"A memoir exploring the author's father's love of wine" --

A friend of the British writer portrays Orwell's personality and examines the influence of personal experience on Orwell's novels

"One of the great statesmen of our century, Shimon Peres, winner of the 1994 Nobel Peace Prize, has shaped the history of Israel and the future of the Middle East. In the seventies, as Israel's minister of defense, he engineered the legendary Entebbe raid against PLO terrorists; in the eighties, as prime minister, he saved the Israeli economy from near collapse; and as foreign minister, Shimon Peres is now a key negotiator in the peace accords that he helped bring about. In Battling for Peace, he tells, for the first time, the story of his amazing career. As we follow Peres from his ancestral home in Poland to Israel, from the youth village of Ben-Shemen to Kibbutz Alumot, from youth movement leader to prime minister, we are introduced both to a man and to a nation. A thoughtful, disciplined, and immensely resourceful young man, Peres was singled out by Israel's great leader David Ben-Gurion, who appointed him, while still in his twenties, director general of the Ministry of Defense. From this point on, Peres's life was inseparable from his country's history. Peres writes of his bitter quarrels with Golda Meir and Yitzhak Rabin, and of his great admiration for Ben-Gurion, Moshe Dayan, and Francois Mitterrand. He discusses the origins of Israel's nuclear program, and tells how he led the way toward the Oslo agreement, describing his secret talks with King Hussein in London ten years ago, and revealing how a chance for peace was thwarted by self-serving politicians and timid American diplomacy"--OCLC

"In 1937, as the Nazis gained control and anti-Semitism spread in the Free City of Danzig, a majority German city on the Baltic Sea, sixteen-year-old Justus Rosenberg was sent to Paris to finish his education in safety. Three years later, France fell to the Germans. Alone and in danger, penniless, and cut off from contact with his family in Poland, Justus fled south. A chance meeting led him to Varian Fry, an American journalist in Marseille helping thousands of men and women, including many artists and intellectuals--among them Hannah Arendt, Marc Chagall, Andre Breton, and Max Ernst--escape the Nazis. With his German background, understanding of French culture, and fluency in several languages, including English, Justus became an invaluable member of Fry's refugee network as a spy and scout. The spry blond who looked even younger than his age flourished in the underground, handling counterfeit documents, secret passwords, black market currency, surveying escape routes, and dealing with avaricious gangsters. But when Fry was eventually forced to leave France, Gussie, as he was affectionately known, could not get out. For the next four years, Justus relied on his wits and skills to escape captivity, survive several close calls with death, and continue his fight against the Nazis, working with the French Resistance and later, becoming attached with the United States Army. At the war's end, Justus emigrated to America, and built a new life. Justus' story is a powerful saga of bravery, daring, adventure, and survival with the soul of a spy thriller. Reflecting on his past, Justus sees his life as a confluence of circumstances. As he writes, 'I survived the war through a rare combination of good fortune, resourcefulness, optimism, and, most important, the kindness of many good people.'" -- Publisher's description.

"Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common? Curtis Armstrong. A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there's more to Curtis' story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was coined there in 1951, and, improbably, Geneva, Switzerland. His adolescence and early adulthood was spent primarily between the covers of a book and indulging his nerdy obsessions. It was only when he found his true calling, as an actor and unintentional nerd icon, that he found true happiness. With whip-smart, self-effacing humor, Armstrong takes us on a most unlikely journey--one nerd's hilarious, often touching rise to the middle. He started his life as an outcast and matured into...well, an older, slightly paunchier, hopefully wiser outcast. In Hollywood, as in life, that counts as winning the game"--

The author traces his life in film and journalism, describing his early experiences as an underground soldier in occupied Paris, his affair with Simone de Beauvoir, and the making of his seminal documentary Shoah.

