Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.

Jackie Under My Skin is a richly original and fascinating investigation into how Jacqueline Kennedy Onassis transformed our definitions of personal identity and style. For thirty years we have lived with our internalized images of Jackie, but until now no writer has definitively explored what it feels like to exist in imaginative and heartfelt connection to this ubiquitous icon. In an elegiac gallery of fantasies and tableaux, Wayne Koestenbaum explains the late First Lady's mesmeric hold on America by anatomizing the myths and metaphors that have attached to her. Analyzing her iconography with both passion and precision, he places stories about Jackie - and photos of Jackie - within the context of literature, film, and the idiosyncratic imagination. Following her into America's dreamwork, far from pious family values, Wayne Koestenbaum dares to see her as an embodiment of pleasure, a figure of Circean extravagance, and a unique and necessary emblem of that most exhilarating of pursuits: freedom without responsibility.

Samuel Noah Kramer is the leading authority on the interpretation and reading of civilization's oldest literature. His life and life's work are so thoroughly intertwined that his autobiography is also the story of the recovery of the language and literature of the Sumerians. From young Talmudist to the patriarch of Sumerology, Kramer recountshis long and distinguished career. Writing for the non-specialist, he paints a panoramic view of Sumerian literature and provides thumbnail sketches of the individuals with whom he collaborated.

Roger Kahn is one of America's foremost sportswriters. After successful seasons as a newspaperman and magazine writer, he burst onto the national scene in 1972 with his memorable bestseller, The Boys of Summer, a work that went beyond sports and captured the minds and hearts of millions across the country. Now in his eighth decade, Kahn has again written a book for the hearts and minds of his readers. Chronicling his own life, Into My Own is Kahn's reflection on the eight people who shaped him as a man, a father, and a writer. In this poignant self-portrait, Kahn begins with his childhood in Brooklyn, reared on the verses of Homer, Shakespeare, Housman, and Millay---a curriculum set by his mother, and one that would influence his career with words. He combined his intellectual upbringing with his inherent passion for baseball, and began his sportswriting career under the legendary Stanley Woodward at the New York Herald Tribune . This lent Kahn the opportunity to interview and develop friendships with Pee Wee Reese and Jackie Robinson--men he knew and admired for reasons far beyond their baseball abilities. Kahn's writing is by no means limited to his sports coverage, and on the political front he devotes chapters to Eugene McCarthy and Barry Goldwater, whom he interviewed for the Saturday Evening Post ---two diverse men in a turbulent era who championed their distinct versions of idealism. The Post had earlier sent Kahn to interview poet Robert Frost at his home in Vermont, a rare opportunity for any journalist, and one that resulted in the development of a marked friendship between two men of words. Perhaps most touching is his account, straightforward but abrim with love, of the life and death---at twenty-three---of his scholar-athlete son, Roger Laurence Kahn. Into My Own is the touching memoir of an unassuming man, whose great love of baseball and literature led him into extraordinary experiences, opportunities, and friendships. Even amidst great family tragedy and personal difficulty, Kahn has prevailed---amongst poets, writers, politicians, and most of all, ballplayers. Praise for Roger Kahn: "As a kid, I loved sports first and writing second, and loved everything Roger Kahn wrote. As an adult, I love writing first and sports second, and love Roger Kahn even more." ---Pulitzer Prize winner, David Maraniss "He can epitomize a player with a single swing of the pen." --- Time magazine "Roger Kahn is the best baseball writer in the business." ---Stephen Jay Gould, New York Review of Books "A work of high moral purpose and great poetic accomplishment. The finest American book on sports." ---James Michener on The Boys of Summer "Kahn has the almost unfair gift of easy, graceful writing." --- Boston Herald

This is a book of aspirations fulfilled, those of the author and his colleagues. It tells us what it is to be a mathematician and to do mathematics. It will be read with interest and enjoyment by those in mathematics and by those who might want to know what mathematicians and mathematical careers are like. Halmos, mathematician and expositor, has contributed much to ergodic theory, algebraic logic, operator theory, and the mathematical literature in general.

Marjorie Agosín writes of a beloved childhood nanny: "Since I was Jewish she baptized me with holy water brought forth from the fonts of nearby churches. She told me to stay very still so I wouldn't sprout horns. . . . I was somewhere between taciturn and happy gazing into the mirror as if approaching the edge of a cliff . . . and I watched myself in the deep, transparent veil of this night of all nights." Many of the themes expressed in this vignette--cultural dissonance, family, and community--are poetically intertwined throughout The Alphabet in My Hands . Agosín takes us on a personal journey of discovery that is as much internal reflection as it is an exodus across continents and decades. Agosín's childhood and early adolescence were spent with her Jewish family in Chile. While her family raised her to regard her Jewish heritage with loving awareness, they also participated in the dominant Catholic culture--an aunt organized Easter egg hunts and her mother admired the beauty of Chile's Catholic churches. The young Agosín became keenly aware of her dual identity in her country, both as a participant and an outsider. The second half of The Alphabet in My Hands recounts the events that forced her family to emigrate to America: the overthrow of Salvador Allende by General Augusto Pinochet. Agosín writes of her new life in Athens, Georgia, of the sudden loss of all that was familiar. Ostracized as an emigrant--a "non-white" with a strange foreign accent--her high school years were made even more painful by the news from Chile: prisoners taken and classmates disappearing or shot. Years later, Agosín goes back to Chile and she travels there with her own children. As she stares down at her old homeland from the plane, she writes: "Why do I love this place that forced us into exile, that punished my father for being a Jew?" And in the final chapter of The Alphabet in My Hands , this award-winning poet addresses two important topics: her current residence in New England and the central role of writing and literature in her life.

