"In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed."- First Corinthians 15:52 "Three alarming, eclectic novellas imagine a ravaged America left behind by the totalitarian reign of Donald Trump in this chilling anthology, which picks up after Trump's death in 2024 during 'the second great COVID outbreak' "-Publishers Weekly From New York Times bestselling author, Harry Turtledove, critically-acclaimed novelist, James Morrow, and Nebula Award winner, Cat Rambo, comes a masterful anthology of three sensational novellas depicting a dark fictional future of the United States. And the Last Trump Shall Sound is a prophetic warning about where we, as a nation, may be headed. Mike Pence is President of the United States after years of divisive, dogmatic control by Donald Trump. The country is in turmoil as the Republicans have strengthened their stronghold on Congress, increasing their dominance. And with the support of the Supreme Court, more conservative than ever, State governments become more marginalized by the authoritarian rule of the Federal government. There are those who cannot abide by what they view as a betrayal of the nation's founding principles. Once united communities break down and the unthinkable suddenly becomes the only possible solution: the end of the Union. The authors' depiction of a country that is both unfamiliar and yet unnervingly all too realistic, make you realize the frightening possible consequences of our increased polarization-a dire warning to all of us of where we may be headed unless we can learn to come together again.

"In The Damned Don't Cry -- They Just Disappear, literary historian and Lamba Award--winning novelist Harlan Greene has created a portrait of a nearly forgotten Southern writer, unearthing information from archives, rare books, film libraries, and small-town newspapers. Greene brings Harry Hervey (1900-1951) to life and explicates his works to reveal him as a hardworking writer and master of many genres, bravely unwilling to conform to conventional values. As Greene illustrates, Hervey's novels, short stories, nonfiction books, and film scripts contain complex mixtures of history and thinly disguised homoerotic situations and themes. They blend local color, naturalism, melodrama, and psychological and sexual truths that provide a view of the circles in which he moved. Living openly with his male lover in Savannah, Georgia, and Charleston, South Carolina, Hervey set novels in these cities that scandalized the locals and critics as well. He challenged the sexual mores of his day, sometimes subtly and at other times brazenly presenting texts that told one story to gay male readers, while still courting a mainstream audience. His novels and nonfiction may have been coded and thus escaped detection in their day, but twenty-first-century readers can decipher them easily" --

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active history George Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century—an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely—and ultimately fatally—tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, Blood of the Liberals is an original, intimate examination of the meaning of politics in American lives.

For investing movies with an image of style and glamour George Cukor (1899--1983) is considered one of the founding fathers of the Golden Age of Hollywood. The roll call of the great films he made and the stars he directed validates his rank as one of cinema's greatest moviemakers. "The only really important thing I have to say about George Cukor," Katharine Hepburn proclaimed, "is that all the other directors I have worked with starred themselves. But George 'starred' the actor. He didn't want people to say, 'this great director.' He wanted them to say 'this great actor.' " Along with introducing Hepburn and Greta Garbo to American audiences, he worked with many of the most acclaimed movie actresses of his day, including Vivien Leigh, Olivia de Havilland, Jean Harlow, Elizabeth Taylor, Joan Crawford, Ingrid Bergman, Ava Gardner, Claudette Colbert, Angela Lansbury, Judy Holliday, Audrey Hepburn, and Marilyn Monroe. These interviews are a pleasure to read because Cukor is so immersed in his subject and so forthright in his observations. He comes to life immediately with disarming candor and infectious enthusiasm for cinema and the people who make it. In addition to discussing his romantic comedies, Cukor talks about his famous screen adaptations of classic novels and plays, including Little Women (1933) and David Copperfield (1935). His experience of being fired by producer David O. Selznick partway through the shooting of Gone With the Wind (1939) surfaces in nearly every interview. Instead of having his career derailed by this dismissal, however, he continued his rise as one of America's premier directors. In his cornucopia of films are Holiday (1938), The Philadelphia Story (1940), Adam's Rib (1949), Born Yesterday (1950), A Star Is Born (1954), Let's Make Love (1960), and My Fair Lady (1964). Cukor was a man of myriad dimensions. In his last years he opened up about his private life and his previously undisclosed homosexuality. He was ardent in his friendships and single-minded in his devotion to making quality movies for a popular audience. Robert Emmet Long, a literature and film scholar and writer living in Fulton, New York, is the author or editor of more than forty books, including John Huston: Interviews (University Press of Mississippi).

