A newly translated collection of stories. His desire to remain faithful to his Jewish roots and yet to be free of them gives Babel a duality of vision, which infuses his work with a powerful energy, from the earliest tales.

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"This new edition features the previously unpublished delivery text of Berlin's inaugural lecture as a professor at Oxford, which derives from this volume and stands as the briefest and most pithy version of his famous essay "Two Concepts of Liberty." Political Ideas in the Romantic Age is the only book in which the great intellectual historian Isaiah Berlin lays out in one continuous account most of his key insights about the period he made his own. Written for a series of lectures at Bryn Mawr College in 1952, and heavily revised and expanded by Berlin afterward, the book argues that the political ideas of 1760-1830 are still largely ours, down to the language and metaphors they are expressed in. Berlin provides a vivid account of some of the era's most influential thinkers, including Rousseau, Fichte, Hegel, Helvetius, Condorcet, Saint-Simon, and Schelling. Written in Berlin's characteristically accessible style, this is his longest single text. Distilling his formative early work and containing much that is not to be found in his famous essays, the book is of great interest both for what it reveals about the continuing influence of Romantic political thinking and for what it shows about the development of Berlin's own influential thought.The book has been carefully prepared by Berlin's longtime editor Henry Hardy, and Joshua L. Cherniss provides an illuminating introduction that sets it in the context of Berlin's life and work"--

"With a revised foreword by Brookings President Strobe Talbott and a new introduction by Berlin's editor, Henry Hardy. George Kennan, the architect of US policy toward the Soviet Union, called Isaiah Berlin 'the patron saint among the commentators of the Russian scene.' In The Soviet Mind, Berlin proves himself fully worthy of that accolade. Although the essays in this book were originally written to explore the tensions between Soviet communism and Russian culture, the thinking about the Russian mind that emerges is as relevant today under Putin's post-communist Russia as it was when this book first appeared more than a decade ago. This Brookings Classic brings together Berlin's writings about the Soviet Union. Among the highlights are accounts of Berlin's meetings with the Russian writers in the aftermath of the war; a celebrated memorandum he wrote for the British Foreign Office in 1945 about the state of the arts under Stalin; Berlin's account of Stalin's manipulative 'artificial dialectic'; portraits of Pasternak and poet Osip Mandel'shtam; Berlin's survey of Russian culture based on a visit in 1956; and a postscript reflecting on the fall of the Berlin Wall and other events in 1989. Henry Hardy prepared the essays for publication; his introductory discussions describe their history. In his foreword, revised for this new edition, Brookings's Strobe Talbott, a long-time expert on Russia and the Soviet Union, relates the essays to Berlin's other work. The essays and other pieces in The Soviet Mind-which includes a new essay, 'Marxist versus Non-Marxist Ideas in Soviet Policy, ' and a summary of a talk on communism-represent Berlin at his most brilliant, and are invaluable for policy-makers, students and anyone interested in Russian politics and thought-past, present and future" ...

An anthology of extraordinary stories about legendary creatures of myth and magic features works by Tanith Lee, T.H. White, Jane Yolen, and Gene Wolfe

"If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread--or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold--and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media. In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved--and why we still use them to make meaning of our lives."--Jacket.

Time is the greatest modern scarcity. What used to be considered signs of success--being busy, having many responsibilities, being involved in many projects or activities--are today being felt as afflictions. The bestselling author of "Money and the Meaning of Life," philosopher Jacob Needleman, shows how to take a bold and unconventional approach to time. The aim: to get more out of it by breaking free of our illusions about it. Needleman dispenses with tricks and techniques that only serve to make our obsessiveness more "efficient." Instead he shows how we can understand what our days are for. It's this understanding that allows time to finally begin to "breathe" in our lives. People can learn to experience time more purposefully and meaningfully. We need not be at time's mercy. Needleman rejects time-management techniques in order to reveal ancient and little-known modern practices for exploring one's internal clock. He reveals how time is experienced by the soul. Drawing on the wisdom literature that chronicles the ways of Buddhists, poets, and philosophers, one learns: What it could mean to chart one's real past, unclouded by emotions How memory can lie to us Why we need not be obsessed with the future How to experience time so that it is not an enemy robbing us of the joy of life How to have more "nonpsychological time," or "time of the heart [that] does not move," such as moments of ecstasy or joy in which time is cut off from the physical world How to experience the gifts of time

