A highly decorated Israeli military officer, leader, and former director of the internal security service, Shin Bet, sees the light on what his country must do to achieve a lasting peace between Israel and the Palestinians. In this deeply personal journey of discovery, Ami Ayalon seeks input and perspective from Palestinians and Israelis whose experiences differ from his own. As head of the Shin Bet security agency, he gained empathy for 'the enemy' and learned that when Israel carries out anti-terrorist operations in a political context of hopelessness, the Palestinian public will support violence, because they have nothing to lose. Researching and writing Friendly Fire , he came to understand that his patriotic life had blinded him to the self-defeating nature of policies that have undermined Israel's civil society while heaping humiliation upon its Palestinian neighbours. 'If Israel becomes an Orwellian dystopia,' Ayalon writes, 'it won't be thanks to a handful of theologians dragging us into the dark past. The secular majority will lead us there motivated by fear and propelled by silence.' Ayalon is a realist, not an idealist, and many who consider themselves Zionists will regard as radical his conclusions about what Israel must do to achieve relative peace and security and to sustain itself as a Jewish homeland and a liberal democracy. 'How can a staunch Zionist who was raised on one of Israel's earliest settlements and trained as a kill-or-be-killed elite commando spearhead a campaign for peace with his enemies? The answer, in Ami Ayalon's captivating narrative, is an eye-opener for Palestinians and Israelis alike.' -Sari Nusseibeh, author of Once Upon a Country- a Palestinian life , former president of the Al-Quds University, and former Palestinian National Authority representative in Jerusalem ' Ayalon's aims and accomplishments are ... undeniably impressive ... Hope finds a prominent presence in what so many think is a hopeless, endless conflict.' - Kirkus Reviews 'Ami Ayalon discusses how he came to see a two-state solution with the Palestinians as the best way to ensure Israel's security, not just through analysing numbers and statistics, but through a humanistic approach. He discusses ... how his humanist paradigm not only allowed him to see how the Palestinians' grievances and aspirations are intertwined with Israel's security, but also how he still acknowledges and sympathises with the narratives of those in Israel whom he may disagree with.' -Jonah Naghi, The Times of Israel

A Rolls Royce Silver Cloud drove him to airports; the British film industry kowtowed to his power; the great Hollywood studios fawned at his feet.Sir Alexander Korda, one of the world's most flamboyant movie tycoons, rose from obscurity in rural Hungary to become a legendary filmmaker. With him were his brothers, Zoltan and Vincent, all living charmed lives in circles that included H. G. Wells, Sir Lawrence Olivier, Marlena Dietrich, Vivien Leigh, and Merle Oberon, who was soon to be Alex's wife. But along with Alex's flair for success was an equally powerful impulse for destruction. Now, Vincent's son, Michael Korda, in the first book of his memoirs, recalls the enchanted figures of his childhood...the glory days of the Korda brothers' great films...and then their heartbreaking, tragic end.

Did the Jews go like 'sheep to slaughter' during the Shoah? Not really. They walked to their deaths with great dignity, and thousands of Jews resisted in the camps, ghettos, forests, and allied armies. This is the untold story of that resistsance in the Soviet Union during WW II. Based on personal memoirs, officer accounts, and interviews, this 655-page book tells that story with over 100 photos and 12 maps. Porter himself is a survivor and his father was a partisan commander in Western Urkaine.

The turn of the century was a time of explosive growth for American cities, a time of nascent hopes and apparently limitless possibilities. In Children of the City, David Nasaw re-creates this period in our social history from the vantage point of the children who grew up then. Drawing on hundreds of memoirs, autobiographies, oral histories and unpublished—and until now unexamined—primary source materials from cities across the country, he provides us with a warm and eloquent portrait of these children, their families, their daily lives, their fears, and their dreams. Illustrated with 68 photographs from the period, many never before published, Children of the City offers a vibrant protrait of a time when our cities and our grandparents were young.

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

From the time Myron Cope first put his mouth to the mike, he has been a sometimes controversial -- but always interesting -- figure in Pittsburgh. Famed for his raspy, non-radio voice, Cope has transcended mere broadcasting to become part of the Pittsburgh Steelers mythos and legacy to the city.

