Contains both the short story collection The People Trap and the novel Mindswap. Contents: 1 The People Trap (1968) 27 The Victim from Space (1957) 52 Shall We Have a Little Talk? (1965) 85 Restricted Area (1953) 107 The Odor of Thought (1953) 124 The Necessary Thing (1955) 140 Redfern's Labyrinth (1968) 147 Proof of the Pudding (1952) 158 The Laxian Key (1954) 172 The Last Weapon (1953) 184 Fishing Season (1953) 203 Dreamworld (1968) 216 Diplomatic Immunity (1953) 243 Ghost V (1954) 265 Mindswap (1966)

Book by Silverberg, Robert

They were four almost middle-aged friends in New York: Margot, a popular TV reporter, never married and doing well on her own; Ellen, married with two children and a string of lovers; Nikki, a harried editor who lives in Connecticut and commutes to NYC to accommodate her husband; Rachel, the trophy wife of an international banker. And in this particular year of their lives, three of them will come closer to redirecting their lives and one will die.

Poetry

The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--Manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Today, to be pregnant seems not far from entering into a religious order. There is an expectation that mothers will fit the bill of breastfeeding, nappy-washing, home-cooking supermums. So are mums who rely on formula, childcare and disposable nappies lazy or liberated? The conflict between a woman's individual identity and her identity as a mother is not unique to our time. In the 18th century, French women overcame the problem by shipping their newborns off to wet nurses. But not so anymore. Modern mothers are bombarded by advice from ecologists, breastfeeding advocates, behavioural specialists, even politicians. The pressure to be a perfect mother is overwhelming, and it's scaring women away. And why wouldn't it when the expectation is that your child will become your god and you its humble servant? In The Conflict Elisabeth Badinter, France's foremost feminist thinker, questions why our ideas of motherhood have been skewed by unachievable expectations that compromise notions of self and womanhood. No matter which side of the debate you stand on, this bold and revelatory book is essential reading.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

In a modern version of the Snow White fairy tale, eighteen-year-old Bella is plagued by a series of mysterious accidents while singing with a small band in London and Paris during her summer break from school, and believes them to be caused by her jealous, malevolent stepmother.

Andre Szara, survivor of the Polish pogroms and the Russian civil wars, is a journalist working for Pravda in 1937. War in Europe is already underway and Szara is co-opted to join the NKVD, the Soviet secret intelligence agency. He does his best to survive the tango of pre-war politics by calmly obeying orders and keeping his nose clean. But when he is sent to retrieve a battered briefcase the plot thickens and is drawn into even more complex intrigues. Szara becomes a full-time spymaster and as deputy director of a Paris network, he finds his own star rising when he recruits an agent in Berlin who can supply crucial information. Dark Star captures not only the intrigue and danger of clandestine life but the day-to-day reality of what Soviet operatives call special work.

"The complete graphic fiction sequel to Alejandro Jodorowskys surreal and beloved cult western, collected together in a deluxe hardcover for the first time! A bandit without morals or limits A transformative journey through the west And his two sons, Cain and Abel. Embark on an unforgettable journey as these two brothers take their respective paths of hate and love, at odds, but set on a course of enlightenment amidst the magic and mayhem. Iconic filmmaker and writer Alejandro Jodorowsky completes his fantastical saga, the sequel to his beloved cult classic film El Topo (1970), alongside illustrator Jos Ladrönn (The Incal). Prepare to be immersed in a surreal and deeply spiritual western, where fate brings the two sons of El Topo to the end of their journey, collected in a premium, hardcover omnibus for the very first time."--

The fifth installation of The Jodorowsky Library : a collection of deluxe matching volumes showcasing the iconic works of the legendary Alejandro Jodorowsky. Included in this volume are two of Jodorowsky's collaborations with the esteemed and incomparable Georges Bess: the Tibetan-set mystical adventure of treachery, martial arts, and spiritual redemption, THE WHITE LAMA; and THE MAGICAL TWINS, the epic quest of a young prince and princess to rescue their father and save the kingdom.

