Ernst Toller (1893-1939) war ein deutscher Dramatiker und Revolutionär. Reproduktion des Originals in neuer Rechtschreibung.

Reproduktion des Originals in Gro druckschrift.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

A beautifully written prose work, Tsing is a multi-layered narrative that combines a wholly fictional novel-within-a-novel with an episodic chronicle of the narrator's present as a traveler to and visiting writer in the United States. Much more than an "ordinary" postmodern text, Tsing is a quiet and moving paean to the narrator's deceased father. Beginning with a series of imagined vignettes involving a father and a daughter, Albahari weaves both real and imagined narrative fragments together with considerable skill. As Albahari's fragments - simple stories about persons approaching each other, spending some time together, and eventually going their separate ways - accumulate, his deft combination of paradox and poetry provides a kaleidoscopic view of memory, love, and loneliness.

The Hibbert Lectures 1892 is a book that contains a series of lectures given by C. G. Montefiore on the origin and growth of religion, as illustrated by the religion of the ancient Hebrews. The lectures explore the history of religion, from its earliest origins to its development in ancient Hebrew culture. Montefiore examines the role of mythology, ritual, and belief in the formation of religious practices and explores the ways in which religion has evolved over time. The lectures also delve into the specific beliefs and practices of the ancient Hebrews, including their views on God, morality, and the afterlife. Overall, the book provides a detailed and insightful exploration of the history of religion and its impact on human culture and society.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Bret Harte was an American author and poet, best remembered for his accounts of pioneering life in California. Harte moved to California in 1853, later working there in a number of capacities, including miner, teacher, messenger, and journalist. His story, "The Luck of Roaring Camp," appearing in The Overland Monthly magazine, propelled Harte to nationwide fame. The Argonauts of North Liberty is a longer tale by Harte. Taking place in a staunchly reserved Presbyterian society, it illustrates in its heroine the revolt of an unruly and unregenerate nature against a Puritan society. North Liberty is a Connecticut town, and the "Argonauts" are a man and woman who migrate to California to begin life again, escaping the strictures of their earlier life, like the "Blue Law" setting of the opening. Once in California, Harte's feel for the time and setting can take full flower.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Edelweiss: A Story , by Berthold Auerbach, is a classic work of 19th-century literature that transports readers to a simpler time and place. Auerbach's narrative is a window into the past, depicting the nuances of village life. This edition allows a new generation to appreciate Auerbach's storytelling. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1896 Excerpt: ...inneren Trommelhöhlenwand nähert, desto deutlicher erscheint die rothe oder rothgelbe Farbe der Trommelhöhlenschleimhaut innerhalb der Perforationsöffnung. Bei grösseren Defecten treten die Details an der inneren Trommelhöhlenwand klarer zu Tasre. Die freiliegende Schleimhaut der Promontorialwand findet sich in verschiedenen Nuancen hell-oder dunkelroth. glatt oder chagrinirt Rohre r). uneben, stellenweise von gelben oder weissen Epidermis-und Exsudatplaques bedeckt, mit einzelnen oder zahlreichen, unregelmässigen Liehtrefiexen übersäet. Ist die Schleimhaut nur wenig aufgewulstet. so können die anatomischen Details der inneren Trommelhöhlenwand deutlich unterschieden werden. Ist sie hingegen durch massenhafte Zelleninfiltration um das Mehrfache ihres normalen Durchmessers verdickt und infiltrirt, und die Vertiefungen der Promontorialwand ausgeglichen, so erscheint sie als ebene oder drusige, rothe Fläche, an der keine Details mehr unterschieden werden können. Perforationen vor dem Hammergriff, die bis nahe zur vorderen Trommelfellperipherie reichen, lassen ausser dem vorderen Abschnitte der inneren Trommelhöhlenwand auch die dunkle Vertiefung des Ost. tymp. tubae erkennen (VII, 9, 10, 13). Ist die hintere Trommelfellhälfte defect, so können je nach der Ausdehnung der Perforationsöffnung das vorspringende Promontorium, über diesem die Ambossstapesverbindung (VII, 21) und unterhalb des Promontoriums und etwas nach hinten von ihm die dunkle Nische des runden Fensters unterschieden werden (VII, 24, 27). Im Verlaufe chronischer Mittelohreiterungen schiessen nicht selten an der inneren Trommelhöhlenwand Granulationen und polypöse Wucherungen auf, die entweder in ei...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

In November 1979, Selma James spoke at the Cheltenham Literary Festival. Her subject was 'Ms Jane Austen', and she was enthusiastically received. Here is what she had to say, much expanded and enriched.

In this series of intricately related texts, internationally known poet, critic, and performance artist David Antin explores the experience of time―how it's felt, remembered, and recounted. These free-form talk pieces―sometimes called talk poems or simply talks―began as improvisations at museums, universities, and poetry centers where Antin was invited to come and think out loud. Serious and playful, they move rapidly from keen analysis to powerful storytelling to passages of pure comedy, as they range kaleidoscopically across Antin's experiences: in the New York City of his childhood and youth, the Eastern Europe of family and friends, and the New York and Southern California of his art and literary career. The author's analysis and abrasive comedy have been described as a mix of Lenny Bruce and Ludwig Wittgenstein, his commitment to verbal invention and narrative as a fusion of Mark Twain and Gertrude Stein. Taken together, these pieces provide a rich oral history of and critical context for the evolution of the California art scene from the 1960s onward.

Bluebirds by Catulle Mendès (1841-1909), here delightfully translated for the first time into English by Brian Stableford, is fascinating, not only because it illustrates a particular evolution within the pattern of the author's own works, but because that pattern reflects a more general one associated with the evolution from the French Romanticism of the first half of the nineteenth century to the Decadent and Symbolist Movements of the fin-de-siècle. Mendès was one of the key figures in the latter phases of that process of development, launching his literary career in the 1860s under the patronage of Théophile Gautier, whose daughter Judith he married--much against her father's wishes--in 1866, and then becoming a leading figure among the "Parnassians" who attempted a renewal and revivification of Romantic ideals, before he entered wholeheartedly into the Decadent Movement launched in the 1880s. The stories in the present collection extend over a linear spectrum, moving by degrees from the affected sentimentality of Romanticism to a darker and somewhat jaundiced world-view that illustrates the Decadent sensibility very well, although all the stories were written in advance of the enormous fashionability that the sensibility in question achieved in the late 1880s.

Experience the wit and social commentary of Arthur Pinero's "The Big Drum, A Comedy in Four Acts," a classic of English drama. This meticulously prepared print edition revives a celebrated work of theater, offering audiences a chance to rediscover Pinero's sharp satire. A master of the comedic form, Pinero uses the play to explore the follies and pretensions of society. "The Big Drum" stands as a testament to the enduring power of well-crafted drama to entertain and provoke thought. This edition brings this important piece of English literary history back into circulation, perfect for students, theater enthusiasts, and anyone who appreciates the art of the play. Dive into this timeless comedy and witness Pinero's skill in crafting memorable characters and insightful social observations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.