This book is both a powerful personal memoir and the definitive history of an organization that helped change American society. Jack Greenberg was a key figure at the NAACP Legal Defense and Educational Fund (LDF) for some thirty-five years. Most of the cases we associate from that period--school integration, equal employment, fair housing, voter registration--were LDF cases, either argued by Greenberg himself or litigated under his direction. Greenberg represented Martin Luther King, Jr., in Birmingham and won for him the right to march from Selma to Montgomery. Under Greenberg's leadership, the LDF forced the University of Mississippi to admit James Meredith and integrated the University of Alabama when George Wallace stood in the schoolhouse door. Greenberg won the cases in which the Supreme Court repudiated the "all deliberate speed" doctrine, which had made school desegregation intolerably slow. Through the 1970s and 1980s, LDF tackled most of the important cases that enforced the new civil rights legislation of the 1960s involving public accommodations, employment, education, and health care, and started the campaigns for prisoners' rights and against capital punishment. More than a history of the litigation that made the LDF so important, the book offers unique insights into its strategies, courtroom techniques, values, and personal relationships. Filled with stories only Greenberg could tell of his experiences with Thurgood Marshall, Martin Luther King, Jr., Marian Wright Edelman, Lani Guinier, Roy Wilkins, Vernon Jordan, Charlayne Hunter-Gault, Lyndon Johnson, and scores of others, Crusaders in the Courts is an epic saga of a critical period in American history as well as the poignant personal story of the evolution of a white Jewish lawyer into a major civil rights advocate.

Listen to a short interview with Risa Goluboff Host: Chris Gondek | Producer: Heron & Crane In this groundbreaking book, Risa L. Goluboff offers a provocative new account of the history of American civil rights law. The Supreme Court's decision in Brown v. Board of Education has long dominated that history. Since 1954, generations of judges, lawyers, and ordinary people have viewed civil rights as a project of breaking down formal legal barriers to integration, especially in the context of public education. Goluboff recovers a world before Brown , a world in which civil rights was legally, conceptually, and constitutionally up for grabs. Then, the petitions of black agricultural workers in the American South and industrial workers across the nation called for a civil rights law that would redress economic as well as legal inequalities. Lawyers in the new Civil Rights Section of the Department of Justice and in the NAACP took the workers' cases and viewed them as crucial to attacking Jim Crow. By the time NAACP lawyers set out on the path to Brown , however, they had eliminated workers' economic concerns from their litigation agenda. When the lawyers succeeded in Brown , they simultaneously marginalized the host of other harms--economic inequality chief among them--that afflicted the majority of African Americans during the mid-twentieth century. By uncovering the lost challenges workers and their lawyers launched against Jim Crow in the 1940s, Goluboff shows how Brown only partially fulfilled the promise of civil rights.

"This account of Philip Roth traces the psychological and artistic origins of his creative life. It examines the major events of his career, while identifying a series of personal themes in his writing, from his relationship with Judaism to family, marriage, Eastern Europe and America. It addresses his private challenges from romance and health, to surviving as a writer burdened with success. The book also reflects how living outside the United States, initially in Italy and then England, plus his visits to Eastern Europe and exposure to their oppressed writers affected his writing. In particular, it primed him for a new engagement with American political and social history, resulting in a renewed determination to re-write America through his American trilogy and The Plot Against America. Although chronology is the framework, this is a thematic reading of Roth's life and career with attention to family, self-identity and success. A set of contrasting angles form this approach, beginning with his prolonged sense of discontent, yet public image of success, his search for sustained relationships but then decision to end them, his idealization of his parents but persistent undercurrent of criticism. Three overlapping issues provide the impetus for this reading: the aesthetic, the emotional and the historical. The lasting importance of such themes as anger, betrayal and failure has a vital role in understanding Roth's character and work. So, too, does his sense of performance on and off the page. Location is also significant and there are extensive discussions of Newark, London, Iowa, Prague and rural Connecticut. Particular attention to writers of the Holocaust, notably Primo Levi and Aharon Appelfeld, and contemporaries such as Saul Bellow and Bernard Malamud, also frame the narrative along with discussions of John Updike, Cynthia Ozick, Norman Mailer, Nadine Gordimer and Nicole Krauss. Works receiving special attention are Portnoy's Complaint, The Ghost Writer, Sabbath's Theater and the American trilogy. The shifting patterns of Roth's writing style, often related to changes in his physical and psychological health, are also considered. But more importantly is Roth's character and how early incidents formed later behavior, especially his inability to forget the past, particularly an insult or criticism. Analysis of his life with his two wives, Margaret (Maggie) Williams and Claire Bloom also occurs, as well as his relationships with other women. Further commentary focuses on Roth's illnesses and his life after he publically announced that he had stopped writing"--

