"Those who cannot remember the past are condemned to repeat it." --George Santayana We need only to look back to Rwanda, and now to Darfur, to see that once again we are living the worst of times. Who better to guide our understanding and give us hope than Martin Gray--a man who survived the worst of times, flourished, and still managed to find joy in living? Martin has come full circle since his boyhood world was turned upside down by the German invasion of Poland in 1939. Overnight, the teenage Martin and his family were immersed in the horrors of the Holocaust and held captive in the Warsaw Ghetto. It was a nightmare of brutality, starvation, and death. Martin became a clever smuggler to help his family survive--until the "butchers" of Treblinka took his mother and brothers. Against impossible odds, Martin survived and returned to fight in the Warsaw Ghetto Uprising. As the Nazis incinerated the ghetto, he escaped to fight with the partisans, and then the Red Army. After the war, Martin made his way to New York. The cunning and skills he developed during the war enabled him to learn the language and create a successful business. At 35, he retired to France with a fortune and a beautiful Dutch wife, starting a family and living in happiness and peace. But his world was shattered once again by a forest fire that engulfed his fleeing family. In a tragic repeat of history, Martin alone survived. Martin Gray's past could be our future if we don't heed his call to be the change. In this 35th anniversary expanded edition of For Those I Loved, a book beloved by millions of readers worldwide, Martin reminds us that the past is connected to the present. Only we can ensure that history is not repeated.

The Process Church of the Final Judgment was the apocalyptic shadow side of the flower-powered '60s and perhaps the most notorious cult of modern times. Hundreds of black-cloaked devotees, often wearing a satanic Goat of Mendes and a swastika-like mandala, swept the streets of London, New York, Boston, Chicago, New Orleans, and Toronto, selling magazines and books with titles like Fear and Humanity is the Devil. And within the group's Chapters, members would participate in Midnight Meditations beneath photographs of the Christ-like leader. Celebrities like Marianne Faithful, James Coburn, and Mick Jagger participated in Process publications, and Funkadelic, in its Maggot Brain album, reprinted Process' Fear Issue. Process' Death Issue interviewed the freshly-imprisoned Charles Manson leading to conspiracy hysteria in such books as Ed Sanders' The Family and Maury Terry's The Ultimate Evil. A lawsuit against Sanders' Manson book led to the removal of its Process-themed chapter by Dutton. Love, Sex, Fear, Death is the shocking, surprising, and secretive inside story of the Process Church, which later transformed into Foundation Faith of the Millennium, and most recently as the Utah-based animal sanctuary, Best Friends. Included will be text by Timothy R. Wyllie, a formative member of the Process and Foundation Faith organizations; interviews with other former Processeans; rare reproductions of Process magazines; never-before-seen photographs; and fascinating transcripts from holy books and legal actions. The special limited edition will be hardcover, signed, numbered, and slipcased, and will include a facsimile edition of the notorious Death Issue.

Pre-eminent author and art historian - Simon Schama has written widely on art for many years to great acclaim. In "Hang-Ups", a personal selection of his articles from, amongst others, The New Yorker, appears in Britain for the very first time. Brilliantly and lucidly written by one of the most singular voices in non-fiction, this volume of provocative and often idiosyncratic essays makes hugely satisfying reading for lovers of both art and social history. It contains pieces on artists as diverse as David Hockney, Rembrandt and Charles Rennie Mackintosh, and on such subjects as the 'unforgettable peculiarity' of Stanley Spencer. From the author whose writing has been called 'sublime' and whose ability to bring art and history vividly to life has earned him admiration worldwide, "Hang-Ups" is Schama's rallying cry for the art lover to look at familiar works of art and their artists - and embrace a new way of seeing.

An extraordinary journey deep into the history and landscape of the Hebrides, exploring their turbulent history, the spread of their influence, and how these islands shaped the nations of Britain.