It was one small hilltop in a small, unnamed war in the late 1990s, but it would send out ripples still felt worldwide today. The hill, in Lebanon, was called the Pumpkin; 'flowers' was the military code word for casualties. Award-winning writer Matti Friedman re-creates the harrowing, otherworldly experiences of a band of young men, plucked by conscription from westernised boyhoods, and charged with holding this remote outpost - a pointless task that changed them forever and foreshadowed the unwinnable conflicts the United States would soon confront in Iraq, Afghanistan and elsewhere. Part memoir, part reportage, part elegy for lost youth, this powerful narrative captures the birth of today's chaotic Middle East and the rise of a 21st century type of war in which there is never a clear victor, and innocence is not the only casualty. Raw and beautifully rendered, Pumpkin flowers will take its place among classic war narratives by George Orwell, Philip Caputo, Vasily Grossman and Micahel Herr. It is an unflinching look at the way we conduct war today 'Throughout, the author grapples with questions regarding both Israeli aggression and the nature of the state's survival. In a chilling final section, he chronicles his travels as a Canadian tourist to his former combat zone in Lebanon, encountering friendly residents in thrall to Hezbollah and seething with anti-Semitism. A haunting yet wry tale of young people at war, cursed by political forces beyond their control, that can stand alongside the best narrative nonfiction coming out of Afghanistan and Iraq.' Kirkus Review ' Pumpkinflowers is a beautifully written insight into the day-to-day realities of what it's like being a soldier and the often boring reality of war. No former soldier who has spent hours manning guard-posts during his military service could remain indifferent to such lines as "sometimes you took over one of the guard-posts, checked your watch an hour later, and found that five minutes had passed". Friedman's book is... a powerful portrait of men in war.' - Ahron Bregman. Read the full review in the Jewish Chronicle

"A major influence on the BBC and independent television in Britain in the 1960s, as well as on CBC and the National Film Board in Canada, Sydney Newman acted as head of drama at a key period in the history of television. For the first time, his comprehensive memoirs--written in the years before his death in 1997--are being made public. Born to a poor Jewish family in the tenements of Queen Street in Toronto, Newman's artistic talent got him a job at the NFB under John Grierson. He then became one of the first producers at CBC TV before heading overseas to the U.K. where he revitalized drama programming. Harold Pinter and Alun Owen were playwrights whom Newman nurtured, and their contemporary, socially conscious plays were successful, both artistically and commercially. At the BBC, overseeing a staff of 400, he developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to Newman's memoir is an in-depth biographical essay by Graeme Burk, which positions Newman's legacy in the history of television, and an afterword by one of Sydney's daughters, Deirdre Newman."--

On August 10, 1938, Lucy S. Dawidowicz set sail from New York to Vilna, Poland, to study at the Yiddish Scientific Institute (YIVO). For a year, while she studied the Jewish past, she immersed herself in Vilna's present, getting to know the Jewish rich and poor, witnessing Poland's brutal anti-Semitism. Then she was forced to flee Vilna, just a week before German tanks and troops rumbled into Poland and eventually destroyed this citadel of East European Jewish culture forever. After the war Lucy Dawidowicz again sailed to Europe -- this time to work with Jewish survivors and to identify the remnants of the precious YIVO library of Vilna.

THE INSTANT SUNDAY TIMES BESTSELLER A TIMES BOOK OF THE YEAR 'Epic, moving and important' ROBERT HARRIS 'A modern classic' OBSERVER 'An unforgettable epic of a book' DAILY MAIL From longstanding political columnist and co[Bokinfo]

The Year That Keeps Returning is Goldstein's astonishing historical memoir of that fateful year--when the Ustasha, the pro-fascist nationalists, were brought to power in Croatia by the Nazi occupiers of Yugoslavia. On April 10, when the German troops marched into Zagreb, the Croatian capital, they were greeted as liberators by the Croats. Three days later, Ante Pavelić, the future leader of the Independent State of Croatia, returned from exile in Italy and Goldstein's father, the proprietor of a leftist bookstore in Karlovac--a beautiful old city fifty miles from the capital--was arrested along with other local Serbs, communists, and Yugoslav sympathizers. Goldstein was only thirteen years old, and he would never see his father again. More than fifty years later, Goldstein seeks to piece together the facts of his father's last days. The moving narrative threads stories of family, friends, and other ordinary people who lived through those dark times together with personal memories and an impressive depth of carefully researched historic details. The other central figure in Goldstein's heartrending tale is his mother--a strong, resourceful woman who understands how to act decisively in a time of terror in order to keep her family alive.

