America's current transformation from an industrial to a new information-based culture presents new challenges as well as new perspectives on old debates. This book offers a comprehensive survey of America's changing values. It examines notions of American exceptionalism and how the 'melting pot' is coping with race relations and changing demographics; it assesses the agenda of government, the domestic and global constraints, and how social exclusion can be tackled. Current changes in the US are likely to be a harbinger for other societies, and the authors examine new models of civic society, of learning and of reconfiguring social values for a fast-changing world.

This remarkable collection of eight essays offers a rare perspective on the issue of cross-cultural communication. Greg Sarris is concerned with American Indian texts, both oral and written, as well as with other American Indian cultural phenomena such as basketry and religion. His essays cover a range of topics that include orality, art, literary criticism, and pedagogy, and demonstrate that people can see more than just "what things seem to be." Throughout, he asks: How can we read across cultures so as to encourage communication rather than to close it down? Sarris maintains that cultural practices can be understood only in their living, changing contexts. Central to his approach is an understanding of storytelling, a practice that embodies all the indeterminateness, structural looseness, multivalence, and richness of culture itself. He describes encounters between his Indian aunts and Euro-American students and the challenge of reading in a reservation classroom; he brings the reports of earlier ethnographers out of museums into the light of contemporary literary and anthropological theory. Sarris's perspective is exceptional: son of a Coast Miwok/Pomo father and a Jewish mother, he was raised by Mabel McKay—a renowned Cache Creek Pomo basketweaver and medicine woman—and by others, Indian and non-Indian, in Santa Rosa, California. Educated at Stanford, he is now a university professor and recently became Chairman of the Federated Coast Miwok tribe. His own story is woven into these essays and provides valuable insights for anyone interested in cross-cultural communication, including educators, theorists of language and culture, and general readers.

Jews and the American Public Square is a study of how Jews have grappled with the presence of religion, both their own and others, in American public life. It surveys historical Jewish approaches to church-state relations and analyzes Jewish responses to the religion clauses of the First Amendment. The book also explores how the contemporary sociological and political characteristics of American Jews bear on their understanding of the public dimensions of American religion. In addition to a descriptive and analytic approach. the volume is also critical and polemical. Its contributors attack and defend prevailing views, raise critical questions about the political and intellectual positions favored by American Jews, and propose new syntheses. This book captures the current mood of the Jewish community: both committed to the separation of church and state and perplexed about its scope and application. It provides the necessary background for a principled reconsideration of the problem of religion in the public square.

A chronologically arranged anthology and history of poetry is supplemented with biographies of the poets

Scottish Highlands, 1958 Britain is awash in Cold War anxiety as Mirabelle Bevan heads for the Highlands on a holiday to visit Superintendent Alan McGregor's family. More glamorous than she expected, the Robertsons welcome her with open arms and an array of cocktails, but she has scarcely arrived when the body of an American fashion buyer turns up brutally murdered, plunging the local village into disarray and sending shockwaves around the close, Highland community. Mirabelle can't resist investigating, but what she finds lays the limitations of her feelings for McGregor bare and calls into question the loyalties of all those around her from the Robertson's housekeeper Mrs Gillies to the family of the dead woman. What started as a relaxing break in scenic surroundings soon spirals into a week fraught with danger. As the press descend on the Robertson's Highland estate, it rapidly becomes clear that things are not as black and white as they first appeared and Mirabelle can't count on anyone . . .

Gathers essays, stories, and poems about baseball, baseball players, and the myths and history of baseball

A wonderful mix of the more liberated American women's fashions and 'dashing' British military and civilian uniforms. Often called "The Forgotten Era", the "Teens" bridge the gap between the Edwardians and the Flappers. American women's fashions are amazingly soft and informal while the British cling to a more formal look. We have combined The American Garment Cutter for Women's Garments with British patterns and articles from the West End Gazette to cover all types of clothing for men and women, plus British military uniforms and civilian uniforms such as Red Cross, policemen, chauffeurs, etc. There are many fashion illustrations and a department store catalog of 1915.

