What started out as a mutual affinity for kitschy Jewish album covers-think Neil Diamond baring his chest hair on the cover of "Hot August Night "or Barbra Streisand in hot pants on the cover of "Streisand Superman"-soon became a quest for identity, history, and culture between the grooves of LPs. Together, Roger Bennett and Josh Kun embarked on a thrilling journey, scouring the world to collect thousands of vinyl LPs from attics, garage sales, and dusty archives. Pieced together, these scratched, once-loved and now-forgotten audio gems tell a vibrant tale: the story of Jews in America. "And You Shall Know Us by the Trail of Our Vinyl" spans the history of Jewish recorded music from the 1940s to the 1980s, weaving an account that begins with sacred songs and ends with the holy trinity of Neil, Barbra, and Barry. The LPs found here are also a love letter to forgotten moments in Jewish American pop history, celebrating well-dressed cantors singing Christmas tunes, Long Island suburbanites dancing the mambo, and Chassidic prog-rockers. The music, much of which is no longer available in any format, is brought to life through commentary from writers Aimee Bender, Etgar Keret, Michael Wex, and Shalom Auslander; performers Sandra Bernhard and Motown legend Lamont Dozier; music critics Oliver Wang and Anne Powers; and TV pioneer Norman Lear. A gateway to a forgotten kingdom of sound, the good, the bad, and the ugly of Jewish vinyl gives this aspect of Jewish culture the attention it so richly deserves.

"Drawn largely from keynote addresses presented at conferences all over the world, and informed by the experience of writing the Oxford History of Western Music, this book considers the perennial, insoluble yet unevadable problems that musical scholarship must address, among them: musical ontology, musical representation, the determination of musical meaning, the objectives of musical historiography, the ethics of musical performance and criticism, musical periodization, the question of aesthetic autonomy, the social impact of art and the need to control it, the proper source of that control, the relationship of art (and art scholarship) to its temporal and geographical environments, the desirability of historical performance practices, the value and purpose of musical analysis, the origin and value of musical traditions, the purposes and effects of the social dissemination of music. As suggested by the subtitle, the thrust is consistently anti-essentialist. Meaning and value are at all times seen in relational terms, as aspects of social transaction"--

"This book brings together twelve essays by senior historians who, after decades of study, reflect on the 'hows' and 'whys' of Stalinism as an authoritarian dictatorship determined to build a version of socialism in the Soviet Union at all costs"--

Taking a fresh look at the past hundred years of shared Palestinian and Jewish-Israeli history, Baruch Kimmerling reveals surprising relations of influence between a stateless indigenous society and the settler-immigrants who would later form the state of Israel. Shattering our assumptions about these two seemingly irreconcilable cultures, Kimmerling composes a sophisticated portrait of one sides behavior and characteristics and the way in which they irrevocably shaped those of the other." "By merging Israeli and Jewish studies with a wealth of scholarship on Palestinians and the Middle East, Kimmerling introduces a unique conceptual framework for analyzing the cultural, political, and material overlap of both societies. A must-read for those concerned with Israel and the relations between Jews and Arabs, Clash of Identities is an exploration of the ever-evolving, always-contending identities available to Israelis and Palestinians and the fascinating contexts in which they take form.

"This book develops a method that emphasizes the entwinements of "technology," "ideology," and the medium-specific particularities of photography in five twentieth-century cases in which photography and Jewish history intersect"--

The social realities of old age have undergone profound changes since the middle ages. This study shows, however, that the images, attitudes and expectations of old people have changed for less. Shulamith Shahar shows how the status and social participation of the elderly varied according to gender, social stratum, economic resources, position, level of functioning, and personality, as well as according to regional custom. The book offers a broad cultural history of old age in medieval western Europe. Shahar examines the images, attitudes and advocated norms used in relation to the elderly and looks at the elderly in various social strata: churchmen and nuns, rulers, small office holders and soldiers, town dwellers and peasants. A valuable insight into life and society in the Middle Ages, this will prove an invaluable addition to history reading lists.

Notes from the Other Side of Night is a diary-memoir written upon Juliana Geran Pilon's return to her native Romania in 1975, which she had left along with her family when she was just fourteen. Poetically weaving together modern insight and realities with childhood perceptions, Pilon tells the haunting stories of her parents, grandparents, neighbors, and friends. Although the scenery of her native home had remained essentially unchanged since her childhood, Pilon recalls streets that are no more, homes and churches that have been demolished. Yet, the hills and forests, the flowers and mountains, the heat of old Bucharest, remained the same. The scenes and characters described in this book are simply unforgettable. Despite the many tragedies it describes--anti-semitism, political imprisonment, and judicial execution were ruthless realities under communism--Notes from the Other Side of Night is not a depressing book. Pilon writes with a detached melancholy about events and characters that illustrate Hannah Arendt's terrifying "banality of evil." But she remembers, as well, those few who managed to remain human beings until the end. Ultimately, hope triumphs in this memoir. This edition includes a new foreword, which discusses the initial writing and publication of this and previous editions.

