In Menachem's Seed , Carl Djerassi , world-renowned scientist and inventor of the birth-control pill, brings us a new novel that explores the human--and passionate--side of science. Melanie Laidlaw and Menachem Dvir meet at a series of international conferences where jet-setting scientists come together to discuss the global implications of their discoveries. Melanie runs a foundation that awards grants for innovations in reproductive technology; Menachem is an infertile nuclear engineer and a married man. Naturally, they fall in love. What follows is a story of sexual steam, stolen seed, and religious conversion--a very modern romance that hinges on a cutting-edge scientific breakthrough. As Melanie and Menachem discover, what science makes possible, only two hearts can make right.

Turok explores the transformative scientific discovers of the past three centuries, from classical mechanics to the nature of light and the evolution of the cosmos, and shows how they created shifts in the organization of society. He argues that we are on the cusp of another major transformation: the coming quantum revolution that will supplant our current digital age.

Sven Hedin inherited the steel sinews of his Norse ancestors. During his many years of exploration he frequently put his physical capacities to extreme tests. He trained his constitution to stand an elevation of 19,000 feet above sea level and a temperature of 37 degrees below zero only to find himself a few months later staggering under a blistering sun in the dry river bed of a blazing desert with the thermometer at 113. He once started out with a caravan consisting of 130 beasts of burden, only to struggle weeks later to the gates of Lhasa with but eight horses and one mule. He survived ten days without food and half of that time without water, where natives succumbed to the rigors of the desert. He seemed to know every form of physical privation and touched the limits of human endurance. When a boy he was ambitious to be the first to reach "that point where only South winds blow." He found his destiny to lie in other lands, but the distinction he achieved was no less unique. With his many volumes of accounts of exploration and discoveries to draw from, Hedin in this great autobiography has compressed between two covers the most thrilling experiences of a lifetime of adventure.

The most despicable, oft-repeated lie about hypnosis is that one cannot be hypnotized to think what is untrue or to act against one's own free will. That is flatly untrue. Skilled manipulators have known it forever. The manipulators have guarded this secret carefully, partly by repeating the lie that such influence is impossible. It is not safe to regard hypnosis as a harmless parlor game, or to remain oblivious to how it works. Without awareness of how hypnotic influence works and of how to counter and reduce its influence in oneself and others, even people living in supposedly free societies will become increasingly enslaved to influences largely invisible to them-while simultaneously being hypnotized to regard themselves as free and in charge of their own lives. Based on the author's discoveries about hypnotic influence gathered over more than 60 years, this book seeks to show you how to become less susceptible to past and present hypnotic influences and thus more able to live in true freedom, drawing your energy from what is real and right so that you are fully alive in a healthy sense. Freedom from hypnotic influence, even from influences seeking to get you to do what is right or think what is true, is essential if people are to be able to escape an unhealthy dependence on their manipulators, caregivers, experts and leaders (even the well-meaning among them). Reading this book, watching the hypnosis demonstration video and practicing the recommended exercise will awaken within you a spiritual center from which you will be impervious to improper influence and able to influence the world for the better-as effortlessly as the most skilled martial artist can deal with an opponent.

We often think of science as continuously advancing. In this collection of essays, five world-renowned writers explore obscure and neglected episodes in the history of science which suggest instead that the process of understanding the significance of scientific discoveries can be erratic, contradictory, even irrational. Jonathan Miller, Oliver Sacks, and Daniel Kevles show how promising new ideas may at first fail to be noticed or accepted, and then, years after they have been dismissed or forgotten, are recognized in a different form as important. R.C. Lewontin and Stephen Jay Gould discuss the ways that words and images used by scientists and popularizers alike, from the murals on the walls of natural history museums to such ubiquitous terms as "adaptation" and "environment," reflect serious and often unacknowledged distortions in the way we conceive of both individual organisms and the natural history of the world. These essays demonstrate that science is, in the words of Oliver Sacks, "a human enterprise through and through, an organic, evolving, human growth, with sudden spurts and arrests, and strange deviations, too. It grows out of its past, but never outgrows it, any more than we outgrow our childhood."

Against the backdrop of Nazism, in a multi-racial Turkey giving sanctuary to many of Europe's fleeing Jews, 'Young Turk' tells of a group of teenage friends struggling to understand the events while reeling from (and relishing) the sexual and emotional discoveries of adolescence.

