Maurice and Norman Messer, father-and-son business partners, know a good product when they see it. That product is the Holocaust, and Maurice, a Holocaust survivor with an inflated personal history, and Norman, enjoying vicarious victimhood as a participant in the second-generation movement, proceed to market it enthusiastically. Not even the disappearance of Nechama, Norman's daughter and Maurice's granddaughter, into the Carmelite convent at Auschwitz, where she is transformed into a nun, Sister Consolatia of the Cross, deters them from pushing their agenda. Father and son embark on a tour of the Auschwitz-Birkenau death camp, which Maurice - now the driving force behind the most powerful Holocaust memorialization institution in America - organizes to soften up a potential major donor, and which Norman takes advantage of to embark on a surrealistic search for his daughter. At the death camp they run into assorted groups and individuals all clamoring for a piece of the Holocaust, including Buddhist New Agers on a retreat, Israeli schoolchildren on a required heritage pilgrimage, a Holocaust artifact hustler, filmmakers, and an astonishing collection of others. All hell breaks loose when Maurice's museum is taken over by a coalition of self-styled victims seeking Holocaust status, bringing together a vivid cast of all-too-human characters, from Holocaust professionals to Holocaust wannabees of every persuasion, in the fevered competition to win the grand prize of owning the Holocaust. An inspiringly courageous and shockingly original tour-de-force, My Holocaust dares to penetrate territory until now considered sacrosanct in its brilliantly provocative and darkly comic exploration of the uses and abuses of memory and the meaning of human suffering.

All men have mothers . . . It's a truth that the newly unhyphenated Maisie Grey has learned the hard way. After getting rid of her mama's-boy husband, she happily settles down with her teenage son, Tommy. But she's still stuck with the hovering presence of her impossible mother-in-law, Tommy's grandmother, who refuses to exit the family stage gracefully. Trying to keep it together with her own business and a new relationship with a man who still lives in— where else but? —his mother's house, Maisie struggles to learn from the MIL-from-hell. She vows that when Tommy brings someone home, she'll be loving, empathetic, and supportive. But then along comes completely unsuitable September Silva—with her too-short skirts, black nail polish, and stay-out-all-night attitude—who is forcing Maisie to take a flinty, clear-eyed new look at what it means to be a mother.

In this psychologically complex and darkly humorous debut collection, awardwinning writer Henry Shukman introduces an unforgettable cast of characters, travelers whose certain paths around the world lead invariably back to the uncertain self. In “The Garden of God” an aging, ailing war reporter reflects on his adventures covering a little-known conflict in the Sahara and the precipitous and disgraced end of his career; In “Old Providence,” a dissolute artist mourns a lost love and the “bloody perfect island” where, through his own callow foolishness, he lost her. In “Darien Dogs” a man goes south to Panama, desperate for a business deal that will restore his finances and sense of mastery, only to find himself on a confounding search for a beautiful, mysterious woman and his stolen wallet. By turns full of suspense, farce and poignance, always alive with energy and atmosphere, these are the stories of a gifted and assured writer.

SHORTLISTED FOR THE EDGE HILL PRIZE Almost-true stories for a post-truth world Wrong! Not Nice! Sad! A Manhattan party on election night. Liberal media types gather with big grins and high-end canapés to watch the Trump-Clinton results come in, expecting a smooth victory for Hillary. As the outcome shifts and they descend into panic, the host stands abruptly before her guests, confessing a shocking crime of years before. What follows is a series of witty, cutting, addictive tales of Trump times, portraying Democrats and Republicans in a divided America, from powerful to powerless, angry to thwarted, from a Starbucks barista who dreams of making it on the stage, to a couple whose online date goes bitterly awry, to a charmingly wicked U.S. businessman living undercover in rural Italy. Basket of Deplorables is a timely take on the craziness of today: almost-true fiction for a post-truth world.