"Every baseball fan knows that Derek Jeter and Albert Pujols are among the best to ever play the game. But how do their high-priced contracts impact their teams' abilities to compete for a World Series title? Which managers and executives are best at getting the most out of their roster, year-in and year-out? And how does sabremetrics play into all of this? In this book, veteran ESPN columnist Jayson Stark explores these questions and many more. Supplemented with insightful commentary from countless baseball insiders, it gives baseball fans a rare, fascinating glimpse into the why behind the game's winners and losers"--

The iconoclastic writer and director of the revered classic Withnail & I—"The funniest British film of all time" (Esquire)—returns to London in a decade-long examination of the most provocative murder investigation in British history, and finally solves the identity of the killer known as "Jack the Ripper."In a literary high-wire act reminiscent of both Hunter S. Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.

The Wisdom of Love examines the seemingly contradictory claims of universalism and partisanship for the ethnic or racial Other. In discussions of topics ranging from the work of the Jewish philosopher Emmanuel Lävinas to the Dreyfus Affair of the 1890s to the contending positions of Right and Left in the recent culture wars in Europe and the Americas, Finkielkraut cautions against both an unreflective universalism and an equally inflexible advocacy of the Other. He argues instead that genuine respect for the Other is inseparable from calls for universal justice and equality. Rather than being opposites, otherness and universalism are, for Finkielkraut, inextricably bound to one another.

Irina Davydovna is a cleaner. She has no time for politics or even for that matter, people: 'rules and rulers may come and go, but dirt never changes.' Boris Aleksandrovich is a revolutionary. He thinks he understands power. But this is Leningrad in 1933 and Stalin is about to turn against their city. When the life of his beloved daughter Natasha is threatened and his old friend Anton saves a skinny little orphan he finds on a Moscow train, Boris' faith in his ideals are put to the test. While Irina, watching it all, must learn the power of loyalty and love. 'Powerful and moving, Ice Road is a novel whose epic scope never obscures the individual lives that are lived in the shadow of great events. I shall never forget Natasha and Kolya's love story . . . or Irina, whose sturdy self respect and determination to survive, seems, at times, to speak for an entire people. Gillian Slovo excels in depicting complex human beings, full of passion, love, ambition, self-interest, who are caught up in their country's history and swept along by it.' Pat Barker

This astonishing true story is the tale of a young American man who was sent to the Soviet Union with his parents by the Ford Motor Company to set up an auto plant. He was eventually thrown into Soviet prisons and could not return to America until forty-five years later. During his life in and out of Russian prisons, he met and fell in love with a beautiful Russian gymnast who followed him into exile and lived with him and their child for a year in Siberia, in a caved chopped out under the ice. Theirs is the compelling story of a romance destined to thrive under even the most desperate conditions. It was 1938 when Victor Herman was inexplicably thrown into prison, after he had become a celebrity in the Soviet Union, having won acclaim as "the Lindbergh of Russia" for his flying and world-record-breaking parachute jumps. But what happened to him was a common nightmare during the Stalin years: those who survived imprisonment and torture were sent north to hard labor in the icy forests an

One would expect the rulers of England and France to have a relationship of some kind, if only political. But the personal relationships that developed between Victoria and Albert of Great Britain, and their counterparts across the channel, were rather surprising. Ambitious and flamboyant, Napoleon III of France and his wife the Empress Eugenie could hardly have been more different to the British monarch and her consort. And while Victoria was enchanted by that very difference, over the years their relationship was frequently strained by political and military events. But when the world of Napoleon III and Eugenie began to crumble, it was to their British friends that they fled. And when Eugenie lost her husband and her only child in swift succession, the publicly ice-cool Queen Victoria revealed her true character as she welcomed a heartbroken Eugenie into her own family. In Queen Victoria and the Bonapartes , Theo Aronson reveals a little-known aspect of Queen Victoria's life and deploys his skill as a writer and researcher to great effect, showing us the complex and often surprising characters behind the great names of history. Praise for Queen Victoria and the Bonapartes : 'Relying primarily on correspondence between the Queen, Empress, Emperor and other family members and officials (much of it previously unpublished), Aronson delivers another superbly readable and engaging history' - Shawn Day, Randomosity 'I enjoyed reading this book very much indeed, & would most certainly recommend it to those seeking a more human experience of history' - Goodreads review Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret . In the course of researching and writing these books he has interviewed major and minor members of Britain's royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