In this fascinating look at the European scientific advances of the seventeenth and early eighteenth centuries, historian Lisa Jardine demonstrates that the pursuit of knowledge occurs not in isolation, but rather in the lively interplay and frequently cutthroat competition between creative minds. The great thinkers of that extraordinary age, including Isaac Newton, Johannes Kepler, and Christopher Wren, are shown in the context in which they lived and worked. We learn of the correspondences they kept with their equally passionate colleagues and come to understand the unique collaborative climate that fostered virtuoso discoveries in the areas of medicine, astronomy, mathematics, biology, chemistry, botany, geography, and engineering. Ingenious Pursuits brilliantly chronicles the true intellectual revolution that continues to shape our very understanding of ourselves, and of the world around us.

Jewish women writers of the late nineteenth and early twentieth centuries lived with a sense of painful connection to a culture that rejected their aspirations. Raised in a Jewish environment wary of female aspirations and in a wider world that was only marginally more sympathetic to their ambitions, this diverse group often found that a life devoted to literary expression required sacrifices and painful choices. Writing, however, enabled them to reclaim and explore their Jewish heritage. Responding to a variety of Jewish women's voices in Hebrew, Yiddish, English, and Spanish, this collection of seventeen essays surveys the achievements of Jewish women writers from the Middle Ages to the present. Scholars of Jewish literature chronicle the Jewish encounter with modernity and document female strategies for constructing intellectual and emotional identities amidst the competing demands of traditional norms, familial obligations, and economic survival. The themes of repression and equivocal liberation resonate throughout, as the authors reflect on the silencing of the female voice in a traditional Jewish culture that most often denied women the education and the empowerment requisite for recording their thoughts and feelings. While individual essays reveal literary discoveries of self and forgings of identity by women rising to the opportunities and challenges of drastically altered Jewish social realities, a significant number also show the sad decline of women writers upon whom silence was reimposed. Several chapters consider how Jewish women were depicted by male writers from the Middle Ages through the mid-nineteenth century. A final essay documents the ways in which memory, testimony, and survival affect the writing of women who survived the Holocaust, a perspective frequently marginalized in studies of Holocaust literature. Women of the Word is part of an emerging effort to listen to the voices of Jewish women both past and present. Written in a period when Jewish women writers internationally are creating a wealth of diverse literary works, these essays take note of the short time during which Jewish women's writing has flourished and inspire readers with the richness of the literature that such writers have already produced.

When Manhattan social worker Anita Servi stumbles over the body of an elderly woman outside her apartment, she recognizes her as Lillian, the homeless person who spent occasional nights in the hallway. Though Lillian's death is ruled accidental, Anita digs deeper into the death and Lillian's murky past, making some stunning discoveries. As she uncovers the shocking answers, the killer emerges, determined to make sure Anita takes the truth to her grave.

"It was...unnecessary for me to fret about who the murderer was: Everybody was." A haunting, never-before-translated, autobiographical novella by the 2002 Nobel Prize winner. An unnamed narrator recounts a simple anecdote, his sighting of the Union Jack—the British Flag—during the Hungarian Revolution of 1956, in the few days preceding the uprising's brutal repression by the Soviet army. In the telling, partly a digressive meditation on "the absurd order of chance," he recalls his youthful self, and the epiphanies of his intellectual and spiritual awakening—an awakening to a kind of radical subjectivity. In his Nobel address Kertesz remembered: "I, on a lovely spring day in 1955, suddenly came to the realization that there exists only one reality, and that is me, my own life, this fragile gift bestowed for an uncertain time, which had been seized, expropriated by alien forces, and circumscribed, marked up, branded—and which I had to take back from 'History', this dreadful Moloch, because it was mine and mine alone..." The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

