rousseau envious. But before then, in 1972, Chuck Barris wrote a love story (You and Me Babe, which spent seven weeks on the New York Times best-seller list). At that time he was the most successful television producer in America. Now he's older, smarter, and a lot richer, and what he admits to here could only come from someone very much his own man.

The always incredible Hulk's adventures continue, led by Len Wein and Sal Buscema! They kick things off with an all-out slugfest between the Hulk, Man-Thing and the Glob. While the Hulk fights for his life, romance grows between Betty Ross and Doc Samson. It's the kind of relationship that leads to a battle between green hair and green skin. In HULK #200, it's a microscopic trip - literally - into the mind of Glenn Talbot! His return to the heart of the atom brings him back to his love Jarella, but their return to Earth and tragic events drive the Hulk into a berserker rampage. Also featuring the Defenders, the Absorbing Man and a giant-size Annual where Hulk battles classic Marvel monsters! COLLECTING: INCREDIBLE HULK (1968) 197-209, ANNUAL (1968) 5