Bill Kohn's painting, Udaipur Tinsmiths, underlies the 45,000-year history of representational art, beginning with the evolutionarily maladaptive cave paintings and concluding with the starkly abstract and two-dimensional modernistic paintings that exemplify the utopian metanarrative of Clement Greenberg that postmodernism soundly repudiated. That particular repudiation may have been the only misjudgment by posmodernism because the modernistic art thrived into the 21st century. Unfortunately if crowded out from museum walls newer figurative, three-dimensional paintings more rich in content and mystery.

This is a collection of poems that reflects the author's experiences as a traveler and a lover of nature. The poems are characterized by a lyrical and introspective tone, and reveal a deep appreciation for the beauty and mystery of the natural world. Philip Max Raskin's work is sure to resonate with readers who share his sense of wonder and awe. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Post-modern American Poetry, 108 pp. "Mitch Corber, a stalwart member & chronicler of NYC's poetry community for decades, explores/reveals in this his first major volume of work 'veiled moons, ' 'creaky cabinets, ' 'weekend binges' & so much more -- with dark, humorous, romantic & experimental, at times cut-up/random-seeming verses infused with internal rhyme & wordplay connecting the commonplace with the metaphysical through meditative 'sporadic nibbling' & 'a mosaic of moods.'" -Steve Dalachinsky "Poet Mitch Corber's 'Weather's Feather' is "raw testimony" to love, desire, loss and rage that exists within "the sum of forgiveness." A steadfast and creative presence in New York's downtown poetry scene, Mitch Corber knows the mercurial intensities of its liaisons and its allures. Its passions are his: 'Gentle me a symmetry of delayed/desire lit by a clientele of electricity.' Workdays become occasions where 'fond flowers fish for a wish, ' and the whims of climate and ardor are enhanced by 'shy resurfacings.'" -Star Black "Mitch Corber is a Dylan Thomas for the Hip Hop generation. 'I lace words' is his throwdown, and he ain't kidding around. "Weather's Feather" is a unique contribution to post-Beat poetry as Corber is tapping into the experimental poetics of The Beats as found in Kerouac's 'Old Angel Midnight, ' Ray Bremser's bop prosody, Burroughs' cut-up experiments and Corso's 'Gasoline.' I'll toast this new volume with the author's favorite drink: 'a sinkful of gladdened magnets.'" -Joel Lewis "Mitch Corber dances on a poetic highwire gleaning meaning from the verbal swarm that envelops us. Brawn and beauty mix it up in balletic bouquets of "seething" syntax fusions. Sinuous verse pulses with mystery and affirmation, aspiration and defeat. Beguiling and edgy, Corber's voice is authentic, complex and heady, like a grandy brandy that's been aged in a hollowed-out dictionary. Between sparkling bon mots and startling juxtapositions, Mitch seeks and finds the fine line where the personal meets the communal. -Jeffrey Cyphers Wright "Corber was introduced to poetry through nursery rhymes. He took off from there and never looked back. His flights of fancy display love, loneliness, impermanence, the joys of imagination, and unexpected ascents and descents. No one ever knows where one of his poems will land. And no two trips are alike. This is a book for worldly travelers who never tighten their seatbelts." -George Spencer "Mitch Corber, grassroots documentarian of East Village poetry scene for decades, here shows that his vérité eye goes bongo gonzo when flipped into his interior abyss. He asks, 'Have you seen my pesky porcupine, /her spiny tingle, those naughty needles?' and while everybody else might just say Noooo, for Mitch it's an everyday experience. What's in those needles? Surrealist syringes, jazz bops and verbal nonstops...! Teddy B (Berrigan) puts in an appearance (on Avenue C) - he is La Bohème, with Corber strutting like Lord Buckley to get hiperama. His are the Beatles of 'The Eggman.' Take two poems and call him in the morning. Name a poem 'Pyrex Bowl.' Don't take an answer for an answer. Goo goo ga-joob. Mitch Corber is the Mad Taxidermist, and language is his prey.-Bob Holman "Mitch Corber comes to us from out of nowhere, yet very much from out of somewhere. He can write love 'in the proxy of praxis'- where lovemaking is akin to poesis. A sensitive ear to assonance and rhyme, and love of the unsettling word, fuels Corber's lyric metric. He does not so much explore as navigate. He seems to dwell in the metaphysic, rather than the street, though his sense of human, and particularly romantic, relation is vivid. His metaphysic is a valuable tool for living, existing as it must in what he terms 'the lethal diamond dream.'" -Vincent Katz

E. Phillips Oppenheim was a popular 20th century writer best known for penning suspenseful thriller novels like The Mystery of Mr. Bernard Brown . Many of his more than 100 novels are still read today.