"Told from the points of view of a twenty-year-old Pomo man, his grandmother, and his mother, this intergenerational saga illuminates the experiences of urban Indians and depicts the historical conditions that shape a tribe's rural-to-urban migration. The novel deals with such topics as ethnic and racial prejudice, urban poverty, violence toward women, and LGBTQ identity. This new edition includes a revised preface by the author and an afterword by Reginald Dyck"--

Writing a Jewish Life chronicles novelist Lev Raphael's struggle to claim both his religious and sexual identities, and the happiness he subsequently found. Until he reached his mid-20s, the author felt alienated from other Jews, ambivalent about his homosexuality; or as he puts it, "twice strange ... in each [community], different, lesser, ashamed." A son of Holocaust survivors, Raphael grew up in an unmistakably Jewish but nonreligious home. However, as an adult he initiated his own affiliations with Judaism: He had a bar mitzvah at age 30, went to Israel twice, and fell in love with a Jewish man. It was "coming out as a Jew,' he writes, that "ultimately made it possible for me to come out as a gay man and then work at uniting the two identities." Attesting to his journey is the contrast between his confused childhood and the joyful domestic life he now shares with his lover, Gersh, and their two sons.

From the author of The Last Testament comes the true love of Bonnie Prince Charlie, her adventures in America and her lasting legacy. In the page-turning popular genre trail-blazed by Antonia Fraser and Phillippa Gregory, The Pretender’s Lady , Alan Gold’s meticulously researched novel, accurately opens history’s pages on a peerless woman who helped change the course of history and whose legend lives on in Scotland today—Flora MacDonald. She was the most famous Scotswoman of her day, single handedly saving Bonnie Prince Charlie. This is her fictionalized life story—her relations with the Prince, her flight to America, Ben Franklin’s influence, and her return to Britain to lobby for peace But what’s hidden from history, revealed now for the first time in Gold’s dazzling new work of fiction, is the result of Flora’s and Charlie’s love: a beautiful and talented boy raised on an American farm. But only she knows his true heritage and his claim to the world’s greatest throne. And only the genius of Ben Franklin understands how to use this naïve boy to change the history of America. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

How do you catch the world's most wanted terrorist--Carlos the Jackal? Create his twin . . . and let the hunt begin. This is the movie TV-tie novelization of the major motion picture from Triumph Films starring Aidan Quinn, Donald Sutherland and Ben Kingsley.

Pioneering anthropologist Sherry B. Ortner is renowned for her work on the Sherpas of Nepal. Now she turns her attention homeward to examine how social class is lived in the United States and, specifically, within her own peer group. In New Jersey Dreaming , Ortner returns to her Newark roots to present an in-depth look at Weequahic High School's Class of 1958, of which she was a member. She explores her classmates’ recollected experiences of the neighborhood and the high school, also written about in the novels of Philip Roth, Weequahic High School’s most famous alum. Ortner provides a chronicle of the journey of her classmates from the 1950s into the 1990s, following the movement of a striking number of them from modest working- and middle-class backgrounds into the wealthy upper-middle or professional/managerial class. Ortner tracked down nearly all 304 of her classmates. She interviewedabout 100 in person and spoke with most of the rest by phone, recording her classmates’ vivid memories of time, place, and identity. Ortner shows how social class affected people’s livesin many hidden and unexamined ways. She also demonstrates that the Class of ‘58’s extreme upward mobility must be understood in relation to the major identity movements of the twentieth century—the campaign against anti-Semitism, the Civil Rights movement, and feminism. A multisited study combining field research with an interdisciplinary analytical framework, New Jersey Dreaming is a masterly integration of developments at the vanguard of contemporary anthropology. Engaging excerpts from Ortner's field notes are interspersed throughout the book. Whether recording the difficulties and pleasures of studying one's own peer group, the cultures of driving in different parts of the country, or the contrasting experiences of appointment-making in Los Angeles and New York, they provide a rare glimpse into the actual doing of ethnographic research.