Thomas Mann meets Mordecai Richler in this outstanding novel of great intellect and humour that already reads like a classic. The Frumkiss family doesn't look much different from any of the others in Toronto's Bathurst Manor. Grandpa survived the Holocaust; Grandma the Second came from Poland at the age of five. Dad's a foot doctor; Mom is dead, and her mother -- Grandma Number One --died while giving birth to her in Kazakhstan. Her three kids -- the oldest is forty-two -- are as frustrated and directionless as most baby boomers with no real financial worries. One's in Toronto, there's one in the suburbs and the third lives in Israel. As far as the Frumkisses know, all that distinguishes them from anybody else is that Grandpa is a famous Yiddish writer who ended up working for the CBC. But Grandpa's death sets off a chain of events that force the Frumkisses to see how different their family is from all the others. The Frumkiss Family Business , Michael Wex's brilliant and hilarious new novel, is a family saga for the twenty-first century, a lovingly accurate portrait of middle-class Canadian life at the turn of the century and of the Toronto neighbourhood that has produced such famous Canadians as Howie Mandel and Wex himself. Imagine Thomas Mann's Buddenbrooks without the stodgy Germans or The Brothers Karamazov with only one brother. Finally, a novel that does for Toronto what Mordecai Richler's books did for Montreal.

Bob Woolf, named one of the 100 most powerful and influential attorneys in America by the National Law Review, has negotiated more than 2,000 big-money sports, entertainment, and business contracts. Now he shares his business expertise with more than 100 tactics, techniques and strategies for winning.

Hawkes never wanted the assignment on Mars. Yet when the Martian mining colonies threatened a revolution that would have left Earth starved of resources, he accepted that he was probably the only man who could handle the job. Now, with the corrupt rule of big business broken, and Hawkes himself in place as prime minister of Mars, the planet named for the god of war seems on its way to a peaceful future. But the Martian miners are inexperienced at freedom, and can be manipulated by people adroit at arranging "facts" to create false impressions - politicians such as Michael Carri, Earth's Senate majority leader, a sworn enemy to Hawkes. Carri had encouraged the revolution on Mars, after which, he hoped, the miners would have been so thoroughly crushed that Earth could have looked forward to years of virtual slave labor. He was not pleased when Hawkes brokered a peaceful solution, or when papers were signed that promised the miners improved conditions and a share in the profits of their labor. Assassination attempts have already shown Benton Hawkes that the road ahead is not to be as smooth as he hoped, but he is prepared to take all the steps necessary to see that the people of Mars live free at last.

Times have certainly changed for Moses Wine since the days of his first case in “The Big Fix”—he’s gone from cheap detective to respected private investigator in just twenty-five years. Add in a beautiful girlfriend and a lucrative business with a roster of corporate clients, and he should be feeling on top of the world. But he’s not. In fact, he feels as though he’s lost touch with his roots, now “living the kind or bourgeois live I once reviled,”’ as he notes. Moses Wine of the sixties has been pushed aside by the lure of vacations at Lake Tahoe, expensive meals, and unlimited access to courtside seats at Los Angeles Lakers games. Now the shadow of Wine’s radical days has come back to haunt him. His college-age son, Simon, a radical environmentalist, has been accused of killing a logger in Northern California. Allying himself with his hostile ex-wife, Wine heads off to find the real killer whether it’s Simon or not! Laced with Roger L. Simon’s mordant wit, California politics and not-so-casual sex, The Lost Coast is vintage Wine at its best. Ever restless, ROGER L. SIMON has spent his life moving between books and movies, gaining distinction in both. In books, he is best known for the seven Moses Wine detective novels, which have won prizes in the U.S. and Great Britain and been published in over a dozen languages. In film, most prominent among his six produced screenplays—including his adaptation of The Big Fix—is Enemies, A Love Story, for which Simon was nominated for an Academy Award.

After thwarting bad guys to win the Yazoo 200 race, with the help of his trusty racecar and his eccentric Aunts FiFi and FooFoo, Otto Pillip receives a note from his long-lost parents inviting him to join the secret family business. Includes words spelled backwards, anagrams, and palindromes.