Drugs. Sex. Revolutionary violence. From its first pages, Susan Stern's memoir With the Weathermen provides a candid, first-hand look at the radical politics and the social and cultural environment of the New Left during the late 1960s. The Weathermen--a U.S.-based, revolutionary splinter group of Students for a Democratic Society--advocated the overthrow of the government and capitalism, and toward that end, carried out a campaign of bombings, jailbreaks, and riots throughout the United States. In With the Weathermen Stern traces her involvement with this group, and her transformation from a shy, married graduate student into a go-go dancing, street-fighting "macho mama." In vivid and emotional language, she describes the attractions and difficulties of joining a collective radical group and in maintaining a position within it. Stern's memoir offers a rich description of the raw and rough social dynamics of this community, from its strict demands to "smash monogamy," to its sometimes enforced orgies, and to the demeaning character assassination that was led by the group's top members. She provides a distinctly personal and female perspective on the destructive social functionality and frequently contradictory attitudes toward gender roles and women's rights within the New Left. Laura Browder's masterful introduction situates Stern's memoir in its historical context, examines the circumstances of its writing and publication, and describes the book's somewhat controversial reception by the public and critics alike.

This entertaining, revealing memoir of the Pittsburgh writer-turned-broadcaster recounts memories and behind-the-scenes stories from a career that can only be called truly special. No broadcaster has come even close to matching his stretch of 35 years as radio color analyst for an NFL team’s games—in Cope’s case, the six-time Super Bowl champion Pittsburgh Steelers. Here, Cope gives you insight into the performers who have inspired the Steelers Nation. Their path to the top is reflected in observations he offers with admiration, amusement, and blunt criticism. Seasoned with laugh-out-loud anecdotes and touching vignettes, Double Yoi! shares Cope’s most personal moments, from labor pains in birthing the Terrible Towel to the reason behind his charity work with the physically and mentally afflicted—among them, his son Danny—to his emotional dedication to his late wife, Mildred, who died after a long battle with cancer. The author’s most embarrassing moments, including getting the hook during his Pro Football Hall of Fame acceptance remarks, are here as well. Famed for his raspy voice and enthusiastic style, Myron Cope transcended mere broadcasting to become part of the Pittsburgh Steelers mythos. From firsthand experiences, Cope brings his takes on the famous, such as Terry Bradshaw, Muhammad Ali, the Dallas “Cryboys,” and Bill Cowher. Cope also explains how he helped John F. Kennedy become America’s first Catholic President and how Frank Sinatra nearly cost him his job. Double Yoi! is the ultimate collector’s item for the Pittsburgh-loyal and the standard for accomplished sportswriters nationwide.

"A memoir of news reporter Matt Gutman's experience with panic attacks and his quest to seek out treatment"--

Colors, Rubin tells us, affect everyone through sound, smell, taste, and a vast array of emotions and atmospheres. She explains that although she has been blind since birth, she has experienced color all her life. In her memoir Do You Dream in Color?, Laurie Rubin looks back on her life as an international opera singer who happens to be blind. From her loneliness and isolation as a middle school student to her experiences skiing, Rubin offers her young readers a life-story rich in detail and inspiration drawn from everyday challenges. Beginning with her childhood in California, Rubin tells the story of her life and the amazing experiences that led her to a career as an internationally celebrated mezzo-soprano. Rubin describes her past as a "journey towards identity," one she hopes will resonate with young people struggling with two fundamental questions: "Who am I?" and "Where do I fit in?" Although most of us aren't blind, Rubin believes that many of us have traits that make us something other than "normal." These differences, like blindness, may seem like barriers, but for the strong and the persistent, dreams can overcome barriers, no matter how large they may seem. This is what makes her story so unique yet universal and so important for young readers.

A hilarious, razor-sharp debut memoir about the moment when you realize that your friends have all grown up and left you behind, for readers of Caitlin Moran’s How To Be A Woman, Jenny Lawson’s Let’s Pretend This Never Happened, and Kelly Williams Brown’s Adulting. Isy Suttie wakes up one day in her late twenties to discover that the deal she’d struck with her friends, to put off growing up for as long as possible, had been entirely in her head. Everyone around her is suddenly into mortgages, farmers’ markets, and going off the Pill, rather than running naked into the sea or getting hammered in a country pub with eighty-year-old men. After a particularly crushing breakup precipitated by Isy’s gifting of a human-size papier-mâché penguin to her boyfriend, her dearest friend advises Isy not to worry: the next guy she meets will be The Actual One. Heartened by this promise, Isy decides to keep delaying the onset of adulthood, whether that means standing on the side of a highway in nothing but an old fur coat and sneakers, dating a man who speaks only in rhyme, or conquering her fears of Alpine skiing by wildly overestimating her athletic ability. Insightful and laugh-out-loud funny, The Actual One is an ode to the confusing wilderness of your late twenties, alongside a quest for a genuinely good relationship . . . or at the very least, a good story to tell.