From the speechwriter and top adviser to presidents Kennedy and Johnson: A behind-the-scenes history of the most momentous decade in American politics. Richard N. Goodwin entered public service in 1958 as a law clerk for Supreme Court Associate Justice Felix Frankfurter. He left politics ten years later in the aftermath of Senator Robert F. Kennedy's assassination. Over the course of one extraordinary decade, Goodwin orchestrated some of the noblest achievements in the history of the US government and bore witness to two of its greatest tragedies. His eloquent and inspirational memoir is one of the most captivating chronicles of those turbulent years ever published. From the Twenty-One quiz-show scandal to the heady days of John F. Kennedy's presidential campaign to President Lyndon Johnson's heroic vote wrangling on behalf of civil rights legislation, Remembering America brings to life the most fascinating figures and events of the era. As a member of the Kennedy administration, Goodwin charted a new course for US relations with Latin America and met in secret with Che Guevara in Uruguay. He wrote Johnson's historic civil rights speech, "We Shall Overcome," in support of the Voting Rights Act of 1965 and formulated the concept of the Great Society and its programs, which sought to eradicate poverty and racial injustice. After breaking with Johnson over the president's commitment to the Vietnam War, Goodwin played a pivotal role in bringing antiwar candidate Eugene McCarthy to within a few hundred votes of victory in the 1968 New Hampshire primary. Three months later, he was with his good friend Robert F. Kennedy in Los Angeles the night that the young senator's life--and the progressive movement that had rapidly brought about such significant change--came to a devastating end. Throughout this critical decade, Goodwin held steadfast to the passions and principles that had first led him to public service. Remembering America is a thrilling account of the breathtaking victories and heartbreaking disappointments of the 1960s, and a rousing call to action for readers committed to justice today.

For over sixty years, Jews have ranked as the most liberal white ethnic group in American politics, figuring prominently in social reform campaigns ranging from the New Deal to the civil rights movement. Today many continue to defy stereotypes that link voting patterns to wealth. What explains this political behavior? Historians have attributed it mainly to religious beliefs, but Marc Dollinger discovered that this explanation fails to account for the entire American Jewish political experience. In this, the first synthetic treatment of Jewish liberalism and U.S. public policy from the 1930s to the mid-1970s, Dollinger identifies the drive for a more tolerant, pluralistic, and egalitarian nation with Jewish desires for inclusion in the larger non-Jewish society. The politics of acculturation, the process by which Jews championed unpopular social causes to ease their adaptation to American life, established them as the guardians of liberal America. But, according to Dollinger, it also erected barriers to Jewish liberal success. Faced with a conflict between liberal politics and their own acculturation, Jews almost always chose the latter. Few Jewish leaders, for example, condemned the wartime internment of Japanese Americans, and most southern Jews refused to join their northern co-religionists in public civil rights protests. When liberals advocated race-based affirmative action programs and busing to desegregate public schools, most Jews dissented. In chronicling the successes, limits, and failures of Jewish liberalism, Dollinger offers a nuanced yet wide-ranging political history, one intended for liberal activists, conservatives curious about the creation of neo-conservatism, and anyone interested in Jewish communal life.

