An inside look at America’s largest newspaper— The Wall Street Journal ”Phillips offers fascinating insights about American business, politics, and journalism. He traveled in the circles of CEOs, U.S. presidents, prime ministers, and royalty; always at his core he was a reporter. That is the beauty of Newspaperman .” —Vernon E. Jordan Jr., civil rights leader; senior managing director, Lazard Freres & Company; adviser to President Bill Clinton “[Phillips] captures the fabulous stories of a scrawny, precocious boy from reporter to publisher and then CEO, participating in and then presiding over the Journal ’s years of greatest growth.” —Joan Konner, Dean Emerita, Columbia University Graduate School of Journalism “Phillips fell in love with newspapers when he was a boy. He’s still infatuated but he doesn’t skip over his tough times or mistakes. That’s what makes Newspaperman such a telling guide to the newsroom and to the top office in the executive suite.” —Lou Boccardi, former president and chief executive, Associated Press; former chairman, Pulitzer Prize Board “This lovely book recounts the life of a wise, thoughtful, and admired newspaper editor and publisher. The tiny Wall Street Journal Warren Phillips joined grew up to be a giant. Newspaperman tells that story.” —Donald E. Graham, chairman and chief executive, The Washington Post Company “[Phillips provides] perceptive commentaries on Germany, Greece, Turkey, England, Spain, China, Russia, and the Middle East. All is told with modest good humor, but repeatedly emphasizes the need for integrity and high standards.” —George B. Munroe, retired chairman and chief executive, Phelps Dodge Corporation “The story of a boy born in Brooklyn, a reporter, an editor, a publisher, a corporate executive, and now the author of a fascinating book.” —James Q. Riordan, former vice chairman, Mobil Corporation “In spite of a few hiccups, honestly related here, Dow Jones was rated by Fortune magazine as the second most-admired company in the United States, and so proved that an outstanding newspaperman can also achieve enormous success as a business builder and leader.” —Hamish Maxwell, former chairman and CEO, Philip Morris Companies Inc. “A memoir from a man who helped transform The Wall Street Journal from a local newspaper to a global operation.. . . Throughout the book, Phillips looks at his part in shaping the Journal ’s news and editorial coverage, and these sections provide insight into his highly successful methods. The author includes many anecdotes culled from his diaries, some very funny, which illustrate the variegated aspects of his life and the people who shared in it.. . . A well-rounded autobiography about the journalism industry and the people who shaped the news over the past 50 years.” —Kirkus Reviews “The sections about the rise of the Wall Street Journal 's quality and influence are fascinating - for journalists and non-journalists alike.” — Philadelphia Inquirer ”Phillips provides an arresting retrospective on modern world history that general readers will find informative and delightful.” — Star-Telegram About the Book When Warren Phillips was eleven years old, his father took him on a guided tour of the New York Daily News , where he got his first look at the frenzied yet surprisingly ordered and controlled world of newspaper publishing. He saw everything from the industrial printing presses churning out newspapers at astonishing speeds to reporters hunched over their typewriters, writing the very stories those presses would be producing within hours—or even minutes. Phillips was hooked. He knew exactly what he wanted to do with his life. Newspaperman tells the story of how an immigrant’s shy son from Queens, New York, rose to the top of his industry powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for sixteen dollars a week—and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business. Here, the details of his vast experience come together to create a broad picture of the newspaper business— revealing how news is discovered, reported, edited, published, and disseminated. Sharing vivid tales of working as a reporter around the world and describing the many colorful characters he meets along the way, Phillips provides a level of insight that only a leading figure in the industry could offer. Newspaperman gives you an up-close look at one of the most influential people in the history of The Wall Street Journal —and an unprecedented view of the business, from its rapid modernization during the post–WWII , cold war era to the early years of digital publishing and the rise of the Internet, which may mark the decline of the printed page forever. Phillips’s entertaining, penetrating, and impressively detailed account is a must-read for both devotees of America’s most iconic business publication and anyone with an interest in how news is reported.