E. Phillips Oppenheim was a popular 20th century writer best known for penning suspenseful thriller novels like The Mystery of Mr. Bernard Brown . Many of his more than 100 novels are still read today.

E. Phillips Oppenheim was a popular 20th century writer best known for penning suspenseful thriller novels like The Mystery of Mr. Bernard Brown . Many of his more than 100 novels are still read today.

E. Phillips Oppenheim was a popular 20th century writer best known for penning suspenseful thriller novels like The Mystery of Mr. Bernard Brown . Many of his more than 100 novels are still read today.

Ten short stories. Miss Mott is a newspaper columnist, offering advice to readers on various personal matters. Is she now to become a consultant on crime? Of course, her uncle does work at Scotland Yard...In the ten cases, Lucie Mott solves only two-inding a missing woman locked in her own house and recognizing that an apparently philandering husband was actually out thieving--and in a third helps rescue her uncle. In five stories she is saved from her own folly by a supposed criminal known as Violet Joe with whom she immediately falls in love. Three strains of action are interwoven throughout the volume: the romance of Lucie and Violet Joe, the maniacal attraction of the criminal gang leader Meredith for Lucie, and Miss Mott's investigative career. All are neatly tied up in the final case.

Vladimir Stroganoff, the Russian ballet impresario shares humorous reminiscences of his ballet troup in pre-revolutionary Russia

Book by Oppenheim, E. Phillips

One of many great works by E. Phillips Oppenheim, "prince of storytellers" from the late 19th and early 20th Century England.

Last Train Out must be one of the earliest thrillers to describe the build up to the Second World War. Its story is built around the escape of a Jewish banker from Vienna to Switzerland from before the annexation of Austria by Germany in March 1938 to just after the declaration of war on Germany by Britain in France in September 1939 following the German invasion of Poland.

E. Phillips Oppenheim's "A Millionaire of Yesterday" was first released in 1900. The book follows the story of a young man's struggle for fortune in colonial Africa and his quest for happiness there. Young Scarlett Trent, who is eager to become wealthy in the gold mines of Africa, must struggle with his own sense of good and evil while juggling the difficulties he faces and his desire to succeed. His buddy Monty, a dubious alcoholic with a murky past, accompanies him on his mission. The suspense is maintained throughout the novel, whether they will be successful in achieving their goals or whether Monty's past returns to haunt them both. Despite his best efforts, Trent is obstructed by several opponents who only bring him immense tragedy. The readers will find themselves immersed in the experience of the novel as it leads them towards a happy ending. The Long Arm of Mannister, The Great Impersonation, and The Moving Finger are some of Oppenheim's best known works.

- 'An ingenious country house mystery... keeps the reader on tenterhooks from the very first page' NEW YORK TIMES - 'J. Jefferson Farjeon is quite unsurpassed for creepy skill in mysterious adventures' DOROTHY L. SAYERS - The much-revered crime writer J. Jefferson Farjeon's second crime novel back in print for the first time in almost a century. To Brambles, a dilapidated yet comfortable English country house, come the uninvited guests: a motley crew, who appear at the most unexpected hours and on the most impossible errands. Singly and in procession they arrive to trouble the calm of Ambrose Blythe, sexagenarian owner of Brambles, and of Peter Haslam, his house guest. Add to these an imperturbable butler, a tragic-eyed damsel and the super-logician Detective Grant to complete the ingredients of the perfect Golden Age of Crime story. ABOUT THE AUTHOR: Joseph Jefferson Farjeon was born into a literary family in Hampstead, north west London in 1883. He was a prolific crime writer, writing over sixty novels over the course of thirty years, many published by William Collins & Sons and featuring in their hugely popular Collins Crime Club. Dorothy L. Sayers said of his work, 'every word is entertaining.' His best-known novel (and play) NUMBER 17, was made into a film by Alfred Hitchcock. He died in 1955. PRAISE FOR J. JEFFERSON FARJEON: 'Jefferson Farjeon writes thrills enhanced by good writing, good humour, and good character sketches' THE SUNDAY TIMES; 'A Sherlock Holmes novel of the first degree' NEW YORK POST; 'This delightful writer delivers the goods once again' THE DAILY HERALD; '"Mystery in White" is the perfect book for a winter's evening, a cosy chair and an open fire' THE DAILY MAIL; 'An undiluted joy... Ben is the plum of the book; his personality impresses itself upon the imagination' LIVERPOOL POST; 'A top-hole thriller by a writer who knows his job' THE DAILY EXPRESS.

