Discusses Jewish identity in America as reflected in the culture of immigrants and descendants of immigrants. Self-hatred or, at least, ambivalence about oneself in the face of native American values is one theme. Ch. 5 (pp. 98-125), "To Make 'a Jew': Projecting Antisemitism in Post-War America", analyzes two novels - Arthur Miller's "Focus" and Saul Bellow's "The Victim" - that explore the psychosocial dimensions of postwar antisemitism. They raise the question whether possibilities of Jewish-Gentile relations might lead to personal and social renovation. In "Focus", a crypto-fascist antisemite who has internalized racist stereotypes finally identifies symbolically as a Jew. In "The Victim", both Jew and Gentile partially overcome their mutual stereotyping. The main Jewish protagonist also overcomes some negative aspects of his self-image.

Product Description Once a notorious hippie, Sammuel Himmelhoch joins a Hassidic sect of penitents in Jerusalem and becomes a Master of the Return, guiding fellow converts to the teachings of Rabbi Nahman of Bratslay From Publishers Weekly In Mara, Reich, herself the scion of a rabbinical family, took aim at the mores of American Orthodox Jewry. Here, she casts her sly, sardonic eye upon those at the opposite end of the spectrum, so to speakIsraeli penitents. With vigor, irreverence and devastating accuracy, she limns a flock of zany zealots, intoxicated by the rarefied Hassidism of Rabbi Nahman of Bratslav. These cultists, former hippies who are now "high on the One Above," are at once delightfully absurd in their revival, even invention, of bizarre customs (such as the paramount pilgrimage to Rabbi Nahman's Ukranian grave to terminate "nocturnal emissions"); poignant in their misguided, miseducated search for identity and redemption; as self-indulgent in their expiation as they once were in their passions; and alarming in their patent misogyny, racism, deceit, self-righteousness and extreme messianic political agenda. In Reich's hands, plot and character development are sacrificed to an extravagant religious and social parody cum cautionary tale. The penitents remain symbolic figuresas exemplified by an elderly midwife, whose name, Shifra-Puah, evokes her righteous colleagues from the biblical book of Exodus who disobeyed the pharaonic decree to murder male newborns, and Avraham Ger, whose surname, Hebrew for convert, proclaims his adoption of Judaism. Copyright 1988 Reed Business Information, Inc. From Library Journal Samuel Himmelhoch was once lighting effects man for notorious rock groups, his wife Ivriya rode horses bare-breasted in Rosh Pina, and Sora Katz was the former Pam Buck of Macon, Georgia, but now they are all members of an extreme Hassidic sect, living together in the Moslem quarter of the Old City of Jerusalem. Described with affection and great insight, the riotous adventures of these sincere but sometimes misguided penitents easily mix the supernatural with human events. Reich pinpoints absurdity and self-righteousness beautifully, as when Reb Lev Luria pontificates in gematria (talmudic numeric equivalents) derived from his newly donated computer. An arrestingly comtemporary treatment of Jewish spirituality and renewal. Highly recommended. Molly Abramowitz, Silver Spring, Md.Copyright 1988 Reed Business Information, Inc.

In his unique and lyrical style, Mario Levi captures the city of Istanbul and its storied past with a rare intimacy and humor. A major work of contemporary Turkish literature, Istanbul Was a Fairy Tale tells the stories of three generations of a Jewish family from the 1920s to the 1980s. Istanbul is their only home, and yet they live in a state of alienation, isolating themselves from the world around them. As witness, observer, and protagonist, the narrator—at once inside and outside of his story—records their many tales, as well as those of their friends and neighbors, creating an expansive mosaic of characters, each doing their best to survive the twentieth century.

Two friends grow up in a North London Jewish suburb. David is bright, parent-pleasing and obviously destined for great things. But somehow he ends up earning peanuts in a Suffolk bookshop while his devious and wayward friend Jack, becomes rich and famous as a TV chat-show host. When Jack dies, his widow and publisher commission David to write his biography; after all, dependable David can be relied upon not to dish the dirt about the sex, the drugs and the women. David however soon realises that it's finally time he stopped doing what is expected of him. Instead he must write the true story of the forty year friendship that has dominated his life and then maybe he'll get Jack out of his system. But what David soon finds is that he can never be completely free of Jack...

