"For one 1970's family, the center may not hold, but it certainly does fold. In 1978 Jimmy Carter mediates the Camp David Accords, Fleetwood Mac tops charts with Rumours, Starsky fights crime with Hutch, and twelve-year-old Lou Cove is uprooted from the Upper West Side of Manhattan to Salem, Massachusetts- a backwater town of witches, Puritans, and sea-captain wannabes. After his eighth move in a dozen years, Lou figures he should just resign himself to a teenage purgatory of tedious paper routes, school bullies, and unrequited lust for every girl he likes. Then one October morning an old friend of Lou's father, free-wheeling (and free-loving) Howie Gordon arrives at the Cove doorstep from California with his beautiful wife Carly. Howie is everything Lou wants to be: handsome as a movie star, built like a god and in possession of an unstoppable confidence. Then, over Thanksgiving dinner, Howie drops a bombshell. Holding up an issue of Playgirl Magazine, he flips to the center and there he is, Mr. November in all his natural glory. Howie has his eye on becoming the next Burt Reynolds, and a wild idea for how to do it: win Playgirl's Man of the Year. And he knows just who should manage his campaign. As Lou and Howie canvas Salem for every vote in town - little old ladies at bridge club, the local town witch, construction workers on break and everyone in between - Lou is forced to juggle the perils of adolescence with the pursuit of Hollywood stardom. Man of the Year is the improbable true story of Lou's thirteenth year, one very unusual campaign, and the unexpected guest who changes everything"--

Austria experienced remarkable economic and social growth in the years following World War II, especially considering the troubled nature of its politics. A small, land-locked country, Austria has emerged as the European Union's fourth richest state, yet it still wrestles with old decisions and demons. Merging personal observation with rich historical scholarship, a renowned journalist and award-winning memoirist tracks Austria's unique trajectory, beginning the origins of its peoples and following through to the collapse of the Austro-Hungarian empire in 1918. Paul Lendvai investigates whether Austrians have come to terms with Hitler s Anschluss and the Waldheim affair and how they have met the challenge of Jorg Haider s radical right-wing ascendancy. Lendvai identifies a positive moral toughness, internal cohesion, and social discipline within Austria, especially during the years of occupation and subsequent crises, such as the Hungarian Revolution, the Prague Spring, and the Yugoslav wars. A probing study of Austria's long quest for nationhood, this volume offers a firsthand look at the factors and players that have influenced an evolving power.Praise for the German edition: Daring, exciting, unmasking...Lendvai presents hitherto hardly known facts and] incredible details.& mdash; NEWS (Vienna Weekly)Lendvai seeks to explain what Austria is like. He has succeeded exactly in this endeavor.& mdash; Die Wel

In European and Holocaust historiography, it is generally believed that neither the Zionist movement nor the Yishuv were mindful of the plight of European Jews in the face of the Nazi threat during the 1930s. Drawing on a wide variety of memoirs, letters, and institutional reports by people from all walks of life, this volume sheds new light on a troubled period in Jewish history. Jehuda Reinharz and Yaacov Shavit trace Jewish responses to developments in Eastern and Central Europe, as well as reactions to British policy on the question of a Jewish homeland, to show that Zionists in the Yishuv worked tirelessly on the international stage on behalf of their coreligionists in Europe. Nevertheless, their efforts were all too often shattered by the realities of their powerlessness and lack of resources. Piercing to the heart of conversations about how or whether to save Jews in an increasingly hostile Europe, this volume provides a nuanced assessment of what could and could not be achieved in the years just prior to World War II and Holocaust.

(Applause Books). Jacob Adler, with his performances in the Yiddish King Lear , Uriel Acosta and Shylock in The Merchant of Venice , became first a megastar of the exploding Yiddish theatre, and then all of Broadway. His memoirs, originally written and published in Yiddish and now translated (by his granddaughter) into English provides not only a compelling portrait of one of America's greatest actors but a fascinating social history of his time.

"Defying the binary and Eurocentric view of the Israeli-Palestinian conflict, Ella Shohat's work, as a whole, dares to engage the deeper historical and cultural questions swirling around colonialism, Orientalism, and nationalism. Spanning several decades, Shohat's work has introduced conceptual frameworks that have fundamentally challenged the conventional understandings of Arabs and Jews, Palestine, Zionism, and the Middle East. Collected now in a single volume, this book gathers together some of her most influential political essays, interviews, speeches, testimonies, and memoirs for the first time"--

"Defying the binary and Eurocentric view of the Israeli-Palestinian conflict, Ella Shohat's work, as a whole, dares to engage the deeper historical and cultural questions swirling around colonialism, Orientalism, and nationalism. Spanning several decades, Shohat's work has introduced conceptual frameworks that have fundamentally challenged the conventional understandings of Arabs and Jews, Palestine, Zionism, and the Middle East. Collected now in a single volume, this book gathers together some of her most influential political essays, interviews, speeches, testimonies, and memoirs for the first time"--