"A righteously satisfying read of a thriller, metaphysical novel, and screwball comedy, from the author of The Bear Comes Home. With the twists, turns, and smash-ups of a thriller, the sudden depths of a metaphysical novel, and the fizz of a screwball comedy, Street Legal is high entertainment and a righteously satisfying read, from the author of the greatest novel ever written about a saxophone-playing bear. Street Legal features an old-time skunk dealer, sniffing the new breezes, wants to open an Old-Time Grass Business Theme Park with rides and a disco. His foot soldier, a strapping, confused kid who might be on the spectrum. A frustrated cop who isn't allowed to collar anyone important because the town needs the business who consoles himself by trying to make a last-chance bust and grab some of the action. A slick, unsettling stranger buying up properties under cover for a major tobacco company but really out for himself. A Tibetan Buddhist lama from New Jersey who sounds like Tony Soprano when discoursing on the dharma who finds his disciple, a wry, reticently sexy earth mother wracked with concern for the wayward young man who is her son."--Amazon.ca.

Maurice Saatchi is dead. He is standing in front of the Gates of Heaven. Arrival halls worse than Heathrow Airport. Queues. Overcrowding. A tidal wave of Paradise seekers. ID scans. Voice and facial recognition. X-ray examinations. Background checks. It all seems like a bad dream. His tests expose abnormalities. He is charged with multiple breaches of immigration law and detained pending a full jury trial. The verdict will reveal the biggest secret of all time: why some people go to Heaven and others to Hell. Do Not Resuscitate is a bold statement. Maurice Saatchi, a towering figure in the worlds of business and politics, frames his unsparing self-portrait with the conceit of a celestial trial in which his application to pass through the Gates of Heaven is heard before a jury featuring luminaries like Marilyn Monroe, Pablo Picasso, Chairman Mao, and Margaret Thatcher. In seeking admission to Heaven, Saatchi offers a defence like no other.

Take chocolate candy, add a family business at war with itself, and stir with an outsider's perspective. This is the recipe for True Confections , the irresistible new novel by Katharine Weber, a writer whose work has won accolades from Iris Murdoch, Madeleine L'Engle, Wally Lamb, and Kate Atkinson, to name a few. Alice Tatnall Ziplinsky's marriage into the Ziplinsky family has not been unanimously celebrated. Her greatest ambition is to belong, to feel truly entitled to the heritage she has tried so hard to earn. Which is why Zip's Candies is much more to her than just a candy factory, where she has worked for most of her life. In True Confections , Alice has her reasons for telling the multigenerational saga of the family-owned-and-operated candy company, now in crisis. Nobody is more devoted than Alice to delving into the truth of Zip's history, starting with the rags-to-riches story of how Hungarian immigrant Eli Czaplinsky developed his famous candy lines, and how each of his candies, from Little Sammies to Mumbo Jumbos, was inspired by an element in a stolen library copy of Little Black Sambo, from which he taught himself English. Within Alice's vivid and persuasive account (is her unreliability a tactic or a condition?) are the stories of a runaway slave from the cacao plantations of C�te d'Ivoire and the Third Reich's failed plan to establish a colony on Madagascar for European Jews. Richly informed, deeply moving, and spiked with Weber's trademark wit, True Confections is, at its heart, a timeless and universal story of love, betrayal, and chocolate. From the Hardcover edition.