From New York Times bestselling author Walter Mosley, Detective Easy Rawlins’ latest client sends him down a warren of memory and nostalgia―blinding him to reason and risk. January 1970 finds Ezekiel “Easy” Rawlins, LA’s premier Black detective, at 50 years of age despite all expectations. He has a loving family, a beautiful home, and a thriving investigation agency. All is right with the world ... and then Amethystine Stoller, his own personal Helen of Troy, arrives. Her ex-husband is missing. A simple enough case. But even as Easy takes his first step in the investigation he trips. He falls into the memory of things past. Little things, like loss, love, a world war, and a hunger that has eaten at him since he was a Black boy on his own on the streets of Fifth Ward, Houston, Texas. The missing ex, a young white man named Curt Fields, is found dead. Easy’s only real friend in the LAPD, Melvin Suggs, has gone into hiding rather than allow his femme fatale wife to go to the gas chamber. And that’s only the beginning. Easy finds himself pressed into a reckoning. All of his success cannot succor his heart. The 1970’s have ushered in new expectations of men and women, Black and White, and Easy has to make a choice that will almost certainly hasten a permanent descent, one that might sunder his soul. Shamus Award Finalist for Best Hardcover PI Novel

A trio of short works by the Nobel laureate and "greatest writer of American prose of the twentieth century" (James Wood, "The New Republic") While Saul Bellow is known best for his longer fiction in award-winning novels such as "The Adventures of Augie March" and "Herzog," "Something to Remember Me By" will draw new readers to Bellow as it showcases his extraordinary gift for creating memorable characters within a smaller canvas. The loss of a ring in "A Theft" helps an oft-married woman understand her own wisdom and capacity for love. In "The Bellarosa Connection," Harry Fonstein has escaped from Nazi brutality with the help of an underground organization masterminded by the legendary Broadway impresario Billy Rose, and his story continues in America . In the title story, seventeen-year-old Louie--whose mother is dying of cancer--strays far from home and finds not solace but humiliation and, ultimately, the blessing of his father's wrath.

"Here is the story of how two people most influenced Feynman's early years-his father, who taught him to think, and his first wife Arlene who taught him to love, even as she lay dying in an Albuquerque hospital while Feynman worked nearby, on the atomic bomb at Los Alamos. And here are lighter moments, some told through letters, as Feynman reports from Geneva, Trinidad, Greece, and Japan on the effects this curious character has had on the locals. The second half of the book...is Feynman's behind-the-scenes account of the investigation that followed the space shuttle Challenger's explosion in January 1986"--Jacket.

"The long-awaited magnum opus of America's master playwright and activist Forty years in the making, The American People sets forth Larry Kramer's vision of his homeland. As the founder of ACT UP and the author of Faggots and The Normal Heart, Kramer has decisively affected American lives and letters. Here he reimagines our history. This is the story of one nation under a plague, contaminated by greed, hate, and disease and host to transcendent acts of courage and kindness. In this first volume, which runs up to the 1950s, we meet prehistoric monkeys who spread a peculiar virus; a Native American shaman whose sexual explorations mutate into occult visions; and early English settlers who establish loving same-sex couples only to fall prey to the forces of bigotry. George Washington and Alexander Hamilton revel in unexpected intimacies, and John Wilkes Booth's motives for assassinating Abraham Lincoln are thoroughly revised. In the twentieth century, the nightmare of history deepens as a religious sect conspires with eugenicists, McCarthyites, and Ivy Leaguers to exterminate homosexuals and the AIDS virus begins to spread. Against all this, Kramer sets the intimate heartfelt story of a middle-class family outside Washington, D.C., trying to cope with the darkest of times. The American People is a work of ribald satire, prophetic outrage, and dazzling imagination. It is an encyclopedic indictment, written with outrageous love"--

A Civil War portrays American college football in what the author believes is its purest form: two teams who play for love of the game & the honour of their schools, rather than for money or fame. He follows the Army and Navy teams for a single season.

Joel and Ethan Coen (b. 1954, 1957) started their careers in obscurity on a shoestring budget cajoled from family and friends in Minneapolis. Working entirely outside the studio system, the Coen brothers scored an unlikely first success in 1984 with their postmodern noir film Blood Simple. Two decades and nearly a dozen movies later, the Coens are now among the best-known writer/directors in Hollywood, turning out major studio releases featuring such stars as George Clooney, Catherine Zeta-Jones, and Tom Hanks. The Coens' films all share a distinctive, quirky ambience that critics have come to identify as "that Coen brothers feeling." Tricky moving camera work, frequent use of the voiceover, homages to directors and cinematic genres, a fascination with unexpected and off-kilter violence, and omnipresent black humor are all defining elements of the Coens' cinematic world. From such highly stylized movies as Barton Fink and The Man Who Wasn't There to more mainstream but dark comedies such as Raising Arizona, Intolerable Cruelty, and O Brother, Where Art Thou?, the Coens are equally at home with existential despair and comic exuberance and are known for scripts packed with an obvious love for language. This collection of their most important interviews spans twenty years and is the most comprehensive published on the brothers. William Rodney Allen teaches at Louisiana School for Math, Science, and the Arts. He is the author of Walker Percy: A Southern Wayfarer and the editor of Conversations with Kurt Vonnegut, both published by University Press of Mississippi.