Product Description Set in the magnificent culture of the Middle East more than four thousand years ago, Lilah is a rich and emotionally resonant story of faith, love, and courage. Living in exile, Lilah is in love with Antinoes, a Persian warrior. They have known each other since they were children, and Antinoes dearly wants to make Lilah his wife. Yet Lilah does not feel she can marry without the blessing of her brother, Ezra. She and Ezra are close, and Lilah knows her brother well—he does not want his sister to have a husband outside their faith. Ezra is a scholar of the laws of Moses, and Lilah believes it is her brother’s destiny to lead the Jewish people back to the Promised Land. While Antinoes pressures her to accept his proposal, Lilah realizes that before she can consider her own happiness, it is her duty to help her brother accomplish the seemingly impossible task that is before him. Putting herself in grave danger, and with the help of Antinoes, Lilah wins Ezra an audience with Artaxerxes II, the King of Kings, who grants permission to lead the exiles on their journey back to the Promised Land. After a hazardous trip across the desert, Lilah, Ezra, and the thousands who join them arrive in Jerusalem. But the hardship of rebuilding the Temple takes its toll, and the religious enthusiasm of some turns to extremism. Ezra, listening to the zealots, orders all non-Jewish wives and their children banished from Jerusalem. Lilah, whose love for Antinoes has never wavered, is horrified by this command. She knows she must now choose between her brother and her conscience, which tells her that the time has come to defy him. Lilah is a timeless story of one woman’s stand against intolerance; it will linger in the reader’s mind long after the last page has been turned. From Publishers Weekly In his final installment of the Canaan Trilogy ( Sarah; Zipporah), Halter ambitiously tackles portions of the complicated biblical book of Ezra, which centers on the rebuilding of the Jerusalem temple and calls Israel to ethnic and religious purity. In the Persian town of Susa, the beautiful Lilah dreams of marrying her Persian lover and childhood sweetheart, Antinoes. However, her beloved brother Ezra, who has immersed himself in studying the laws of God, refuses to approve of their union since Antinoes is not a Jew. As the story unfolds, with scenes full of rich detail, Lilah becomes the unlikely instrument of gaining royal approval for the Jewish people to return to Jerusalem and rebuild the holy city. However, once there, Ezra orders all non-Jewish wives and children driven away in what is surely one of the most heart-wrenching episodes directly from scripture. A horrified Lilah repudiates her brother and leaves with them. As the cast-off women wander unprotected outside the city, rape, murder and mayhem ensue. (It's confusing that Lilah narrates one violent scene, but readers are unsure how she survives it.) As in Sarah and Zipporah, there is plenty of highly charged sexuality and some imaginative storytelling. Unfortunately, as with its predecessors, the story trails off, and the ending is unsatisfactory. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Ellen Reilly brings the story of Lilah, sister of Ezra, the biblical prophet, to life. Perhaps not many are familiar with the story of Ezra, which takes place more than four thousand years ago during a sad time in Israel's history. Lilah is torn between her love for her brother, Ezra, and her love for a Persian warrior. She must choose, and her choice will bring far-reaching consequences. All the emotion and turmoil in the story are made real by the talented Ellen Reilly. One can easily feel the heartache, passion, and drama of this book. Fascinating and well worth a listen. N.L. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine About the Author Mar

Love of Venice can strike anyone, not just romantic wusses. Among the toughies with serious cases were Lord Byron, Richard Wagner, Ezra Pound, and Ernest Hemingway. Symptoms include: Wishing that the movie stars in films set in Venice would move aside so that you can get a better view of the scenery. Wondering why people ask if you had good weather when you were thereas if rain could dampen your love. Thinking that people who go to Tuscany or Provence must be nuts. Believing that the Per San Marco street sign with arrows pointing in opposite directions makes perfect sense. Consoling yourself when you leave by remembering the generations of Venetian merchants who, as they were borne away from Venice, vowed to be back as soon as they had more money. There is no cure for this affliction. This is a guide to managing it

"Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together - or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away."--Provided by publisher.