This intensely interesting—and troubling—book is the product of a lifetime of reflection and study of democracy. In it, John Lukacs addresses the questions of how our democracy has changed and why we have become vulnerable to the shallowest possible demagoguery. Lukacs contrasts the political systems, movements, and ideologies that have bedeviled the twentieth century: democracy, Liberalism, nationalism, fascism, Bolshevism, National Socialism, populism. Reflecting on American democracy, Lukacs describes its evolution from the eighteenth century to its current form—a dangerous and possibly irreversible populism. This involves, among other things, the predominance of popular sentiment over what used to be public opinion. This devolution has happened through the gigantic machinery of publicity, substituting propaganda—and entertainment—for knowledge, and ideology for a sense of history. It is a kind of populism that relies on nationalism and militarism to hold society together. Lukacs's observations are original, biting, timely, sure to inspire lively debate about the precarious state of American democracy today.

Jeremi Suri--Nobel Fellow and leading light in the next generation of policy makers--looks to America's history to see both what it has to offer failed states around the world and what it should avoid. Far from being cold imperialists, Americans have earnestly attempted to export their invention of representative government. We have had successes (Reconstruction after the American Civil War, the Philippines, Western Europe) and failures (Vietnam), and we can learn a good deal from both. The framers of the Constitution initiated a policy of cautious nation-building, hoping not to conquer other countries, but to build a world of stable, self-governed societies that would support America's way of life--yet no other country has created more problems for itself and for others by intervening in distant lands and pursuing impractical changes. Suri has mined more than two hundred years of American policy in order to explain the five Ps of nation-building: Partners, Process, Problem-solving, Purpose, and People.--From publisher description.

How a little-known industrial neighborhood in New York unintentionally became a nexus of creative activity for a brief burst of time. During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation indeed, the largest urban artists' colony ever in America--let alone the world. Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces. SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants. Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.

As an active WWII bombardier returning from the end of the war in Europe and preparing for combat in Japan, Howard Zinn read the headline "Atomic Bomb Dropped on Japan" and was glad—the war would be over. "Like other Americans," writes Zinn, "I had no idea what was going on at the higher levels, and had no idea what that 'atomic bomb' had done to men, women, children in Hiroshima, any more than I ever really understood what the bombs I dropped on European cities were doing to human flesh and blood." During the war, Zinn had taken part in the aerial bombing of Royan, France, and in 1966, he went to Hiroshima, where he was invited to a "house of rest" where survivors of the bombing gathered. In this short and powerful book, the backstory of the making and use of the bomb, Zinn offers his deep personal reflections and political analysis of these events, and the profound influence they had in transforming him from an order-taking combat soldier to one of our greatest anti-authoritarian, anti-war historians. Simultaneous publication this August in the U.S. and Japan commemorates the 65th anniversary of the USA's two atomic bombings of Japan by calling for the abolition of all nuclear weapons and an end to war as an acceptable solution to human conflict. "It's my favorite. . . . He wrote the book to remind himself and to remind us that anybody can throw the wrench in the machinery, and we often should." -- Bill Moyers "Part history, part memoir, part sermon, The Bomb is meant to wake up citizens, to rouse them to reject 'the abstractions of duty and obedience' and to refuse to heed the call of war." —Jonah Raskin, The Rag Blog

Looks at how the office of the presidency has changed, argues that the president has become too central to national politics, and suggests ways to restore the constitutional balance.