Neil Simon Full Length Comedy Characters: 1 male 7 female Combination interior and Unit set. America's premier comic playwright makes another hilarious foray into the world of modern relationships. Jake a novelist who is more successful with fiction that with life faces a marital crisis by daydreaming about the women in his life. The wildly comic and sometimes moving flashbacks played in his mind are interrupted by visitations from actual females. Jake's women i

Starred reviews from Library Journal and Publishers Weekly Award-winning author Irina Reyn explores what it means to be a mother in a world where you can't be with your child Nadia's daily life in south Brooklyn is filled with small indignities: as a senior home attendant, she is always in danger of being fired; as a part-time nanny, she is forced to navigate the demands of her spoiled charge and the preschooler's insecure mother; and as an ethnic Russian, she finds herself feuding with western Ukrainian immigrants who think she is a traitor. The war back home is always at the forefront of her reality. On television, Vladimir Putin speaks of the "reunification" of Crimea and Russia, the Ukrainian president makes unconvincing promises about a united Ukraine, while American politicians are divided over the fear of immigration. Nadia internalizes notions of "union" all around her, but the one reunion she has been waiting six years for - with her beloved daughter - is being eternally delayed by the Department of Homeland Security. When Nadia finds out that her daughter has lost access to the medicine she needs to survive, she takes matters into her own hands. Mother Country is Irina Reyn's most emotionally complex, urgent novel yet. It is a story of mothers and daughters and, above all else, resilience.

This is the story of Mara, a Jewish girl from Riverside Drive, and a hippie from Israel whom everyone distrusts, and the Orthodox wedding that unites them.

The real story behind “ex-gay” ministries and reparative therapy! Nationally known activist Wayne Besen spent four years examining the phenomenon of “ex-gay” ministries and reparative therapies—interviewing leaders, attending conferences, and visiting ministries undercover as he accumulated hundreds of hours of research. The result is Anything but Straight: Unmasking the Scandals and Lies Behind the Ex-Gay Myth, a groundbreaking exposé of the controversial movement that's revered by independent religious groups and reviled by gay and lesbian organizations. The book presents a historical perspective on the dispute, examining “ex-gay” groups such as Love In Action, Exodus International, Homosexuals Anonymous, and profiling a cast of characters that includes Pat Robertson, the Rev. Jerry Falwell, “ex-gay” poster boy John Paulk, National Association of Research and Therapy of Homosexuality activist Richard Cohen, and psychiatrist Dr. Robert Spitzer. An in-depth, well-researched, and historically significant account, Anything but Straight is full of startling facts and alarming surprises. The original content and novel material in the book includes: a first-ever comprehensive history of the “ex-gay” ministries and “reparative therapy” the inside story of the night the author photographed “ex-gay” poster boy John Paulk inside a gay bar the author's discovery that Anne Paulk lied about being a lesbian and has admitted to having a strong attraction to men BEFORE she became “ex-gay” previously undisclosed bizarre techniques used by the “ex-gay” ministries and “reparative therapists” the author's exclusive in-depth interviews with leading “ex-gay” leaders—they disclose their deepest secrets, hidden desires, and true motivations an extraordinary new study that shows that most “ex-gay” leaders have suffered from substance abuse or severe emotional problems—while many “ex-gay” leaders claim they were “unhappy being gay,” this report helps prove that their dissatisfactions came not from their homosexuality, but from poor life choices and irresponsible behavior new revelations that one of the nation's leading “reparative therapists” hailed from a secretive cult that was scandalized for practicing nude therapy From the author: Through my extensive experience, I have learned that the extraordinary claims made by the “ex-gay” groups are without merit and the efficacy of their programs is dubious at best and harmful at worst . . . One frequent question I get is, “Why can't gay activists simply leave 'ex-gay' groups alone and let them go about their business?” This is exactly what happened for nearly three decades while “ex-gay” groups labored in near anonymity. But all this recently changed when the “ex-gay” groups intricately aligned themselves with the anti-gay political agenda of the Religious Right. With “ex-gays” added to their arsenal, the Right could disingenuously claim to love gay people and offer them “hope for change,” while simultaneously fighting for punitive legislation. Their insidious message: Since gays and lesbians can change, there is no need for laws that protect them against arbitrary prejudice. Anything but Straight: Unmasking the Scandals and Lies Behind the Ex-Gay Myth is an essential read for activists on both sides of the “ex-gay” fence, family members of gays and lesbians, Gay, Bisexual, Lesbian, and Transgender church members, psychiatric and social science professionals, and anyone who has dealt with “coming out” issues. An appendix of resources and a helpful bibliography make it easy to find additional information on this fascinating topic.