Over the last forty years, Aaron Lansky has jumped into dumpsters, rummaged around musty basements, and crawled through cramped attics. He did all of this in pursuit of a particular kind of treasure, and he's found plenty. Lansky's treasure was any book written in Yiddish, the language of generations of European Jews. When he started looking for Yiddish books, experts estimated there might be about 70,000 still in existence. Since then, the MacArthur Genius Grant recipient has collected close to 1.5 million books, and he's finding more every day.

"Black Bart was not the Old West's only stagecoach robber, but he was the most famous. To many people, he was a folk hero: a robber who didn't threaten or harm passengers. He was a bandit with a sense of humor who wrote poetry. In robbing at least 28 Wells Fargo stagecoaches across northern California between 1875 and 1883, he never fired a shot or injured anyone. His gun, it turned out, was never loaded. Newspaper stories about the poet robber's exploits and about Jim Hume, the unyielding chief detective of Wells Fargo, became popular reading throughout the West. Black Bart seemed to enjoy the chase. During one robbery the driver told him "They'll catch you one of these days." Bart answered, "Perhaps, but in the meantime give my regards to J. B. Hume, will you?" For eight years, each new robbery--and each new story--made Hume even more determined to track him down. Resources include a list of all Bart's robberies, notes, and bibliography, making this a rich resource for all Wild West readers."--Provided by publisher.

Who is the greatest living essayist writing in English? Unquestionably Joseph Epstein. Epstein is penetrating. He is witty. He has a magic touch with words, that hard to define but immediately recognizable quality called style. Above all, he is impossible to put down. How easy it is today to forget the simple delight of reading for no intended purpose. Each of the 39 pieces in this book is a pure pleasure to read

A compilation of Midrash, Biblical, and legendary stories about the prophet Moses, who led the Children of Israel out of slavery in Egypt.

Retells the Biblical story of Joseph, from his viewpoint, relating how he was sold into slavery and became the Egyptian Pharaoh's adviser.

Dubbed-some would say drubbed-the "godfather behind creative nonfiction" by Vanity Fair, Lee Gutkind takes the opportunity of these essays, and the rich material of his own life, to define, defend, and further expand the genre he has done so much to shape. The result is an explosive and hilarious memoir of Gutkind's colorful life as a motorcyclist, a medical insider, a sailor, a college professor, an over-aged insecure father, and a literary whipping boy. In Forever Fat Gutkind battles his weight, his ex-wives, his father, his rabbi, his psychiatrist, and his critics in a lifelong cross-country, cross-cultural search for stability and identity. And from Gutkind's battles, the reader emerges a winner, treated to a sometimes poignant, sometimes harrowing, sometimes uproarious, and always engrossing story of the simultaneous awakening of a man and his mission, and of the constant struggle, in literature and in life, to sort out memory and imagination. Here, enacted in technicolor terms, is the universal, symbolic truth that no matter how far you travel, over how many years, you will never completely shed the weighty baggage of adolescence. Yet, as Gutkind proves again and again, he has learned to describe his burden with an ever-lightening brilliance. Lee Gutkind is the founder and editor of the journal Creative Nonfiction. The author and editor of a dozen books, including the award-winning Many Sleepless Nights: The World of Organ Transplantation, he is a professor of English at the University of Pittsburgh and the director of the Mid-Atlantic Creative Nonfiction Writers' Conference at Goucher College.

The untold life story of All-of-a-Kind Family author Sydney Taylor, highlighting her dramatic influence on American children's literature.

Unusual book

"Banning people from libraries is even worse than banning books! Decades before the Civil Rights Movement, Samuel Wilbert Tucker, a Black lawyer in Virginia, organized a peaceful read-in at the local public library, which was segregated. He wanted to affirm the right of everyone to use the library. Thanks to efforts like his, we can all sit at a table, any table, pick up a book, any book, and read."--Back cover.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

Liberated from a German concentration camp at the end of World War II but haunted by the memory of her ordeal, fifteen-year-old Piri starts a strange new life as a Jew in Sweden. Sequel to "Upon the Head of the Goat."

This autobiography of William G. Dever is unabashedly his story that offers not only candid reflections on his life, but also on the remarkable generation of giants in archaeology in Israel and the evolving history of the fields of biblical and Israeli archaeology. Chapters cover the ups and downs in both his life and career with brutally honesty. His memoir concludes with a postscript on the likely future of biblical archaeology, and an annotated bibliography provides a guide for serious readers who wish to explore some of the scholarly literature to flesh out Dever's narrative--