"A compelling record of one year in the life of a writer, including observations about movies, art, music, friendship, travel, and family. The essay is the most pluckily pedestrian and blithely transgressive of literary genres, the one that is most at large and in need, picking through the accumulated disjecta of daily life and personal and social history to take what it needs and remake it as it sees fit. It is, at its lively best, quite indifferent to the claims of style, fashion, theory, and respectability, provoking and inspiring through the pleasure of surprise. In 2016, Philip Lopate, who has been writing essays and thinking about the essay for decades now, turned his attention to one of the essay's offshoots, the blog, a form by that time already thick, as he knew, with virtual dust. Lopate committed to writing a weekly blog about, really, whatever over the course of a year, a quicker pace of delivery than he'd ever undertaken and one that carried the risk of all too regularly falling short. What emerged was A Year and a Day, a collection of forty-seven essays best characterized as a single essay a year in the making, a virtuosic (if never showy) demonstration of the essay's range and reach, meandering, looping back, pressing reset, forging on. Lopate's topics along the way include family, James Baldwin, a trip to China, Agnes Martin, Abbas Kiarastomi, the resistable rise of Donald Trump, death, desire, and the tribulations, small and large, of daily life. What results is at once a self-portrait, a picture of the times, and a splendid new elaboration of what the essay can be"--

This book discusses the crisis of the early modern state in eighteenth-century Britain and sets it in its European context. The American Revolution and the simultaneous demand for wider religious toleration at home challenged the principles of sovereignty and obligation that underpinned arguments about the character of the state. At stake was a fundamental challenge to the way in which politics was described. The Americans and their British supporters argued that individuals, by voting and thinking freely, ought to determine the "common good." These influential ideas continue to resonate today in the principles of "one man, one vote" and "freedom of thought."

The rich correspondence that preceded the publication of Monopoly Capital Paul A. Baran and Paul M. Sweezy were two of the leading Marxist economists of the twentieth century. Their seminal work, Monopoly Capital: An Essay on the American Economic and Social Order, published in 1966, two years after Baran's death, was in many respects the culmination of fifteen years of correspondence between the two, from 1949 to 1964. During those years, Baran, a professor of economics at Stanford, and Sweezy, a former professor of economics at Harvard, then co-editing Monthly Review in New York City, were separated by three thousand miles. Their intellectual collaboration required that they write letters to one another frequently and, in the years closer to 1964, almost daily. Their surviving correspondence consists of some one thousand letters. The letters selected for this volume illuminate not only the development of the political economy that was to form the basis of Monopoly Capital, but also the historical context—the McCarthy Era, the Cold War, the Cuban Missile Crisis—in which these thinkers were forced to struggle. Not since Marx and Engels carried on their epistolary correspondence has there has been a collection of letters offering such a detailed look at the making of a prescient critique of political economy—and at the historical conditions from which that critique was formed.

The struggle to write with deep emotion is the subject of this extraordinary book, the previously unpublished credo of one of America's greatest 20th-century writers. "You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich," writes Nelson Algren in his only longer work of nonfiction, adding: "A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery." Nonconformity is about 20th-century America: "Never on the earth of man has he lived so tidily as here amidst such psychological disorder." And it is about the trouble writers ask for when they try to describe America: "Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards . . . [where there] are still . . . defeats in which everything is lost [and] victories that fall close enough to the heart to afford living hope." In Nonconformity, Algren identifies the essential nature of the writer's relation to society, drawing examples from Dostoyevsky, Chekhov, Twain, and Fitzgerald, as well as utility infielder Leo Durocher and legendary barkeep Martin Dooley. He shares his deepest beliefs about the state of literature and its role in society, along the way painting a chilling portrait of the early 1950s, Joe McCarthy's heyday, when many American writers were blacklisted and ruined for saying similar things to what Algren is saying here.