The Waverly Inn has been a landmark in New York’s Greenwich Village since the 1920’s. But since 2006, when Vanity Fair editor Graydon Carter bought and refurbished the restaurant, it has also been one of the most sought after destinations in the city. And while we can’t guarantee you a reservation there, we can bring you the wonderful, witty mural by Edward Sorel that graces its walls. Sorel--whose caricatures and drawings regularly appear in The New Yorker and on its cover--chose forty Greenwich Village greats from the past 150 years to cavort in bacchanalian splendor. Each of the 40 makes a solo appearance in these pages alongside a charming, telling vignette of his or her life by Dorothy Gallagher, then appears in a foldout of the entire mural at the back of the book. Here you will find Walt Whitman being attacked by a ferocious Truman Capote butterfly; Jane Jacobs, Gertrude Vanderbilt Whitney and Willa Cather playing ring-around the rosy; those famous denizens of the White Horse Tavern, Dylan Thomas--who breakfasted on beer and lunched on brandy--and Jack Kerouac, typing his long roll of a novel. Anais Nin appears nude, which, Gallagher points out, was her usual state. Norman Mailer admires himself in a reflecting pond. Here, too, are Djuna Barnes and Edna St. Vincent Millay, Jackson Pollack and James Baldwin, Thelonius Monk, Bob Dylan, and Joan Baez, Andy Warhol and Fran Lebowitz, Margaret Sanger, Marlon Brando, and many others. The Mural at the Waverly Inn is an enduring delight to treasure and to give.

Predicts an imminent global political crisis, including a dangerous rivalry between America and China and a breakdown of the European Union, citing key events and contributors that have culminated in present-day instabilities.

"Philip Roth (1933-2018) is one of the most celebrated American writers of his age. Born in Newark, New Jersey -- where his short stories and thirty-one books were often set -- he wrote with immense ambition and drive, along with a keen awareness of what must be done to produce great literature. Yet despite rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances, he viewed himself as socially withdrawn, living much like an "unchaste monk" (his words). In this original and lucid biography, Steven J. Zipperstein captures Roth's complex life and the astonishing range of his self-reflective writings-from "Goodbye, Columbus" and "Portnoy's complaint" to the Pulitzer Prize-winning "American pastoral" and "The plot against America." Employing extensive archival research and well over one hundred interviews, including conversations with Roth himself, Zipperstein provides an intimate and probing look at one of the twentieth century's most influential authors, placing his work in the context of Jewishness, freedom, and sexuality in America"-- Provided by publisher.

Twentieth Anniversary Edition with a new preface and afterword From the removal of Confederate monuments in New Orleans in the spring of 2017 to the violent aftermath of the white nationalist march on the Robert E. Lee monument in Charlottesville later that summer, debates and conflicts over the memorialization of Confederate “heroes” have stormed to the forefront of popular American political and cultural discourse. In Written in Stone Sanford Levinson considers the tangled responses to controversial monuments and commemorations while examining how those with political power configure public spaces in ways that shape public memory and politics. Paying particular attention to the American South, though drawing examples as well from elsewhere in the United States and throughout the world, Levinson shows how the social and legal arguments regarding the display, construction, modification, and destruction of public monuments mark the seemingly endless confrontation over the symbolism attached to public space. This twentieth anniversary edition of Written in Stone includes a new preface and an extensive afterword that takes account of recent events in cities, schools and universities, and public spaces throughout the United States and elsewhere. Twenty years on, Levinson's work is more timely and relevant than ever.

"Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent--with echoes of Inglourious Basterds and Seven Samurai--THE YID is a tragicomic masterpiece of historical fiction"--

What is the exact nature of the consumption function? Can this term be defined so that it will be consistent with empirical evidence and a valid instrument in the hands of future economic researchers and policy makers? In this volume a distinguished American economist presents a new theory of the consumption function, tests it against extensive statistical J material and suggests some of its significant implications. Central to the new theory is its sharp distinction between two concepts of income, measured income, or that which is recorded for a particular period, and permanent income, a longer-period concept in terms of which consumers decide how much to spend and how much to save. Milton Friedman suggests that the total amount spent on consumption is on the average the same fraction of permanent income, regardless of the size of permanent income. The magnitude of the fraction depends on variables such as interest rate, degree of uncertainty relating to occupation, ratio of wealth to income, family size, and so on. The hypothesis is shown to be consistent with budget studies and time series data, and some of its far-reaching implications are explored in the final chapter.