Two Englishmen have met suspicious ends in Veniceone by gunshot, the other by drowning. That much is certain but nothing else is. Murder? Suicide? Accident? Another mystery is the anonymous notes sent to residents of a quiet English village, spreading the scandalous though false word of an affair between Derek Crowley and Gerda Porson. She is the wife of Crowley's business partner, the unspeakable Charles Porson, a tireless macho who adores handguns and the spanking-and-bondage ritual meted out by his bored, disgusted wife, who is in love only with his money. Was the drug-laced Bloody Mary intended for Porson? How to explain Derek's wife's penchant for masculine clothing? Who loaded the supposedly blank pistol in an amateur theatrical production? Long afterward, Jason Durling's brilliant deductive sleuthing will resolve the murders left unsolved by trhe Italian police and ignored by Scotland Yard; but he will come to great grief in his turn. Again Symons meets his own high standards: this tale is quickwitted, civilized, highly intelligent, sharply observed, complicated without being cluttered, and always in the firm control of a dextrous and accomplished storyteller.

Move over, urban fantasy--here comes "suburban" fantasy. What self-respecting witch, vampire, or werewolf would be caught dead--or undead--anywhere but the Big City, you may ask? Look, let's give the uncanny crew a little credit for intelligence: If they had the smarts to see the advantage in packing up and moving "into" the cities, why wouldn't they have the smarts to move "out" of said cities if it looked like they could get a better quality-of-life/death elsewhere? (Tough enough going about your otherworldly business and evading the occasional mob wielding halogen torches and designer pitchforks, but have you ever "seen" city real estate prices?) So let's welcome our first group of supernatural suburbanites, the witches. Their powers are awesome, their methods of coping with the lumps, bumps, and idiosyncrasies of Suburbia are ingenious, and they always bring the loveliest gingerbread to the PTA bake sale. But whatever you do, don't try telling them that life in a non-city setting is bland, banal and boring, or you might get turned into . . . "ribbit! " Stories of suburban sorcery by Harry Turtledove, Sarah A. Hoyt, Jan and S.M. Stirling, K. D. Wentworth, and more--including Esther Friesner herself.

"For the high flying heavy drinking advertising boss Tom Banbury, the art of persuasion relies on an infiltration of the consumer's mind. In the case of his colleague and confidant Nikos Gazidis, the over developed sense of empathy that suits him to the business has given rise to a strange psychiatric condition. Nick has unwittingly crashed into the consciousness of his boss. While Tom drinks to forget the troubles of his early life, Nick is force to confront a past that is not his own: a childhood scarred by the small wars waged by an abusive father -- and by the events that brought them to a close. When Nick enters the panicked silence of the Abbey, a fortress for the rich and unstable, his sister guards him from the visiting Tom Banbury. But can this peculiar bond be broken or has Nikos Gazidis taken an empathetic leap too far?" -- Back cover

As she lay on her deathbed, Stella Folger had some things to say to her husband. Like "You should paint the living room. I noticed there were brown spots on the ceiling." And "Be sure to take the car in for a tune-up every three months." In life, Stella always took care of business. In death, she's doing the same. Because Stella is communicating with Roger from her hotel room in Heaven-and it seems that entering paradise hasn't made her any less bossy. The truth is, she still cares about Roger. She worries about him. She loves him-so much, in fact, that she's determined to find him a new wife, someone to take care of him like she did. But as the celestial matchmaking progresses, one thing becomes clear: according to his departed wife, no woman on earth could be good enough for Roger Folger...

A bold fantasy in the tradition of Roger Zelazny's Chronicles of Amber, The Merchant Princes is a sweeping new series from the hottest new writer in science fiction! The six families of the Clan rule the kingdom of Gruinmarkt from behind the scenes, a mixture of nobility and criminal conspirators whose power to walk between their world and ours make them rich in both. Braids of family loyalty and intermarriage provide a fragile guarantee of peace, but a recently ended civil war has left the families shaken and suspicious. Miriam, a hip tech journalist form Boston, discovered her alternate-world relatives with explosive results that shook three worlds. Now, as the prodigal Countess Helge Thorold-Hyorth, she finds herself ensnared in schemes and plots centuries in the making. She is surrounded by unlikely allies, lethal contraband, and, most dangerous of all, her family. With her modern American attitudes, she's not sure she can fit in, or if she even wants to, but to stay alive, she really has no choice. To avoid a slippery slope down to an unmarked grave, Miriam must build a power-base of her own. She started applying modern business practices and scientific knowledge to a trade heretofore dominated by medieval mercantilists-with unexpected consequences for three different timelines, including the quasi-Victorian one exploited by the hidden family. Blending the creativity and humor of Roger Zelazny, the adventure of H. Beam Piper and Philip Jose Farmer, and the rigor and scope of a science-fiction writer on the grandest scale, Charles Stross has set a new standard for fantasy epics. Charles Stross is one of the big new SF writers of the 21st century, and the saga of The Merchant Princes is his most ambitious work yet.