SECRETS & SOVEREIGNSE. Phillips Oppenheim was the prince of storytellers. In his lifetime he published over 150 books-novels, story collections, plays, travel books and autobiographical works. But a handful of his stories were never published in book form. They appeared in magazines like The Strand, Windsor Magazine and Cosmopolitan in the early 1900's, and have never been reprinted since. Editor Daniel Paul Morrison has scoured libraries and resource centers, and has put together the first new collection of Oppenheim material in over sixty years--nineteen stories of mystery and political intrigue, duplicity and romance. Oppenheim could always be counted on to tell a good story, and this collection is guaranteed to keep you entertained.Secrets and Sovereigns also features the most complete bibliography ever published of the works of E. Phillips Oppenheim. Morrison has thoroughly researched this project, checking publication dates against his vast Oppenheim collection as well as a wide array of book sources, and can honestly say that this is the definitive list, even better than the "official" Oppenheim bibliographies that appear in the Little, Brown editions. His introduction is chock full of information as well.Whether you are a reader or a collector, there is something here for everyone. So pull up an easy chair, and let the prince of storytellers tell you a tale.

"Mr. Marx's Secret" by E. Phillips Oppenheim is a gripping and suspenseful tale that delves into the enigmatic world of espionage, mystery, and international intrigue. In this captivating book, Oppenheim weaves a web of secrets, betrayal, and unexpected alliances that will keep readers on the edge of their seats.Follow the protagonist, Mr. Marx, a seemingly ordinary man with a clandestine past, as he navigates a treacherous world of spies, double-crosses, and hidden agendas. As the layers of his mysterious past are gradually revealed, readers are drawn deeper into a web of suspense, unsure of who to trust and what secrets lie beneath the surface.Oppenheim's masterful storytelling and skillful character development bring a cast of memorable and complex individuals to life, each with their own motivations and hidden agendas. Through twists and turns, unexpected alliances and shocking revelations, "Mr. Marx's Secret" keeps readers guessing until the very end.But "Mr. Marx's Secret" is more than just a tale of international intrigue—it is a meditation on the nature of loyalty, the consequences of one's past actions, and the delicate balance between trust and betrayal. Oppenheim's intricate plot, atmospheric settings, and taut pacing create a narrative that grips readers from the first page to the last, immersing them in a world where nothing is as it seems.Prepare to be enthralled as you delve into the pages of "Mr. Marx's Secret." This book is a must-read for fans of espionage thrillers, lovers of intricate plots, and anyone who enjoys a good mystery. Oppenheim's brilliant storytelling, captivating suspense, and unexpected twists will leave you breathless, questioning everything you thought you knew.Join E. Phillips Oppenheim on a thrilling journey with "Mr. Marx's Secret," where the stakes are high, loyalties are tested, and the truth lies just beyond reach. This novel is an invitation to dive into a world of secrets and intrigue, where nothing is as it seems and the line between friend and foe is blurred. Get ready to embark on a gripping adventure with "Mr. Marx's Secret."

Miss Brown of X.Y.O. is a 1927 mystery thriller novel by the British writer E. Phillips Oppenheim. It was notable amongst thrillers of the time for its use of an everyday female character as heroine. Miss Edith Brown, a comely typist, stumbles upon the doorstep of the dying Colonel Dessiter who has just returned from a mission throughout Europe fighting against the forces of the Communist Internationale. After she transcribes his report, she is thrust into the massive intrigue and deadly conflict between forces trying to bring about a revolution in England, and the small organization known as X.Y.O. which is defending the realm.

Although much has been written over the years about the ancient mystery religions and their influence on the intellectual life of the Renaissance, scholars have neglected their role in art. This is a serious omission in the case of one of the most popular cultic deities, the Mother Goddess, whose colorful myths and exotic rites, described in fascinating detail by classical authors, became a rich source of imagery for Renaissance writers, antiquarians, and artists. She was especially important to the Neoplatonist philosophers of the period, for whom she embodied the idea of love as the great universal bond and conveyor of divine influences to the mortal realm. In this ground-breaking study, Edith Balas draws upon a wide range of humanistic learning to examine the significance of the Mother Goddess and her cult in the works of such major figures as Botticelli, Mantegna, Michelangelo, Titian, and Raphael, as well in those of a host of lesser artists, including Neroccio de' Landi, Baltasare Peruzzi, Giorgio Vasari, and Pirro Ligorio. Dr. Balas not only provides additional keys to solving the often dauntingly complex riddles posed by many Quattrocento and Cinquecento images―images originally intended to be understood only by a learned elite―but also furnishes scholars with a valuable methodological model for analyzing the presence and meaning of other ancient religious cults in Renaissance art.