In the 1930s a band of smart and able young men, some still in their twenties, helped Franklin D. Roosevelt transform an American nation in crisis. They were the junior officers of the New Deal. Thomas G. Corcoran, Benjamin V. Cohen, William O. Douglas, Abe Fortas, and James Rowe helped FDR build the modern Democratic Party into a progressive coalition whose command over power and ideas during the next three decades seemed politically invincible. This is the first book about this group of Rooseveltians and their linkage to Lyndon Johnson's Great Society and the Vietnam War debacle. Michael Janeway grew up inside this world. His father, Eliot Janeway, business editor of Time and a star writer for Fortune and Life magazines, was part of this circle, strategizing and practicing politics as well as reporting on these men. Drawing on his intimate knowledge of events and previously unavailable private letters and other documents, Janeway crafts a riveting account of the exercise of power during the New Deal and its aftermath. He shows how these men were at the nexus of reform impulses at the electoral level with reform thinking in the social sciences and the law and explains how this potent fusion helped build the contemporary American state. Since that time efforts to reinvent government by "brains trust" have largely failed in the U.S. In the last quarter of the twentieth century American politics ceased to function as a blend of broad coalition building and reform agenda setting, rooted in a consensus of belief in the efficacy of modern government. Can a progressive coalition of ideas and power come together again? The Fall of the House of Roosevelt makes such a prospect both alluring and daunting.

inspired by recent women's marches, sisters Lucy and Grace Lang's book for very young children honors the centennial of the passage of the 19th Amendment, which secured women's right to vote in the United States. As the world churns, all parents are striving to raise informed, courageous children, equipped to handle a changing and dangerous world in the most responsible and productive ways possible. March On! draws on the iconography of the women's march that started it all, the historic 1915 New York City women's march, highlighting the tremendous potential for collective activism, in rhyme, coupled with unique and diverse pictures to appeal to both children's imaginations and adults' familiarity with archetypal American imagery.

A fascinating portrait of life with the Black Panthers in Algiers: a story of liberation and radical politics Following the Algerian war for independence and the defeat of France in 1962, Algiers became the liberation capital of the Third World. Elaine Mokhtefi, a young American woman immersed in the struggle and working with leaders of the Algerian Revolution, found a home here. A journalist and translator, she lived among guerrillas, revolutionaries, exiles, and visionaries, witnessing historical political formations and present at the filming of The Battle of Algiers. Mokhtefi crossed paths with some of the era's brightest stars: Frantz Fanon, Stokely Carmichael, Timothy Leary, Ahmed Ben Bella, Jomo Kenyatta, and Eldridge Cleaver. She was instrumental in the establishment of the International Section of the Black Panther Party in Algiers and close at hand as the group became involved in intrigue, murder, and international hijackings. She traveled with the Panthers and organized Cleaver's clandestine departure for France. Algiers, Third World Capital is an unforgettable story of an era of passion and promise.

Whether they came from Sioux Falls or the Bronx, over half a million Jews entered the U.S. armed forces during the Second World War. Uprooted from their working- and middle-class neighborhoods, they joined every branch of the military and saw action on all fronts. Deborah Dash Moore offers an unprecedented view of the struggles these GI Jews faced, having to battle not only the enemy but also the prejudices of their fellow soldiers. Through memoirs, oral histories, and letters, Moore charts the lives of fifteen young Jewish men as they faced military service and tried to make sense of its demands. From confronting pork chops to enduring front-line combat, from the temporary solace of Jewish worship to harrowing encounters with death camp survivors, we come to understand how these soldiers wrestled with what it meant to be an American and a Jew. Moore shows how military service in World War II transformed this generation of Jews, reshaping Jewish life in America and abroad. These men challenged perceptions of Jews as simply victims of the war, and encouraged Jews throughout the diaspora to fight for what was right. At the same time, service strengthened Jews' identification with American democratic ideals, even as it confirmed the importance of their Jewish identity. GI Jews is a powerful, intimate portrayal of the costs of a conflict that was at once physical, emotional, and spiritual, as well as its profound consequences for these hitherto overlooked members of the "greatest generation."