A collection of Algren’s lost and unfinished writings, including his last novel and several stories considered to be among his masterpieces, with a new introduction by Algren's biographer Colin Asher. "You should not read [Algren] if you can’t take a punch. Mr. Algren can hit with both hands and move around and he will kill you if you are not awfully careful." —Ernest Hemingway Nelson Algren sought humanity in the urban wilderness of postwar America, where his powerful voice rose from behind the billboards and down tin-can alleys, from among the marginalized and ignored, the outcasts and scapegoats, the punks and junkies, the sex workers and down-on-their luck gamblers, the punch-drunk boxers and skid-row drunkies and kids who knew they'd never reach the age of twenty-one. Algren admired them all for their vitality and no-bullshit forthrightness, their insistence on living, their self-awareness, and their ability to find a laugh and a dream in the unlikeliest places. Entrapment and Other Writings contains his unfinished last novel, previously unpublished or uncollected stories and poems, and reportage. Algren speaks to our time as few of his American contemporaries of the 1940s and ’50s do, in part because he was always the outsider.

Born in Clinton, Mississippi, Barry Hannah has been a major force in southern literature since the 1970 publication of his first novel, Geronimo Rex, which won the Bellman Foundation Award in fiction. It was followed by his first collection of stories, Airships (1978), winner of the prestigious Arnold Gringrich Short Fiction Award, and the acclaimed novel Ray (1980). The honesty of Hannah's vision and his varied narrative voices have won him comparison to Walker Percy, William Faulkner, Eudora Welty, and Flannery O'Connor. One of the South's most original writers, Hannah explores the human psyche; he may write primarily about his experiences in the South, but his experiments with prose are not restricted to region. In this first full-length critical study of Hannah's works--six novels and two volumes of short stories--Mark Jay Charney deftly explores Hannah's connections with southern writers like Faulkner and Welty by examining both his progression as a fiction writer and his experiments with language, voice, and form. Expertly combining biographical information with critical analysis, Charney correlates Hannah's literary themes and techniques with the influences shaping his life. The book is organized chronologically to illustrate Hannah's growing preoccupation with unconventional narrative form and to delineate the thematic shift from violence and isolation to peaceful alternatives and community acceptance. This book is a most welcome introduction to the works of a writer who promises to remain one of South's most startling and iconoclastic voices.

The Sea of Light is a wise, beautiful, and very American story of three women and their desire to excel and win - and heal one another - in the highly charged world of athletic competition. Angelita is the hurricane that brings down a plane carrying a team of star-quality swimmers, groomed from childhood to compete at the international level. Babe Delgado is a young Cuban-American woman, presumed dead, who is rescued from the crash. Fifty-one hours in the Atlantic have left her scarred in body and spirit, afraid to compete again. Brenna Allen is a tough, driven swim coach at a small university, grieving for a lover lost to cancer. She finds solace in building her own winning team, driving her overworked captain, Ellie Marks, ever harder. Ellie is a child of holocaust survivors, struggling to own herself and her sexuality as hard as she's working to win. Brenna recruits Babe, promising to help her rebuild her damaged body, strength, and will. The Sea of Light is a story of wins, losses, and passions in a world where destiny and magic interfere with victory, where families are forced to reconcile with private hurts and false dreams, and where a redemptive, healing love between women - erotic and overwhelmingly intimate - stands in stark contrast to the expectations of the world. A sensitive, powerful tale of self-discovery, sexual identity, and violent emotions unleashed by sudden disaster, this novel is sure to command attention and acclaim.

