The distinguished anthropologist discusses the role and importance of honey and tobacco in the culture of the South American Indians

Both as a biblical prophet and a folklore hero, Elijah is one of the most popular and beloved figures in Jewish literature. In these intriguing tales, we see Elijah as the master of miracles, employing numerous disguises to fulfill his mission: to offer guidance and hope, reward goodness and punish wrongdoing, rescue Jewish communities and individuals, and signal the coming of the Messiah.

Once there was a town called Chelm where there was no luck. If something could go wrong, it did. The roofs of the houses always leaked. The sidewalks were cracked. The gardens grew only weeds. Nothing was ever right. So begins best-selling children's author, Sandy Eisenberg Sasso (nearly 500,000 copies of her books are in print) in this charming, original story inspired by a Jewish folktale.

The Newbery Honor Award-winning story of a young warrior's mystical search for his own destiny. A vivid, sensitive rendering.--Booklist. Full color.

The essays in Maps to Anywhere plot terrain that is at once familiar yet subtly strange. Writing on subjects ranging from his family to the origin of the barbershop pole, Bernard Cooper digs into the glimmering surface of the southern California landscape, observing the collision of the American Dream with the realities of everyday life. From the fragments, he discovers landmarks by which he attempts to make sense of contemporary America.

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

BEAUTIES, BEASTS AND ENCHANTMENT CLASSIC FRENCH FAIRY TALES Edited and translated by Jack Zipes A wonderful new collection of 36 French fairy tales translated into English by renowned writer and authority on fairy tales, Jack Zipes. Cinderella, Beauty and the Beast, Sleepy Beauty, Puss In Boots, Bluebeard, and Little Red Riding Hood are some of the classic fairy tales in this amazing book. There are many stories here by Charles Perrault, the most famous author of French conte de fées. Features a new introduction by editor Jack Zipes. Includes a generous number of exquisite illustrations from fairy tale collections. This is a clothbound edition, with gold letters embossed on a blue cloth cover, and a colour flyleaf. 'Terrific... a succulent array of 17th and 18th century 'salon' fairy tales' - The New York Times Book Review 'These tales are adventurous, thrilling in a way fairy tales are meant to be... The translation from the French is modern, happily free of archaic and hyperbolic language... a fine and sophisticated collection' - New York Tribune 'Enjoyable to read... a unique collection of French regional folklore' - Library Journal 'Charming stories accompanied by attractive pen-and-ink drawings' - Chattanooga Times 'An excellent collection' - Booklist. JACK ZIPES is professor emeritus of German and comparative literature at the University of Minnesota. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in Europe and the United States. Some of Jack Zipes' major publications include Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales (1979), Fairy Tales and the Art of Subversion (1983, rev. ed. 2006), Don't Bet On the Prince: Contemporary Feminist Fairy Tales in North America and England (1986), The Brothers Grimm: From Enchanted Forests to the Modern World (1988), Sticks and Stones: The Troublesome Success of Children's Literature from Slovenly Peter to Harry Potter (2000), Speaking Out: Storytelling and Creative Drama For Children (2004), Hans Christian Andersen: The Misunderstood Storyteller (2005), and Why Fairy Tales Stick: The Evolution and Relevance of a Genre (2006). Jack Zipes has also translated The Complete Fairy Tales of the Brothers Grimm (1987) and edited The Oxford Companion to Fairy Tales (2000), and The Great Fairy Tale Tradition (2001). Most recently he has translated and edited The Folk and Fairy Tales of Giuseppe Pitre (2008) and Lucky Hans and Other Merz Fairy Tales (2008) by Kurt Schwitters. Includes illustrations and a new introduction. ISBN 9781861717474. 612 pages. www.crmoon.com

Dybbuk Kokos, a soul-stealing demon of Jewish folklore, is freed after 200 years trapped inside a tree. She seeks the descendant of the woman she was to haunt long ago--but finds the unexpected in Rainbow Rosenbloom. Copyright © Libri GmbH. All rights reserved.

Everything you ever wanted to know about the moon and more. From the very earliest time, people have watched the moon's mysterious and fascinating nocturnal sky show with amazement and intrigue. Even in today's modern, busy world there are many of us who have taken a step back, looked upward, and wondered: What is it made of? How was it formed? What does it look like up close? In Moon Watcher's Companion, urban shaman, writer, and teacher Donna Henes enlivens the imaginations of those who have contemplated the moon by providing poems, drawings, stories, ancient wisdom, and scientific findings from a diverse blend of people and cultures throughout the world. Bringing together a wide range of writings about the moon, from Mother Goose to Joseph Campbell, Galileo to Audre Lorde, Sappho to Black Elk, as well as providing a comprehensive encyclopedia of lunar terminology, a timeline of lunar explorations, and three sections that detail the moon's faces, phases, and known facts, author Henes has created a fascinating compendium of lunar science, myth, folklore, poetry, curious facts, and old wives' wisdom culled from cultures throughout the ages.