On 9 August 2007 France's largest bank announced that it had had to suspend trading in two huge investment funds it controlled. The same day three German banks revealed that they were close to collapse. A few days later came the first run on a British bank since the 1860s as vast queues of worried investors besieged Northern Rock. Within weeks, the Government were being forced to bail out this previously little-known bank to the tune of e30 billion, share prices in other mortgage lenders were plummeting, and alarming news about the state of several of the biggest US banks was crossing the Atlantic. What lay behind this series of crippling disasters? In The Crunch , award-winning journalist Alex Brummer painstakingly traces the course of the crisis from its origins in the US 'subprime' market to its explosion on to the international scene. It's a story of greed, mismanagement and dithering in which bankers seeking to make a quick buck, regulators engaged in turf wars and blame-avoidance, and governments paralysed by the sheer scale of the problem all conspired to bring the banking system almost to its knees. It's also a story of victims- the millions of people in the US who have already been thrown out of their houses, the entire population of the UK who have been co-opted to guarantee Northern Rock with e30 billion of public money, borrowers everywhere who are now finding credit more expensive and harder to get. And, as Alex Brummer convincingly argues, now that recession looms, this is only the beginning.

Book by

Personally selected by Allen Ginsberg, Selected Poems 1947-1995 is the definitive collection of the best works of one of the most influential and revolutionary poets of the twentieth century. Allen Ginsberg, famous for helping catalyze the Beat Generation, wrote poetry for over fifty years. His innovative verse and provocative attitudes of spiritual, political, and sexual liberation inspired countless poets and musicians, visual and performance artists worldwide, and helped shape several generations' views of the world. Selected Poems 1947-1995 commemorated Ginsberg's brilliant career as one of America's most distinguished poets. Here are well-known masterpieces such as the lyric "Howl" and the narrative "Kaddish"--classic works of American literature--as well as more recent gems, the long dream poem "White Shroud," the visionary "After Lalon," and the political rock lyric "The Ballad of the Skeletons," a song he recorded in 1996 with a stellar band that included Philip Glass, Lenny Kaye, and Paul McCartney.

“Rarely have more profound changes in American foreign policy been called for than today,” begins Amitai Etzioni in the preface to this book. Yet Etzioni’s concern is not to lay blame for past mistakes but to address the future: What can now be done to improve U.S. relations with the rest of the world? What should American policies be toward recently liberated countries such as Iraq and Afghanistan, or rogue states like North Korea and Iran? When should the United States undertake humanitarian intervention abroad? What must be done to protect America from nuclear terrorism? The author asserts that providing basic security must be the first priority in all foreign policy considerations, even ahead of efforts to democratize. He sets out essential guidelines for a foreign policy that makes sense in the real world, builds on moral principles, and creates the possibility of establishing positive relationships with Muslim nations and all others. Etzioni has considered the issues deeply and for many years. His conclusions fall into no neat categories—neither “liberal” nor “conservative”—for he is guided not by ideology but by empirical evidence and moral deliberation. His proposal rings with the sound of reason, and this important book belongs on the reading list of every concerned leader, policy maker, and voter in America.

Amitai Etzioni argues that societies must find a way to balance individual rights and the common good. This point of balance may change as new technologies develop, the natural and international environments change, and new social forces arise. Some believe the United States may be unduly short-changing individual rights that need to be better protected. Specifically, should the press be granted more protection? Or should its ability to publish state secrets be limited? Should surveillance of Americans and others be curtailed? Should American terrorists be treated differently from others? How one answers these questions, Etzioni shows, invites a larger fundamental question: Where is the proper point of balance between rights and security? Etzioni implements the social philosophy, "liberal communitarianism." Its key assumptions are that neither individual rights nor the common good should be privileged, that both are core values, and that a balance is necessary between them. Etzioni argues that we need to find a new balance between our desire for more goods, services, and affluence, particularly because economic growth may continue to be slow and jobs anemic. The key question is what makes a good life, especially for those whose basic needs are sated.

John Wells, an old-school crime reporter on the New York Star, comes into conflict with his new boss Robert and when news of a teen suicide breaks, Wells is posted upstate off the crime beat. Gritting his teeth, he sets to work, but discovers that in Grant County, suicide may in fact be murder.

"I write with light", Andre Kertesz once said of his work. In one of the medium's longest, most productive careers, he created a vast and lyric narrative that shaped the history of photography. The first proponent of the small-format 35-millimeter camera, Kertesz created stunning images of everyday moments, memories, and scenes. His role in the art world was marked by periods of rapturous acclaim and times of regrettable neglect. In pre-World War II Paris, he was recognized as a pioneer in the medium and a celebrated member of a milieu that included Piet Mondrian, Fernand Leger, and Tristan Tzara. Subsequently, he was known as the inspiration to a generation of photographers, including Man Ray, Brassai, Laszlo Moholy-Nagy, and Berenice Abbott. In later years, however, he endured long periods of obscurity. It was not until the early 1960s that a subsequent generation began to look anew and recognize Kertesz's genius. Through more than sixty years of photographing, he worked without pretense, using the camera to question, to record, and to preserve his relationships to the world and to his art. Collected here are the finest images from his life's work.