"Continuing the story that began in his widely praised Boston Boy, Nat Hentoff in Speaking Freely guides us through more than forty years of his life in journalism, a career as various as his passions, and follows our social history from the civil rights and antiwar movements to the most incendiary battles (such as abortion) of the present day. Hentoff first evokes New York in the fifties, when he wrote for the jazz magazine Down Beat and came to know some of the most talented jazzmen of all time--Duke Ellington, Thelonious Monk, Charles Mingus, and Dizzy Gillespie, to name only a few. He looks back to his apprenticeship under George Seldes and I. F. Stone, two unyieldingly independent journalists whom he credits with charting his direction in the field. And he recounts his associations with a wide array of Americans, from Malcolm X, who was a friend, to Louis Farrakhan, who has labeled Hentoff "the Antichrist" ; from Adlai Stevenson to John Cardinal O'Connor; and from the "utterly singular" editor of The New Yorker, William Shawn, to uncelebrated heroes far afield from Manhattan and Washington. As a staff writer for the Village Voice and a syndicated columnist for the Washington Post, Hentoff has gained a reputation as one of the nation's most respected, uncompromising, and controversial writers on civil liberties and on the difficult issues and wide-ranging forms of injustice manifest in our age." -- Provided by Publisher.

A unique memoir that interweaves poetry, narrative, meditation, and social history, A Spiritual Life explores the complex facets of a Jewish woman's spiritual coming-of-age, capturing the emotional and spiritual reality of contemporary Jews as well as religious seekers of all types. From the experiences of early childhood, to the spiritual awakening of a secular adolescent encountering Jewish tradition, to the alternately funny and searing tales of new-found independence, early married life, young motherhood, and midlife, Feld comments with remarkable honesty and clarity on the many stages of spiritual and artistic exploration and growth. Overarching all these accounts is the picture of how the cycle of the Jewish calendar year comes to provide an ever-renewing source of sustenance for the author's deepening spiritual expression.

Jewish Girls Coming of Age in America, 1860—1920 draws on a wealth of archival material, much of which has never been published—or even read—to illuminate the ways in which Jewish girls’ adolescent experiences reflected larger issues relating to gender, ethnicity, religion, and education. Klapper explores the dual roles girls played as agents of acculturation and guardians of tradition. Their search for an identity as American girls that would not require the abandonment of Jewish tradition and culture mirrored the struggle of their families and communities for integration into American society. While focusing on their lives as girls, not the adults they would later become, Klapper draws on the papers of such figures as Henrietta Szold, founder of Hadassah; Edna Ferber, Pulitzer Prize-winning author of Showboat ; and Marie Syrkin, literary critic and Zionist. Klapper also analyzes the diaries, memoirs, and letters of hundreds of other girls whose later lives and experiences have been lost to history. Told in an engaging style and filled with colorful quotes, the book brings to life a neglected group of fascinating historical figures during a pivotal moment in the development of gender roles, adolescence, and the modern American Jewish community.

"Since 1997, author and scholar Maxim D. Shrayer has been offering seminars on Vladimir Nabokov, the great Russian American immigrant writer, at Boston College. This volume features essays by undergraduate and graduate students, which originated in the Nabokov seminar, as well as scholarship by Boston College faculty who work on Nabokov. The essays cover a broad thematic and intellectual terrain and showcase cutting-edge Nabokov scholarship and criticism. The topics include but are not limited to: translingualism, sexuality, Cold War politics, food studies, Nabokov and the visual arts, religion and metaphysics, urban studies, immigration studies, and modernist poetics. The collection will be of great interest to students and scholars, as well as to the broad audience of Nabokovians"--