A personal memoir traces the "New York Times" sportswriter's journey through his unpromising educational years to become a writer, describing his father's influence on his character, his discovery of his writing passion, and his relationships with such individuals as columnist Red Smith, Hall of Fame coach Red Holzman, and Michael Jordan.

After surviving the Nazi death camp at Auschwitz, Hans Frankenthal chose to return to live in his hometown of Schmallenberg, Germany at the age of 19. In this memoir, he describes his experiences working as a butcher in the town, a town emptied of its Jewish residences where few wanted to hear about his experiences during the war. He also describes his experiences after retirement, when he finally spoke out and became an advocate for those who had been forced to work as slave laborers for the company I.G. Farben. Translated from Verweigerte Rueckkehr (1999). Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

When Hamilton Jordan died of peritoneal mesothelioma in 2008, he left behind a mostly finished memoir, a book on which he had been working for the last decade. Jordan's daughter, Kathleen - with the help of her brothers and mother - took up the task of editing and completing the book. A Boy from Georgia - the result of this posthumous father-daughter collaboration - chronicles Hamilton Jordan's childhood in Albany, Georgia, charting his moral and intellectual development as he gradually discovers the complicated legacies of racism, religious intolerance, and southern politics, and affords his readers an intimate view of the state's wheelers and dealers. Jordan's middle-class childhood was bucolic in some ways and traumatizing in others. As Georgia politicians battled civil rights leaders, a young Hamilton straddled the uncomfortable line between the southern establishment to which he belonged and the movement in which he believed. Fortunate enough to grow up in a family that had considerable political clout within Georgia, Jordan went into politics to put his ideals to work. Eventually he became a key aide to Jimmy Carter and was the architect of Carter's stunning victory in the presidential campaign of 1976; Jordan later served as Carter's chief of staff. Clear eyed about the triumphs and tragedies of Jordan's beloved home state and region, A Boy from Georgia tells the childhood story of a remarkable life in a voice that is witty, vivid, and honest. -- from dust jacket.

"Good Things Happen Slowly is [Fred Hersch's] memoir. It's the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and ground-breaking; and a profound exploration of how Hersch's two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career."--Jacket.

In Bad Boy , renowned American artist Eric Fischl has written a penetrating, often searing exploration of his coming of age as an artist, and his search for a fresh narrative style in the highly charged and competitive New York art world in the 1970s and 1980s. With such notorious and controversial paintings as Bad Boy and Sleepwalker, Fischl joined the front ranks of America artists, in a high-octane downtown art scene that included Andy Warhol, David Salle, Julian Schnabel, and others. It was a world of fashion, fame, cocaine and alcohol that for a time threatened to undermine all that Fischl had achieved. In an extraordinarily candid and revealing memoir, Fischl discusses the impact of his dysfunctional family on his art—his mother, an imaginative and tragic woman, was an alcoholic who ultimately took her own life. Following his years as a student at Cal Arts and teaching in Nova Scotia, he describes his early years in New York with the artist April Gornik, just as Wall Street money begins to encroach on the old gallery system and change the economics of the art world. Fischl rebelled against the conceptual and minimalist art that was in fashion at the time to paint compelling portraits of everyday people that captured the unspoken tensions in their lives. Still in his thirties, Eric became the subject of a major Vanity Fair interview, his canvases sold for as much as a million dollars, and The Whitney Museum mounted a major retrospective of his paintings. Bad Boy follows Fischl’s maturation both as an artist and sculptor, and his inevitable fall from grace as a new generation of artists takes center stage, and he is forced to grapple with his legacy and place among museums and collectors. Beautifully written, and as courageously revealing as his most provocative paintings, Bad Boy takes the reader on a roller coaster ride through the passion and politics of the art world as it has rarely been seen before.