Katrina's Legacy focuses on the centrality of the Black Liberation Movement the entire U.S. Left and programmatic proposals supporting a new reconstruction in New Orleans and the Gulf Coast.

Shaping Losses explores how traumatic loss affects identity and how those who are shaped by loss give shape, in turn, to the empty place where something--relationships, family, culture--was and is no longer. Taking the example of the decimation of European Jewry during the Nazi era, Shaping Losses confronts the problem of transforming trauma into cultural memory. This eloquent volume examines how memoirs, films, photographs, art, and literature, as well as family conversations and personal remembrances, embody the impulse to preserve what is destroyed. The contributors -- all distinguished women scholars, most of them survivors or daughters of survivors--examine classic memorializations such as Claude Lanzmann's film Shoah and Roman Vishniac's photographs of prewar Jews as well as several less-well-known works. They also address ways in which children of survivors of the Holocaust--and of other catastrophic traumas--struggle with inherited or vicarious memory, striving to come to terms with losses that centrally define them although they experience them only indirectly. Shaping Losses considers the limitations of Holocaust representations and testimonies that capture shards of the experience but are necessarily selective and reductive. Contributors discuss artistic efforts to "preserve the rawness" of memory, to resist redemptive closure in Holocaust narratives and public memorials, and to prevent the Holocaust from being sealed in "the cold storage of history." The authors probe the nature of memory and of trauma, studying the use of language within and outside a traumatic context such as Auschwitz and pinpointing the qualities that make traumatic memory ineffable, untransmittable, and perhaps unreliable. Within the "haunted terrain of traumatized memory" that all Holocaust testimonies inhabit, the impulse to give form to emptiness--to shape loss--emerges as a necessary betrayal, a vital effort to bridge the gap between history and memory.

Review "It's part public utility, part invisible marvel, and part social force. As an indispensable, intrusive artifact of modern life, the telephone is always answered but rarely questioned, its functions largely unexplored. However, with the publication of this festschrift-for-a-technology, that neglect has ended. Based on twenty-one papers presented at MIT on the hundredth birthday of the telephone, The Social Impact of the Telephone draws together the research and insights of social scientists, historians, engineers, and journalists into a fascinating and rewarding volume." —Journal of Communication"The subject matter in Pool's volume ranges broadly. It includes the telephone in history, literature, urban development, and its relation to women, geography, use of time and language...an intriguing topic." —The Wilson Quarterly"The twenty-one contributors are a varied and formidable lot, ranging from Bell System personnel (John R. Pierce, Henry M. Boettinger) to sociologists (Sidney H. Aronson, Suzanne Keller, Emanual A. Schegloff), historians (Asa Briggs, Charles R. Perry), geographers (Jean Gottmann, Ronald Abler), economists (Bertil Thorngren), psychologists (David Lester), political scientists (Ithiel de Sola Pool), media specialists (Yves Stourdze, Colin Cherry, Alan Wurtzel, Colin Turner, J. Alan Moyer, Alex Reid, Paladugu Rao), and writers (Martin Meyer, Brenda Maddox, John Brooks). What emerges...is the first collective scholarly attempt to assess the social impact of telephony." —Business History Review Product description Book by

A kind, blundering Czech engineer is pressured by the Nazi government to hand over his invention, which could be key to their military operations. He flees to Paris, hoping to sell his invention to the French government instead; yet when the Germans invade France, he is forced into hiding, and spends months in a dark, damp cellar. Alone, he dwells on his memories - of his troubled marriage, and his decision to leave his wife behind in Czechoslovakia. When he is given the unexpected chance to redeem himself, both to his wife and history, he seizes it with utter determination - even though this heroic act will be his last. A powerful and moving novel about one man's final, fatal, heroic act of resistance in Nazi France.

The murder of a third of Europe's Jews by the Nazis is unquestionably the worst catastrophe in the history of contemporary Judaism and a formative event in the history of Zionism and the State of Israel. Understandably, therefore, the Shoah, written about, analyzed, and given various political interpretations, has shaped public discourse in the history of the State of Israel. The key element of Shoah in the Israeli context is victimhood and as such it has become a source of shame, shrouded in silence and subordinated to the dominant discourse which, resulting from the construction of a "new Hebrew" active subjectivity, taught the postwar generation of Israelis to reject diaspora Jewry and its alleged passivity in the face of catastrophe. This book is the culmination of years of preoccupation with the meaning of the Shoah for the author, an Israeli woman with a "split subjectivity: - that of a daughter of a family of Shoah survivors, and that of a daughter of the first Israeli-born generation; the culmination of her need to break the silence about the Shoah in a society which constructed itself as the Israeli antithesis to diaspora Jewry, and to excavate a "truth" from underneath the mountain of Zionist nation-building myths. These myths, the author argues, not only had deep implication for the formation of her generation but also a profound impact on the Israeli-Palestinian conflict. Moreover, they are shot through with images of the "masculine" Israeli, constrasted with those of the weak, passive, non-virile Jewish "Other" of the diaspora. This book offers the first gendered analysis of Israeli society and the Shoah. The author employs personal narratives of nine Israeli daughters of Shoah survivors, writers and film makers, and a feminist re-reading of official and unofficial Israeli and Zionist discourses to explore the ways in which the