(Includes maps) The focus of the American and British war effort in 1943 was on the ancient lands bordering the Mediterranean Sea where in May victory came at last in Tunisia and where in July Allied armies began a five-week campaign to conquer Sicily. The invasion of Italy in September sharpened that focus as Allied troops for the first time since 1940 confronted the German Army in a sustained campaign on the mainland of Europe. The fighting that followed over the next eight months was replete with controversial actions and decisions. These included apparent American peril during the early hours in the Salerno beachhead; a British advance from the toe of the peninsula that failed to ease the pressure at Salerno; the fight to cross a flooded Rapido River; the bombing of the Benedictine abbey on Monte Cassino; and the stalemated landings at Anzio. The author addresses these subjects objectively and candidly as he sets in perspective the campaign in Italy a'1d its accomplishments. It was a grueling struggle for Allied and German soldier alike, a war of small units and individuals dictated in large measure by inhospitable terrain and wet and cold that soon immersed the battlefield. The methods commanders and men employed to defeat the terrain and a resourceful enemy are instructive now and will continue to be in the future, for the harsh conditions that were prevalent in Italy know no boundary in time. Nor do the problems and accomplishments of Allied command and co-ordination anywhere stand out in greater relief than in the campaign in Italy. The role of United States forces in earlier operations in the Mediterranean has been told in previously published volumes of this series: Northwest Africa: Seizing the Initiative in the West and Sicily and the Surrender of Italy. A volume in preparation, Cassino to the Alps, will carry the operational story through the last year of the fighting. The strategic setting is described in detail in Strategic Planning for Coalition Warfare, 1943-1944.

"A Zionist without a copy of this first classic of a militant Jewish renaissance is like a Greek without his Homer. There cannot be the slightest doubt that in the traditions of the Orient, from the Mediterranean littoral to Tashkent and Samarkand, wherever Jews and Moslems live and thrive on their own soil, the story of the author and his Jewish paladins will be linked with those of Suleiman Malek, Iskander, and of the Colonel's countryman of the Lion-Heart. The exploits of Gallipoli, as told in this fascinating volume, will be sung at the shores of the Dead Sea and in the hills of Moab long after the present generation of Zionists will be gathered with their fathers....Col. Patterson tells us that his narrative of the Zionists of Gallipoli has been written during the enforced idleness of a month of illness....Our gallant Colonel, considered as a narrator, seems to have gone to school in Cairo with those improvisatori of the Arabian Nights' Entertainments, who enfold tale within tale, ad infinitum. For all that, no good-humored reader will feel like quarreling with the Colonel because his book reminds one of an autobiographical magazine series rather than of military reports. If the latter are more apt to be terse and to the point, books written in the style of the former are likely to be more readable; and if the personality of the author is spread all over the book, overshadowing in spots the fate of the regiment under his care, the reader will be glad to get acquainted with an attractive personality. His chief lineaments, as seen in his self-portrayal, are those of Sergeant George in 'Bleakhouse' - of a brave, obstinate, truth-telling, generous Briton, personal alliance with the fortunes of militant Judea the earnest of a national alliance to come." -The Maccabæan: A Magazine of Jewish Life and Letters "As an expression of admiration for the Jew as soldier and as man, and of strong sympathy with Jewish ideals one cannot speak too highly in its favor. The book is a worthy record of the gallantry and resourcefulness of the officers and men of the Zion Mule Corps, but it is none the less a monument to the kindliness and sympathy of the corps' non-Jewish commanding officer, the author." -The American Jewish Chronicle "It is the story of the famous Zion mule corps and its service in Gallipoli. This corps was the first Jewish military unit formed in 2,000 years and was composed of Russian born refugees from Palestine. Colonel Patterson commanded the corps and writes this account of the campaign as he saw it, its policy and the operations of war in execution of that policy." -Book Review Digest "There is electricity in each page, and fearless criticism provokes as much thought as the intrepid courage. Veteran soldiers have a right to be critics of military affairs; and when Colonel Patterson finds fault with any person or with anything, his phrases bite. They cannot be forgotten. And the motive-power behind them is the conviction that criticism cannot be too direct, because the lives of thousands are imperiled daily in the firing lines." -Saturday Review

Fifty stories for fifty years! A collection-and celebration-of the work of Harry Harrison From his first sale in 1950 on, Harry Harrison has been one of the science fiction world's creative dynamos, working in every subgenre of the field, always bursting with provocative ideas. Parodic one moment, serious the next, Harrison has been called by Brian Aldiss "one of the few authors capable of carrying the old vigor of earlier days forward into a new epoch." On the occasion of his fiftieth anniversary as a professional writer, Harrison has gathered together fifty of his best stories-one for each year-along with substantial notes and introductory material. 50 in 50 is at once a memoir, a compendium of an engaging body of work, and a look at the history of science fiction in the second half of the 20th century.