"Melissa Jensen's life takes a dramatic turn when her father accepts a teaching assignment in a small town in the remote Midwest, far from her home in New York City. Though the college town seems to offer more than she ever suspected, for the first time in her life Melissa must personally navigate antisemitism and racism. Her choice to speak out should be clear-cut, but life is never that simple. The Violin Players examines the price we pay when bigotry is met with silence"--

Originally published in 1913, When All Is Said and Done is one of the great novels of the twentieth century. Considered David Bergelson's masterpiece, it was written in Yiddish and until now has been unavailable in a complete and accurate English translation. This version by acclaimed translator Joseph Sherman finally brings the novel to a wide English-speaking audience. Bergelson depicts the lives of upwardly mobile, self-aware nouveaux riche Jews in the waning years of the Russian Empire. The central character, Mirel Hurvits, is an educated, beautiful woman who embodies the conflict between tradition and progress, aristocracy and enterprise. A forced marriage of convenience results in Mirel's emotional disintegration and provokes a confrontation with the expectations of her pious family and with Jewish tradition. In a unique prose style of unsurpassable range and beauty, Bergelson reduces language to its bare essentials, punctuated by silences that heighten the sense of alienation in the story.

The year is 1031. Karimah, a charming, headstrong Jewish nineteen-year-old has followed her heart on an adventure that will take her far from home. The story is revealed in her letters to the family she left behind in Egypt, their letters to her, and their correspondence with others as they seek to make sense of the disorder that Karimah has brought to their lives. Details of everday life from a millennium ago are now familiar to scholars through the discovery of the Cairo Geniza, a synagogue storeroom full of several centuries' worth of religious manuscripts, receipts, and business correspondence. The author creates an impassioned portrayal of a time when Jews and Muslims lived together in reasonable harmony.

Tristan Brodsky, sprung from the asphalt of the Depression-era Bronx, goes on to become one of the swaggering Jewish geniuses who remake American culture, but slowly suffocates his poet wife, who harbors secrets of her own. Nina Hricek, a driven young Czech photographer, escapes from behind the Iron Curtain with a group of black American musicians, only to find herself trapped yet again, this time in a doomed love affair. And finally, Tris Freedman, grandson of Tristan and lover of Nina, a graffiti artist and unanchored revolutionary, cannibalizes his family history to feed his muse. In the end, their stories converge, and the survival of each requires the sacrifice of another.

The rise and fall of the Jews is compressed into the enigmatic character of Ebenezer Schneerson, who has somehow become the final repository of all Jewish culture following the ravages of World War II.

A seventeen-year-old Orthodox Jewish girl leaves her home in New York for the summer to film a television show in California.

Welcome to Brighton Beach of the 1930s and early '40s as filtered through Simon Sloan, from youth to would-be artist-as-a-young-man at Brooklyn College to the eve of his induction into the army. Wallace Markfield perfectly captures this Jewish neighborhood--its speech, its people, its unique zaniness. But like any masterpiece--Joyce's "Dubliners" comes readily to mind--"Teitlebaum's Window "both survives and expands upon its time and place. While remaining rooted in the specifics of its own world, thirty-seven years after first being published it teems with Markfield's inventiveness, hilarity, and singular voice.

Three novellas by an internationally celebrated writer provide a luminous view of a Jewish village in Lithuania between the two world wars and some of its residents

THROUGH THE GREAT WAR AND THE DEPRESSION, THE SANDBERGS REACH OUT FOR THE BITTER AND THE SWEET OF LIFE--THE ALMONDS AND THE RAISINS.

"After a tragic event, Adam Friedman sets out to change the world with small acts of heroism as Mitzvah Man"--Provided by publisher.

This novel holds within its pages an unusual love story that spans three decades and three continents. When Max first meets Esther, she is a young Australian girl filled with passion for life and boundless enthusiasm. His love for her continues through all the changes that take place in her life - her move from London, where they meet, to Jerusalem where she explores the Judaism that until then was just on the fringe of her life; the literary prize she wins that brings her back into his orbit; her commitment to Israel that breaks their relationship; and then finally, a coincidental meeting in the middle of a war in Lebanon. Max never stops loving Esther, even as she matures from a naive girl to a woman of depth and wisdom. Love takes many forms, and readers will experience all the complexities of emotion as they discover the ties that bind a man to a woman.

Text: English, Yiddish (translation)

I bring you up to believe that nothing is good enough for you, and you grow up to be good for nothing. Thus, Mrs. Bindle, on learning that Ben, her only-begotten son, has decided to be a Rabbi; what is more, a Rabbi in a small provincial town in Scotland. Her anxiety proves to be not unjustified, although Ben's chosen career has its compensations-perhaps Helen, the promiscuous teenage daughter of his housekeeper; perhaps Simmy, the young wife of an elderly parishioner; perhaps the whole incident-prone pace of the pawky Scottish town in which this richly-human story is set. Chaim Bermant's third novel has all the wit, warmth and colour of its critically-acclaimed forerunners.