Annie Markham's true love, nineteen-year-old Jake Mead, ran away from their relationship when meddling godmother, Susannah, stepped in. Now it's seven years later and Annie's wealthy family is heading toward bankruptcy. Susannah brings in the best consultant in England to rescue their London public relations agency and, as the Fates have decreed, the genius turns out to be Jake, who is out for revenge.

Product Description Once a notorious hippie, Sammuel Himmelhoch joins a Hassidic sect of penitents in Jerusalem and becomes a Master of the Return, guiding fellow converts to the teachings of Rabbi Nahman of Bratslay From Publishers Weekly In Mara, Reich, herself the scion of a rabbinical family, took aim at the mores of American Orthodox Jewry. Here, she casts her sly, sardonic eye upon those at the opposite end of the spectrum, so to speakIsraeli penitents. With vigor, irreverence and devastating accuracy, she limns a flock of zany zealots, intoxicated by the rarefied Hassidism of Rabbi Nahman of Bratslav. These cultists, former hippies who are now "high on the One Above," are at once delightfully absurd in their revival, even invention, of bizarre customs (such as the paramount pilgrimage to Rabbi Nahman's Ukranian grave to terminate "nocturnal emissions"); poignant in their misguided, miseducated search for identity and redemption; as self-indulgent in their expiation as they once were in their passions; and alarming in their patent misogyny, racism, deceit, self-righteousness and extreme messianic political agenda. In Reich's hands, plot and character development are sacrificed to an extravagant religious and social parody cum cautionary tale. The penitents remain symbolic figuresas exemplified by an elderly midwife, whose name, Shifra-Puah, evokes her righteous colleagues from the biblical book of Exodus who disobeyed the pharaonic decree to murder male newborns, and Avraham Ger, whose surname, Hebrew for convert, proclaims his adoption of Judaism. Copyright 1988 Reed Business Information, Inc. From Library Journal Samuel Himmelhoch was once lighting effects man for notorious rock groups, his wife Ivriya rode horses bare-breasted in Rosh Pina, and Sora Katz was the former Pam Buck of Macon, Georgia, but now they are all members of an extreme Hassidic sect, living together in the Moslem quarter of the Old City of Jerusalem. Described with affection and great insight, the riotous adventures of these sincere but sometimes misguided penitents easily mix the supernatural with human events. Reich pinpoints absurdity and self-righteousness beautifully, as when Reb Lev Luria pontificates in gematria (talmudic numeric equivalents) derived from his newly donated computer. An arrestingly comtemporary treatment of Jewish spirituality and renewal. Highly recommended. Molly Abramowitz, Silver Spring, Md.Copyright 1988 Reed Business Information, Inc.

Surrounded by cemeteries in the flatlands of New Jersey, the small town of Lud is sustained by the business of death. In fact, with no synagogue and no congregation, Rabbi Jerry Goldkorn has only one true responsibility: to preside over burial services for Jews who pass away in the surrounding cities. But after the Arctic misadventures that led him to Lud, he wouldn't want to live (or die) anywhere else. As the only living child in Lud, his daughter Connie has a different opinion of this grisly city, and she will do anything to get away from it--or at least liven it up a bit. Things get lively indeed when Connie testifies to meeting the Virgin Mary for a late-night romp through the local graveyards.