Peter Pan, Jacqueline Rose contends, forces us to question what it is we are doing in the endless production and dissemination of children's fiction. In a preface, written for this edition, Rose considers some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.

Acts of Religion, compiled in close association with Jacques Derrida, brings together for the first time a number of Derrida's writings on religion and questions of faith and their relation to philosophy and political culture. The essays discuss religious texts from Jewish, Christian, and Muslim traditions, as well as religious thinkers such as Kant, Levinas, and Gershom Scholem, and comprise pieces spanning Derrida's career. The collection includes two new essays by Derrida that appear here for the first time in any language, as well as a substantial introduction by Gil Anidjar that explores Derrida's return to his own "religious" origins and his attempts to bring to light hidden religious dimensions of the social, cultural, historical, and political.

"I shall speak of ghost, of flame, and of ashes." These are the first words of Jacques Derrida's lecture on Heidegger. It is again a question of Nazism?of what remains to be thought through of Nazism in general and of Heidegger's Nazism in particular. It is also "politics of spirit" which at the time people thought?they still want to today?to oppose to the inhuman.

Derrida's controversial "deconstructions" of Nietzsche's meaning

Until relatively recently, Jacques Derrida was seen by many as nothing more than the high priest of Deconstruction, by turns stimulating and fascinating, yet always somewhat disengaged from the central political questions of our time. Or so it seemed. Derrida's "political turn," marked especially by the appearance of Specters of Marx, has surprised some and delighted others. In The Politics of Friendship Derrida renews and enriches this orientation through an examination of the political history of the idea of friendship pursued down the ages. Derrida's thoughts are haunted throughout the book by the strange and provocative address attributed to Aristotle, "my friends, there is no friend" and its inversions by later philosophers such as Montaigne, Kant, Nietzsche, Schmitt and Blanchot. The exploration allows Derrida to recall and restage the ways in which all the oppositional couples of Western philosophy and political thought--friendship and enmity, private and public life--have become madly and dangerously unstable. At the same time he dissects genealogy itself, the familiar and male-centered notion of fraternity and the virile virtue whose authority has gone unquestioned in our culture of friendship and our models of democracy. The future of the political, for Derrida, becomes the future of friends, the invention of a radically new friendship, of a deeper and more inclusive democracy. This remarkable book, his most profoundly important for many years, offers a challenging and inspiring vision of that future

Jacques Derrida is, in the words of the New York Times , "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, Guardian "Strikingly simpa meditations on friendship, on shared vocations and avocations and on philosophy and history."— Publishers Weekly

In a post-oil America with no electricity, no Internet, dwindling resources, and little civic order, the residents of the small town of Union Grove, New York, must deal with roving bandits and a sinister cult that threatens to shatter the hamlet's stability.

Stated first edition bound in brown cloth. 230 illustrations, 60 in color. 256 pages. 10" x 12" hardcover is in fine condition in a near fine dust jacket. The dust jacket has a partial price clip (the pre-price is clipped but the full price showing $20 is still intact). Price sticker remains at the front panel's upper right corner.

Author autobiography for young readers

Two sailors were keeping watch alone when the governor's men stormed aboard the Vanity. Those two--the legend-inspiring pirate queens Anne Bonney and Mary Reade--fought bravely but called in vain for their shipmates, who sported and drank below deck. Jane Yolen's stirring ballad immortalizes these two daring women and offers readers an intriguing look at life on the high seas.