From the creator and director of Transparent and Emmy-nominated writer for Six Feet Under comes a hilarious and unforgettable memoir. When Jill Soloway was just thirteen, she and her best friend donned the tightest satin pants they could find, poufed up their hair and squeezed into Candies heels, then headed to downtown Chicago in search of their one-and-only true loves forever: the members of whichever rock band was touring through town. Never mind that both girls still had braces, coke-bottle-thick glasses and had only just bought their first bras—they were fabulous, they felt beautiful, they were tiny ladies in shiny pants . Now that Jill is all grown up and a successful writer and producer, she can look back on her tiny self and share her shiny tales with fondness, absurdity, and obsessive-compulsive attention to even the most embarrassing details. From the highly personal (conflating her own loss of virginity and the Kobe Bryant accusations), to the political (what she has in common with Monica and Chandra), to the outrageously Los Angelean (why women wear huge diamonds and what they must do to get them), Tiny Ladies in Shiny Pants is a genre-defying combination of personal essay and memoir, or a hilarious, unruly and unapologetic evaluation of society, religion, sex, love, and—best of all—Jill.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood, with Elvis or Sinatra, Robert Altman or George Clooney--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists--everyone.--From publisher description.

A keepsake edition gathering the lyrics of more than 80 of Gershwin’s most popular songs Ira Gershwin once remarked that he always tried to “capture the way people spoke to each other—their slang, their clichés, the catch phrases.” Few people in ordinary life, of course, can muster the humor, vivacity, and emotional directness that Gershwin brought to his lyrics. His collaboration with his brother George—one of the summits of American popular music—produced masterpieces that reflect, perhaps, the way people would like to talk. “Someone to Watch Over Me,” “Nice Work If You Can Get It,” “They Can’t Take That Away from Me,” “’S Wonderful”: these have entered the culture and become part of our common language. The insouciant, improvisational air of his lyrics belies the meticulous craftsmanship that Ira brought to every syllable. Robert Kimball has gathered more than 80 examples of Ira Gershwin at his best: the comic invention of songs such as “They All Laughed” and “Let’s Call the Whole Thing Off,” the poignancy of “The Man I Love,” the wry edge of “The Saga of Jenny,” the sheer exuberance of “Fascinating Rhythm,” and dozens more. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

An inspiring memoir about love, race, identity, and contested narratives told with unflinching mettle. Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.

Chuck Barris reinvented television. And when he was through, he moved to the south of France. This memoir is about becoming king of the game show and why Peter Mayle got it all wrong. So how does a boy from south Philadelphia, the fellow who created the Dating Game, the Newlywed Game, and the Gong Show find happiness on the Cote d' Azur - especially if he fractures the language, is homesick for football, and knows in his heart of hearts that he's got at least one more prime-time hit in him struggling for air time? Painfully candid, remarkably informative, and alive with spark, wit, and intelligence, this chronicle may well be the funniest confession ever written. The end began a few years ago with the Popsicle Twins, an act performed by a pair of nubile Valley Girls on the Gong Show that almost shut down NBC. Chuck Barris was not only the creator and producer of the program, he was also its host, and therefore, the man responsible. He had, finally, gone too far. So, he sold Chuck Barris Productions and decamped with his beautiful wife to the hills above Saint-Tropez. He soon had a villa, a classic speedboat, lots of unwanted guests, and was being kicked toward the conclusion that the charm of the country would be considerably enhanced if one could only figure out how to get rid of the French people. The new beginning ended when Chuck Barris realized that having all your dreams come true isn't what it's cracked up to be. So, back to Los Angeles and the real dream-makers. Can't a guy who wrote a rock and roll standard, a guy who made himself into a champion boule player make the legend live again? The answer to that, and to why Bill Clinton would rather talk with Nicole Kidman (Mrs. TomCruise), can be found in these pages, a confession that would make St. Augustine and Jean-Jacques Rousseau envious. But before then, in 1972, Chuck Barris wrote a love story (You and Me Babe, which spent seven weeks on the New York Times best-seller list). At that time he was the most successful television producer in America. Now he's older, smarter, and a lot richer, and what he admits to here could only come from someone very much his own man.