When Gregory Baum took a two year leave of absence from his university classroom to become a student of sociology, he made discoveries that form the heart of this important, provocative new work. He became convinced that the great sociological literature of the 19th and 20th centuries records human insight and human wisdom as much as philosophical writings and that it should have a special place in the education of philosophers and theologians. He found truths there, absent from his own primary disciplines, that actually modify the very meaning of philosophy and theology. In Religion and Alienation Gregory Baum hopes to introduce the student of theology to the sociological tradition he has discovered with the hope that more theologians will enter into a conversation with social thinkers. In this work, Baum himself, makes use of sociological concepts and insights to understand more clearly what Christian practice should be in the present and how we can more adequately formulate the presence of the Holy Spirit in society. And perhaps most important is a conviction running through the whole of Baum's theology that contemporary religion plays a critical role in society and summons people to social change. -Publisher

"Presenting diverse perspectives from eminent scholars and contemporary researchers, The Handbook of Impression Formation contextualizes current and future areas of research in the social psychology of impression formation within a rich historic framework. Affirming that impression formation is at the core of human experience, chapters explore how and why people form snap judgments about others and when those impressions update. They examine the processes through which people infer the reasons for the events they encounter, allowing people to plan for appropriate behavioral responses to social contexts. The research reviewed is informed by the foundational theory of unconscious automatic processes involved in making judgements of other people, pioneered by Professor Jim Uleman who contributes a chapter that suggests important new directions, and concludes the volume by reflecting on the state of the field more broadly. The book explores how certain attributes stimulate categorization, examining current issues around implicit bias, stereotypes, and social media. Chapters cover a range of approaches, featuring personal narratives, presentation of new data and discoveries, comprehensive literature reviews, and contemplations on where the field must go and what questions require focus for progress to be made, calling for even the most advanced scholars to contribute more to the collective investigation of impression formation. This fascinating work provides a solid foundation from which all researchers can build a new and unique program of research, and arms the reader with the intellectual tools they need to chart new theoretical territory and discover aspects of the human experience we have yet to even wonder about. It is essential reading for students and academics in social psychology, and the social sciences more broadly"--

"Stimulated by Darwin's relatively uninformed but obviously intelligent questions, Dover takes the father of evolution on an exhilarating roller-coaster ride through recent genetic discoveries. In recounting stories from the treasure trove of modern biology, Dover exposes the naively deterministic view of selfish genes and their supposed lonely pursuits of self-replication and self-immortalization. He reveals a world of evolution far more intricate and subtle than can be expected from the notion of natural selection acting alone - a world in which genes are born to cooperate, as a consequences of newly discovered genetic processes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Who could have guessed that the lowly fruit fly might hold the key for decoding heredity? Or that the mouse might one day disclose astonishing evolutionary secrets? In a book infused with wisdom, wonder, and a healthy dose of wry skepticism, Nobel Prize-winning geneticist François Jacob walks us through the surprising ways of science, particularly the science of biology, in this century. Of Flies, Mice, and Men is at once a work of history, a social study of the role of scientists in the modern world, and a cautionary tale of the bumbling and brilliance, imagination and luck, that attend scientific discovery. A book about molecules, reproduction, and evolutionary tinkering, it is also about the way biologists work, and how they contemplate beauty and truth, good and evil. Animated with anecdotes from Greek mythology, literature, episodes from the history of science, and personal experience, Of Flies, Mice, and Men tells the story of how the marvelous discoveries of molecular and developmental biology are transforming our understanding of who we are and where we came from. In particular, Jacob scrutinizes the place of the scientist in society. Alternately cast as the soothsayer Tiresias, the conscienceless inventor Daedalus, or Prometheus, conveyer of dangerous knowledge, the scientist in our day must instead adopt the role of truthteller, Jacob suggests. And the crucial truth that molecular biology teaches is the one he elaborates with great clarity and grace in this book: that all animals are made of the same building blocks, by a combinatorial system that always rearranges the same elements according to new forms.

Drawing on a number of cutting-edge discoveries from brain research as well as on his own insights as a neuroscientist and neuropsychologist, Goldberg presents a wide-ranging discussion of history, culture, and evolution to arrive at an original understanding of the nature of human creativity. He discusses the origins of language, the nature of several neurological disorders, animal cognition, virtual reality, and even artificial intelligence. Included are his bold predictions about the future directions of creativity and innovation in society, and how they will change the ways the human brain develops and ages

The first anthology to span the oeuvre of the late writer Edmond Jabès, including pieces previously unpublished in English. "To take the wrong door means indeed to go against the order that presided over the plan of the house, over the layout of the rooms, over the beauty and rationality of the whole. But what discoveries are made possible for the visitor! The new path permits him to see what no one other than himself could have perceived from that angle. All the more so because I am not sure that one can enter a written work without having forced one's own way in first." – from In Place of a Foreword