In a wide-ranging and compelling account of the life of metrical and free verse in the twentieth century, poet and critic Jon Silkin deepens our understanding of the way poetry works on us. He begins from the premiss that two modes of verse, free and metrical, engage the creative energies of poetry now, creating a rich, fertile environment capable of yielding work valuable to poetry itself and to the society which has given it life. With a practitioner's empathy Silkin reads the poetry of Whitman, Hopkins, Eliot, Pound, Lawrence, Dylan Thomas, Bunting and eight British poets from the post-second World War period to illustrate how free and metrical verse create, separately or together, a poetic harmony. Additionally, he includes crucial statements on modern poetry from poets themselves, concluding with a fine memoir of Basil Bunting by Connie Pickard, published in book-form for the first time.

The author of such classic works as The Republican Roosevelt, V Was for Victory, and Years of Discord, John Morton Blum is one of a small group of intellectuals who for more than a quarter of a century dominated the writing of American political history. Writing now of his own career, Blum provides a behind-the-scenes look at Ivy League education and political power from the 1940s to the 1980s. Blum insightfully recounts a long and distinguished journey that began at Phillips Academy, where he first realized he could make a career of teaching and writing history. He tells how young men were socialized to the values of the Northeastern establishment in those years before World War II, and how as a non-practicing Jew he learned to overcome bigotry both at Andover and at Harvard, which then had no Jewish professors. In 1957 Blum joined the faculty of Yale University's history department, widely regarded as the nation's best, where he became both influential and popular and where his students included one future U.S. president as well as others who aspired to the office. He reveals much about the inner workings of Ivy League education and tells of controversies over the Vietnam War and the Black Panthers, his role in Eugene McCarthy's presidential campaign, and how he searched for common ground between reactionary faculty and radical students. More than a recounting of a singular life, Blum's story explains how political history was researched and written during the second half of the twentieth century, describing how the discipline evolved, gained ascendancy, and was challenged as historical fashions changed. It also offers revealing glimpses of such prominent academics as Kingman Brewster, Arthur Schlesinger, Jr., C. Vann Woodward, and William Sloan Coffin. Over a distinguished career, Blum witnessed considerable change in elite educational institutions, where minorities and women were grossly underrepresented when he first entered academia. In a memoir brimming with insight and laced with humor, he looks back at the academy—"not a refuge from reality but an alternative reality"—as he reflects upon his intellectual journey and his contributions to the study and writing of twentieth-century American history.

"Recollections of one of the grand masters of science fiction, on his storied career as a celebrated author and on his relationships with other luminaries in the field. This memoir is filled with all the humor and irreverence Harry Harrison's readers have come to expect from the New York Times bestselling author of the uproarious Stainless Steel Rat series. This also includes black and white photos spanning his sixty-year career"--

In the course of the same old race I find myself writing about knowing some people--how fame seems to set some people apart from us, once known: I was astonished by Ernest Hemingway's small, weak handshake when we were introduced at Scribners by John Hall Wheelock and by the jolt of force with which Elie Wiesel squeezed my hand. How long ago seems knowing, too: when I first meet Isaac Singer he asks me, "Who is Mr. Saul Bellow?" We're on the Upper West Side in his apartment next to the funeral parlor. A yellow parakeet hops around on Singer's bald forehead. Singer's great comic story of faith, "Gimpel the Fool," has only recently been published from Yiddish into English in a translation by Saul Bellow. They're both still a long way from Stockholm. "Do you know him? Can you tell me who this Mr. Bellow is?" he asks. It was not always possible to guess Singer's motives in acting as though he was not impressed with worldly reputations. His features of a medieval Polish saint, even to a faint white-haired tonsure effect around the crown of his skull, were backlit by the glowing monitor from his mischievous incubus.--from the Preface These are Richard Elman's candid snapshots in prose of the various, mostly literary celebrities he encountered during his four decades as a working writer and journalist--among them Isaac Bashevis Singer, Tillie Olsen, Bernard Malamud, Faye Dunaway, Hunter S. Thompson, and other important artists and writers who were Elman's teachers and, occasionally, adversaries. Engagingly written and never superficial, these portraits and anecdotes in many cases strike to the center of each subject's art. To many readers, these persons are just "names"; Elman brings them to life while never simplifying or overdramatizing their work.

A study based on ca. 700 personal stories of Jewish survivors of Ravensbrück, including ca. 200 testimonies held in the Yad Vashem archives; information from memoirs; and interviews conducted with survivors after the war or during 1997-2005 by Agassi and the team of scholars from Israel and Germany who worked with her, as well as with relatives of survivors who are no longer alive. The percentage of Jews among Ravensbrück prisoners was small, thus this camp was sometimes neglected by scholars of the Holocaust. Divides the history of the Ravensbrück camp (1939-45) into five periods, and presents a sociological portrait of the Jewish population in each period. Gives the distribution of the Jewish prisoners by countries of origin, reasons for arrest and incarceration, age, marital status, etc. Dwells on the prisoners in the satellite camps, the evacuation marches in the last stage of the war, and the rescue of some of the prisoners by Count Bernadotte in February-March 1945. Notes manifestations of antisemitism on the part of some non-Jewish prisoners. There was little group-wide social organization among non-political Jewish prisoners in Ravensbrück, only small group relationships. Resistance was limited to small-scale sabotage at in work places. Nonetheless, the very survival in Ravensbrück constituted a type of heroism.