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month siege. When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful, 15th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn't counted on was landing in the epicenter of Mexico's biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will.

Intimate, humorous, and refreshingly candid, this extraordinary work is a remarkable record—in both words and images—of Jewish life in a Polish town before World War II as seen through the eyes of an inquisitive boy. Mayer Kirshenblatt, who was born in 1916 and left Poland for Canada in 1934, taught himself to paint at age 73. Since then, he has made it his mission to remember the world of his childhood in living color, "lest future generations know more about how Jews died than how they lived." This volume presents his lively paintings woven together with a marvelous narrative created from interviews that took place over forty years between Mayer and his daughter, Barbara Kirshenblatt-Gimblett. Together, father and daughter draw readers into a lost world—we roam the streets and courtyards of the town of Apt, witness details of daily life, and meet those who lived and worked there: the pregnant hunchback, who stood under the wedding canopy just hours before giving birth; the khayder teacher caught in bed with the drummer's wife; the cobbler's son, who was dressed in white pajamas all his life to fool the angel of death; the corpse that was shaved; and the couple who held a "black wedding" in the cemetery during a cholera epidemic. This moving collaboration—a unique blend of memoir, oral history, and artistic interpretation—is at once a labor of love, a tribute to a distinctive imagination, and a brilliant portrait of life in one Jewish home town. Copub: The Judah L. Magnes Museum

National Outdoor Book Award Winner for Outdoor Literature From the award-winning, bestselling author of Cod- the irresistible story of the science, history, art, and culture of the least efficient way to catch a fish. Fly fishing, historian Mark Kurlansky has found, is a battle of wits, fly fisher vs. fish-and the fly fisher does not always (or often) win. The targets-salmon, trout, and char; and for some, bass, tarpon, tuna, bonefish, and even marlin-are highly intelligent, athletic animals. The allure, Kurlansky learns, is that fly fishing makes catching a fish as difficult as possible. The flies can be beautiful and intricate, some made with over two dozen pieces of feather and fur; the cast is a matter of grace and rhythm, with different casts and rods yielding varying results. Kurlansky is known for his deep dives into specific subjects, from cod to oysters to salt. But he spent his boyhood days on the shore of a shallow pond. Here, where tiny fish weaved under a rocky waterfall, he first tied string to a branch, dangled a worm into the water, and unleashed his passion for fishing. Since then, his love of the sport has led him around the world's countries, coasts, and rivers-from the wilds of Alaska to Basque country, from Ireland and Norway to Russia and Japan. And, in true Kurlansky fashion, he absorbed every fact, detail, and anecdote along the way. The Unreasonable Virtue of Fly Fishing marries Kurlansky's signature wide-ranging reach with a subject that has captivated him for a lifetime-combining history, craft, and personal memoir to show readers, devotees of the sport or not, the necessity of experiencing nature's balm first-hand.

HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir! Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity-from protests in People's Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of--and struggles with--her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI. "A welcome addition to the literature of radical activism." --Kirkus Reviews "A fun read and a valuable political document, long overdue." --Counterpunch Yippie Girl explores Gumbo's life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes. Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street --based on her own experiences living under Stalinist oppression--was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Trestíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.

"In Antiquities, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage-in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie-he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. Included alongside this wondrous tale, touched by unsettling irony and with the elusive flavor of a Kafka parable, are four additional stories in Cynthia Ozick's brilliant, distinctive voice, weaving myth and mania, history and illusion: The Coast of New Zealand, The Bloodline of the Alkanas, Sin, and A Hebrew Sibyl."--