One of the most distinctive voices in mainstream comics since the 1970s, Howard Chaykin (b. 1950) has earned a reputation as a visionary formal innovator and a compelling storyteller whose comics offer both pulp-adventure thrills and thoughtful engagement with real-world politics and culture. His body of work is defined by the belief that comics can be a vehicle for sophisticated adult entertainment and for narratives that utilize the medium's unique properties to explore serious themes with intelligence and wit. Beginning with early interviews in fanzines and concluding with a new interview conducted in 2010 with the volume's editor, Howard Chaykin: Conversations collects widely ranging discussions from Chaykin's earliest days as an assistant for such legends as Gil Kane and Wallace Wood to his recent work on titles including Dominic Fortune, Challengers of the Unknown, and American Century. The book includes thirty-five line illustrations selected from Chaykin, as well. As a writer/artist for outlets such as DC Comics, Marvel Comics, and Heavy Metal, he has participated in and influenced many of the major developments in mainstream comics over the past four decades. He was an early pioneer in the graphic novel format in the 1970s, and his groundbreaking sci-fi satire American Flagg! was an essential contribution to the maturation of the comic book as a vehicle for social commentary in the 1980s. Brannon Costello, Saint Gabriel, Louisiana, is associate professor of English at Louisiana State University, and the author of Plantation Airs: Racial Paternalism and the Transformations of Class in Southern Fiction, 1945-1971. His work has appeared in Mississippi Quarterly; Southern Quarterly; Southern Literary Journal; Critique: Studies in Contemporary Fiction; and African American Review. 304 pages (approx.), 6 x 9 inches, 35 b&w illustrations, introduction, chronology, index

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

For me it begins in such an ordinary way ... with a gorilla, a blonde, and a gun ... Mid- 20th century Hollywood; 'Raymond Chandler's LA before Pilates and cell phones'. Clancy Sigal (who would later be the inspiration for Doris Lessing's 'Saul Green') is just back from fighting in the Second World War and an abortive solo attempt to assassinate Hermann Goering at the Nurenburg trials. Charming his way into a job as an agent with the Sam Jaffe agency, Sigal plunges into a chaotic Hollywood peopled by fast women, washed-up screenwriters, wily directors, and starstruck FBI agents trailing 'subversives'. He parties with the likes of Humphrey Bogart, Barbara Stanwyck, Tony Curtis and an anxious Peter Lorre, who becomes a drinking buddy. But this is the era of the Hollywood Blacklist and Sigal, like many of his contemporaries, is subpoenaed to testify before the HUAC. Will he give up the list of nine names, burning a hole in his pocket, to save his own skin? Hilarious, touching, intimate and revealing: Sigal's memoir reads like a forgotten hardboiled detective novel and has all the makings of an instant classic.

"Raised in Baltimore in the '90s, 17-year-old Samuel Gerson is ready to be rid of his high school baseball team, his protective upbringing, and the tight-knit Jewish community in which he's spent his whole life. But when he befriends enigmatic Dmitri Zilber, a recent Russian Jewish immigrant who is obsessed with the works of Dostoevsky, Samuel's world begins to shift. In the wake of his grandfather's suicide, as his life increasingly entangles with that of Dmitri and his beautiful sister Yelizaveta, it sets in motion a series of events that culminates in a disturbing act of violence. A quietly devastating portrait of late adolescence, The Sensualist examines the culture we inherit as it collides with the one we create"--from the cover.