In a rare foray outside that natural home, Booker Prize-winner Bernice Rubens penned these memoirs 'while I still have a memory'. Poignantly, the highly-acclaimed author, literary bon-vivante and celebrated film-maker died shortly after completing them. She wasn't quite expecting that but nor, as she reveals in these pages, did she expect to become a writer. It wasn't the sort of thing that happened to girls born in Glossop Terrace in Splott, the 'unmentionable and indisputable armpit of Cardiff'. In this delightful evocation of her own life, Rubens escorts us, with a flotilla of anecdotes, away from that armpit through her wartime childhood, her first 'major folly' (studying English at University) to stints as a teacher, lady's maid and actress before stumbling upon a career that bemused her until the end of her days. 'What shall I do,' was her constant internal refrain, 'when I grow up?' Bernice Rubens died in the autumn of 2004.

At the end of the millennium, the leading British industry magazine, The Bookseller, selected the ten people who had most influenced its century. Tom Maschler—described as "the most important publisher in Britain; the most innovative, adventurous, and newsworthy"—was one of them. It went on to say that for nearly 20 years, "he made publishing glamorous." Over the course of his career, Maschler launched the careers of Thomas Pynchon, Joseph Heller, Gabriel García Márquez, Julian Barnes, Ian McEwan, Martin Amis, and Bruce Chatwin, among others. From the party where Norman Mailer stabbed his wife to the porch where Ernest Hemingway shot himself, this frank and fascinating memoir affords a rare glimpse into the golden days of British publishing. An extraordinary literary memoir by one great publishers of the 20th century.

"From Pulitzer Prize-winning poet Maxine Kumin, a timeless memoir of life, love, and poetry. Maxine Kumin left an unrivaled legacy as a pioneering poet and feminist. The Pawnbroker's Daughter charts her journey from a childhood in the Jewish community in Depression-era Philadelphia, where Kumin's father was a pawnbroker, to Radcliffe College, where she comes into her own as an intellectual and meets the soldier-turned-Los Alamos scientist who would become her husband; to her metamorphosis from a poet of "light verse" to a "poet of witness"; to her farm in rural New England, the subject and setting of much of her later work. Against all odds, Kumin channels her dissatisfaction with the life that is expected of her as a wife and a mother into her work as a feminist and one of the most renowned and remembered twentieth-century American poets" --

"Award-winning designer and writer Steven Heller comes of age at the center of New York's youth culture in the mid-1960s to the mid-1970s"--

My Brother's Madness is based on the author's relationship with his brother—who had a psychotic breakdown in his late forties—and explores the unfolding of two intertwined lives and the nature of delusion. Circumstances lead one brother from juvenile crime on the streets of Brooklyn to war-torn Vietnam, to a fast-track life as a Hollywood publicist to owning and operating The Tin Palace, one of New York's most legendary jazz clubs, while his brother falls into, and fights his way back from, a delusional psychosis. My Brother's Madness is part thriller, part exploration that not only describes the causes, character, and journey of mental illness, but also makes sense of it. It is ultimately a story of our own humanity, and answers the question, Am I my brother's keeper?

Notes from the Other Side of Night is a diary-memoir written upon Juliana Geran Pilon's return to her native Romania in 1975, which she had left along with her family when she was just fourteen. Poetically weaving together modern insight and realities with childhood perceptions, Pilon tells the haunting stories of her parents, grandparents, neighbors, and friends. Although the scenery of her native home had remained essentially unchanged since her childhood, Pilon recalls streets that are no more, homes and churches that have been demolished. Yet, the hills and forests, the flowers and mountains, the heat of old Bucharest, remained the same. The scenes and characters described in this book are simply unforgettable. Despite the many tragedies it describes--anti-semitism, political imprisonment, and judicial execution were ruthless realities under communism--Notes from the Other Side of Night is not a depressing book. Pilon writes with a detached melancholy about events and characters that illustrate Hannah Arendt's terrifying "banality of evil." But she remembers, as well, those few who managed to remain human beings until the end. Ultimately, hope triumphs in this memoir. This edition includes a new foreword, which discusses the initial writing and publication of this and previous editions.

"This memoir of a radical Jew follows Jack Nusan Porter's journey from his birth in Ukraine during the Holocaust, through the radical 60s and 70s, to the present day, and details his experiences fighting anti-Semitism, anti-Zionism, xenophobia, and hate"--