A New York Times “Books for Summer Reading” selection Winner of the 2003 National Jewish Book Award for History By the time he died in 1993 at the age of 73, Irving Howe was one of the twentieth century’s most important public thinkers. Deeply passionate, committed to social reform and secular Jewishness, ardently devoted to fiction and poetry, in love with baseball, music, and ballet, Howe wrote with such eloquence and lived with such conviction that his extraordinary work is now part of the canon of American social thought. In the first comprehensive biography of Howe’s life, historian Gerald Sorin brings us close to this man who rose from Jewish immigrant poverty in the 1930s to become one of the most provocative intellectuals of our time. Known most widely for his award-winning book World of Our Fathers, a rich portrayal of the East European Jewish experience in New York, Howe also won acclaim for his prodigious output of illuminating essays on American culture and as an indefatigable promoter of democratic socialism as can be seen in the pages of Dissent, the journal he edited for nearly forty years. Deeply devoted to the ideal of democratic radicalism and true equality, Howe was constantly engaged in a struggle for decency and basic fairness in the face of social injustice. In the century of Auschwitz, the Gulag, and global inter-ethnic mass murder, it was difficult to sustain political certainties and take pride in one's humanity. To have lived a life of conviction and engagement in that era was a notable achievement. Irving Howe lived such a life and Gerald Sorin has done a masterful job of guiding us through it in all its passion and complexity.

There was a time not very long ago when "going out" was only for the rich and the reckless. At the turn of the century, "going out" became part of everyday life as vaudeville halls, photograph parlors, penny arcades, nickelodeons, nightclubs, dance halls, world's fair midways, amusement parks, ballparks, and movie palaces opened their doors to the people of the city. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor, and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented on stage. Going Out chronicles the twentieth-century entertainment revolution that changed forever the ways we live, work, and play. In a matter of decades, a new public world of amusements was created where ethnic, class, and neighborhood differences were subordinated to the common pursuit of a good time. Clerks and bankers, sales girls and society ladies "turkey trotted" to ragtime in nightclubs and dance halls; "shot the chute" and clutched one another in "barrels of love"; visited "Darkest Africa" on the world's fair midways; and sat together in the dark watching pictures move on a screen. In Going Out, we meet the colorful characters who invented show business: Thomas Alva Edison, who was astonished when his phonograph made money playing music (he had designed it to take business dictation); Benjamin Franklin Keith, the circus grifter who opened a dime museum in Boston in the 1880s and within a decade owned the world's largest vaudeville theater circuit; Adolph Zukor and Marcus Loew, the New York furriers who made millions in the early picture-show business; and the dozens of small-time show businessmen who rode the rails with their "shows" in their trunks. And we hear the stories of the early black performers and their struggles to maintain their dignity and livelihood while audiences demanded their public humiliation. Going Out is a history of twentieth-century show business and of the new American public that assembled in the city's wondrous pleasure palaces, parks, and theaters. The book concludes with an account of the fall or relocation of this entertainment world, as central city amusement parks, movie palaces, and ballparks were uprooted and transported to the suburbs in the decades following World War II.

In David Adjmi’s contemporary take on the young queen of France, Marie is a confection created by a society that values extravagance and artifice. But France’s love affair with the royals sours as revolution brews, and for Marie, the political suddenly becomes very personal. From the light and breezy banter at the palace to the surging chants of “Liberté, Egalité, Fraternité!” in the streets, Marie Antoinette holds a mirror up to our contemporary society that might just be entertaining itself to death. -- Publisher's website.

"An epic and beautifully written World War II family history that spans Europe, telling of two happy families uprooted by war, their incredible suffering in Hitler's and Stalin's camps, and the near-miraculous survival and rescue of the author's parents who met after the war. Daniel Finkelstein's grandfather Alfred Wiener was a German Jewish intellectual leader who tolled an early warning of the impending Holocaust and became an archivist of Nazi crimes. He relocated his family to safety in Amsterdam, where they became close with Anne Frank's family. But they were eventually separated, and Daniel's mother Mirjam was sent to Bergen-Belsen with her mother and sisters while Alfred worked feverishly to free them. Finkelstein's father, Ludwik, grew up in a prosperous Jewish family in Poland where his father was a patriotic hero of the Great War. But when Stalin took control, Finkelstein's grandfather was deported to Siberia, while Ludwik and his mother were sent to Kazahkstan, where they barely survived freezing winters and harrowing forced labor conditions. Love and Murder is a page-turning account of ingenuity, bravery and the almost unbelievable coincidences that brought Daniel's parents together. The story features secret archives, forgery and theft, and sweeps across Europe to show the expanse of the war. Moving, engrossing and inspiring, Love and Murder will profoundly touch all who read it"--