"Virginia Woolf wrote that in order to be a writer, a woman needs a room of one's own. Now, in [this book], acclaimed author Deborah Levy concludes her ground-breaking trilogy of living autobiographies with an exhilarating, boldly intimate meditation on home and the specters that haunt it. In this vibrant memoir, Levy employs her characteristic indelible writing, sharp wit, and acute insights to craft a searing examination of womanhood and ownership. Her inventory of possessions, real and imagined, pushes readers to question our cultural understanding of belonging and belongings and to consider the value of a woman's intellectual and personal life. Blending personal history, gender politics, philosophy, and literary theory, [this book] is a brilliant, compulsively readable narrative" --

"A memoir of a decade in prison by a well-educated young addict known as the "Apologetic Bandit" In 2003, fresh out of NYU, Daniel Genis was working in publishing as his writer father had always expected. But he was also hiding a serious heroin addiction that led him into debt and burglary. After he was arrested for robbing people at knifepoint in 2003, Daniel Genis was nicknamed the "apologetic bandit" in the press, given his habit of apologizing to his victims as he took their cash. He was sentenced to twelve years (ten with good behavior), surviving the decade by reading 1,046 books, weightlifting, having philosophical discussions with various inmates, encountering violence on a daily basis, working at a serious of prison jobs, and in general observing an existence for which nothing in his life had prepared him. Sentence is one of the most striking prison memoirs--and memoirs in general--in recent years--written with intelligence, wit, empathy, and remarkable style. Genis is the son of a famous Soviet émigré writer, broadcaster, and culture critic in Russia. He grew up in a home whose visitors included Mikhail Baryshnikov; Russian nuclear physicist Andrei Sakharov; authors Kurt Vonnegut, Umberto Eco and Norman Mailer; and Czech film director Milos Forman. The education and culture so prized by his family were his lifeline during his decade in prison, and he describes in unsparing and vivid detail the realities of daily life in the New York penal system, from Rikers Island through a series of upstate institutions. He learns about the social strata of gangs, the "court" system that sets geographic boundaries in prison yards, how sex was obtained, the black market of drugs and more practical goods, the inventiveness required for everyday tasks such as cooking, and how debilitating solitary confinement actually is--all while trying to preserve his relationship with his recently married wife"--

At last Betty Friedan herself speaks about her life and career. With the same unsparing frankness that made The Feminine Mystique one of the most influential books of our era, Friedan looks back and tells us what it took -- and what it cost -- to change the world. Betty Friedan's The Feminine Mystique, published in 1963, started the women's movement; it sold more than four million copies and was recently named one of the one hundred most important books of the century. In Life So Far, Friedan takes us on an intimate journey through her life -- a lonely childhood in Peoria, Illinois; salvation at Smith College; her days as a labor reporter for a union newspaper in New York (from which she was dismissed when she became pregnant); unfulfilling and painful years as a suburban housewife; finding great joy as a mother; and writing The Feminine Mystique, which grew out of a survey of her Smith classmates and started it all. Friedan chronicles the secret underground of women in Washington, D.C., who drafted her in the early 1960s to spearhead an "NAACP" for women, and recounts the courage of many, including some Catholic nuns who played a brave part in those early days of NOW, the National Organization for Women. Friedan's feminist thinking, a philosophy of evolution, is reflected throughout her book. She recognized early that the women's movement would falter if institutions did not change to reflect the new realities of women's lives, and she fought to keep the movement practical and free of extremism, including "man-hating." She describes candidly the movement's political infighting that brought her to the point of legal action and resulted in a long breach with fellow leaders Gloria Steinem and Bella Abzug. Friedan is frank about her twenty-two-year marriage to Carl Friedan, an advertising entrepreneur. She writes about the explosive cycle of drinking, arguing, and physical battering she endured and explores her prolonged inability to leave the marriage. (They are now friends and the grandparents of nine.) Friedan was not only pivotal in the founding of NOW, she was also the driving force behind the creation of the National Abortion and Reproductive Rights Action League (NARAL), the National Women's Political Caucus (NWPC), and the First Women's Bank and Trust Company. She made history by introducing the issue of sex discrimination as an argument against the ratification of a Supreme Court nominee. She convinced the Secretary General of the United Nations to declare 1975 the International Year of the Woman. In this volume, Friedan brings to extraordinary life her bold and contentious leadership in the movement. She lectures, writes, leads think tanks, and organizes women and men to work together in political, legal, and social battles on behalf of women's rights. It is exactly this breadth of vision that makes Friedan's memoir an important and compelling work.

"Film and television director and notable raconteur Barry Sonnenfeld's outrageous and hilarious memoir, tracing his idiosyncratic upbringing in Washington Heights, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black, and beloved work like Get Shorty and A Series of Unfortunate Events"--