At once a study of biblical theology and modern Jewish thought, this volume describes a participatory theory of revelation as it addresses the ways biblical authors and contemporary theologians alike understand the process of revelation and hence the authority of the law. Benjamin Sommer maintains that the Pentateuch's authors intend not only to convey God's will but to express Israel's interpretation of and response to that divine will. Thus Sommer's close readings of biblical texts bolster liberal theologies of modern Judaism, especially those of Abraham Joshua Heschel and Franz Rosenzweig. This bold view of revelation puts a premium on human agency and attests to the grandeur of a God who accomplishes a providential task through the free will of the human subjects under divine authority. Yet, even though the Pentateuch's authors hold diverse views of revelation, all of them regard the binding authority of the law as sacrosanct. Sommer's book demonstrates why a law-observant religious Jew can be open to discoveries about the Bible that seem nontraditional or even antireligious. (Publisher).

"A propulsive debut political thriller set in the aftermath of a global nuclear weapons crisis -- from the acclaimed filmmaker of The Fugitive and an award-winning journalist A plot to disrupt a global peace summit in Chicago collides with a civil rights case breakthrough at a mysterious archaeological site "Andrew Davis is a cinematic master, and Jeff Biggers is a brilliant scribe of wild places. Together, they have created a thriller that will keep you up all night." --Luis Urrea, NY Times bestselling author of Good Night, Irene. Chicago detective Randall Jenkins has not been back home to the historic Civil Rights hotspot of Cairo, Illinois since the disappearance of his mother, a well-known journalist, several decades ago. That all changes the day Dr. Molly Moore, an ambitious young archaeologist in the national spotlight for her groundbreaking high-tech discoveries, uncovers a set of strange bones at a huge 12,000-year-old site at a highway construction project. With retired military general and contractor William Alexander breathing down her neck to cover up the dig, Molly and Randall soon find themselves in the middle of a wild military conspiracy. The detective and archaeologist's entwined family mysteries suddenly thrust them into the central position as the only people who can ensure the safety of the ongoing Chicago global peace summit. They must take on the rogue general who views any disarmament agreement as a clear and present danger to the United States. The fate of global peace and the lives of Molly and Randall hang in the balance"--

In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic coming of age. Feelings Are Facts (the title comes from a dictum by Rainer's one-time psychotherapist) uses diary entries, letters, program notes, excerpts from film scripts, snapshots, and film frame enlargements to present a vivid portrait of an extraordinary artist and woman in postwar America. Rainer tells of a California childhood in which she was farmed out by her parents to foster families and orphanages, of sexual and intellectual initiations in San Francisco and Berkeley, and of artistic discoveries and accomplishments in the New York City dance world. Rainer studied with Martha Graham (and heard Graham declare, "when you accept yourself as a woman, you will have turn-out"--that is, achieve proper ballet position) and Merce Cunningham in the late 1950s and early 1960s, cofounded the Judson Dance Theater in 1962 (dancing with Trisha Brown, Steve Paxton, David Gordon, and Lucinda Childs), hobnobbed with New York artists including Robert Rauschenberg, Robert Morris (her lover and partner for several years), and Yoko Ono, and became involved with feminist and anti-war causes in the 1970s and 1980s. Rainer writes about how she constructed her dances--including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan--and about turning from dance to film and back to dance. And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. The mosaic-like construction of Feelings Are Facts recalls the composition-by-juxtaposition of Rainer's work in film and dance, displaying prismatic variations from what she calls her "reckless past" for our amazement and appreciation.

Celebrated writer and historian Maria Graham must make the treacherous voyage from Brazil to London to deliver her latest book to her publisher. Having come to terms with the loss of her beloved husband, Maria now has renewed hope for the future. For a woman travelling alone it's a dangerous journey. The only ship prepared to take Maria belongs to roguish smuggler Captain James Henderson. Onboard, all is well until Maria makes two shocking discoveries - the first a deadly secret, the second an irresistible attraction to the enigmatic captain. He and Maria grow close, but can Henderson escape his illicit past or will his scandalous secret ruin them both?