Charles Fox has composed more than 100 motion picture and television scores, among them the themes of many iconic series, including Happy Days, Laverne & Shirley, Love, American Style, and Love Boat. Twice nominated for the Academy Award and a two-time Emmy winner, Fox has also written music for the concert hall and the ballet. Among the hundreds of songs he has written is the Grammy Award-winning "Killing Me Softly with His Song," a number one record in just about every country in the world, by two different artists: Roberta Flack in 1973 and the Fugees, 20 years later. In this memoir, Fox recounts his development as a musician, beginning with his formal music education in Paris. From letters he wrote home between 1959 and 1961, Fox recounts his studies under the tutelage of the most renowned music composition teacher of the 20th century, Nadia Boulanger, whose influence Fox carried throughout his entire professional career. Following his return to the states, Fox describes the cornerstone events of his musical and personal life. He reflects on the highlights of his career, working with some of the greatest names in entertainment, film, television, and records, including Jim Croce, Barry Manilow, Lena Horne, and Fred Astaire. Inducted into the Songwriters Hall of Fame in 2004 and a recipient of the Lifetime Achievement Award from the Society of Composers & Lyricists, Fox's memoir is a compelling story of a musician and composer whose work continues to entertain and inspire listeners around the world.

The man behind "I Could Have Danced all Night" and "Almost Like Being in Love", lyricist Alan Jay Lerner (1918-1986) is widely regarded as one of the most important figures of the American musical stage. In penning the lyrics to some of the most well-known and beloved Broadway shows, including Brigadoon, Paint Your Wagon, My Fair Lady, and Camelot, Lerner worked and corresponded with some of the greatest luminaries of popular entertainment over a career which spanned four decades, from performers like Rex Harrison and Julie Andrews to composers like André Previn, Leonard Bernstein, Charles Strouse, Andrew Lloyd Webber, and especially Frederick Loewe. In this rich collection of correspondence, most of it published for the first time, author Dominic McHugh sheds new light on Lerner's working relationships with these legendary figures. McHugh's extensive commentary reveals Lerner's turbulent partnerships with Loewe and Lane, his affection for Harrison, and his reverence for Burton. Particular emphasis is placed on Lerner's aborted projects with composers like Richard Rodgers and Arthur Schwartz. Especially valuable is the correspondence from his final years, in which he worked on a movie version of The Merry Widow, a BBC TV series about musicals, and a musical version of My Man Godfrey, none of which came to fruition. The collection ends with a poignant final exchange between Lerner and Andrew Lloyd Webber, with whom he was to have written The Phantom of the Opera. Overall, this important and lively book reveals the highs and lows of the career of one of America's wittiest and most romantic lyricists.

The world of Aaron Spelling is one we all know from hours spent in front of the TV screen. Dynasty, Melrose Place, Beverly Hills 90210, Charlie's Angels, The Love Boat, The Mod Squad, Hart to Hart - these shows claimed huge audiences and define him as one of the most successful showmen of all time. Never told before, Aaron Spelling is the story of his life from the Prime-Time King himself - personal, revealing, filled with confidential facts on such Hollywood greats as Michelle Pfeiffer, Heather Locklear, Farrah Fawcett, Joan Collins, and Ricardo Montalban. Now for the first time, Spelling opens the door to his backstage world with his candid observations about Hollywood and the TV business, along with the inspiring rags-to-riches story of a poor Jew from Texas who overcame insurmountable odds to become the most successful TV producer ever.

An in-depth look at the personal and artistic life of renowned artist Peter Max...in his own words. In this intimate visual memoir, artist Peter Max details his life journey as an artist, providing a stirring account of himself as a young boy and as a successful artist eager to return to the days of wonderment and inspiration found only in dreams and childhood. Max charts his ascension in the art world and pauses to reflect on the nature of creativity, the universe at large, his many loves, and his ability to see beauty in the everyday. Vibrantly illustrated with Max's signature work, including some never-before-seen pieces.