Stephen Greenblatt sets out to explain his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers.

international praise for Diane Armstrong: 'Mosaic flows like a novel which, once started, is hard to put down. It is a compelling family history of extraordinary people played out against some of the most frightening events of our century. The depth of emotions evoked is stunning. I was thrilled and deeply moved.' Joseph Heller author of Catch-22 'Diane Armstrong's book is a source of delight to the reader. Written with fervor and talent, it will capture your attention and retain it to the last page.' Elie Wiesel Nobel Prize winner a family story you'll never forget ... This extraordinary true story begins in the Polish city of Krakow in 1890 and spans one hundred years and four continents. It is the story of a Jewish family whose patriarch, Daniel Baldinger, divorces the wife he loves because she is barren. He believes 'a man must have sons to say Kaddish for him when he dies.' To ensure having children, he marries a girl of eighteen. By 1913, Daniel has eleven children - including six sons to say Kaddish for him. Impatient for his God-given son to begin learning the sacred language of the Torah, Daniel sent Avner to cheder at Chevre Tilem when he was three years old. Most boys were enrolled at four or five, but Daniel couldn't wait for Avner's rabbinical training to begin. Cheder was the place where childhood ended. At this religious day school, Jewish boys learned Hebrew and studied the Torah. No coloured pictures, childish stories or lively games relieved the tedium of this dour classroom where Avner had to memorise words he didn't understand, learn hundreds of rules and write strange squiggles. But although God has answered Daniel's prayers, it is with a bitter twist: each of his six sons rebels against his religion, and not one of them says Kaddish for him when he dies. This richly textured portrait follows these eleven children from the 1890s, through the terrifying years of the Holocaust (when Diane and her parents assumed non-Jewish names and passed themselves off as Catholics in the little village of Piszczac), to the present. A long shadow fell across the little girl tracing patterns in the dirt with a stick. After watching her for a few minutes, the stranger asked, 'What's your name, little girl?' Without looking up, she replied, 'Danusia Boguslawska.' 'But what was your name before that?' he insisted. My father, Henek, who was standing by the open window, froze when he heard the last question. Instead of rushing outside and grabbing the child to prevent her from answering that insidious question, he was struck dumb and stood there helplessly awaiting her reply, on which all their lives depended. Mosaic is compelling storytelling at its best: from the fascinating detail of Polish Jewish culture at the turn of the century and the rivalries and dramas of family life, to its moving account of lives torn apart by war and prejudice, this is a remarkable story of a family, and of one woman's journey to reclaim her heritage. For centuries Poland has been a battleground whose fields, watered by more blood than rain, have nurtured ancient hatreds. Jews have not had a monopoly on suffering, grief and loss. Before we drive away from Szczakowa, I look back at the leafy street where the synagogue and mikveh stood, just a short stroll from the house on Parkowa Street. If I close my eyes, I can see a dapper white-haired gentleman in top hat and patent leather shoes like mirrors striding ahead of his wife in a flowered hat with feathers, her long full skirt rustling as she tries to keep up with him as they walk to the synagogue on Kilinskiego Street for the marriage of their daughter Lieba to Daniel Baldinger. In this forgotten country town, I've found important pieces of the mosaic.

From the author of Jezebel comes the story of legendary 16th-century pirate Queen Grace O'Malley, and her tempestuous relationship with Elizabeth I. In the Elizabethan age, when only a handful of women held power by the fortune of their birth, one woman stands out as exceptional. Grace O'Malley, the Irish pirate queen, commanded a dozen ships and thousands of men. She was the first Irish woman ever to take her place as the leader of her nation and was feared and loved as much on sea as on land. A fierce Irish patriot, seductress of men, loyal and loving friend, wife and mother, Grace O'Malley caused nothing but trouble for Elizabethan England. through her piracy, she nearly bankrupted the English treasury. Yet Grace's name has been almost completely erased from history. Skilfully capturing the colour and excitement of life on the high seas and at the glittering English court, Alan Gold shows how the lives of two amazing women were intertwined and how they met and formed an extraordinary friendship.