Unfamiliar tales grounded in folklore include accounts of a nineteenth-century Jonah, a plagued Russian freighter, and the ghost of the U.S.S. Constellation

Moses, at the end of his life, refuses to give up his soul to God, who is forced to take it himself with a single kiss.

With the growth of interest in folklore, it becomes increasingly evident that the presentation of a collection needs some rationale more than the fact that traditional materials have been collected and properly annotated. Much has been gathered and is now accessible through journals, archives, and lists. If a corpus of lore is not presented in some way, which bears new light on the process of word-of-mouth transmission, on traditional forms or expressions, or on the group among whom the lore was encountered, there is little reason to present it to the public. This work represents an attempt to present a body of folklore collected among one small group of Black Americans in a neighborhood in South Philadelphia. The author's approach toward collection and presentation has been intensive. He has tried to collect "in depth," and to recreate in his presentation the social background in which the lore was found, and to relate the lore with the life and the values of the group. Abraham's work is a departure from any past methods of analyzing folklore, and therefore a description of the author's point of view and his method will be given first. The majority of this work was written before his methodology was actually formulated. However throughout the project û the object was to illuminate as fully as possible the lore of one small group of African Americans from urban Philadelphia. The methodology, which developed, did so because of this objective more than anything else. Though the formulation of this theory may seem ex post facto, it is included because it clarified much during the rewritings of this book, and more importantly, because it will clarify many matters for the lay reader and for the professional folklorist.

"This handbook surveys the materials, approaches, contexts, and applications of American folklore and folklife studies to guide students and scholars of American folklore, culture, history, and society in the future. In addition to longstanding areas in the 350-year legacy of the subject's study and applications such as folktales and speech, the handbook includes exciting fields that have emerged in the twenty-first century such as the Internet, bodylore, folklore of organizations and networks, sexual orientation, neurodiverse identities, and disability groups. These studies encompass cultural traditions in the United States ranging from bits of slang in private conversations to massive public demonstrations, ancient beliefs to contemporary viral memes, and a simple handshake greeting to festivals encompassing multiple genres and groups. Folklore and folklife studies include material traditions such as buildings and crafts as well as oral and social genres of dance, ritual, drama, and play. Whereas the use of lore often emphasizes speech, song, and story that all people express, the rhetoric of life draws attention to tradition-centered communities such as the Amish and Hasidim, occupational groups and their workaday worlds, and children and other age groups. Significant to the American context has been the cultural diversity and changing national boundaries of the United States, relative youth of the nation and its legacy of mass immigration, mobility of residents and their relation to an indigenous and racialized population, and a varied landscape and settlement pattern. The handbook is a reference, therefore, to American studies as well as the global study of tradition, folk arts, and cultural practice"--

A collection of classic Jewish folktales which emphasize values and moral lessons, each with an introduction that places it in context with other Jewish teachings.

35th anniversary edition! Here, in their own words, Indigenous voices reclaim the narrative of California Indians. "Their stories, here brilliantly illuminated by Margolin's comments, contain beauty, humor, and wisdom."-- Harold Gilliam, San Francisco Chronicle Before contact, California's Native people comprised five hundred independent tribal groups whose cultural and linguistic multiplicity expressed a sense of incalculable human richness. Reflecting that diversity, this collection of personal histories, songs, chants, and stories draws together a range of experiences from throughout the state and across generations to reveal the continuous Native presence in what is now called the Golden State. Speakers share traditional knowledge such as rites of passage, coyote tales, and dream journeys, and in equal measure they address the devastation that arrived with white people and the challenges that exist to this day--as well as the remarkable revitalization of their cultures over the past thirty years in particular. Variously funny, painful, insightful, and strikingly beautiful, The Way We Lived presents California's original sense of itself. This updated reissue contains a new foreword by Michael Connolly Miskwish (Campo Kumeyaay Nation) and a new introduction from the editor, Malcolm Margolin.

Retells six tales from American black folk literature.

Jewish stories set in Jerusalem, adapted from the Talmud and Midrash, Hasidic sources, and oral tradition, with origins in the Middle East, Eastern Europe, Spain, Italy, and Greece.

Tales tell of how Charles II, fearful of ancient legends that "Britain will fall" if the ravens at the Tower of London ever leave their abode, ordered that the wings of the six ravens be clipped.But the truth is that the ravens only arrived at the Tower in 1883, when they were brought in as props in tales of Gothic horror that were told to tourists. The legend itself originated from the summer of 1944, when ravens in London were used as unofficial spotters for enemy bombs and planes.