"After years of battling uncontrollable addiction, I have achieved the supposedly impossible: complete freedom from craving." Dr. Olivier Ameisen was a brilliant cardiologist on the staff at one of America’s top teaching hospitals and running his own successful practice when he developed a profound addiction to alcohol. He broke bones with no memory of falling; he nearly lost his kidneys; he almost died from massive seizures during acute withdrawal. He gave up his flourishing practice and, fearing for his life, immersed himself in Alcoholics Anonymous, rehab, therapy, and a variety of medications. Nothing worked. So he did the only thing he could: he took his treatment into his own hands. Searching for a cure for his deadly disease, he happened upon baclofen, a muscle relaxant that had been used safely for years as a treatment for various types of muscle spasticity, but had more recently shown promising results in studies with laboratory animals addicted to a wide variety of substances. Dr. Ameisen prescribed himself the drug and experimented with increasingly higher dosages until he finally reached a level high enough to leave him free of any craving for alcohol. That was more than five years ago. Alcoholism claims three hundred lives per day in the United States alone; one in four U.S. deaths is attributable to alcohol, tobacco, or illegal drugs. Baclofen, as prescribed under a doctor’s care, could possibly free many addicts from tragic and debilitating illness. But as long as the medical and research establishments continue to ignore a cure for one of the most deadly diseases in the world, we won’t be able to understand baclofen’s full addiction-treatment potential. The End of My Addiction is both a memoir of Dr. Ameisen’s own struggle and a groundbreaking call to action—an urgent plea for research that can rescue millions from the scourge of addiction and spare their loved ones the collateral damage of the disease.

"Following the catastrophes of the twenty-first century--the pandemics, the environmental disaster, the end of oil, the ensuing chaos--people are doing whatever they can to get by and pursuing a simpler and sometimes happier existence. In little Union Grove, the townspeople are preparing for Christmas. Without the consumerist shopping frenzy that dogged the holidays of the previous age, the season has become a time to focus on family and loved ones. It is a stormy Christmas Eve when Robert Earle's son Daniel arrives back from his two years of sojourning throughout what is left of the United States. He collapses from exhaustion and illness, but as he recovers tells the story of the break-up of the nation into three uneasy independent regions and his journey into the dark heart of the New Foxfire Republic centered in Tennessee and led by the female evangelical despot, Loving Morrow. In the background, Union Grove has been shocked by the Christmas Eve double murder by a young mother, in the throes of illness, of her husband and infant son. Town magistrate Stephen Bullock is in a hanging mood"--

Everyone knows Dr. Ruth as the most famous and trusted sex therapist, but few people know she narrowly escaped death from the Holocaust, was raised in an orphanage in Switzerland, or that she was a sniper during Israel's War of Independence. After years spent as a student in Paris, Dr. Ruth came to America dreaming of a new life though never expecting the dramatic turns that would take place. And at the age of eighty-seven, she is as spirited as ever. Through intimate and funny stories, Dr. Ruth sheds light on how she's learned to live a life filled with joie de vivre. And she shows readers how they too can learn to deal with tragedy and loss, challenges and success, all while nourishing an intellectual and emotional spark, and, above all, having fun! Hilarious, inspiring, and profound, The Doctor Is In will change the way you think about life and love, in all their limitless possibilities.

A multi-textual memoir chronicling the life of one of our most potent pop iconsGroundbreaking rock musician. Award-winning actress. Perceptive songwriter and author. Mother. Wife of a rock god. Fashionista and trendsetter. Provocateur. In each and every one of these roles Courtney Love has demonstrated a wholehearted commitment to her art, and an intense drive and a lust for life that have made her a star and a celebrity icon—but have also led her into some unwise, uncharted, and even dangerous territory. Simultaneously candid and enigmatic, Love has a mordant wit and vivid intelligence matched in intensity only by the extraordinary life she has led, from a bleak early childhood through great fame and terrible heartbreak to the present day. By turns exhilarating and unsettling, this is a story told for the first time in Dirty Blonde . Composed of an astonishing and eclectic collection of deeply personal artifacts including personal letters, childhood records, poetry, diary entries, song lyrics, fanzines, show flyers, other original writings, and never-before-seen photographs, Dirty Blonde leads us through the unimaginable highs and the despairing lows of one of the most compelling and creative figures in the world of popular culture. Through these diaries we see Love’s accomplishments, her mistakes, her history, and her bright future in a whole new light. From her upbringing in Oregon through her years living in Japan, New Zealand, and London, from her career highs with Hole and as a Hollywood leading lady to her personal heartbreak and struggle, Dirty Blonde is Love laid bare—a wholly fascinating portrait of a fierce and insightful woman with an unblinking worldview and a determination to express herself no matter the cost.