This book investigates the history of writing as a cultural practice in a variety of contexts and periods. It analyses the rituals and practices determining intimate or 'ordinary' writing as well as bureaucratic and religious writing. From the inscribed images of 'pre-literate' societies, to the democratization of writing in the modern era, access to writing technology and its public and private uses are examined. In ten studies, presented by leading historians of scribal culture from seven countries, the book investigates the uses of writing in non-alphabetical as well as alphabetical script, in societies ranging from Native America and ancient Korea to modern Europe. The authors emphasise the material characteristics of writing, and in so doing they pose questions about the definition of writing itself. Drawing on expertise in various disciplines, they give an up-to-date account of the current state of knowledge in a field at the forefront of 'Book History'.

This collection of original essays by his former graduate students and colleagues honors Richard S. Westfall, a highly influential scholar in the history of the physical sciences and their relations with religion. The book is divided into three parts that reflect Professor Westfall's scholarly interests and activity: the life, work, and influence of Newton; science and religion; and historiographical and social studies of science. These contributions represent a variety of approaches to the history of science, including the development of scientific ideas per se, the influence of philosophical and religious ideas on the development of science, and the study of science as a social activity. This valuable collection demonstrates the wide scope of Professor Westfall's influence on his students and on the scholarly community as a whole.

Scholars have struggled for decades to explain why Jews have succeeded extravagantly in modern science. A variety of controversial theories from such intellects as C. P. Snow, Norbert Wiener, and Nathaniel Weyl have been promoted. Snow hypothesized an evolved genetic predisposition to scientific success. Wiener suggested that the breeding habits of Jews sustained hereditary qualities conducive for learning. Economist and eugenicist Weyl attributed Jewish intellectual eminence to "seventeen centuries of breeding for scholars." Rejecting the idea that Jews have done well in science because of uniquely Jewish traits, Jewish brains, and Jewish habits of mind, historian of science Noah J. Efron approaches the Jewish affinity for science through the geographic and cultural circumstances of Jews who were compelled to settle in new worlds in the early twentieth century. Seeking relief from religious persecution, millions of Jews resettled in the United States, Palestine, and the Soviet Union, with large concentrations of settlers in New York, Tel Aviv, and Moscow. Science played a large role in the lives and livelihoods of these immigrants: it was a universal force that transcended the arbitrary Old World orders that had long ensured the exclusion of all but a few Jews from the seats of power, wealth, and public esteem. Although the three destinations were far apart geographically, the links among the communities were enduring and spirited. This shared experience of facing the future in new worlds, both physical and conceptual provided a generation of Jews with opportunities unlike any their parents and grandparents had known. The tumultuous recent century of Jewish history, which saw both a methodical campaign to blot out Europe's Jews and the inexorable absorption of Western Jews into the societies in which they now live, is illuminated by the place of honor science held in Jewish imaginations. Science was central to their dreams of creating new worlds - welcoming worlds - for a persecuted people. This provocative work will appeal to historians of science as well as scholars of religion, Jewish studies, and Zionism

From the 1850s to the 1950s, photography was one of the most open avenues for Jews in Britain to make a living, as well as to contribute to mainstream culture. If one’s picture was snapped for a price in Britain, the person behind the lens was more than likely born a Jew. Through the 1970s, Jews were prime movers behind nearly all things photographic in Britain, including photojournalism, portrait studios, collecting, applications of photography to the fine arts, and the emergence of photography criticism and history as distinct fields. Yet despite Jews having played such remarkable roles, far out of proportion to their number and in all facets of photography, little attention has been paid to ethnic-religious difference in studies of British photography.Richly illustrated with both color and black-and-white images, Jews and Photography in Britain is the first-ever historical investigation of this topic, ranging from the mid-nineteenth century to Queen Elizabeth’s controversial photo shoot with Annie Leibovitz in 2007. Michael Berkowitz explores subjects such as the attempts of H. W. Barnett to unsettle portrait conventions, the spectacular photo editing of Stefan Lorant, the influence of Erich Salomon on Fleet Street, the inception of the “Gernsheim Corpus” (a seminal resource for art historical research) conceived by Walter and Gertrud Gernsheim, the innovative photography practices at London’s Warburg Institute under Fritz Saxl, and the pioneering efforts at collecting and publishing about photography as history and art by Helmut and Alison Gernsheim.